For Piano. By Lowell Liebermann. Solo piano. For Piano Solo. Premiered by David ...(+)
For Piano. By Lowell
Liebermann. Solo piano.
For Piano Solo. Premiered
by David Syme on November
21, 1986 at the Terrace
Theater, John F. Kennedy
Center for the Performing
Arts, Washington, DC.
Solo part. Opus 20. 7
pages. Published by
Theodore Presser Company.
Piano (Piano Solo) SKU: HL.354338 For Solo Piano. Composed by Rich...(+)
Piano (Piano Solo)
SKU: HL.354338
For Solo Piano.
Composed by Richard
Wilson. Peermusic
Classical. Classical.
Softcover. Duration 600
seconds. Peermusic
Classical #70303-501.
Published by Peermusic
Classical (HL.354338).
ISBN 9781705107669.
UPC: 840126936964.
9.0x12.0x0.109
inches.
Richard
Wilson was born in
Cleveland on May 15,
1941. He studied piano
with Roslyn Pettibone,
Egbert Fischer, and
Leonard Shure, andcello
with Robert Ripley and
Ernst Silberstein. After
beginning composition
studies with Roslyn
Pettibone and Howard
Whittaker, he went on in
1959 to Harvard, studying
with Randall Thompson,
G.W. Woodworth, and
principally with Robert
Moevs, and graduating in
1963 magna cum laude.
Awarded the Frank
Huntington Beebe Award
for study abroad, he
continued studying piano
with Friedrich Wührer
in Munich, and
composition, again with
Moevs, in Rome, where he
also gave piano recitals.
Wilson joined the faculty
of Vassar College in
1966. He was appointed to
the Mary Conover Mellon
Professorship of Music
there in 1988, and he has
served three times as
chairman of the
Department of Music.
Wilson has been
commissioned by the San
Francisco Symphony, the
American Symphony, the
New Juilliard Ensemble,
the Koussevitzky
Foundation, the Fromm
Foundation, Chamber Music
America, the Chicago
Chamber Musicians, the
Walter W. Naumburg
Foundation, and the
Library of Congress. His
works have been heard in
such American musical
centers as New York,
Philadelphia, Washington,
Boston, Cleveland, and
Los Angeles and at the
Aspen Music Festival, but
also in London, Berlin,
Frankfurt, Zurich, Milan,
Amsterdam, Graz,
Leningrad, Stockholm,
Tokyo, Bogota, and a
number of Australian
cities. The recipient in
1992 of a Guggenheim
Fellowship, he was
awarded the Elise L.
Stoeger Prize of the
Chamber Music Society of
Lincoln Center in 1994,
the Academy Award from
the American Academy of
Arts and Letters in 2004,
and has served as
composer in residence
with the American
Symphony Orchestra since
1992. Wilson has been
praised by 21st Century
Music as a
“splendidly
talented and highly
accomplished composer
whose music rewards
seeking out†and by
the New York Sun as
“possessed of a
hard-won idiom that has
grown and developed over
the years into a probing
blend of wit, classic
form, modern harmony, and
impressionistic
color.†Writing in
the New Yorker, Andrew
Porter called his String
Quartet No. 3 a
“richly wrought and
unusual
composition,†while
the New York Times called
it “a work of
substance and
expressivity ... [that]
merits a place in the
active
repertory.â€.
Solo Piano and Jazz
Band 2-Piano Score and
Critical Report.
Composed by George
Gershwin. Edited by Ryan
Paul Bañ and agale.
Edition Schott.
Classical. Softcover. 110
pages. Duration 1020
seconds. Schott Music
#GIGE2102. Published by
Schott Music
(HL.49047271).
Full Score and Critical Report Jazz Ensemble; Piano (FULL SCORE) SKU: HL.4904...(+)
Full Score and Critical
Report Jazz Ensemble;
Piano (FULL SCORE)
SKU: HL.49047270
Solo Piano and Jazz
Band Full Score.
Composed by George
Gershwin. Edited by Ryan
Paul Bañ and agale.
Edition Schott. Jazz.
Softcover. 112 pages.
Duration 1020 seconds.
Schott Music #GIGE2101.
Published by Schott Music
(HL.49047270).
Edited by Amy Appleby. Collection and examples CD for voice and piano. Over 180 ...(+)
Edited by Amy Appleby.
Collection and examples
CD for voice and piano.
