For Piano Trio. Composed by Emily Howard. Piano Trio; Single Titles; Trio. P...(+)
For Piano Trio. Composed
by
Emily Howard. Piano Trio;
Single Titles; Trio.
Peters
Contemporary Chamber
Series.
Classical; Contemporary.
Score
and Part(s). 16 pages.
Edition
Peters #98-EP73325.
Published
by Edition Peters
Gran Torso Quatuor à cordes: 2 violons, alto, violoncelle Breitkopf & Härtel
String Quartet (2vl,va,vc) SKU: BR.KM-2261 Music for String Quartet(+)
String Quartet
(2vl,va,vc)
SKU:
BR.KM-2261
Music
for String Quartet.
Composed by Helmut
Lachenmann. This edition:
2 Violins, Viola, Cello.
Chamber music; Folder.
Kammermusik-Bibliothek
(Chamber Music Library).
World premiere: Bremen
(pro musica nova), May 6,
1972Have a look into KM
2261. Music post-1945;
New music (post-2000).
Set of parts. Composed
1971/78/88. 112 pages.
Duration 23'. Breitkopf
and Haertel #KM 2261.
Published by Breitkopf
and Haertel (BR.KM-2261).
ISBN 9790004501658.
16.5 x 11.5
inches.
Gran Torso,
for string quartet, was
composed in 1971 and
revised in 1978. It
belongs to a series of
works, including Air,
Kontrakadenz, Pression
and Klangschatten, whose
concept of material
attempts to free itself
from convention. That is,
instead of using the
sound itself as a point
of departure, structural
and formal hierarchies
are derived from the
mechanical and physical
conditions present during
the process of sound
production. It is clear
that such a radical break
with tradition is not
easily achieved: the
instrument, the given
means, the resonating
body itself (as the
embodiment of convention)
all work against such
attempts (with the
extended performance
techniques representing
only the tip of the
iceberg of deep-seated
contradictions where the
bourgeois artist is
concerned). Implicit in
such a challenge,
however, is a claim to
aesthetic pregnance: an
offer, if one would have
it, of uncomprosing
beauty.(Helmut
Lachenmann,
1978)CDs/LPs:Berner
StreichquartettCD col
legno 0647 277Berner
StreichquartettLP col
legno 5504Societa
Cameristica ItalianaLP
ABT ERZ 1003Arditti
String QuartetCD KAIROS,
0012662KAIstadler
quartettCD NEOS 10806The
JACK QuartetCD mode
267Stadler Quartett, Rg.
Caroline SiegersDVD NEOS
51001Bibliography:Alberma
n, David: Abnormal
Playing Techniques in the
String Quartets of Helmut
Lachenmann, in: Helmut
Lachenmann Music with
matches, hrsg. von Dan
Albertson, Contemporary
Music Review 24 (2005),
Vol. 1, pp.
39-51.Dulaney, Maxwell:
Continuing the Tradition
Untraditionally: Helmut
Lachenmann's
Restructuring of Musical
Dialectic through an
Analysis of his Three
String Quartets, and an
Original Composition,
Harmonic Concerto, Diss.
Brandeis University, MI
2013.Egger, Elisabeth:
Kontinuitat, Verdichtung,
Synchronizitat. Zu den
grossformalen Funktionen
des gepressten
Bogenstrichs in Helmut
Lachenmanns
Streichquartetten, in:
Musik als
Wahrnehmungskunst.
Untersuchungen zu
Kompositionsmethodik und
Horasthetik bei Helmut
Lachenmann, hrsg. von
Christian Utz und Clemens
Gadenstatter (=
musik.theorien der
gegenwart 2),
Saarbrucken: Pfau 2008,
pp. 155-171.Hermann,
Matthias: Helmut
Lachenmann - Gran Torso,
in: Analyse Musik XX.
Jahrhundert (2).
Postserielle Konzepte
Klangflachen Aleatorik (=
Materialien zur
Musiktheorie 4),
Saarbrucken: Pfau 2002,
pp. 134-152.Hiekel, Jorn
Peter: Die
Streichquartett Gran
Torso und Grido von
Helmut Lachenmann, in:
Lucerne Festival, Sommer
2005 Neuland,
Konzertprogramm 6, pp.
65-69.Houben, Eva-Maria:
Helmut Lachenmann: Gran
Torso ..., in: dies.,
Musikalische Praxis als
Lebensform (= Musik und
Klangkultur 27),
Bielefeld: Transcript
2018, S. 208-212Lehmann,
Harry: Erhabenheit -
Ereignis - Ambivalenz.
Zur Asthetik der Neuen
Musik, in: Neue
Zeitschrift fur Musik 176
(2015), Heft 5, pp.
22-27.Mosch, Ulrich:
Kunst als Medium der
Ungeborgenheit.
