(Sheet Music Selections from the Video Game Soundtrack (Piano Solos)). By C418. ...(+)
(Sheet Music Selections
from the Video Game
Soundtrack (Piano
Solos)). By C418. For
Keyboard; Piano. This
edition: Piano Solos.
Book; Piano Collection;
Piano Supplemental. Video
Game. 44 pages. Published
by Alfred Music
Publishing
Minecraft Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
(Selections from Volume Alpha). Composed by Daniel Rosenfeld. Arranged by...(+)
(Selections from
Volume Alpha).
Composed by Daniel
Rosenfeld. Arranged by
Ralph Ford. Orchestra.
Part(s); Score; String
Orchestra. Pop
Intermediate String
Orchestra. Video Game.
Grade 2.5. 144 pages.
Published by Alfred Music
(Suite from Volume Alpha). Composed by Daniel Rosefeld. Arranged by Ralph Fo...(+)
(Suite from Volume
Alpha).
Composed by Daniel
Rosefeld.
Arranged by Ralph Ford.
Concert Band. Concert
Band;
Part(s); Score. Pop Young
Band. Form: Suite. Video
Game. Grade 2.5. 242
pages.
Published by Alfred Music
(Suite from Volume Alpha). Composed by Daniel Rosefeld. Arranged by Ralph Fo...(+)
(Suite from Volume
Alpha).
Composed by Daniel
Rosefeld.
Arranged by Ralph Ford.
Concert Band. Concert
Band;
Score. Pop Young Band.
Form:
Suite. Video Game. Grade
2.5. 24 pages. Published
by
Alfred Music
(Selections from Volume Alpha). Composed by Daniel Rosenfeld. Arranged by...(+)
(Selections from
Volume Alpha).
Composed by Daniel
Rosenfeld. Arranged by
Ralph Ford. Orchestra.
Score; String Orchestra.
Pop Intermediate String
Orchestra. Video Game.
Grade 2.5. 12 pages.
Published by Alfred Music
Flute; Recorder; Violin; Orchestra; Early Music SKU: UT.GCE-20 Composed b...(+)
Flute; Recorder; Violin;
Orchestra; Early Music
SKU: UT.GCE-20
Composed by Francesco
Geminiani. Edited by
Rudolf Rasch. Francesco
Geminiani Opera Omnia.
Classical. Score. Ut
Orpheus #GCE 20.
Published by Ut Orpheus
(UT.GCE-20).
ISBN
9790215328259. 9 x 12
inches.
Given that
appendices have since
been included in other
volumes, it now seems
appropriate to compile an
appendix for Volume 1A in
the form of a separate
publication, Volume 1C of
the series. Even with a
whole volume available,
however, it is impossible
to include all known
arrangements. Such a
publication would be of
disproportionate size: it
would require about 600
pages, due largely to the
two complete or
near-complete sets of
concerto arrangements.
The present volume thus
includes only selections
from these sets of
concerto arrangements and
also only a selection
from Edward
Finch’s complete
set of arrangements in
the form of
transverse-flute sonatas.
The smaller sets of
arrangements—eithe
r as solo sonatas or as
trio sonatas—are
included in their
entirety. The
available arrangements
fall into three distinct
categories: solo sonatas,
trio sonatas, and
concertos. There are
fourteen arrangements by
Edward Finch for
transverse flute with
figured bass; they are
found in the so-called
Armstrong-Finch
manuscript and comprise a
full set of twelve plus
two duplicate versions.
Four of these
arrangements are included
in the present volume.
Three more arrangements
for transverse flute or
recorder with figured
bass are found in
anthologies of sonatas
for these instruments
published in the 1720s;
they are all of them
edited here.
Geminiani’s
Sonatas VII-XII were
transformed into trio
sonatas by Francesco
Barsanti and published in
this format in 1727.
These arrangements are
included here in complete
form as well. A
near-complete set of
concerto
arrangements—Sonat
a XI is
missing—was
composed by Charles
Avison and a complete set
by Gerhard Christoph
Raupach, both sets
composed probably in the
1730s. From each of these
two sets, two examples
were selected for
inclusion in the present
volume. They are
supplemented by single
concerto arrangements by
William Hayes (after
Sonata IV) and Johan
Helmich Roman (after
Sonata VI), composed at
all probability in the
1730s as well. None of
these concerto
arrangements was
published in the
eighteenth century.
