Cello

SKU: HL.224731

For Cello. By Various. Instrumental Folio. Pop. Softcover. 128 pages. Published by Hal Leonard (HL.224731).

ISBN 9781495090325. UPC: 888680671761. 9.0x12.0x0.312 inches.

Instrumenta lists will love this jam-packed collection of 101 timeless pop songs! Songs include: Another Brick in the Wall • Billie Jean • Dust in the Wind • Easy • Free Bird • Girls Just Want to Have Fun • Hey Jude • I'm a Believer • Jessie's Girl • Lean on Me • The Lion Sleeps Tonight • Livin' on a Prayer • My Girl • Piano Man • Pour Some Sugar on Me • Reeling in the Years • Stand by Me • Sweet Home Alabama • Take Me Home, Country Roads • With or Without You • You Really Got Me • and more.

Pre 1

SKU: CL.023-4639-00

Composed by J. McBride. Young Concert Band. Sound Foundations Series. Audio recording available separately (item CL.WFR396). Score and set of parts. Composed 2018. Duration 1 minute, 46 seconds. C.L. Barnhouse #023-4639-00. Published by C.L. Barnhouse (CL.023-4639-00).

Named in tribute to the powerful Atlas rocket that carried the first Americans into orbit during the space race, Atlas Rising is a surprisingly mature-sounding work that only uses the first six notes learned in most band methods. Atlas Rising is carefully composed in an ABA overture style, with the success of young players in mind, while memorable themes will make it a favorite with students and audiences. Blast off with Atlas Rising!

By William J. Schinstine. For Snare Drum Unaccompanied. Approved contest/festival piece for the University Interscholastic League. Level: Grade 1. Published by Southern Music Company.

By Various. For Guitar. Guitar. Softcover. 144 pages. Music Sales #AM1008029US. Published by Music Sales

Composed by Various. Piano/Vocal/Guitar Songbook. Pop. Softcover. 256 pages. Published by Hal Leonard

Orchestra

SKU: BT.MUSM570366712

Composed by Ed Hughes. Classical. Study Score. 62 pages. University of York Music Press #MUSM570366712. Published by University of York Music Press (BT.MUSM570366712).

English.

Le Voyage Dans La Lune is a continuous orchestral score of approximately 14 minutes comprising two outer fast sections and a slower inner section of a dream-like character. The work is directly inspired by the film Le Voyage Dans La Lune (1902), written and directed by the pioneering French film-maker, Georges Méliès. Méliès was influenced by 19th century interests in science and discoveries, as well as the science fiction of Jules Verne. At the same time his work seems fantastic, surreal and satirical. Some critics point out an underlying critique of colonial adventuring. The plot centres on a group of astronomers who decide to launch a rocket to the moon containing a handful of their number. They reach the moon (famously landing on the moon’s face) and then encounter a strange race of aliens, whom they battle and destroy. The return to earth involves a dramatic descent, a plunge into the ocean and then celebratory dancing. The film inhabits a surreal and dream-like space, and uses an idiosyncratic visual language which transforms reality. This inspired an active musical response in my own score, which is by turns abrupt, smooth, lyrical and violent, and expresses something of the strange shifting surfaces and multiple and layered tempos evident in the film. The canons in the horns in the first scene reflect the intense arguments of the astronomers as they consider the project. The slower inner section is inspired by the scenes of the industrial City viewed from its rooftops by the astronomers. It also expresses the wonder of the astronomers as they see the earth rise from the perspective of the moon after their arrival there. The music of the final section is in places conflicted, reflecting the violent encounters with the moon’s inhabitants. It moves into a more harmonious phase at the close to match the celebrations upon the astronomers’ return from their adventuring. The music could be considered to be a surreal mini-opera without voices, voicing instead the characters of the silent screen. - Ed Hughes.

(Guitar TAB). By Jimmy Buffett. For Guitar. This edition: Guitar TAB. Artist/Personality; Book; Guitar Personality; Guitar TAB. Pop. 64 pages. Published by Alfred Music (

Concert band - Grade 4

SKU: MH.188321-SCORE

Composed by Steve Rouse. Score only. Published by Manhattan Beach Music (MH.188321-SCORE).