Over 180 hits and
showstoppers by the
master songwriters of
yesteryear. 399 pages.
Published by Music Sales.
Chamber Music Flute, Piano, Piccolo SKU: PR.114418820 For Piccolo, Flu...(+)
Chamber Music Flute,
Piano, Piccolo
SKU:
PR.114418820
For
Piccolo, Flute, and
Chamber Orchestra (or
Piano), TWV 52:e1.
Composed by Georg Philipp
Telemann. Arranged by
Valerie Shields Zart
Dombourian-Eby. Set of
Score and Parts. With
Standard notation.
32+12+12 pages. Duration
14 minutes. Theodore
Presser Company
#114-41882. Published by
Theodore Presser Company
(PR.114418820).
ISBN
9781491113998. UPC:
680160667697.
Compo
sed by Telemann as a
double concerto for
recorder and transverse
flute, Zart
Dombourian-Eby’s
new edition is prepared
for piccolo, flute, and
piano — remaining
compatible with available
orchestral editions, and
respectfully faithful to
Telemann’s
detailed nuances. Cast in
the slow-fast, slow-fast
four-movement mold
typical of Baroque
concert works, the
CONCERTO IN E MINOR is at
once among the most
beautiful and
exhilarating works of
Telemann’s
formidable
output.__________________
____________________Text
from the scanned back
cover:ZART DOMBOURIAN-EBY
is the Principal
Piccoloist of the
SeattleSymphony and is
regularly featured as
both a soloist and
clinician in Seattle and
across the world. Her
performances consistently
receive highest praise
from both critics and
audiences. A native of
New Orleans, she received
B.A. and M.M. degrees
from Louisiana State
University. After a year
of study with Albert
Tipton she attended
Northwestern University
earning a Doctor of Music
degree under the tutelage
of Walfrid Kujala. She
has been a member of the
New Orleans Pops, Baton
Rouge Symphony, Colorado
Philharmonic, and the
Civic Orchestra of
Chicago. She has
performed with the
Chicago Symphony and
served on the faculties
of the University of
Washington and Pacific
Lutheran University. She
was the founding editor
of Flute Talk and ison
the Editorial Board for
The Flutist Quarterly.
Zart is the immediate
past president of the
National Flute
Association, and been a
featured soloist and
presenter at numerous NFA
conventions. Zart has
commissioned numerous
works, including two for
piccolo and piano by
Martin Amlin, sonatas by
Gary Schocker and Levente
Gyongyosi, and a chamber
work by Ken Benshoof. She
can be heard in over 100
recordings by the Seattle
Symphony, and her solo
CD, in shadow, light, is
available on Crystal
Records. Her
award-winning edition of
the three Vivaldi piccolo
concertos is published by
Theodore Presser.A native
of Seattle, VALERIE
SHIELDS received her B.M.
summa cum laude in organ
and violin from St. Olaf
College. While completing
her M.M. from
Northwestern University,
she became increasingly
interested and skilled in
the art of improvisation.
She served as Director of
Music at St.
Luke’s Lutheran
Church in Park Ridge,
Illinois, where she
developed a music program
involving over 150
participants in choirs
and chamber music
groups.Upon her return to
Seattle, she served for
12 years as director of
adivision of the
Northwest Girlchoir. She
became organist and
developed a vibrant Youth
Choir at Phinney Ridge
Lutheran Church, where
she served for over 30
years, as well as
enjoying a 20-year tenure
as Music Director and
Composer-in-Residence of
Temple De Hirsch Sinai.
Valerie’s work
with children’s
choirs,churches, and
synagogues has inspired
over 100 published
compositions. When I
was invited to perform a
Vivaldi piccolo concerto
in Italy a few years ago,
my host, Luisa Sello,
wrote that Carol Wincenc
was going to be on the
same concert, and was
there any piece that we
could play together? I
looked and asked around,
and my colleague Joanna
Bassett recommended the
Telemann Concerto in E
Minor for Traverso and
Recorder. I didn’t
know the piece, but as I
listened to a recording
of it, I immediately
loved it and could easily
envision how beautifully
it could work, with a few
“adjustments,â€
for flute and piccolo.
