Composed by Johann Sebastian Bach (1685-1750), arranged by Eric Simon. For clarinet solo and piano accompaniment. Includes separate pull-out clarinet part. Format: set of performance parts. With standard notation and solo part. Baroque. 32 pages. 9x12 inches. Published by G. Schirmer, Inc..

The 94th Psalm (Sonata) / Trio / Adagio. Composed by Julius Reubke (1834-1858). Edited by Gunther Kaunzinger. Romantic. Full score. With Standard notation. 54 pages. Wiener Urtext/Vienna Urtext #UT50243. Published by Wiener Urtext/Vienna Urtext

The World's Great Classical Music. By Various. Piano Solo Mixed Folio (Intermediate to advanced piano arrangements with no lyrics). Size 9x12 inches. 232 pages. Published by Hal Leonard.

Composed by Felix Alexandre Guilmant (1837-1911). For Organ. Masterworks; Organ - Method or Collection. Dover Edition. Form: Sonata. Masterwork; Romantic. Book. Published by Dover Publications

Organ

SKU: CA.5027300

Composed by Josef Gabriel Rheinberger. Edited by Martin Weyer. Carus digital: Extra digital products. Full Score. Carus Verlag #5027300. Published by Carus Verlag (CA.5027300).

ISBN 9790007298456.

As well as 20 organ sonatas and seven collections of stand-alone organ pieces with opus numbers, Rheinberger composed a whole range of smaller works for organ methods or organ collections for his favorite instrument, mainly at the request of colleagues and friends. They are ideally suited for mass and organ lessons.

This organ volume brings together twelve compositions Rheinberger wrote for different occasions and at various points during his career. Included in the collection are seven short pieces in different keys that date from the early 1860s. Rheinberger wrote these at the request of his teacher Herzog and others for several organ collections of “easy, performable” pieces – and they are rewarding pieces for liturgical use. The works without opus numbers (WoO 10, 37, 56, 70) can no longer be regarded as early works. The Fugue in F minor WoO 10 of 1867, with its tendency to translate counterpoint into expressive chordal writing, already displays many characteristics of the late Rheinberger, the Canzonetta WoO 77 is a late work from autumn 1899, whereas the Romanze WoO 70 is a second version of no. 1 of the Miscellaneen op. 174 in the easier to play key of C major.

Separate edition from Supplementary Volume 3 of the Rheinberger Complete Edition.

(Short Pieces). By Carl Philipp Emanuel Bach (1714-1788). Edited by Jochen Reutter. For organ. Study score. 116 pages. Published by Wiener Urtext/Vienna Urtext

Organ Works. Volume 7. By Johann Sebastian Bach. Edited by Dietrich Kilian. For Organ. Playing Score; Urtext Edition (paperbound). Published by Baerenreiter-Ausgaben (German import).

By Various. For organ. Wedding, sacred. Published by Concordia Publishing House.
Level: Moderately Easy.

Organ

SKU: BR.EB-32105

Composed by Ulrich Rasche. Solo instruments; stapled. Edition Breitkopf. Sonata; Music post-1945; New music (post-2000). Score. Composed 2011. 44 pages. Breitkopf and Haertel #EB 32105. Published by Breitkopf and Haertel (BR.EB-32105).

ISBN 9790004186732. 9 x 12 inches.

Ulrich Rasches erste Orgelsonate entstand im Mai und Juni des Jahres 2011. Es ist ein Zufall, dass die acht Buchstaben des Namens ,,Schadach vollstandig in Noten umsetzbar sind. Diese Tonfolge beherrscht alle drei Satze der Sonate: Das Prelude, als erster Satz, ist formal in Sonatenhauptsatzform gestaltet. Das Achttonmotiv leitet den Satz quasi leitmotivisch ein. Ein toccatenhafter Ubergang fuhrt zum zweiten Thema, das als Ruhepol bitonal daherkommt. Immer wieder wird die Toccata-Uberleitung eingeschoben und entwickelt sich beinahe zu einem dritten Thema, das den Satz virtuos abschliesst. Die Canzone ist ein ruhiger und entspannter Satz, der als Achttonmotiv in Form von funf Variationen verandert wird. Dem Satz wohnt eine durchaus schmerzliche Gefuhlswelt (doloroso) inne, wird dann jedoch lyrischer und endet in spharischer Verklarung. Dieser Satz erfahrt vielfaltige Stimmungen, die vom Organisten sehr farbenreich registriert werden sollten. Die abschliessende Toccata ist hochvirtuos und von feurigem Charakter. Ein sehr leidenschaftlicher Mittelteil gipfelt in einen hochdramatischen Exkurs. Es folgt erneut der erste Teil, der in eine Stretta-Coda mundet, und den Satz fulminant beschliesst.

