SATB chorus and piano SKU: JK.19990 Composed by Janice Kapp Perry. Choral...(+)
SATB chorus and piano
SKU: JK.19990
Composed by Janice Kapp
Perry. Choral General
Conference, Choral SATB,
Difficulty Medium, Piano
Choir, Special Events
Home and Family, Hope,
Jesus Christ - Savior.
Christian, Inspirational.
Jackman Music Corporation
#19990. Published by
Jackman Music Corporation
(JK.19990).
Hebrews
9:28, John 14:6*** Some
Janice Kapp Perry
products may require a
few days additional
shipping time. Thank
you!
46 new hymns,
inspired by the General
Conference addresses of
Elder Jeffry R. Holland.
(October 1994 - April
2017). Collection
includes: All Ye Who
Watch the Master's
Sheep Are the Heavens
Truly Open? Are We
Not All Beggars? As
an Ensign to the
Nations A Sinless,
Pure and Holy Man Be
Clean, Oh House of
Israel Be Not Afraid,
But Be Believing
Bless Me to Be a Little
More Like Thee Do You
Love Me? Christ Can
Heal the Broken
Hearted ever We'll
Remember For God
Loves Us With All His
Heart For God So
Loved the World God
Has Raised Up Noble
Daughters God will
Never Leave the Weary
He Will Bring Rest to
Your Soul His More
Excellent Way Holy
Father, King of
Heaven How Fair Upon
the Mountain I Am a
Child of Destiny I
Bear My Witness of the
Lord In Heaven There
Is a Law Inviting All
to Come to Christ I
Testify I Would Be
Thy True Disciple let
Not Your Heart Be
Troubled Let Thy Word
Be In Our Hearts
Lord, Accept My Humble
Offering Lord, I
Believe Lord, I'll
Strive to Live Worthy of
Thy Love Lord, We
Pray For All the
Children May We Have
the Tongues of Angels
My Life is Not My Own
None Were With Him Oh
Come Ye Heavy Laden
Come Our Faith Unites
Us With One Heart The
Keys of the Kingdom
The Love of God Is
Without End The
Mother of All Living
The Words of God Will
Never Cease The Worth
of Souls Is Great
Indeed Through a
Thousand Generations
To the Rising
Generation Who Will
Now Speak For the
Widow? Wilt Thou,
Lord, In Me Abide You
Can Always Come Back
Home Composer: Janice
Kapp Perry Lyricist:
David B.
Larsen Reference:
Hebrews 9:28, John
14:6 *** Some Janice
Kapp Perry products may
require a few days
additional shipping time.
Thank you!
For Organ. Composed by Olivier Messiaen (1908-1992). Leduc. Post-1900, Sacred....(+)
For Organ. Composed by
Olivier Messiaen
(1908-1992).
Leduc. Post-1900, Sacred.
Softcover. 20 pages.
Alphonse
Leduc #AL19269. Published
by
Alphonse Leduc
Viola (solos: STB - choir: SATB - 0.2(2ob d'am) ob da cac.0.0 - 0.3.0.0 - timp -...(+)
Viola (solos: STB -
choir: SATB - 0.2(2ob
d'am) ob da cac.0.0 -
0.3.0.0 - timp - str -
bc)
SKU:
BR.OB-4519-19
At
St Michael and All Angels
- Urtext. Composed by
Johann Sebastian Bach.
Edited by Eva-Maria
Hodel. Stapled.
Orchester-Bibliothek
(Orchestral Library).
After a thorough revision
and comparison with the
autographic sources, the
Performance material of
Johann Sebastian Bach's
well-known and often
performed Cantata is now
offered for sale.
Cantata; Baroque. Part. 8
pages. Duration 22'.
Breitkopf and Haertel #OB
4519-19. Published by
Breitkopf and Haertel
(BR.OB-4519-19).
ISBN
9790004313060. 9 x 12
inches.
After a
thorough revision and
comparison with the
autographic sources, the
Performance material of
Johann Sebastian Bach's
well-known and often
performed Cantata is now
offered for sale. The
score and orchestral
Parts were newly engraved
especiallyfor this
edition.
Chorus (with soloists)
and orchestra (solos: STB
- choir: SATB - 0.2(2ob
d'am) ob da cac.0.0 -
0.3.0.0 - timp - str -
bc)
SKU:
BR.PB-4519
At St
Michael and All Angels -
Urtext. Composed by
Johann Sebastian Bach.
Edited by Eva-Maria
Hodel. Choir; Softcover.
Partitur-Bibliothek
(Score Library). After a
thorough revision and
comparison with the
autographic sources, the
Performance material of
Johann Sebastian Bach's
well-known and often
performed Cantata is now
offered for sale.
Cantata; Baroque. Full
score. Duration 22'.
Breitkopf and Haertel #PB
4519. Published by
Breitkopf and Haertel
(BR.PB-4519).
ISBN
9790004204184. 9 x 12
inches.