I got to work, and the
current publication is
the result. I have
performed it many times,
and enjoy it even more
every time. It fits a
unique place in our
repertoire, and works
equally well with piano
as with the string
orchestra
setting.According to
Steven D. Zohn,
pre-eminent Telemann
scholar, and author of
Music for a Mixed Taste:
Style, Genre, and Meaning
in Telemann’s
Instrumental Works, much
is unknown about the
concerto itself; it
likely dates from the
1720s, soon after
Telemann moved to
Hamburg. Only an
eighteenth-century
copyist’s set of
parts is extant, that of
Johann Samuel Endler, who
was engaged at the
Darmstadt court as a
singer and violinist,
later becoming
Vice-Kapellmeister and
Kapellmeister, and who
had a large collection of
Telemann’s
works.As in my Vivaldi
concertos edition
(Presser 414-41190), I
have added virtually all
of the articulations and
dynamics that appear
here, and have inserted
quite a bit of
ornamentation. Unlike the
Vivaldi edition, I have
not included any
indication of the
original Telemann in
those passages, nor have
I included any
pedagogical markings,
such as
fingerings.Finally, I
would like to
acknowledge, with
gratitude, Joanna
Bassett, Daniel Dorff,
Benton Gordon, Evan
Pengra-Sult, Sandra
Saathoff, Valerie
Shields, Carol Wincenc,
and Steven Zohn, for the
various roles they played
in the making of this
publication.— Zart
Dombourian-EbyJune
2018.
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
Guitarra Liturgia Guitare [Conducteur] - Intermédiaire OR-TAV Music Publications
Guitar - Intermediate SKU: OT.26114 Composed by Ariel Lazarus. A short su...(+)
Guitar - Intermediate
SKU: OT.26114
Composed by Ariel
Lazarus. A short suite
for classical guitar
based on themes from the
Spanish and Portuguese
tradition. Classical.
Score. OR-TAV Music
Publications #26114.
Published by OR-TAV Music
Publications (OT.26114).
ISBN 9789655051049.
8.27 x 11.69
inches.
Ariel
Lazarus Guitarra
Liturgia Two pieces
based on music from the
Spanish and Portuguese
tradition.
Contents: Jerusalem
de Sefarad - Suite for
Guitar Contrapunto
Sefardi The composer
writes: For many
years I wanted to compose
a piece for guitar which
would inspire interested
students to expand their
repertoire in the
direction of Jewish
music. The most natural
thing for me was to write
a suite based on themes
from the synagogue in
which I grew up –
the Spanish and
Portuguese synagogue of
Gibraltar. My beloved
grandfather served all
his life as hazzan
(cantor) of this
synagogue, and I always
felt as a composer and
educator that I had a
special obligation to
continue his tradition
and pass it on to a new
generation. In this
composition, I let the
guitar echo the piyyutim
(semi-liturgical poems)
that were part of my
childhood: Adon Olam,
Sh'charchoret, Achot
K'tana, Yigdal, Borei ad
Ana, all of which are
sung in the Spanish and
Portuguese tradition from
Gibraltar to London, and
from New York to
Jerusalem. I let myself
dream the piyyutim, take
them apart and
reconstruct them as a
short suite for guitar,
the results of which you
are invited to hear here.
As a conceptual idea for
the suite, I choose to
suggest about the
cultural continuation
between the Diaspora and
the land of Israel by way
of referencing the
well-known melody of
Naomi Shemer, which is
also popular among the
hazzanim. Dr. Ariel
Lazarus is a unique voice
among Israeli
composer-performers
today. Brought up in a
family with Jewish
musical roots both in
Gibraltar and Westphalia,
he began composing and
playing the guitar in his
teens, and has been
committed to developing
his own compositional
language ever since,
always maintaining an
open dialogue with his
traditions. Lazarus
received his BMus and
MMus degrees from
Oklahoma City University
in classical guitar
performance and
composition where he
studied with American
composer Dr. Edward
Knight. He earned his PhD
from Bar Ilan University,
studying composition with
Prof. Betty Olivero and
Prof. Gideon Lewensohn
and conducting research
under the supervision of
Prof. Edwin Seroussi from
the Hebrew University.
His symphonic works have
been premiered by the
Raanana Symphonette
Orchestra, and his
chamber works have been
performed by various
ensembles in the United
States, Central Europe,
Portugal, Gibraltar,
Scandinavia and Israel.
Lazarus performs
regularly as Art
Ambassador on behalf of
the Israeli Ministry of
Diaspora affairs Amiel
BaKehila program. His
solo album A Hebrew
Capriccio was released by
the German boutique label
SmoothFactor and was
awarded critical acclaim,
among others, in Haaretz,
and Neue Westfalishe.