Hardcover/CD Score SKU: HL.50600750 Facsimile Numbered Edition with CD...(+)
Hardcover/CD Score
SKU: HL.50600750
Facsimile Numbered
Edition with CD.
Composed by Gyorgy
Kurtag. Contemporary
Music. EMB. Classical,
Contemporary, Facsimile.
Hardcover with CD.
Composed 2016. Editio
Musica Budapest #Z15000N.
Published by Editio
Musica Budapest
(HL.50600750).
ISBN
9790080305324. 245x340 mm
inches. Hungarian,
English. Gyorgy
Kurtag.
In the
autumn of 1974 György
Kurtág began to copy
selected pieces from the
series Games into a music
notebook for Zoltán
Kocsis who had been his
student in earlier years
and who, even today, is
one of its most authentic
performers. Kocsis played
from this notebook in the
first public performance
of Games in 1974. The
gradually expanding
series of piano pieces
also appeared in print in
the course of later
decades; however, since
then he has used this
collection - expanded
over 32 years since by
Kurtág - whenever he
plays pieces from Games
in concert. Since the
time of this 1974
concert, as he writes: 'I
didn't know that the
spiral notebook I
received at the premiere
would later become, as it
were, my permanent
companion. That I would
take it with me from
Japan to Canada, from
Australia to Iceland,
travelling to the world's
most prominent concert
halls, surviving fire
damage, flood, transport
catastrophes, theft
attempts, forced landings
and so on, and that -
well beyond the intention
of its being 'copied with
love' - it would include
works and sketches for
which this notebook would
become the principal
source.' The manuscript
gives a glimpse into
Kurtág's workshop from
the viewpoint of both
performers and
musicologists. The former
can understand more from
Kurtág's handwriting
about the composer's
intentions than from the
printed score. The
musicologists, however,
can study the historical
origins of the works:
some works can be found
here in more than one
version, others appear in
a version different from
the printed score. The
publication is
accompanied by a booklet
and a CD supplement. The
booklet contains Kocsis's
own personal preface, as
well as András
Wilheim's essay providing
information about the
collection and the pieces
contained therein. On the
CD we hear 11 works
performed by Kocsis, from
a recording made in 1982
which has not previously
been commercially
issued.
Piano SKU: BT.EMBZ15000N Facsimile numbered edition with CD. Compo...(+)
Piano
SKU:
BT.EMBZ15000N
Facsimile numbered
edition with CD.
Composed by Gyorgy
Kurtag. Book with CD.
Composed 2016. 122 pages.
Editio Musica Budapest
#EMBZ15000N. Published by
Editio Musica Budapest
(BT.EMBZ15000N).
English-Hungarian.
In the autumn of 1974
György Kurtág began
to copy selected pieces
from the series Games
into a music notebook for
Zoltán Kocsis who was
his student in earlier
years and who, throughout
his entire life, was one
of its most authentic
performers. Kocsis played
from this notebook in the
first public performance
of Games in 1974. The
gradually expanding
series of piano pieces
also appeared in print in
the course of later
decades however, he
always used this
collection - expanded
over 32 years since by
Kurtág - whenever he
played pieces from Games
in concert. Since the
time of this 1974
concert, as Kocsis wrote
later: ''I didn't know
that the spiral notebook
I received at thepremiere
would later become, as it
were, my permanent
companion. That I would
take it with me from
Japan to Canada, from
Australia to Iceland,
travelling to the world's
most prominent concert
halls, surviving fire
damage, flood, transport
catastrophes, theft
attempts, forced landings
and so on, and that -
well beyond the intention
of its being 'copied with
love' - it would include
works and sketches for
which this notebook would
become the principal
source.''The manuscript
gives a glimpse into
Kurtág's workshop from
the viewpoint of both
performers and
musicologists. The former
can understand more from
Kurtág's handwriting
about the composer's
intentions than from the
printed score. The
musicologists, however,
can study the historical
origins of the works:
some works can be found
here in more than one
version, others appear in
a version different from
the printed score.The
publication is
accompanied by a booklet
and a CD supplement. The
booklet contains Kocsis's
own personal preface, as
well as András
Wilheim's essay providing
information about the
collection and the pieces
contained therein. On the
CD we hear 11 works
performed by Kocsis, from
a recording made in 1982
which has not previously
been commercially
issued.