Streichquartette und
soziale Funktion des
Komponierens bei Helmut
Lachenmann, in:
Positionen 81 (November
2009), pp. 37-39.ders.:
Was heisst Interpretation
bei Helmut Lachenmanns
Streichquartett ,,Gran
Torso?, in: Wessen
Klange? Uber Autorschaft
in neue Musik, hrsg. Von
Hermann Danuser und
Matthias Kassel (=
Veroffentlichungen der
Paul Sacher Stiftung 12),
Mainz u.a.: Schott 2017,
S. 163-186Nonnenmann,
Rainer: Werke als
Schlussel zu Werken? Zur
umstrittenen Kategorie
,,Schlusselwerke der
neuen Musik, in:
MusikTexte, Heft 147
(November 2015), pp.
35-46.Stork, Astrid:
Materialbegriff und
Strukturdenken.
Untersuchungen zu den
Streichquartetten von
Helmut Lachenmann,
Magisterarbeit
Ruhr-Universitat Bochum
1992Tsao, Ming: Helmut
Lachenmann's Sound Types,
in: Perspectives of New
Music 52 (2014), Heft 1,
pp. 217-238.Velazquez,
Rossana Lara: Composicion
y escucha burguesa:
Principios de continuidad
y ruptura en el cuarteto
Gran Torso de Helmut
Lachenmann, Diss.
Universidad Nacional
Autonoma de Mexico
2011.Zenck, Martin: Die
mehrfache Codierung der
Figur: Ihr defigurativer
und torsohafter Modus bei
Johann Sebastian Bach,
Helmut Lachenmann und
Auguste Rodin, in: de
figura. Rhetorik Bewegung
Gestalt, Text und Bild,
hrsg. von Gabriele
Brandstetter und Sibylle
Peters, Munchen 2003, pp.
265-288.
World
premiere: Bremen (pro
musica nova), May 6,
1972.
Piano Accompaniment; Violin - difficult SKU: HL.49044134 Violin and Pi...(+)
Piano Accompaniment;
Violin - difficult
SKU: HL.49044134
Violin and Piano
Reduction. Composed
by Peter Eö, s, and
tvö. This edition:
Saddle stitching. Sheet
music. String Solo.
Classical, Contemporary.
Softcover. Composed
2011-2012. 74 pages.
Duration 24'. Schott
Music #ED21594. Published
by Schott Music
(HL.49044134).
ISBN
9790001192880. UPC:
888680097493.
9.0x12.0x0.251
inches.
Die
Struktur musikalischer
Hierarchien in drei
Satzen: 'Do' fur die
westliche, 'Mi' fur die
ostliche, pentatonische
Musikkultur, 'Re' im
Wechsel. Eotvos baut in
seinem zweiten
Violinkonzert komplexe
Weltbilder; gewidmet ist
das Werk der Geigerin
Midori.
SKU: HL.49015599 Composed by Lucinde Braun. This edition: Hardback/Hard C...(+)
SKU: HL.49015599
Composed by Lucinde
Braun. This edition:
Hardback/Hard Cover.
Book. Edition Schott.
Eine umfassende
Darstellung des Goldenen
Zeitalters der russischen
Musik mit deutscher
Erstveroffentlichung
zahlreicher Quellen. Ein
umfangreicher Anhang
bietet bisher unbekannte
Quellentexte,
Premierendaten und
Auffuhrungsstatistiken.
Classical. 419 pages.
Schott Music #ED 8978.
Published by Schott Music
(HL.49015599).
ISBN
9783795703547.
German.
Als
Alexander III. 1881 den
Zarenthron bestieg,
begann fur die russische
Oper eine neue, oft als
Goldenes Zeitalter'
bezeichnete Epoche, in
der Cajkovskij zum
fuhrenden Komponisten
aufstieg. Die vom Zaren
eingeleitete Reform der
Kaiserlichen Theater, zu
denen seinerzeit in
Petersburg italienische
und russische Oper,
Ballett sowie russisches,
deutsches und
franzosisches Drama
gehorten, fuhrte zu einer
nachhaltigen
Umstrukturierung der
Theaterhierarchie. Die
russische Oper holte in
kurzester Zeit
Entwicklungen nach, wie
sie fur die Pariser Grand
opera' charakteristisch
waren. Die Arbeit
beleuchtet Institutionen
und Auffuhrungspraxis,
die Auseinandersetzung
der russischen
Komponisten mit der Grand
opera und mit Richard
Wagner und die
zeitgenossischen Werke im
Kontext der genannten
Reformen. Ein
umfangreicher Anhang
bietet bisher unbekannte
Quellentexte,
Premierendaten und
Auffuhrungsstatistiken.
p>
Viola(s) solo SKU: BR.EB-8995 Composed by Barbara Maurer. Edited by Barba...(+)
Viola(s) solo
SKU:
BR.EB-8995
Composed
by Barbara Maurer. Edited
by Barbara Maurer. Solo
instruments; Softbound.
Edition Breitkopf. New
music (post-2000); Music
post-1945. Score.
Composed 2020. 140 pages.
Breitkopf and Haertel #EB
8995. Published by
Breitkopf and Haertel
(BR.EB-8995).
ISBN
9790004187241. 9 x 12
inches.
In 2012,
1024, and 2016 under the
title 'Viola Project,' I
invited violists and
composers to the
Hochschule fur Musik und
Tanz Koln [College for
Music and Dance in
Cologne] with the
objective: 'Be there when
it is composed! Be there
when it is rehearsed!'
