Par DUCKETT RICHARD / LOANE C.. Team Woodwind is designed for everyone who wants to learn to play woodwind. This method: presents a flexible course which can be tailored to suit each student is ideal for individual, group or class tuition contains plenty of carefully graded music in a wide variety of styles encourages ensemble playing with varied repertoire for mixed wind group and integrates with ensemble music in Team Brass offers more than 40 pieces which can be played in unison between flute and clarinet contains over 50 well-known titles selected from the worlds of pop, jazz and the shows, as well as traditional and folk material provides imaginative piano accompaniments for selected pieces and chord symbols where appropriate develops instrument-related aural skills, improvisation and composition offers helpful notes for the teacher, together with clear ensemble scores./ Méthode / Basson

Par KNUSSEN OLIVER. Study for “Metamorphosis” for solo bassoon was composed by Oliver Knussen in the early 1970s but was withdrawn and later revised by the composer in 2018. Two earlier versions of the piece exist: an incomplete copy of the work’s earliest incarnation – entitled Study in Metamorphosis and dated 1972 – and a revised version from 1973, which uses the current title.   / Instrumental Music / Répertoire / Basson

Arrangement: Barclay Ted. Par BARCLAY TED. / Niveau : Facile / Répertoire / Basson

Arrangement: Barclay Ted. Par BARCLAY TED. / Niveau : Facile / Répertoire / Basson

Par LEHMANN ALEXANDRA. Testing variations on an original theme Popi is our black cat. She is chubby, lazy, ungainly, not very clever and a bit weird. And we love her. Why a bassoon piece for Popi? Clara started the bassoon two years ago, and I have enjoyed becoming more acquainted with the instrument. It can be lyrical, comic, plaintive, mellow or frenetic. All attributes Popi possesses. Whether she is lamenting (just to get attention), running from one end of the flat to the other and bouncing off the sofa, playing hide-and-seek ready to pounce on our feet, sleeping under the blanket on Clara's bed, or enjoying the sun in the garden: Popi's many moods inspired this passacaglia for bassoon. / Niveau : Avancé / Répertoire / Basson

Par OUBRADOUS. Written in English, French, and German, this Vol. 3: Exercices Complementaires Techniques Et Melodiques is the third volume of the Complete Method For Bassoon by Fernand Oubradous. Including the advice of the author, this method provides a set of scales studies to enable the upper beginner Bassoon player to gain in sonority and clearness. This method is classic and progressive and includes numerous explanations related to the technique: on the sonority (clearness of attack, suppleness of the embouchure and on the technique (Appogiatura, legato & non legato, grupetto, turn) forexample. . Fernand Oubradous was a French Bassoonist, composer and conductor. This Complete Method For Bassoon is one of his main recognised work and was conceived in three volumes./ Etude / Basson

Fg. Par GERNOT WOLFGANG. ...clever, finely-crafted, interesting modern work for the bassoon (...) Wolfgang's style is fundamentally atonal, but highly developmental, utilizing very interesting melodic and rhythmic motives to bind the music together. The influences of jazz and rock are clearly audible, and the entire structure has a wonderful sense of finesse and completion. (...) If you are looking for a tough-but-fun composition for your next performance, this neat work will fill the bill very well. I recommend it strongly to all you brave bassoonists out there looking for a nifty challenge. (Double Reed, Vol. 31.No. 2) ...This little sketch for bassoon, which highlights both its energetic and its lyrical capabilities, is quite delightful. Even multiphonics are used imaginatively and to musically sensible effect, rather than displaying their more common function as exercises in ugliness. ...' (Walter Simmons, Fanfare Magazine, August 2008)/ Répertoire / Basson

from Tone and Performance Studies. Par WEISSENBORN JULIUS. Julius Weissenborn is best remembered today for the teaching material written for use at the Leipzig Conservatorium where he taught bassoon from 1882. His two famous tutor books are still the most popular bassoon etudes in use today, well over 120 years after they were written. This anthology represents the first-ever publication that contains all 11 of the extant full recital pieces for bassoon and piano that Weissenborn envisioned as the third part to this tutor in a single volume. Southern Music is proud to present this fine collection of Tone and Performance Studies to players of all levels, edited by veteran Principal Bassoonist for the Detroit Symphony, Robert Williams. Julius Weissenborn is best remembered today for the teaching material written for use at the Leipzig Conservatorium where he taught bassoon from 1882. His two famous tutor books are still the most popular bassoon etudes in use today, well over 120 years after they were written. This anthology represents the first-ever publication that contains all 11 of the extant full recital pieces for bassoon and piano that Weissenborn envisioned as the third part to this tutor in a single volume. Southern Music is proud to present this fine collection of Tone and Performance Studies to players of all levels, edited by veteran Principal Bassoonist for the Detroit Symphony, Robert Williams. / Pièce de concert / Recueil / Basson

Taylor David J. (Edited). Par TAYLOR DAVID J.. Ce livre fait partie d'une série intitulée collectivement Music of Ireland, qui réunit un référentiel riche d'airs solides de nombreuses sessions de musique irlandaise organisé tout au long des îles britanniques. Il n'est pas une collection définitive, ni il l'intention de concurrencer les autres publications--bien que naturellement quelques morceaux se trouvent ailleurs. Mais vous serez d'accord qu'il est rare en effet que deux écrit, les versions enregistrées ou héritées sont identiques. De nombreux titres alternatifs sont donnés dans l'index. Certains les mélodies sont difficiles, alors que beaucoup ne le sont pas. Certaines sont établies, certains insaisissable - certains sonore puissant sur les tuyaux, d'autres siègent carrément la squeezebox. Tous méritent d'enquête. Approprié pour tout instrument de mélodie. Symboles de corde sont inclus. 32 pages. Mally est et UK produit # AM901. / Niveau : Débutant à Intermédiaire / Celtic/Irish - Songbooks / Recueil / Instruments Acoustiques

Par ARNOLD MALCOLM. Malcolm Arnold's Fantasy For Bassoon. / Niveau : Elémentaire / Répertoire / Basson

Music through the Ages in Two Volumes. Par DENLEY IAN. Morceaux de temps est une passionnante série de répertoire qui explore la richesse de la musique écrite du seizième siècle à nos jours. Les pièces sont présentées chronologiquement au sein de chaque volume et tous comprennent l'année où ils ont été écrits que sa série permet à l'élève d'obtenir une sensation réelle pour les différents styles de musique à travers le temps, en fournissant la confiance de la performance et de l'expérience dès les premiers stades. Le livre se révélera une source inestimable, variée de plus amples reper étude et considérant/ Recueil / Guitare Basse