Piano - easy SKU: HL.50600649 Facsimile with CD. Composed by Gyorg...(+)
Piano - easy
SKU:
HL.50600649
Facsimile with CD.
Composed by Gyorgy
Kurtag. Contemporary
Music. EMB. Classical,
Facsimile, Hungarian.
Softcover with CD.
Composed 2016. 122 pages.
Editio Musica Budapest
#Z15000. Published by
Editio Musica Budapest
(HL.50600649).
ISBN
9790080150009. UPC:
888680895518.
10.25x13.5x0.622 inches.
Hungarian, English.
Gyorgy Kurtag.
In
the autumn of 1974
György Kurtág began
to copy selected pieces
from the series Games
into a music notebook for
Zoltán Kocsis who had
been his student in
earlier years and who,
even today, is one of its
most authentic
performers. Kocsis played
from this notebook in the
first public performance
of Games in 1974. The
gradually expanding
series of piano pieces
also appeared in print in
the course of later
decades; however, since
then he has used this
collection - expanded
over 32 years since by
Kurtág - whenever he
plays pieces from Games
in concert. Since the
time of this 1974
concert, as he writes: 'I
didn't know that the
spiral notebook I
received at the premiere
would later become, as it
were, my permanent
companion. That I would
take it with me from
Japan to Canada, from
Australia to Iceland,
travelling to the world's
most prominent concert
halls, surviving fire
damage, flood, transport
catastrophes, theft
attempts, forced landings
and so on, and that -
well beyond the intention
of its being 'copied with
love' - it would include
works and sketches for
which this notebook would
become the principal
source.' The manuscript
gives a glimpse into
Kurtág's workshop from
the viewpoint of both
performers and
musicologists. The former
can understand more from
Kurtág's handwriting
about the composer's
intentions than from the
printed score. The
musicologists, however,
can study the historical
origins of the works:
some works can be found
here in more than one
version, others appear in
a version different from
the printed score. The
publication is
accompanied by a booklet
and a CD supplement. The
booklet contains Kocsis's
own personal preface, as
well as András
Wilheim's essay providing
information about the
collection and the pieces
contained therein. On the
CD we hear 11 works
performed by Kocsis, from
a recording made in 1982
which has not previously
been commercially
issued.
Violin and Piano (Violin) SKU: HL.50487428 Per violino e basso continu...(+)
Violin and Piano (Violin)
SKU: HL.50487428
Per violino e basso
continuo. By Lajos
Vigh. By Antonio Tomasso
Vitali. Baroque. EMB.
Book Only. Editio Musica
Budapest #Z13045.
Published by Editio
Musica Budapest
(HL.50487428).
ISBN
9790080130452.
9.25x12.0x0.134 inches.
Antonio Tomasso Vitali;
Lajos Vigh.
Tomasso
Antonio Vitali was born
in 1663 in Bologna and
died in 1745 in Modena.
His father, Giovanni
Battista Vitali was one
of the most famous
musicians of his time.
The young Vitali must
have received most of his
musical education from
him. The present edition
of Vitali's four sonatas
is a selection from the
composer's twelve sonatas
surviving in manuscript.
The four selected sonatas
do not put too high
technical demands on the
violin so that even
students with only some
years violin training can
safely perform them.
Territorial restrictions
may apply. Please ask
before ordering.
Violin and Piano SKU: BT.EMBZ13045 By Lajos Vigh. By Tomaso Antonio Vital...(+)
Violin and Piano
SKU:
BT.EMBZ13045
By Lajos
Vigh. By Tomaso Antonio
Vitali. Book Only.
Composed 1985. 36 pages.
Editio Musica Budapest
#EMBZ13045. Published by
Editio Musica Budapest
(BT.EMBZ13045).
Tomasso Antonio
Vitali was born in 1663
in Bologna and died in
1745 in Modena. His
father, Giovanni Battista
Vitali was one of the
most famous musicians of
his time. The young
Vitali must have received
most of his musical
education from him. The
present edition of
Vitali's four sonatas is
a selection from the
composer's twelve sonatas
surviving in manuscript.
The four selected sonatas
do not put too high
technical demands on the
violin so that even
students with only some
years violin training can
safely perform them.
Territorial restrictions
may apply. Please ask
before
ordering.
