Performed by Bryan Adams. For voice, piano and guitar chords. Format: piano/voca...(+)
Performed by Bryan Adams.
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Pop rock
and adult contemporary.
128 pages. 9x12 inches.
Published by Hal Leonard.
Piano, Voix et Guitare [Partition] - Intermédiaire Alfred Publishing
(Original Motion Picture Soundtrack) Lyrics by Howard Ashman, music by Alan Menk...(+)
(Original Motion Picture
Soundtrack) Lyrics by
Howard Ashman, music by
Alan Menken. Songbook for
voice, piano and guitar
chords. From the motion
picture "Little Shop Of
Horrors". 100 pages.
Published by Alfred
Publishing.
For trombones and
band. Composed by
Harm Evers. Solo
Spectrum. March. Set
(Score & Parts). Composed
2005. De Haske
Publications #DHP
1053784-010. Published by
De Haske Publications
(BT.DHP-1053784-010).
English-German-French-
Dutch.
Halloween is
celebrated in many
countries around the
world on October 31.
Traditionally, children
go door-to-door dressed
up in costumes and
collect sweets and
treats. A hollowed out
pumpkin with a face
carved into it, called a
jack-o-lantern, is a
traditional symbol of
Halloween. Some
jack-o-lanterns have
scary faces, while others
have fun, whimsical
faces. The trombones in
this piece represent the
jack-o-lanterns with
their whimsical
faces—hence the
title The Funny Pumpkins.
Your trombone section
will have immense fun
with this new solo
feature.
In diesem
lustigen Stück von
Harm Evers stellen die
Posaunen die halb
gruseligen, halb
komischen Gesichter dar,
die zu Halloween aus
Kürbissen (englisch
'pumpkins') geschnitzt
werden. Ein leichter,
lebhafter Marsch 'mit
einem Augenzwinkern', der
nicht nur zu Halloween
für gute Stimmung
sorgt!
Composed
by Sean O'Loughlin. SWS.
Carl Fischer Concert
Performance Series. Full
score. With Standard
notation. 24 pages.
Duration 5 minutes, 32
seconds. Carl Fischer
Music #CPS209F. Published
by Carl Fischer Music
(CF.CPS209F).
ISBN
9781491148358. UPC:
680160905850. 9 x 12
inches.
The Past is
Always Present begins
with a reverent melody
for solo flute that
invokes voices from the
past. This theme becomes
the cornerstone of the
entire work leading the
listener on a journey
that is at times
reflective and at others
bold and broad. Perfect
for contest and festival
performance, this piece
contains all of the
signature styling that
has made Sean
O'Loughlin's works some
of the most popular for
bands today.
Composed by
Sean O'Loughlin. SWS FS.
Carl Fischer Concert
Performance Series. Set
of Score and Parts. With
Standard notation.
8+8+4+8+8+8+4+4+4+4+4+4+8
+8+8+4+4+3+3+2+3+8+2+1+2+
16+24 pages. Duration 5
minutes, 32 seconds. Carl
Fischer Music #CPS209.
Published by Carl Fischer
Music (CF.CPS209).
ISBN 9781491147658.
UPC: 680160905157. 9 x 12
inches.
The Past is
Always Present begins
with a reverent melody
for solo flute that
invokes voices from the
past. This theme becomes
the cornerstone of the
entire work leading the
listener on a journey
that is at times
reflective and at others
bold and broad. Perfect
for contest and festival
performance, this piece
contains all of the
signature styling that
has made Sean
O'Loughlin's works some
of the most popular for
bands today.
Composed by Normand Gouin. For Cantor, SATB choir, Assembly/Congregation with Ce...(+)
Composed by Normand
Gouin. For Cantor, SATB
choir,
Assembly/Congregation
with Cello. Holy
Week/Three Days. Medium.
Octavo. Published by
MorningStar Music
Publishers
Voice(s) with various inst. SKU: BR.DV-9502 Urtext. Composed by Ge...(+)
Voice(s) with various
inst.
SKU:
BR.DV-9502
Urtext. Composed
by Georg Philipp
Telemann. Edited by Wolf
Hobohm. Voice; Softcover.
Deutscher Verlag. Baroque
period. Score. 24 pages.