After a
thorough revision and
comparison with the
autographic sources, the
Performance material of
Johann Sebastian Bach's
well-known and often
performed Cantata is now
offered for sale. The
score and orchestral
Parts were newly engraved
especiallyfor this
edition.
After a
thorough revision and
comparison with the
autographic sources, the
Performance material of
Johann Sebastian Bach's
well-known and often
performed Cantata is now
offered for sale.
Drum Kit - easy SKU: BT.RSK200060 Exam Material. Book with Online Audio. ...(+)
Drum Kit - easy
SKU:
BT.RSK200060
Exam
Material. Book with
Online Audio. Composed
2018. Rockschool
#RSK200060. Published by
Rockschool
(BT.RSK200060).
ISBN
9781912352692.
English.
Learn
to play rock and pop with
Rockschool. These
specially written
arrangements develop the
skills and techniques you
need to help you achieve
your musical
goals.
For
Rockschool's 2018-2024
Drums series, Rockschool
have commissioned
arrangements of titles
reflecting popular
music's rich heritage in
all its forms and have
tailored each piece to
make it exactly right for
the grade. You can also
use titles from
Rockschool's Classics
series as part of the
syllabus.
The
arrangements have been
written and performed by
top session musicians who
have worked with some of
the biggest names in
rock, metal and pop. The
tracks were recorded at
Real World's acclaimed
recordingstudios and
feature live instruments
and first rate
performances for an
unrivalled level of feel,
authenticity and
musicianship.
Featu
ring:
Coldplay
- Yellow
Eminem -
My Name
Is
D'Angelo -
Untitled (How Does It
Feel)
Otis
Redding - (Sittin' On)
The Dock Of The
Bay
Public Enemy
- Rebel Without A
Pause
Curtis
Mayfield and The
Impressions - People Get
Ready
6
Rockschool
Originals
Plu
s:
Band and
artist fact files with
recommended
listening
Guitar - advanced SKU: BT.RSK200050 Exam Material. Book with Online Audio...(+)
Guitar - advanced
SKU:
BT.RSK200050
Exam
Material. Book with
Online Audio. Composed
2018. Rockschool
#RSK200050. Published by
Rockschool
(BT.RSK200050).
ISBN
9781912352593.
English.
Learn
to play rock and pop with
Rockschool. These
specially written
arrangements develop the
skills and techniques you
need to help you achieve
your musical
goals.
For
Rockschool's 2018-2024
Guitar series, Rockschool
have commissioned
arrangements of titles
reflecting popular
music's rich heritage in
all its forms and have
tailored each piece to
make it exactly right for
the grade. You can also
use titles from
Rockschool's Classics
series as part of the
syllabus.
The
arrangements have been
written and performed by
top session musicians who
have worked with some of
the biggest names in
rock, metal and pop. The
tracks were recorded at
Real World's acclaimed
recordingstudios and
feature live instruments
and first rate
performances for an
unrivalled level of feel,
authenticity and
musicianship.
Featu
ring:
Steve
Vai - Die to
Live
D'Angelo -
Spanish
Joint
Steely Dan
- Kid
Charlemagne
Snark
y Puppy - Native
Sons
Justin
Timberlake - Cry Me A
River
Albert Lee
- Country Boy
6
Rockschool
Originals
Plu
s:
Band and
artist fact files with
recommended
listening
Consolations Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14505 Grand solo de concert (earl. vers.) and Other ...(+)
Piano
SKU:
BT.EMBZ14505
Grand
solo de concert (earl.
vers.) and Other Works
(Suppl. B 10). By
Adrienne
Kaczmarczyk_Ãgnes Sas.
By Franz Liszt. EMB Liszt
Works. Book Only.
Composed 2014. 208 pages.
Editio Musica Budapest
#EMBZ14505. Published by
Editio Musica Budapest
(BT.EMBZ14505).
English-German-Hungari
an.
Of the early
versions of works
included in this volume
the first versions of the
notably popular
Consolations cycle and
Grand solo de concert
(published in 1850) are
of particular interest.
In the first version of
Consolations the third
movement was a style
hongrois piece whose
thematic material was
later used by Liszt in
his Hungarian Rhapsody
No. 1 (published in
1851). The first version
of Grand solo de concert
shows that the work did
not originally include a
slow middle section to be
recapitulated towards the
end as seen in the final
version. This is a
characteristically
Lisztian feature that
would reappear a few
years later in his Sonata
in B minor. A detailed
preface inHungarian,
English, and German,
including new research
results, numerous
manuscript facsimiles,
and critical notes, makes
this volume of the New
Liszt Edition an
important publication of
immense scholarly value.
Along with the
cloth-bound Complete
Edition, a paperback
version for practical use
has also been published.
This edition's contents
are identical to those of
the hardcover edition
with the exception that
the critical notes are
not included.