Composers write for
violists - and violists
can influence this. The
old hierarchy
'superordinate composer'
and 'subordinate
performer' are
increasingly giving way
to a new partnership in
which composers and
performers recognize that
they need each other and
work towards the same
goal in mutual respect
and exchange. This
partnership was used and
practiced in the viola
project. Sometimes I got
hot all over when
together we tried out one
draft after another.
Whether then that can go
well? Just as young
composers composing
'before witnesses,' we
violists sight read and
tried out their ideas,
sketches, music. (Barbara
Maurer).
Piano/Keyboard SKU: SU.12800062 For Piano/Keyboard. Composed by Jo...(+)
Piano/Keyboard
SKU:
SU.12800062
For
Piano/Keyboard.
Composed by Johann
Sebastian Bach. Keyboard,
Piano/Harpsichord. Score.
Subito Music Corporation
#12800062. Published by
Subito Music Corporation
(SU.12800062).
Goldberg
Variations, BWV 988
(3-page Preface, 63
pages, edited for piano,
no fingerings). This
attractive Urtext of
Bach’s popular
variation cycle is not
only extremely
user-friendly and
extra-legible, but in
addition, presents
groundbreaking
performance practice
research that explains
Bach’s
never-before-revealed
plan of tempo
relationships between
variations. This
discovery is highly
significant with regards
to the tempi chosen for
the 30 variations in a
complete performance. The
first edition from 1741,
engraved by Bach himself,
shows fermatas after
some, but not all,
variations. Most editors
assume this was an
oversight by Bach, and
thus, add fermatas where
they do not belong.
Virtually all editions of
our time add fermatas
where Bach did not
indicate them. Perhaps
the only edition that
correctly reproduces
Bach’s fermata
indications is Peters
(ed. Kurt Soldan, 1937).
Mapping out Bach’s
fermata plan for the
complete cycle reveals an
ingenious and fascinating
symmetrical arrangement
of pairs and groups of
variations unified by
direct tempo
relationships.
Bach’s tempo plan
has never yet been
honored by commercial
artists because they have
been steeped in false,
19th-century tempo
traditions, they have
been too influenced by
Glenn Gould, and they
have never been made
aware of Bach’s
use of fermatas due to
faulty editions.
Bach’s master plan
is beautifully laid out
and all the tempo
relationships are
explained in the
three-page Preface, which
also contains a tempo
hierarchy matrix relevant
to Bach performance as
well as Bach’s
well-known Table of
Ornaments. This edition
is ideal for pianists
from the
late-intermediate levels
and higher as well as
concert artists,
scholars, and teachers
who seek an informative
edition of the Goldberg
Variations for the
concert hall or teaching
studio. Piano/Keyboard
Published by:
BachScholar.
Spanish Edition Adult Piano Adventures Course Book 1. Faber Piano Adventures. ...(+)
Spanish Edition Adult
Piano
Adventures Course Book 1.
Faber Piano Adventures.
Method, Spanish Edition.
Softcover. Faber Piano
Adventures #IEFF1302ES.
Published by Faber Piano
Adventures
Guitar SKU: FG.55011-899-7 Composed by Paavo Korpijaakko. Classical, cont...(+)
Guitar
SKU:
FG.55011-899-7
Composed by Paavo
Korpijaakko. Classical,
contemporary. Score.
Fennica Gehrman
#55011-899-7. Published
by Fennica Gehrman
(FG.55011-899-7).
ISBN
9790550118997.
Paav
o Korpijaakko's (b. 1977)
guitar sonata Kimberley
was composed in 2006 and
dedicated to Petri
Kumela. It is
Korpijaakko's fist piece
for the guitar, and the
composers gives credit to
the commissioner, who
untiringly and
long-sufferingly solved
the challenges posed by
the musical ideas and
conjured forth timbral
shades. Including a
tribute to Debussy, a
playful scherzo and some
shameless flirting with a
flamenco the four
movement sonata arrives
at a spectacular
conclusion.
Durati
on:
21'
Korpijaakko
studied at the Tampere
Conservatory
1997â2007, majoring
in composition from 2001
onwards. For most of the
time he was a pupil of
Jouni Kaipainen, but he
was also taught by Juhani
Nuorvala and Hannu
Pohjannoro. Korpijaakko
stresses the importance
of harmony, resonant
material and harmonic
hierarchy, by which he
means harmony as a
fundamental progressive
element of the piece. His
aim in handling his
motifs is to use his
material sparingly. In
this respect he
specifically wants to be
a kindred spirit to
Beethoven. Everything
that will later appear in
the work must be derived
from the core thematic
and harmonic elements
â or whatever one
likes to call them. Most
important is, however, to
create a steady stream of
interesting music.
25 Hits, from Acoustic to Punk, to Nu-Metal & Beyond. Composed by variou...(+)
25 Hits, from Acoustic to
Punk, to Nu-Metal &
Beyond.
Composed by various
artists
and composers. This
edition:
Guitar TAB. Book; Guitar
Mixed Folio; Guitar TAB;
Solo Guitar TAB (EZ/Int).
Pop; Rock. 120 pages.
Published by Alfred Music