(Two Cellos Performance Score). By Johann Sebastian Bach (1685-1750). Arranged b...(+)
(Two Cellos Performance
Score). By Johann
Sebastian Bach
(1685-1750). Arranged by
Fred Sherry. Boosey and
Hawkes Chamber Music. 64
pages. Boosey and Hawkes
#M051106516. Published by
Boosey and Hawkes
For Cello Duet. Composed by Wolfgang Amadeus Mozart (1756-1791). Leduc. Class...(+)
For Cello Duet. Composed
by
Wolfgang Amadeus Mozart
(1756-1791). Leduc.
Classical. Softcover. 11
pages. Alphonse Leduc
#AL16622. Published by
Alphonse Leduc
for Violoncello and Continuo or Two Violoncellos. By Various. Arranged by Pejtsi...(+)
for Violoncello and
Continuo or Two
Violoncellos. By Various.
Arranged by Pejtsik,
Vigh. EMB. Size 9x12
inches. 19 pages.
Published by Editio
Musica Budapest.
2 cellos, string orchestra and basso continuo (2 Violine I - 2 Violine II - 1 Vi...(+)
2 cellos, string
orchestra and basso
continuo (2 Violine I - 2
Violine II - 1 Viola - 2
Basso) - intermediate
SKU: HL.49019635
Urtext. Composed
by Antonio Vivaldi.
Edited by Wolfgang
Birtel. This edition:
Folder. Sheet music.
String Ensemble.
Softcover. 36 pages.
Schott Music #CON267-75.
Published by Schott Music
(HL.49019635).
ISBN
9790001191302. UPC:
841886019638.
9.25x12.0x0.111
inches.
The genre
of the violoncello
concerto was born in
17th-century Italy.
Thanks to the Venetian
composer Antonio Vivaldi
(1678-1741), there exists
today not only a wealth
of magnificent violin
concertos but also quite
a number of cello
concertos to whose
development he
contributed considerably.
More than two dozens of
his concertos are
dedicated to the
violoncello, including
the probably most famous
double concerto: the
Concerto for two
violoncellos, string
orchestra and basso
continuo in G minor (RV
531) written after 1770.
The sonorous work with
its playful outer
movements and expressive
largo is published in
this critical new edition
on the basis of the
sources.
2 cellos, string orchestra and basso continuo (3 Violine I - 3 Violine II - 2 Vi...(+)
2 cellos, string
orchestra and basso
continuo (3 Violine I - 3
Violine II - 2 Viola - 3
Violoncello/Kontrabass -
1 Basso continuo) -
intermediate
SKU:
HL.49019633
Urtext. Composed
by Antonio Vivaldi.
Edited by Wolfgang
Birtel. This edition:
Saddle stitching. Sheet
music. String Ensemble.
Softcover. 28 pages.
Schott Music #CON267.
Published by Schott Music
(HL.49019633).
ISBN
9790001191289. UPC:
841886019614.
9.25x12.0x0.13
inches.
The genre
of the violoncello
concerto was born in
17th-century Italy.
Thanks to the Venetian
composer Antonio Vivaldi
(1678-1741), there exists
today not only a wealth
of magnificent violin
concertos but also quite
a number of cello
concertos to whose
development he
contributed considerably.
More than two dozens of
his concertos are
dedicated to the
violoncello, including
the probably most famous
double concerto: the
'Concerto for Two
Violoncellos, String
Orchestra and Basso
continuo in G minor (RV
531)' written after 1770.
The sonorous work with
its playful outer
movements and expressive
largo is published in
this critical new edition
on the basis of the
sources.
2 cellos, string orchestra and basso continuo (3 Violine I - 3 Violine II - 2 Vi...(+)
2 cellos, string
orchestra and basso
continuo (3 Violine I - 3
Violine II - 2 Viola - 3
Basso - 1 Cembalo) -
intermediate
SKU:
HL.49019634
Urtext. Composed
by Antonio Vivaldi.
Edited by Wolfgang
Birtel. This edition:
Folder. Sheet music.
String Ensemble.
Softcover. 88 pages.
Schott Music #CON267-70.
Published by Schott Music
(HL.49019634).
ISBN
9790001191296. UPC:
888680913090.
9.0x12.0x0.26
inches.
The genre
of the violoncello
concerto was born in
17th-century Italy.
Thanks to the Venetian
composer Antonio Vivaldi
(1678-1741), there exists
today not only a wealth
of magnificent violin
concertos but also quite
a number of cello
concertos to whose
development he
contributed considerably.
More than two dozens of
his concertos are
dedicated to the
violoncello, including
the probably most famous
double concerto: the
Concerto for two
violoncellos, string
orchestra and basso
continuo in G minor (RV
531) written after 1770.
The sonorous work with
its playful outer
movements and expressive
largo is published in
this critical new edition
on the basis of the
sources.
Composed by Lynne Latham.
Ludwig Masters. Book.
Latham Music Enterprises
#36-52731563. Published
by Latham Music
Enterprises
(AP.36-52731563).
ISBN
9781628761719. UPC:
660355057113.
English.
The second
volume in this series
includes intermediate
level duets compatible
for violin, viola, cello
and bass. Learn dotted
rhythms and 6/8 meter,
chromatic fingerings,
facility with pizzicato,
varying types of bow
strokes, and double stops
as students are
introduced to shifting
with familiar classic
tunes. This volume is a
technique builder and
works best with the more
treble of the two
instruments on the top
line.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
For Cello. By Doris Gazda; Larry Clark. Arranged by Doris Gazda; Larry Clark. St...(+)
For Cello. By Doris
Gazda; Larry Clark.
Arranged by Doris Gazda;
Larry Clark. String duet.
For Cello. Progressive
Duets, 1. Classical.
Student Book. 32 pages.
Published by Carl
Fischer. Level: Easy
to Medium.
(1st position).
Composed by Hermann
Regner. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Playing score.
20 pages. Schott Music
#ED7780. Published by
Schott Music
(HL.49007515).
ISBN
9790001080811. UPC:
073999739398.
9.0x12.0x0.115 inches.
Joachim
Schuster.
Cello Duet SKU: BT.EMBZ14662 Composed by Angelo Maria Fiore. Book Only. C...(+)
Cello Duet
SKU:
BT.EMBZ14662
Composed
by Angelo Maria Fiore.
Book Only. Composed 2009.
42 pages. Editio Musica
Budapest #EMBZ14662.
Published by Editio
Musica Budapest
(BT.EMBZ14662).
Angelo Maria
Fiore (c. 1660-1723),
composer and virtuoso
cellist, was the founder
of the Piedmont school.
In 1697 he was invited to
the Accademia Filarmonica
di Bologna as a rare
cello player. During his
lifetime his work
entitled Trattenimenti di
camera a due stromenti,
violino e cimbalo o
violino e violoncello was
published by Bartolomeo
Gregori in 1698, barely
three years after the
first cello sonatas to
appear in print, the
works of Giuseppe
Jacchini. Three of the 14
Trattenimenti were
written for cello and
basso continuo, and they
form the contents of this
volume. This edition is
faithful to the text of
the source and the
archaic style of writing
has been modernized to
makethe score (intended
for practical,
pedagogical purposes)
easier to read.
Der Komponist und
virtuose Cellist Angelo
Maria Fiore (c1660-1723)
war der Gründer der
Piemont-Schule. 1697
wurde er in der
‚Accademia
Filarmonica di Bologna
als raro suonatore di
violoncello' aufgenommen.
Schon zu Lebzeiten
erschien sein Werk:
‚Trattenimenti di
camera a due stromenti,
violino e cimbalo o
violino e violoncello,
kaum drei Jahre nach den
ersten gedruckten
Cellosonaten von Giuseppe
Jacchini, der Herausgeber
war Bartolomeo Gregori.
Von der vierzehn
‚Trattenimenti'
(eigentliche
Barocksonaten) entstanden
drei für Cello und
Basso continuo, diese
Werke beinhaltet unser
Band. Die Ausgabe bleibt
zum Text der Quelle treu,
um die Lesbarkeit der
praxisorientierten,
vorallem pädagogischer
Zwecke dienenden Noten zu
vereinfachen, wurde die
alte Schreibweise
modernisiert.