Tomasso
Antonio Vitali wurde 1663
in Bologna geboren und
starb 1745 in Modena.
Sein Vater, Giovanni
Battista Vitali, war ein
namhafter Musiker seiner
zeit. Der junge Vitali
erhielt wahrscheinlich
seine musikalische
Ausbildung überwiegend
von ihm. Die hier
veröffentlichten vier
Sonaten sind eine Auswahl
aus den zwölf, im
Autograph
überlieferten Sonaten
des Komponisten. Die
ausgewählten vier
Sonaten stellen an den
Geiger keine besonders
hohen Anforderungen, so
dass ihr Vortrag schon
nach einigen Jahren
Instrumentalstudium zu
empfehlen ist.
Piano SKU: BT.EMBZ3179 Aus dem Notenbüchlein für Anna Magdalena ...(+)
Piano
SKU:
BT.EMBZ3179
Aus
dem Notenbüchlein
für Anna Magdalena
Bach'. By Lajos
Hernadi. By Johann
Sebastian Bach.
Educational Tool. Book
Only. Composed 1961. 16
pages. Editio Musica
Budapest #EMBZ3179.
Published by Editio
Musica Budapest
(BT.EMBZ3179).
German-Hungarian.
<
p>These 18 Little Piano
Pieces are a selection
from the two manuscript
notebooks that Johann
Sebastian Bach made as a
gift for Anna Magdalena,
his second wife. The
notebooks include works
not only by Bach, but
also by other
contemporary composers,
and these 18 pieces also
feature works that can be
ascribed to other
composers.The current
edition is based on the
original musical text
(urtext), and
supplemented with
performance indications
by Lajos Hernádi. In
the use of dynamics and
other performance
indications the editor
has strived for
simplicity and stylistic
appropriateness. The
pieces in this collection
can be used as material
for the 2nd to 4th years
of learning thepiano.
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: Edition of
selected works, Urtext
edition. Linen.
Saint-Saens, Camille.
Oevres instrumentales
completes I/3. Edition of
selected works, Score.
Opus 78. Duration 39
minutes. Baerenreiter
Verlag #BA10303_01.
Published by Baerenreiter
Verlag (BA.BA10303-01).
ISBN 9790006559503. 33
x 26 cm inches. Key: C
minor. Preface: Michael
Stegemann.
The
third symphony by Camille
Saint-Saens, known as the
Organ Symphony, is the
first publication in a
complete
historical-critical
edition of the French
composer's instrumental
works.
I gave
everything I was able to
give in this work. [...]
What I have done here I
will never be able to do
again.Camille Saint-Saens
was rightly proud of his
third Symphony in C minor
Op.78, dedicated to the
memory of Franz Liszt.
Called theOrgan
Symphonybecause of its
novel scoring, the work
was a commission from the
Philharmonic Society in
London, as was
Beethoven's Ninth, and
was premiered there on 19
May 1886. The first
performance in Paris
followed on 9 January
1887 and confirmed the
composer's reputation
asprobably the most
significant, and
certainly the most
independent French
symphonistof his time, as
Ludwig Finscher wrote in
MGG. In fact the work
remains the only one in
the history of that genre
in France to the present
day, composed a good half
century after the
Symphonie fantastique by
Hector Berlioz and a good
half century before
Olivier Messiaen's
Turangalila
Symphonie.
You
would think that such a
famous, much-performed
and much recorded opus
could not hold any more
secrets, but far from it:
in the first
historical-critical
edition of the Symphony,
numerous inconsistencies
and mistakes in the
Durand edition in general
use until now, have been
uncovered and corrected.
An examination and
evaluation of the sources
ranged from two early
sketches, now preserved
in Paris and Washington
(in which the Symphony
was still in B minor!)
via the autograph
manuscript and a set of
proofs corrected by
Saint-Saens himself, to
the first and subsequent
editions of the full
score and parts. The
versions for piano duet
(by Leon Roques) and for
two pianos (by the
composer himself) were
also consulted. Further
crucial information was
finally found in his
extensive correspondence,
encompassing thousands of
previously unpublished
letters. The discoveries
made in producing this
edition include the fact
that at its London
premiere, the Symphony
probably looked quite
different from its
present appearance
...