Dr. Lazarus is the
musical director and
co-founder of the Israeli
Ladino Orchestra. His
work with the orchestra
has been recognized by
the official Carta de
España. He teaches at
the Academic College for
Education Givat
Washington, and the Rimon
School of Music.
Lazarus’s work has
been awarded by the
Israeli Pais Art council
and ACUM.
Award-Winning
Fingerstyle Guitar
Solos. Composed by Al
Petteway.
Saddle-stitched, Solos.
All styles. Book. With
transcribed solos. 76
pages. Mel Bay
Publications, Inc #95552.
Published by Mel Bay
Publications, Inc
(MB.95552).
ISBN
9780786605828. UPC:
796279026826. 8.75 x
11.75 inches.
Master guitarist
Al Petteway ventures into
new territory with 15
Celtic-inspired,
traditional, and New Age
fingerstyle compositions
in standard and alternate
tunings. Derived from
Alâ??s award-winning
solo recording of the
same title, each piece
bears the inimitable
Petteway signature of
profoundly graceful,
inspired innovation.
Written in standard
notation and tab with
several pieces in
alternate tunings. Al
began his professional
music career at the age
of 11. He played guitar,
drums, and string bass
with a variety of rock
and folk acts in the
Washington D.C. area
during the 60â??s,
becoming a local legend
by the time he went to
college to study music
composition in 1970. In
1977, Al took a job with
The National Geographic
Society. His work as
Supervisor of Picture
Editing for the
societyâ??s Image
Collection, gave him the
artistic freedom to
develop his own acoustic
guitar style. While long
recognized as one of the
countryâ??s foremost
bluegrass and folk
sidemen, Celtic music
specialty label
Maggieâ??s Music signed
Al in 1993 and released
Whispering
Stones following by
The Waters and the
Wild-exposing his
solo acoustic guitar work
to an international
audience for the first
time. Al left the
National Geographic to
become a full-time
musician in the spring of
1995, just before the
release of Midsummer
Moon.
Choir Sacred Choir SATB, Organ (SATB choir) SKU: PE.EP73460 Composed by A...(+)
Choir Sacred Choir SATB,
Organ (SATB choir)
SKU: PE.EP73460
Composed by Alexander
Levine. Edited by Henry
Vaughan. Choral Works
(Sacred). Edition Peters.
Choral Octavo. 24 pages.
Edition Peters
#98-EP73460. Published by
Edition Peters
(PE.EP73460).
ISBN
9790577019512. 297 x
210mm inches.
English.
The
text comes from the pen
of the
seventeenth-century Welsh
poet Henry Vaughan, a
leading metaphysical
voice during the
Commonwealth period
(1649-1660), when the
republican government of
Oliver Cromwell banned
the Anglican
Church.
Christ's
Nativity wa
s commissioned by the
Cathedral Choral Society
of Washington D.C. with
support from the Richard
Wayne Dirksen Memorial
Endowment Fund. The
selected lyrics by Welsh
poet Henry Vaughan
fascinated me immensely
and therfore prompted me
to think about a specific
musical environment for
the piece, best suited
for merging the music
into this wonderful
poetic landscape. This
poetry brings about a
strong mixture of the
Evangelical mystery of
Christ's Nativity,
mystically evoked by
Nature, and at the same
time reveals the optimism
and drama of an ordinary
individual that any human
being can easily identify
with.
Guitar SKU: FZ.5877 Serie I - France 1600-1800. Edited by Caroline...(+)
Guitar
SKU:
FZ.5877
Serie I -
France 1600-1800.
Edited by Caroline
Delume. This edition:
Facsimile. Methodes &
Traites. Score. Published
by Anne Fuzeau
Productions - France
(FZ.5877).
ISBN
9790230658775. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in two books.
ANCELET - Abbe Joseph
CARPENTIER (1-2) -
Francisque CORBETTA -
Michel CORRETTE - Robert
DE VISEE - Nicolas
DEROSIERS - DON*** -
Encyclopedie -
Francois-Alexandre-Pierre
de GARSAULT - Francois
LECOCQ - Joseph-Bernard
MERCHI (1) - Marin
MERSENNE - Pierre
TRICHET. Table of
contents: Mersenne Marin:
Harmonie Universelle -
1636. Trichet Pierre:
Traite des instruments -
c. 1640. Corbetta
Francisque: La guitarre
royale - 1671. De Visee
Robert: Livre de guitarre
- 1682. Derosiers
Nicolas: Les principes de
guitarre - c. 1690. Le
Cocq Francois: Recueil
des pieces de guitare -
1729. Encyclopedie:
Encyclopedie ou
Dictionnaire raisonne des
sciences - 1751/1772.
