Mixed Trios. By Various. Arranged by Daniel Kelley. For Clarinet in Bb. Trios. Music for Three. Late 19th/Early 20th Century Favorites. Level: Intermediate/Advanced. Part 1. Published by Last Resort Music Publishing.

Compiled and arranged by Dona Gilliam and Mizzy McCaskill. For Flute. solos. Classic. Level: Beginning. Book/CD Set. Size 8.75x11.75. 52 pages. Published by Mel Bay Publications, Inc.

Collection. Published by ABRSM (Associated Board of the Royal Schools of Music)

(1923) Piano: Left Hand. By Paul Hindemith. (Score). Schott. Book only. Size 8.25x11.75 inches. 74 pages. Published by Schott.

Piano, 4 Hands

SKU: BT.DMP107148

Composed by Annette Kruisbrink. Book Only. Digital Music Print #DMP107148. Published by Digital Music Print (BT.DMP107148).

Violin and Piano

SKU: BT.EMBZ2524

Composed by Bela Bartok. EMB Music of Bela Bartok. Exam Material. Book Only. Composed 1957. 6 pages. Editio Musica Budapest #EMBZ2524. Published by Editio Musica Budapest (BT.EMBZ2524).

English-German-Hungari an.

An Evening in the Village was composed in 1908 as no. 5 of the Ten Easy Piano Pieces. It has become one of Bartók s favorite works, which the composer himself was fond of playing at recitals. As he explained in an American interview, it was an original composition that is ... with themes of my own invention but ... the themes are in the style of the Hungarian-Transylvanian folk tunes. There are two themes. The first one is a parlando-rubato-rhythm and the second one is more in a dance-like rhythm. The second one is more or less the imitation of a peasant flute playing. Bartók also orchestrated the piece in 1931 as no. 1 of Hungarian Sketches.

Personae IV-VI by Nicholas Maw (1935-). For Piano. Book; Masterworks; Piano Solo; Solo. Faber Edition. 20th Century; Masterwork. Published by Faber Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Piano)). Arranged by John O'Reilly and Mark Williams. Concert Band. For Piano. Band Supplement; Book; Masterworks. Accent on Performance. Masterwork Arrangement. 52 pages. Published by Alfred

Piano

SKU: BT.EMBZ14505A

Suppl. 10. By Adrienne Kaczmarczyk_Ágnes Sas. By Franz Liszt. EMB New Listz Edition. Book Hardcover. Composed 2014. 224 pages. Editio Musica Budapest #EMBZ14505A. Published by Editio Musica Budapest (BT.EMBZ14505A).

English-German-Hungari an.

Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included.

Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement” that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research results, numerous manuscript facsimiles and critical notes make this volume of the New Liszt Edition a specially important publication of scholarly value. Simultaneously withthe Complete Edition volume in colth-bound, its paperback for practical purposes is also published, the contents of which, except for the critical notes, is identical with the Complete Edition volume.

Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war.

(Level 7). By perf. Scott Price. Edited by Jane Magrath. For Piano. Graded Standard Repertoire; Masterworks; Piano Collection. Masterwork Classics. Masterwork. Intermediate; Late Intermediate. Book and CD. 56 pages. Published by Alfred Music Publishing

By Moritz Moszkowski. Edited by Maurice Hinson. For Piano. Piano Collection. Masterwork. Level: Advanced (grade 6 ). Book. 72 pages. Published by Alfred Publishing.

For Violin, Clarinet and Piano. Composed by Gernot Wolfgang. Chamber music. Wind-piano chamber music. Score and set of parts. Published by Doblinger Music Publishers (DB.07-00365).

Composed by Edward MacDowell (1861-1908). Arranged by Robert Sheldon. Concert Band. Concert Band; Part(s); Score. Sound Innovations for Band. Form: Transcription. Masterwork Arrangement; Romantic. Grade 1.5. 130 pages. Published by Alfred Music

Band concert band - Grade 3

SKU: KJ.WB461

Composed by Nolan Schmit. Tradition of Excellence: Excellence in Performance. Correlated with Tradition of Excellence Book 3, Page 12. Score and parts. Neil A. Kjos Music Company #WB461. Published by Neil A. Kjos Music Company (KJ.WB461).

UPC: 084027044698.

About Tradition of Excellence: Excellence in Performance

< p>Excellence in performance is a concert band repertoire series correlated with the Tradition of Excellence Comprehensive Band Method by Bruce Pearson and Ryan Nowlin. The compositions in the series correlate to a specific page in Tradition of Excellence Books 1, 2, or 3 and reinforce and expand on skills and concepts introduced in the method.