Of
the early versions of
works included in
Supplementary Volume 10,
particular interest is
expected in the first
versions of the notably
popular Consolations
cycle and the monumental
Grand solo de concert of
1850. In the first
version of
Consolationsthe third
movement was a style
hongrois piece whose
thematic material Liszt
used again later in the
first piece of the
Hungarian Rhapsodies
published in 1851. The
first version of the
Grand solo de concert
shows that the original
concept did notinclude
the slow
“movementâ€
that would be placed in
the middle of the work
and recapitulated towards
the end in the final
version - a
characteristically
Lisztian feature that
would reappear a few
years later in the Sonata
in B flat minor.A
detailed preface in
Hungarian, English and
German, including new
research result and,
numerous manuscript
facsimiles make the
practical paperback
version of this volume of
the New Liszt Edition a
specially important
publication of scholarly
value.
Von den im
vorliegenden Band
veröffentlichten
Werkversionen dürften
der außerordentlich
populäre
Consolations-Zyklus sowie
die Erstfassung des 1850
entstandenen Grand solo
de concert (Großes
Konzertsolo) auf
besonderes Interesse
stoßen. In der ersten
Fassung der Consolations
stand an dritter Stelle
noch ein Stück im
ungarischen Stil, dessen
Thematik Liszt später
im 1851 herausgegebenen
1. Stück der
Ungarischen Rhapsodien
verwendete. Die erste
Version des Großen
Konzertsolos belegt, dass
der in der Mitte der
Komposition angelegte und
kurz vor Ende
rekapitulierte langsame
Teil, welcher zum typisch
Lisztschen Element der
endgültigen Fassung
des Konzertsolos - und
einige Jahre
späterauch der
H-Moll-Sonate - wird,
noch kein Bestandteil der
ursprünglichen
Konzeption war.
Piano SKU: BT.EMBZ14505A Suppl. 10. By Adrienne Kaczmarczyk_Ãgn...(+)
Piano
SKU:
BT.EMBZ14505A
Suppl. 10. By
Adrienne
Kaczmarczyk_Ãgnes Sas.
By Franz Liszt. EMB New
Listz Edition. Book
Hardcover. Composed 2014.
224 pages. Editio Musica
Budapest #EMBZ14505A.
Published by Editio
Musica Budapest
(BT.EMBZ14505A).
English-German-Hungari
an.
Of the early
versions of works
included in this volume
the first versions of the
notably popular
Consolations cycle and
Grand solo de concert
(published in 1850) are
of particular interest.
In the first version of
Consolations the third
movement was a style
hongrois piece whose
thematic material was
later used by Liszt in
his Hungarian Rhapsody
No. 1 (published in
1851). The first version
of Grand solo de concert
shows that the work did
not originally include a
slow middle section to be
recapitulated towards the
end as seen in the final
version. This is a
characteristically
Lisztian feature that
would reappear a few
years later in his Sonata
in B minor. A detailed
preface inHungarian,
English, and German,
including new research
results, numerous
manuscript facsimiles,
and critical notes, makes
this volume of the New
Liszt Edition an
important publication of
immense scholarly value.
Along with the
cloth-bound Complete
Edition, a paperback
version for practical use
has also been published.
This edition's contents
are identical to those of
the hardcover edition
with the exception that
the critical notes are
not included.
Of
the early versions of
works included in
Supplementary Volume 10,
particular interest is
expected in the first
versions of the notably
popular Consolations
cycle and the monumental
Grand solo de concert of
1850. In the first
version of
Consolationsthe third
movement was a style
hongrois piece whose
thematic material Liszt
used again later in the
first piece of the
Hungarian Rhapsodies
published in 1851. The
first version of the
Grand solo de concert
shows that the original
concept did notinclude
the slow
“movementâ€
that would be placed in
the middle of the work
and recapitulated towards
the end in the final
version - a
characteristically
Lisztian feature that
would reappear a few
years later in the Sonata
in B flat minor.A
detailed preface in
Hungarian, English and
German, including new
research results,
numerous manuscript
facsimiles and critical
notes make this volume of
the New Liszt Edition a
specially important
publication of scholarly
value. Simultaneously
withthe Complete Edition
volume in colth-bound,
its paperback for
practical purposes is
also published, the
contents of which, except
for the critical notes,
is identical with the
Complete Edition
volume.
Von den im
vorliegenden Band
veröffentlichten
Werkversionen dürften
der außerordentlich
populäre
Consolations-Zyklus sowie
die Erstfassung des 1850
entstandenen Grand solo
de concert (Großes
Konzertsolo) auf
besonderes Interesse
stoßen. In der ersten
Fassung der Consolations
stand an dritter Stelle
noch ein Stück im
ungarischen Stil, dessen
Thematik Liszt später
im 1851 herausgegebenen
1. Stück der
Ungarischen Rhapsodien
verwendete. Die erste
Version des Großen
Konzertsolos belegt, dass
der in der Mitte der
Komposition angelegte und
kurz vor Ende
rekapitulierte langsame
Teil, welcher zum typisch
Lisztschen Element der
endgültigen Fassung
des Konzertsolos - und
einige Jahre
späterauch der
H-Moll-Sonate - wird,
noch kein Bestandteil der
ursprünglichen
Konzeption war.