ISBN 9781599131337.

For Flute. By Various. Instrumental Folio. Pop. Softcover. 128 pages. Published by Hal Leonard (HL.224722).

Transcriptions * Lessons * Bios * Photos. By Dave Rubin. Guitar Book. Softcover with CD. Guitar tablature. Published by Hal Leonard.

For Tenor Sax. By Various. Instrumental Folio. Softcover. 128 pages. Published by Hal Leonard

Piano/Vocal/Guitar Artist Songbook. General Merchandise. Duration 240 seconds. Music Sales #AM83627. Published by Music Sales

Composed by Greg Bartholomew. For "trumpet, marimba & string orchestra". Pathways Series. Level 4. Score and set of parts. Published by Imagine Music

Piano/Vocal/Guitar Artist Songbook. General Merchandise. Duration 240 seconds. Music Sales #AM953205. Published by Music Sales

By Guns N' Roses. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Artist Songbook. Softcover. 114 pages. Cherry Lane Music #7935. Published by Cherry Lane Music

For Horn. By Various. Instrumental Folio. Softcover. 128 pages. Published by Hal Leonard

For Trombone. By Various. Instrumental Folio. Softcover. 128 pages. Published by Hal Leonard

Fanfare Band - Grade 3

SKU: BT.DHP-0950624-020

Composed by Jacob De Haan. Inspiration Series. Set (Score & Parts). Composed 1995. De Haske Publications #DHP 0950624-020. Published by De Haske Publications (BT.DHP-0950624-020).

9x12 inches.

In Concerto d’Amore, a maestoso opening is followed by a quick and energetic movement that leads to a magnificent adagio. A motif from this adagio can be heard in a swinging movement, after which the piece comes to a close with the return of the adagio. This arrangement for concert band certainly brings this beautiful music to life.

In Concerto d’Amore worden drie verschillende stijlen gecombineerd: barok, pop en jazz. De maestoso introductie van de compositie klinkt als een barokouverture. Dan volgt een energiek gedeelte in popstijl, dat uitmondt in eenadagio. Een motief daaruit is daarna te horen in een swingende passage, waarna het werk besluit met de terugkeer van het adagio in een nieuw jasje.

Concerto d’Amore vereinigt drei unterschiedliche Stile: Barock, Pop und Jazz. Die Maestoso bezeichnete Einleitung der Komposition klingt wie eine barocke Ouvertüre. Es folgt ein energiereicher Abschnitt im Pop-Stil, der wiederum zu einem Adagio führt. Ein Motiv aus diesem Adagio ist in der darauf folgenden Swing-Passage zu hören. Dann kehrt Adagio in neuem Gewand zurück, um das Werk zu beenden.

Concerto d’Amore est composé de trois périodes thématiques aux caractéristiques de la musique baroque, pop et jazz. L’introduction majestueuse, aux allures d’ouverture baroque, chemine vers un passage vif et énergique écrit dans le style de la musique pop. L’adagio qui lui succède progresse vers un passage aux inflexions de swing. Concerto d’Amore se conclut par la reprise du motif de l’adagio dont la forme altérée offre une conclusion brillante cette œuvre richement colorée.

Con certo d’Amore si compone di tre periodi tematici con caratteristiche della musica barocca, pop e jazz. La maestosa introduzione, dagli accenti barocchi, accompagna ad un passaggio vivo ed energico scritto nello stile della musica pop. Segue l’adagio che sviluppa un passaggio dalle inflessioni swing. Concerto d’Amore si conclude con la ripresa del motivo dell’adagio la cui forma alterata offre una conclusione brillante.

SATB choir, flutes, 2 trumpets, 2 saxophones, trombones, 2 violins, viola, cello

SKU: CA.9730049

Rockmesse. Composed by Karl-Bertram Brantzen, Markus Schollhorn, and Steffen Koschmieder. Edited by Markus Schollhorn. German title: Rockmesse Spuren Der Hoffnung. Sacred vocal music, Masses, German, Pop arrangements. Single Part, Organ. Composed 1998. 24 pages. Carus Verlag #CV 97.300/49. Published by Carus Verlag (CA.9730049).