E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and electronic keyboard). Size 9x12 inches. 128 pages. Published by Hal Leonard.

Organ - Method or Collection. Dover Edition. Masterwork. Book. Published by Dover Publications.

By C. H. Trevor. For Organ. Classical. Sheet Music. 32 pages. Published by Novello and Co Ltd.

Violin 2 (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(without va))

SKU: BR.OB-5329-16

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Franz Beyer. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Classical. Part. Composed 1780. 12 pages. Duration 20'. Breitkopf and Haertel #OB 5329-16. Published by Breitkopf and Haertel (BR.OB-5329-16).

ISBN 9790004333549. 10 x 12.5 inches.

According to the date inscribed in Wolfgang Amadeus Mozart's autograph score, the present mass was composed in March 1780. The instrumental setting (oboes, trumpets and timpani add color and festive splendor to the work) rightly suggests that the work was in all likelihood performed with the Church Sonata K. 336 at the Easter high mass in the Salzburg cathedral. Since Archbishop Hieronymus Count Colloredo wanted the mass text to be treated as succinctly as possible, Mozart offered him a richly orchestrated Missa solemnis in the terse form of a Missa brevis.The brilliant, festive character of the Mass K. 337 is abruptly interrupted by a powerful Benedictus in a harsh A minor, the most striking and revolutionary movement in all of Mozart's Masses, in the strictest contrapuntal style ... (Alfred Einstein). What could have inspired Mozart to such unexpected rigor? But there is another surprise yet: while the dark drama of the Holy Week seems to radiate from this Benedictus, the following Agnus Dei in the distant key of E flat major sounds, with its soprano solo and concertante oboe, bassoon and organ, like a song of thanksgiving filled with the warmth and light of Easter.Other features worth noting are the three unisons between the alto and bass heard at the Deus pater omnipotens in the Gloria (bars 22-32), the a cappella illumination of the words Jesu Christe found a little later (bar 62) and the descending chromaticism evocative of death at the Crucifixus in the Credo. (Incidentally, Mozart had initially planned a different movement for the Credo of this mass, superscribed Tempo di Chiaconna; he wrote out 136 bars but, for some unknown reason, never completed it.)While the Coronation Mass K. 317 of 1779 is one of Mozart's most well-known mass settings, its later composed frllow piece K. 337 - Mozart's last completed mass before the great C minor fragment K. 427 (417a) - has been paid less attention, even though it is an outstanding example of the Mozartian mass type and contains parallels to the Coronation Mass in its disposition and in the structure of its various movements. The score and piano reduction of this new edition were prepared on the basis of the autograph (Osterreichische Nationalbibliothek/Vienna , dass. no. Mus. Hs. 18 97512) and the Salzburg performance material (Staats- und Stadtbibliothek/Augsburg, dass. no. Hl. Kreuz 9). We wish to thank both libraries for putting the source material at our disposal.Franz Beyer, Munich, Spring 1998.

Organ

SKU: CA.2917700

Composed by Johann Sebastian Bach. Arranged by Helmut Bornefeld. This edition: Paperbound, Complete edition. German title: Sonate In C Nach Bwv 1005 / Arr. Bornefeld. Instrumental arrangements of works by bach: Instrumental arrangements of works by bach, Free organ music. Full score. BWV 1005. 28 pages. Duration 22 minutes. Carus Verlag #CV 29.177/00. Published by Carus Verlag (CA.2917700).

ISBN 9790007039189. Key: C major. Language: all languages.

Adaptati on of the Sonata for Solo Violin.

102 Selections from Symphonies, Ballets, Operas, and Piano Literature for Piano Solo. By Various. World's Greatest Classical Music. Size 9x12 inches. 256 pages. Published by Hal Leonard.

By Felix Mendelssohn. For Organ. Romantic. Sheet Music. 108 pages. Published by Novello and Co Ltd.

(solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(without va))

SKU: BR.CHB-5289-02

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Franz Beyer. Stapled. Chor-Bibliothek (Choral Library). Mass; Classical. Choral score. Composed 1780. 44 pages. Duration 20'. Breitkopf and Haertel #ChB 5289-02. Published by Breitkopf and Haertel (BR.CHB-5289-02).

ISBN 9790004412046. 7.5 x 10.5 inches.