/Selecti ons include exciting parts for every player, grade-appropriate cross-cueing, accessible ranges and rhythms, creative percussion writing, electric bass and rehearsal piano parts, and full conductor scores with rehearsal suggestions, program notes and composer biographies. In addition, the Grade 1 works provide an Advanced Snare Drum part for percussionists who have achieved a higher level of ability, playable simultaneously with the more basic Snare Drum part to facilitate differentiated learning.

Oboe and Piano

SKU: BT.EMBZ8318

Composed by Bela Bartok. EMB Music of Bela Bartok. Book Only. Composed 1981. 6 pages. Editio Musica Budapest #EMBZ8318. Published by Editio Musica Budapest (BT.EMBZ8318).

English-German-Hungari an.

An Evening in the Village was composed in 1908 as no. 5 of the Ten Easy Piano Pieces. It has become one of Bartók's favorite works, which the composer himself was fond of playing at recitals. As he explained in an American interview, it was ''an original composition that is ... with themes of my own invention but ... the themes are in the style of the Hungarian-Transylvanian folk tunes. There are two themes. The first one is a parlando-rubato-rhythm and the second one is more in a dance-like rhythm. The second one is more or less the imitation of a peasant flute playing.'' Bartók also orchestrated the piece in 1931 as no. 1 of Hungarian Sketches. In 2015 we are launching aseries entitled Bartók Transcriptions for Music Students to mark the 70th anniversary of the composer s death. This involves reissuing our tried publications, and publishing some further, new transcriptions that fulfill in every respect the strict aesthetic demands of the earlier ones. We trust these publications will allow us to introduce still more music students to the realm of one of the great geniuses of 20th-century music.

Das 1908 als Nr. 5 der Zehn leichten Klavierstücke komponierte Klavierwerk Ein Abend am Lande ist ein echter Bartók-Schlager, der auch vom Komponisten selbst mit Vorliebe im Rahmen seiner Konzerte vorgetragen wurde. In einem amerikanischen Interview äußerte er sich dazu, ''… es handelt sich um eine Originalkomposition, das heißt, ihre Themen stammen von mir, wobei diese Themen jedoch den Stil der siebenbürgisch-ungaris chen Volkslieder aufgreifen. Von seinen zwei Themen hat das erste Parlando-Rubato-Charakter , das zweite ist eher von einem Tanzrhythmus geprägt … und ist mehr oder weniger die Imitation eines bäuerlichen Blockflötenspiels.'' Im Jahr 1931 instrumentierte Bartókdas Stück als Nr. 1 der Bilder aus Ungarn auch für Orchester.

Piano

SKU: BT.EMBZ1765

Composed by Bela Bartok. Book Only. Composed 1955. 12 pages. Editio Musica Budapest #EMBZ1765. Published by Editio Musica Budapest (BT.EMBZ1765).

'This music, moving even in its bleakness, is characterised by the complete absence of ornamentation. The arc of all four pieces [1. Adagio, 2. Andante, 3. Poco lento, 4. Assai andante] is similar: after beginning softly they reach a fortissimo climax, then sink back into numbing grief. Only the decidedly important melodic and harmonic elements are heard, pared down, occasionally reinforced with octave doubling. In the Adagio of the Second Piano Concerto Bartók was to return to this peculiar piano instrumentation. The lyricism and Hungarian turns of phrase of the second movement differ a little from the series: he orchestrated it with the title 'Melody' in 1931 as thecentral piece of the five-movement 'Hungarian Sketches'.' (HCD 32525 Bartók New Series Vol. 25, Somfai László).

Piano - intermediate

SKU: BT.WA-7012-401

Composed by Edward MacDowell. Arranged by Thomas A. Johnson. The Walsh Collection. Educational Tool. Book Only. 8 pages. The Walsh Collection #WA 7012-401. Published by The Walsh Collection (BT.WA-7012-401).

English.

Edward MacDowell's To A Wild Rose number 1 from his suite of Woodland Sketches Op.51 arranged for Piano Duet by Thomoas A. Johnson.

By Joseph M. Martin. Chamber Orchestra. Harold Flammer Easter. Set of parts. Published by Shawnee Press

Concert Band - Grade 1.5

SKU: AP.41911S

Composed by Edward MacDowell. Arranged by Robert Sheldon. Concert Band; Performance Music Ensemble; Single Titles. Sound Innovations for Concert Band. Form: Transcription. Masterwork Arrangement; Romantic. Score. 8 pages. Alfred Music #00-41911S. Published by Alfred Music (AP.41911S).

UPC: 038081482361. English.

Eward MacDowell (1860--1908) was best known for his compositions for piano including his suites Woodland Sketches, Sea Pieces, and New England Idylls. Woodland Sketches includes his most popular short piece, To a Wild Rose. This gentle tune is beautiful in its simplicity, and is scored now for concert band in this very playable setting. (1:40) To a Wild Rose correlates to Book 2, Level 2 of Sound Innovations for Concert Band.

