Composed by Bob Chilcott. Vocal score. 12 pages. Duration 4.5'. Oxford Universit...(+)
Composed by Bob Chilcott.
Vocal score. 12 pages.
Duration 4.5'. Oxford
University Press
#9780193413481. Published
by Oxford University
Press (OU.9780193413481).
Choral (SSATBB choir) SKU: HL.14011728 Composed by Pelle Gudmundsen-holmg...(+)
Choral (SSATBB choir)
SKU: HL.14011728
Composed by Pelle
Gudmundsen-holmgreen.
Music Sales America.
Classical, Danish,
Madrigal. Vocal Score. 56
pages. Edition Wilhelm
Hansen #KP01218.
Published by Edition
Wilhelm Hansen
(HL.14011728).
ISBN
9788759851890. UPC:
888680705817. 10.5x14.5
inches.
Danish.
These
Four Madrigals by
Pelle
Gudmundsen-Holmgreen are
settings of texts by the
Australian author, Les
Murray. Two songs were
originally written for
the Song Company,
Australia and two more
from his larger work,
Sound/Sight for
Danish Radio Chamber
Choir. All have been
arranged here for six
voices (SSATBarB) with
texts in English and
Danish. Duration
16:30.
Composed
by Johann Pachelbel.
Edited by Thomas
Röder. This edition:
Edition of selected
works, Urtext edition.
Linen. Johann Pachelbel.
Complete Vocal Works,
Volume 7. Edition of
selected works, Score,
anthology. Baerenreiter
Verlag #BA10557_00.
Published by Baerenreiter
Verlag (BA.BA10557).
ISBN 9790006553068. 33
x 25.8 cm inches.
Language:
German.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbelâ??s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in Pachelbelâ??s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbelâ??s surviving
vocal works in the best
possible form. It is
edited by the Institut
für Musikwissenschaft
at the University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbelâ??s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Choral (SSATBB) SKU: HL.48025430 Movement X from The Drop That Contain...(+)
Choral (SSATBB)
SKU:
HL.48025430
Movement X from The
Drop That Contained the
Sea. Composed by
Christopher Tin. BH
Secular Choral.
Classical, Concert, World
Music. Octavo. Duration
735 seconds. Boosey &
Hawkes #M051500062.
Published by Boosey &
Hawkes (HL.48025430).
ISBN 9798350126297.
UPC: 196288210825.
6.75x10.5
inches.
“Walo
yo Yamoni (We Overcome
the Wind)†is the
grand finale to
Christopher Tin's second
album 'The Drop That
Contained the Sea'. The
lyrics are a setting of a
Lango rainmaking prayer.
It was commissioned by
the St. Matthews Chamber
Orchestra, and recorded
by the Royal Philharmonic
Orchestra with the Soweto
Gospel Choir. New York
Concert Review wrote of
the Carnegie Hall
premiere “The
audience reacted after
the final notes with the
loudest and longest
standing ovation I have
ever heard at any
concertâ€, while The
York Press wrote
“We Overcome The
Wind was an outpouring of
joy; a unanimous standing
ovation evinced the sense
of togetherness at the
heart of this
concert.â€.