ISBN 9790007239442. Language: German. Text: Brantzen, Karl-Bertram / Beckmann, Martina / Brandl, Sibylle / Hertl, Michael. Text: Karl-Bertram Brantzen, Martina Beckmann, Sibylle Brandl, Michael Hertl.

Score available separately - see item CA.9730000.

Concert Band/Harmonie/Fanfare Band - Grade 3

SKU: BT.DHP-0950624-215

Composed by Jacob De Haan. Inspiration Series. Original Light Music. Score Only. Composed 1995. 28 pages. De Haske Publications #DHP 0950624-215. Published by De Haske Publications (BT.DHP-0950624-215).

9x12 inches.

In Concerto d’Amore, a maestoso opening is followed by a quick and energetic movement that leads to a magnificent adagio. A motif from this adagio can be heard in a swinging movement, after which the piece comes to a close with the return of the adagio. This arrangement for concert band certainly brings this beautiful music to life.

In Concerto d’Amore worden drie verschillende stijlen gecombineerd: barok, pop en jazz. De maestoso introductie van de compositie klinkt als een barokouverture. Dan volgt een energiek gedeelte in popstijl, dat uitmondt in eenadagio. Een motief daaruit is daarna te horen in een swingende passage, waarna het werk besluit met de terugkeer van het adagio in een nieuw jasje.

Concerto d’Amore vereinigt drei unterschiedliche Stile: Barock, Pop und Jazz. Die Maestoso bezeichnete Einleitung der Komposition klingt wie eine barocke Ouvertüre. Es folgt ein energiereicher Abschnitt im Pop-Stil, der wiederum zu einem Adagio führt. Ein Motiv aus diesem Adagio ist in der darauf folgenden Swing-Passage zu hören. Dann kehrt Adagio in neuem Gewand zurück, um das Werk zu beenden.

Concerto d’Amore est composé de trois périodes thématiques aux caractéristiques de la musique baroque, pop et jazz. L’introduction majestueuse, aux allures d’ouverture baroque, chemine vers un passage vif et énergique écrit dans le style de la musique pop. L’adagio qui lui succède progresse vers un passage aux inflexions de swing. Concerto d’Amore se conclut par la reprise du motif de l’adagio dont la forme altérée offre une conclusion brillante cette œuvre richement colorée.

Con certo d’Amore si compone di tre periodi tematici con caratteristiche della musica barocca, pop e jazz. La maestosa introduzione, dagli accenti barocchi, accompagna ad un passaggio vivo ed energico scritto nello stile della musica pop. Segue l’adagio che sviluppa un passaggio dalle inflessioni swing. Concerto d’Amore si conclude con la ripresa del motivo dell’adagio la cui forma alterata offre una conclusione brillante.

Solo baritone voice, harpsichord, piano (Baritone solo, Harpsichord (Piano))

SKU: BA.BA07097

Nach Texten der Barockzeit. Composed by Gerhard Wimberger. Stapled. Nach Texten der Barockzeit für Bariton und Cembalo (Klavier). Madrigale (Madrigal). Performance score, Singing Score. Composed 1980. 34 pages. Duration 15 minutes. Baerenreiter Verlag #BA07097_00. Published by Baerenreiter Verlag (BA.BA07097).

ISBN 9790006485314. 34 x 27.1 cm inches. Language: German.

After texts from the Baroque Era for Baritone and Harpsichord (Piano).

Organ solo

SKU: CA.6000200

Teil 1. Barock und Klassik. This edition: Paperbound. German title: Orgelschule Z. Hist. Auff.Praxis Barock. Historical Performance practice on keyboard instruments, Methods, Musicological books. Book. 328 pages. Carus Verlag #CV 60.002/00. Published by Carus Verlag (CA.6000200).

ISBN 9790007107475. Language: German.