Mixed Trios. By Various. Arranged by Daniel Kelley. For Cello or Bassoon. Trios. Music for Three. Late 19th/Early 20th Century Favorites. Level: Intermediate/Advanced. Part 3. Published by Last Resort Music Publishing.

Compiled by Josef Gingold. Orchestral excerpt book for violin. Published by International Music Co.

SKU: BR.BV-341

Schriften Band 1.1 (1921-1935). Composed by Hanns Eisler. Edited by G. Mayer and T. Fasshauer. Hardback. Buchverlag Breitkopf & Hartel (Music Books). Early modern; Music post-1945. Complete Works. 760 pages. Breitkopf and Haertel #BV 341. Published by Breitkopf and Haertel (BR.BV-341).

ISBN 9783765103414. 5 x 8.5 inches. German.

Editorial BoardThomas Phleps (Music), Georg Witte (Writings)Editorial MembersMusic: Oliver Dahin / Johannes C. Gall, Writings: Maren KosterEditorial CommitteeMusic: Hartmut Fladt, Werner Grunzweig, Elmar Juchem, Roland Kluttig, Giselher SchubertWritings: Albrecht Betz, Albrecht Riethmuller, Jurgen Schebera, Friederike WissmannThe editorial works are supported by the Deutsche Forschungsgemeinschaft.Sp ecial volumes are made possible with the support of the following foundations:Klockner-Stif tung, Lotto-Stiftung, Hanns und Steffy Eisler StiftungThe goal of the Hanns Eisler Complete Edition (HEGA) is to present to the public all available compositions, writings and letters in an appropriately scholarly form. It takes a historico-critical approach and seeks to document the history of the works and writings by shedding light on their transformations, thus identifying the various versions as witnesses of evolving aesthetic and historical positions. Eislers complete oeuvre (only a limited number of his works had penetrated the publics awareness up until the 1990s) first became the object of an editorial undertaking when the Eisler - Gesammelte Werke (EGW) was founded by Nathan Notowicz. It was later placed under the direction of Manfred Grabs and Eberhardt Klemm, and began issuing its publications in 1968 through the intermediary of the Deutscher Verlag fur Musik in Leipzig. However, only four volumes of music and five volumes of writings were published. The Hanns Eisler Complete Edition pursues the work begun at that time, although it has had to fundamentally revise its editorial principles. In this respect, the Hanns Eisler Complete Edition can be considered as a completely new editorial undertaking. It became necessary to reconceive the organization of the volumes and series as well as the editorial guidelines in order to adapt the standards of historico-critical editing generally applicable today to the specific and sometimes singular circumstances of Eislers works.The Critical Commentaries pertaining to the main volumes follow the music section or, whenever they are too extensive, appear in a special volume.Series I: Choral MusicSeries II: Music for Voice and Instrumental Ensemble or OrchestraSeries III: Music for Voice and PianoSeries IV: Instrumental MusicSeries V: Incidental MusicSeries VI: Film MusicSeries VII: Sketches and FragmentsSeries VIII: Arrangements of works by other composersSeries IX: Writings, Letters and InterviewsSON 501 has been awarded the German Music Edition Prize 2003.SON 502 has been awarded the German Music Edition Prize 2007.

The major upheavals that transformed society and musical aesthetics during the first half of the 20th century also profoundly affected the life of Hanns Eisler, as well as his compositions and writings. The importance and scope of Eislers oeuvre are reason enough to make his works accessible to musical scholarship and practice in a comprehensive fashion. Price reduction for a subscription.

Organ

SKU: HL.14008939

Composed by Peter Dickinson. Music Sales America. 20th Century. Book [Softcover]. 32 pages. Music Sales #NOV010237. Published by Music Sales (HL.14008939).

ISBN 9780853609551. 8.25x11.75x0.178 inches.

The Blue Rose Variations is one of several works in which the composer has drawn on ragtime and blues. The organ work is based on two transformations of the popular piano piece To A Wild Rose (Woodland Sketches, Op.51 No.1) by the American composer, Edward MacDowell (1860-1908). During the course of the Variations, To A Wild Rose appears as a blues and also as a classical rag, often as both together. The sections are Theme: a quiet blues; Variation I: a pedal solo in varied metres based on the blues in fast tempo; Variation II: the first appearance of the rag as a background to the blues as a 2' pedal solo; Variation III: a version of Variation I now involving manuals too; Variation IV: another blues solo against the rag; Variation V: another version of Variation I with the pedal solo almost entirely transferred to the manuals; Variation VI: a final confrontation between the blues and the rag, now much decorated. First performed in New York in April 1986. Duration c.15 mins.