Ancelet: Observations sur
la musique - 1757.
Don***: Methode pour
apprendre a jouer - 1760.
Garsault
Francois-Alexandre-Pierre
de: Notionnaire ou
memorial raisonne - 1761.
Merchi Joseph-Bernard: Le
guide des ecoliers - c.
1761. Corrette Michel:
Les dons d'Apollon -
1762. Carpentier Joseph:
Methode pour apprendre,
1e partie - 1771.
Carpentier Joseph:
Methode pour apprendre,
2e partie - 1773.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - National
Library of Paris
(France). - Sainte
Genevieve Library of
Paris (France). - British
Library of London
(England). - Nederlands
Muziek Instituut of the
Hague(Netherlands). -
Royal Conservatory
Library of Brussels
(Belgium). - Library of
Congress of Washington
(USA). - Bayerische
Staatsbibliothek of
Munich (Germany). - In
Private collection. Anne
Fuzeau Classique propose
the complete theoretic
documentation, methods,
classical music scores on
the guitar.
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
Instrumental Parts Choral SKU: HL.35009229 Composed by Donald Miller. Ins...(+)
Instrumental Parts Choral
SKU: HL.35009229
Composed by Donald
Miller. Instrumental
parts. Shawnee Press.
Patriotic. Parts. Shawnee
Press #MP0273. Published
by Shawnee Press
(HL.35009229).
UPC:
888680940713.
8.5x11.0x0.064
inches.
Chosen as
the 2009 recipient of the
George Washington Medal
of Honor awarded by the
Freedoms Foundation of
Valley Forge, this
composition is the only
musical setting of the
inscription on the Tomb
of the Unknot Soldier in
Arlington Cemetery. Here
Rests in Honored Glory
exemplifies the essence
of the National Awards by
promoting an
understanding and
appreciation for our
country's rich heritage
and unique freedoms.
Beginning in 2010,
according to the Curator
of the Normandy France
Museum, a CD of the work
is played each June 6th
in honor of D-Day. On
December 28, 2018,
Governor Andrew Cuomo
signed into law a bill
making Here Rests in
Honored Glory the
Official New York State
Hymn of Remembrance for
all American
Veterans.
Organ - Advanced SKU: MN.12-128 Composed by Harold Stover. Non Hymn-Based...(+)
Organ - Advanced
SKU:
MN.12-128
Composed by
Harold Stover. Non
Hymn-Based, Recital
Music. General.
Instrumental part.
MorningStar Music
Publishers #12-128.
Published by MorningStar
Music Publishers
(MN.12-128).
UPC:
688670121289.
The
three movements that make
up Nocturnes, Book I are
programmatic pieces that
take as their points of
departure a painting, the
rhythms of a great city,
and a poem. 1. The Starry
Night is a written down
improvisation based on
Vincent van Goghs famous
picture of the same name.
The tonal material is a
quite literal
transformation of the
visual elements of the
painting: the melismatic
cadenzas mirror van Goghs
swirling starlight, and
the powerful chords were
suggested by the sinister
trees that shoot upward
to puncture the skys
patterns. 2. Stovers Rag
is a product of the
ragtime revival of the
early 1970s, when many
composers tried their
hand at writing concert
rags. The New York night,
which was not without its
sinister element in those
days, is expressed in an
updating of the classic
ragtime format. The piece
looks backward as well,
with the old French
Baroque basse de
trompette making an
appearance in the trio
section. 3. The Song of
Shadows taps the
nostalgic mood typical of
the poetry of Walter de
la Mare. The poem of the
same name pictures a lone
musician on a winter
night, an dog sleeping
before a sinking fire,
and, at the end, the
spirits that are summoned
by music. The opening
melody, played on an 8
flute with tremulant,
suggests the blues-tinged
sound of an alto
saxophone, and throughout
the movement the organs
capacity for sustained
tone is used to suggest
and atmosphere of dreamy
timelessness. The pieces
were written in 1971 and
first performed on July
2, 1972 at the National
Shrine of the Immaculate
Conception in Washington,
DC, with the composer at
the console.