Deutscher Verlag fur
Musik #DV 9502. Published
by Deutscher Verlag fur
Musik (BR.DV-9502).
ISBN 9790200490886. 9
x 12 inches. German /
English.
Cantatas
for secular occasions
repeatedly stimulated
Telemann's sparkling wit
and humor. In The
Schoolmaster, for
example, he depicted a
puffed-up cantor
lecturing his class; in
the Cantata to a Canary
Bird, he evoked the
painful loss of a little
feathered friend; and in
the cantata The Women's
Order TWV 20:49 he
portrayed a young bride
who looks forward to her
future married life with
joyful anticipation. The
text, at times drastic
and coarse, is set to
carefree, joyous music
and is guaranteed to
provoke chuckles. While
some of the arias are
restrained and operatic,
others are joyful and
exuberant. Between them,
our interest is secured
by the short recitatives
and, above all, by the
lullaby. Telemann
masterfully yet
mischievously underlines
and elucidates certain
textual passages with the
music. There are a wealth
of surprising little
effects which are always
a delight. They show that
this work was no doubt
conceived as a serenade
for a wedding ceremony,
whereby one can assume
that the performers acted
out their parts during
the performance.
Oother solo insts. and orchestra (solo: B-tbne - 2(picc).2.2.2 - 2.2.0.0 - timp....(+)
Oother solo insts. and
orchestra (solo: B-tbne -
2(picc).2.2.2 - 2.2.0.0 -
timp. str)
SKU:
BR.PB-33001
Urtext. Composed
by Christian Gottlieb
Muller. Edited by Nick
Pfefferkorn. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). Romantic
period. Full score. 56
pages. Duration 15'.
Breitkopf and Haertel #PB
33001. Published by
Breitkopf and Haertel
(BR.PB-33001).
ISBN
9790004215821. 10 x 12.5
inches.
The present
Concertino in E-flat
major, Op. 5, was
composed especially for
the Leipzig trombone
virtuoso Carl Traugott
Queisser (1800-1846), to
whom the work is also
dedicated. The Concertino
was first reviewed by the
critic Gottfried Wilhelm
Fink (1783-1846) in the
Leipzig Allgemeine
Musikalische Zeitung
(AMZ), issue no. 38,
September 1832. The
critic discussed the work
in detail, calling it a
milestone of the trombone
literature, ... its
public performance should
thus be determined by
only true masters. The
rest, however, may wish
to utilize it, in
silence, that is not
overheard by expectant
listeners, to strive with
it to strengthen their
powers....The
Concertino's premiere can
be dated to 1828, with
Queisser himself as
soloist, and the composer
conducting. Queisser
repeatedly performed the
Concertino up to 1843.
The work was published
under catalogue number
5227 in 1832 by Breitkopf
& Hartel. Sometime in the
1940s the work was lost
to sight and no
performances known to
come from then. Together
with the Concertino, Op.
4, later composed by
Ferdinand David, Muller's
contribution to this
genre is among the most
often played and most
demanding of the trombone
literature. The score
includes, besides a
preface detailing the
work's genesis and
reception history, also
facsimile pages to round
out the edition. You may
browse our piano vocal
score here.
(32 Trios That Can Be Played by Any Combination of String Instruments). By Larry...(+)
(32 Trios That Can Be
Played by Any Combination
of String Instruments).
By Larry Clark. Edited by
Doris Gazda. Arranged by
Larry Clark. For violin.
Violin part. 48 pages.
Published by Carl Fischer
Violin SKU: HL.239841 Grades 1-3 (Violin). By Marjory King. Arrang...(+)
Violin
SKU:
HL.239841
Grades
1-3 (Violin). By
Marjory King. Arranged by
Jerry Lanning. Music
Sales America. Classical.
Softcover. Composed 2012.
134 pages. Chester Music
#CH78573. Published by
Chester Music
(HL.239841).
ISBN
9781780382531.
This
collection of 50 popular
tunes has been carefully
arranged and graded to
provide attractive
repertoire for young
violinists. The
familiarity of the
material will stimulate
pupils' enthusiasm and
encourage
theirpractice.
The
technical demands of the
solo part increase
progressively up to the
standard of Associated
Board Grade 3. The piano
accompaniments are simple
yet effective and should
be within the range of
most pianists.