No less
exciting than the work
itself is the history of
its composition and
reception, which are
described in an extensive
foreword. With his
Symphony, Saint-Saens
entered right into the
dispute which divided
French musical life into
pro and contra Wagner in
the 1880s and 1890s. At
the same time, the work
succeeded in preserving
the balance between
tradition and modernism
in masterly fashion, as a
contemporary critic
stated:The C minor
Symphony by Saint-Saens
creates a bridge from the
past into the future,
from immortal richness to
progress, from ideas to
their
implementation.
On
19 March 1886 Saint-Saens
wrote to the London
Philharmonic Society,
which commissioned the
work:
Work on the
symphony is in full
swing. But I warn you, it
will be terrible. Here is
the precise
instrumentation: 3 flutes
/ 2 oboes / 1 cor anglais
/ 2 clarinets / 1 bass
clarinet / 2 bassoons / 1
contrabassoon / 2 natural
horns / [3 trumpets /
Saint-Saens had forgotten
these in his listing.] 2
chromatic horns / 3
trombones / 1 tuba / 3
timpani / organ / 1 piano
duet and the strings, of
course. Fortunately,
there are no harps.
Unfortunately it will be
difficult. I am doing
what I can to mitigate
the
difficulties.
As
in my 4th Concerto [for
piano] and my [1st]
Violin Sonata [in D minor
Op.75] at first glance
there appear to be just
two parts: the first
Allegro and the Adagio,
the Scherzo and the
Finale, each attacca.
This fiendish symphony
has crept up by a
semitone; it did not want
to stay in B minor, and
is now in C
minor.
It would be
a pleasure for me to
conduct this symphony.
Whether it would be a
pleasure for others to
hear it? That is the
question. It is you who
wanted it, I wash my
hands of it. I will bring
the orchestral parts
carefully corrected with
me, and if anyone wants
to give me a nice
rehearsal for the
symphony after the full
rehearsal, everything
will be fine.
When
Saint-Saens hit upon the
idea of adding an organ
and a piano to the usual
orchestral scoring is not
known. The idea of adding
an organ part to a
secular orchestral work
intended for the concert
hall was thoroughly novel
- and not without
controversy. On the other
hand, Franz Liszt, whose
music Saint-Saens'
Symphony is so close to,
had already demonstrated
that the organ could
easily be an orchestral
instrument in his
symphonic poem
Hunnenschlacht (1856/57).
There was also a model
for the piano duet part
which Saint-Saens knew
and may possibly have
used quite consciously as
an exemplar: theFantaisie
sur la Tempetefrom the
lyrical monodrama Lelio,
ou le retour a la Vie op.
14bis (1831) by Berlioz.
The name of the organist
at the premiere ist
unknown, as,
incidentally, was also
the case with many of the
later performances; the
organ part is indeed not
soloistic, but should be
understood as part of the
orchestral
texture.
In fact
the subsequent success of
the symphony seems to
have represented a kind
of breakthrough for the
composer, who was then
over 50 years of age.My
dear composer of a famous
symphony, wrote
Saint-Saens' friend and
pupil Gabriel Faure:You
will never be able to
imagine what a pleasure I
had last Sunday [at the
second performance on 16
January 1887]! And I had
the score and did not
miss a single note of
this Symphony, which will
endure much longer than
we two, even if we were
to join together our two
lifespans!
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
By Jerry Silverman. For Guitar (Fingerpicking). SongBook. Bill's Music Shelf. Vi...(+)
By Jerry Silverman. For
Guitar (Fingerpicking).
SongBook. Bill's Music
Shelf. Victorian.
Beginning. Book. 140
pages. Published by Mel
Bay Publications, Inc
Composed by George Frideric Handel (1685-1759). Arranged by Hal H. Hopson. Choir...(+)
Composed by George
Frideric Handel
(1685-1759). Arranged by
Hal H. Hopson. Choir
Sacred. This edition: CD
Preview Pack. Book; CD;
Choral (Sacred); Choral
Worship Cantata; Larger
Works; Worship Resources.
Advent; Christmas;
Masterwork Arrangement;
Sacred; Winter. Published
by Alfred Music
With Variants, Examples and Advice for Playing and Improvising on any instrument...(+)
With Variants, Examples
and Advice for Playing
and Improvising on any
instrument. Edited by
Pascale Boquet, Gerard
Rebours. Music Books/CDs.
Teaching Works. Level:
Grade 0. 144 pages.