According to the date inscribed in Wolfgang Amadeus Mozart's autograph score, the present mass was composed in March 1780. The instrumental setting (oboes, trumpets and timpani add color and festive splendor to the work) rightly suggests that the work was in all likelihood performed with the Church Sonata K. 336 at the Easter high mass in the Salzburg cathedral. Since Archbishop Hieronymus Count Colloredo wanted the mass text to be treated as succinctly as possible, Mozart offered him a richly orchestrated Missa solemnis in the terse form of a Missa brevis.The brilliant, festive character of the Mass K. 337 is abruptly interrupted by a powerful Benedictus in a harsh A minor, the most striking and revolutionary movement in all of Mozart's Masses, in the strictest contrapuntal style ... (Alfred Einstein). What could have inspired Mozart to such unexpected rigor? But there is another surprise yet: while the dark drama of the Holy Week seems to radiate from this Benedictus, the following Agnus Dei in the distant key of E flat major sounds, with its soprano solo and concertante oboe, bassoon and organ, like a song of thanksgiving filled with the warmth and light of Easter.Other features worth noting are the three unisons between the alto and bass heard at the Deus pater omnipotens in the Gloria (bars 22-32), the a cappella illumination of the words Jesu Christe found a little later (bar 62) and the descending chromaticism evocative of death at the Crucifixus in the Credo. (Incidentally, Mozart had initially planned a different movement for the Credo of this mass, superscribed Tempo di Chiaconna; he wrote out 136 bars but, for some unknown reason, never completed it.)While the Coronation Mass K. 317 of 1779 is one of Mozart's most well-known mass settings, its later composed frllow piece K. 337 - Mozart's last completed mass before the great C minor fragment K. 427 (417a) - has been paid less attention, even though it is an outstanding example of the Mozartian mass type and contains parallels to the Coronation Mass in its disposition and in the structure of its various movements. The score and piano reduction of this new edition were prepared on the basis of the autograph (Osterreichische Nationalbibliothek/Vienna , dass. no. Mus. Hs. 18 97512) and the Salzburg performance material (Staats- und Stadtbibliothek/Augsburg, dass. no. Hl. Kreuz 9). We wish to thank both libraries for putting the source material at our disposal.Franz Beyer, Munich, Spring 1998.

Chorus (with soloists) and orchestra (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(without va))

SKU: BR.PB-5329

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Franz Beyer. Choir; Softbound. Partitur-Bibliothek (Score Library). Mass; Classical. Full score. Composed 1780. 68 pages. Duration 20'. Breitkopf and Haertel #PB 5329. Published by Breitkopf and Haertel (BR.PB-5329).

ISBN 9790004210420. 10 x 12.5 inches.

According to the date inscribed in Wolfgang Amadeus Mozart's autograph score, the present mass was composed in March 1780. The instrumental setting (oboes, trumpets and timpani add color and festive splendor to the work) rightly suggests that the work was in all likelihood performed with the Church Sonata K. 336 at the Easter high mass in the Salzburg cathedral. Since Archbishop Hieronymus Count Colloredo wanted the mass text to be treated as succinctly as possible, Mozart offered him a richly orchestrated Missa solemnis in the terse form of a Missa brevis.The brilliant, festive character of the Mass K. 337 is abruptly interrupted by a powerful Benedictus in a harsh A minor, the most striking and revolutionary movement in all of Mozart's Masses, in the strictest contrapuntal style ... (Alfred Einstein). What could have inspired Mozart to such unexpected rigor? But there is another surprise yet: while the dark drama of the Holy Week seems to radiate from this Benedictus, the following Agnus Dei in the distant key of E flat major sounds, with its soprano solo and concertante oboe, bassoon and organ, like a song of thanksgiving filled with the warmth and light of Easter.Other features worth noting are the three unisons between the alto and bass heard at the Deus pater omnipotens in the Gloria (bars 22-32), the a cappella illumination of the words Jesu Christe found a little later (bar 62) and the descending chromaticism evocative of death at the Crucifixus in the Credo. (Incidentally, Mozart had initially planned a different movement for the Credo of this mass, superscribed Tempo di Chiaconna; he wrote out 136 bars but, for some unknown reason, never completed it.)While the Coronation Mass K. 317 of 1779 is one of Mozart's most well-known mass settings, its later composed frllow piece K. 337 - Mozart's last completed mass before the great C minor fragment K. 427 (417a) - has been paid less attention, even though it is an outstanding example of the Mozartian mass type and contains parallels to the Coronation Mass in its disposition and in the structure of its various movements. The score and piano reduction of this new edition were prepared on the basis of the autograph (Osterreichische Nationalbibliothek/Vienna , dass. no. Mus. Hs. 18 97512) and the Salzburg performance material (Staats- und Stadtbibliothek/Augsburg, dass. no. Hl. Kreuz 9). We wish to thank both libraries for putting the source material at our disposal.Franz Beyer, Munich, Spring 1998.