Published by Editions
Fuzeau Classique - France
(French import).
Piano - Grade 1 SKU: BT.EMBZ30 13 Short and Easy Piano Pieces - The Ba...(+)
Piano - Grade 1
SKU:
BT.EMBZ30
13 Short
and Easy Piano Pieces -
The Bartók Performing
Editions. By Bela
Bartok. By Johann
Sebastian Bach. EMB Music
of Bela Bartok.
Educational Tool. Book
Only. Composed 1950. 20
pages. Editio Musica
Budapest #EMBZ30.
Published by Editio
Musica Budapest
(BT.EMBZ30).
Johann
Sebastian Bach schenkte
seiner zweiten Frau, Anna
Magdalena, zwei
handgeschriebene
Notenhefte, in die er
neben eigenen Werken auch
Stu cke anderer
zeitgenössischer
Komponisten aufnahm. Die
vorliegende Auswahl
beinhaltet die 13 Stu cke
des im Jahr 1725
erstellten zweiten
Heftes.
Composed
by Johann Pachelbel.
Edited by Thomas
Röder. This edition:
Edition of selected
works, Urtext edition.
Linen. Johann Pachelbel.
Complete Vocal Works,
Volume 7. Edition of
selected works, Score,
anthology. Baerenreiter
Verlag #BA10557_00.
Published by Baerenreiter
Verlag (BA.BA10557).
ISBN 9790006553068. 33
x 25.8 cm inches.
Language:
German.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbelâ??s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in Pachelbelâ??s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbelâ??s surviving
vocal works in the best
possible form. It is
edited by the Institut
für Musikwissenschaft
at the University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbelâ??s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Piano SKU: BT.EMBZ14758 Composed by Adrienne Kaczmarczyk and Franz Liszt....(+)
Piano
SKU:
BT.EMBZ14758
Composed
by Adrienne Kaczmarczyk
and Franz Liszt. Book
Only. Composed 2011. 68
pages. Editio Musica
Budapest #EMBZ14758.
Published by Editio
Musica Budapest
(BT.EMBZ14758).
Hungarian-English-Germ
an-French.
This
selection is intended to
reveal a less-known
aspect of the genius of
Franz Liszt, the greatest
pianist of the 19th
century: as a master of
piano miniatures. While
his large-scale works
written over many years
show Liszt as a striving
composer for whom the
creative process was
difficult, at the same
time, hidden in the
shadow of the monumental
peaks, the 'moments
musicaux' tend to capture
him in the process of
improvisation, at the
moment when a
compositional idea
flashed into his mind and
was first noted down. The
miniatures that feature
in our selection trace
his creative path through
six decades (1827-1885),
from his youthful testing
of his wings right up to
his finalfarewell. The
manuscript of any piece
that did not later become
part of a cycle or the
starting-point for a
larger-scale composition
generally remained in the
mists of obscurity as a
treasured memento
preserved by one of his
pupils or admirers.
Diese Auswahl
will eine weniger
bekannte Seite
FranzLiszt, des
größten
Klaviergenies des 19.
Jahrhunderts, diedes
Meisters der
Klavierminiaturen
vorstellen. Seine
übereinen langen
Zeitraum vieler Jahre
entstandenen Werke,wie
die Klavierkonzerte,
symphonische Werke oder
dasChristus Oratorium,
zeigen ihn als mit sich
kämpfenden und schwer
schaffenden Komponisten.
Nicht so, die imSchatten
der monumentalen
Kompositionen stehenden
'moments 'usicaux“.
Diese halten Liszt im
Momentder Improvisation
fest, lassen die
kompositorischen Ideenin
ihrem ersten Aufleuchten
erstarren. Die
Miniaturendieser Auslese
führen durch die sechs
Jahrzehnte
seinerschöpferischen
Laufbahn
(1827-1885),beginnend
beiden Versuchen der
Jugendzeit bis zum
letzten Abschied.Die
Manuskripte der
Stücke, die später
nicht Teil einesZyklus
oder Anfangspunkt einer
großangelegten
Kompositionwurden,
versanken im Dunkel der
Unbekanntheit.
Composed
by Johann Pachelbel.
Edited by Katharina
Larissa Paech. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 4. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10554_00.
Published by Baerenreiter
Verlag (BA.BA10554).
ISBN 9790006553037. 33
x 26 cm inches.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding