By Nicolas Clerambault. Edited by Jean Saint-Arroman, Philippe Lescat. Harpsichord solo. For Harpsichord. Facsimiles. La Musique Francaise Classique de 1650 a 1800. Grade 0. 52 pages

Composed by Francois Couperin (1668-1733). Leduc. Baroque. Softcover. 132 pages. Heugel and Cie #HE31833. Published by Heugel and Cie

By Francois Couperin (1668-1733). Edited by Jean Saint-Arroman, Philippe Lescat. Harpsichord solo. For Harpsichord. Facsimiles. La Musique Francaise Classique de 1650 a 1800. Grade 0. 116 pages. Published by Anne Fuzeau Productions - France

Harpsichord

SKU: FG.55011-764-8

Composed by Esa Pietilä. Classical, contemporary. Book. Fennica Gehrman #55011-764-8. Published by Fennica Gehrman (FG.55011-764-8).

ISBN 9790550117648.

The title of Esa Pietilä’s solo harpsichord work Fata morgana (2019) refers to a special weather con-dition, which creates illusory effect of mirage-like fairy castle-like monuments in the horizon of the sea. The piece brings forth the frightening bass sonority on double manual, full size harpsichord and the brightness on the treble and makes a dialogue out of them. “I got fasci-nated by the sonority, character and power of the low register sound on the instrument, es-pecially when used in non-traditional way and found some kind of especially delightful and outlandish cluster-mud and airy glimmering things which seem to play together, the com-poser describes. The challenges of the piece lie in rhythmical ideas, which are surprisingly multi-faceted and in the short, improvised section.

Duration: c. 6’

Esa Pietilän soolo-cembalolle tehdyn sävellyksen otsikko Fata morgana (2019) viittaa erityisen sääil-miön aiheuttamaan illusatoriseen kangastuksen tapaiseen efektiin, joka tuo esiin satulinnojen kaltaisten rakennelmien ilmaantumisen meren horisonttiin. Sävellys tuo esiin cembalon bas-sorekisterin pelottavuuden sekä diskantin kirkkauden ja käy niillä vuoropuhelua. Haltioiduin cembalon alarekisterin erityisestä soinnista, karakteerista ja voimasta, jos sitä käyttää hyvinkin ei-perinteisesti. Löysin myös erityisen hauskasti soivaa klusteri-mutaa ja ilmavaa kimallusta, jotka sointuvat yhteen, Pietilä kuvaa sävellystään. Kappaleen haasteena ovat rytmisesti yllät-tävät ja monitahoiset ideat sekä lyhyt improvisaatiojakso.

(Manuscrit autographe, 1702). By Bernardo Pasquini (1637-1710). Edited by Emer Buckley. For Harpsichord. Facsimiles. Collection Dominantes. Grade 0. 488 pages

Harpsichord - advanced

SKU: HL.49008182

Composed by Hans Gá and l. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Composed 1962. 16 pages. Schott Music #ED 8847. Published by Schott Music (HL.49008182).

ISBN 9790001123495. 8.25x11.75x0.093 inches.

In an idiom far removed from the melodic, harmonic and structural approach usually associated with the harpsichord these pieces are particularly individual and intriguing.

Sonatas for Harpsichord. Composed by Domenico Scarlatti (1685-1757). Edited by Emilia Fadini and Marco Moiraghi. Piano. Softcover. 296 pages. Ricordi #ER2757. Published by Ricordi (HL.50600627).

Composed by Giovanni Benedetto Platti (1697-1763). Edited by L. Hoffmann-Erbrecht. For harpsichord. Edition Breitkopf. 64 pages. Published by Breitkopf and Haertel

(Manuscrit autographe, 1702). By Bernardo Pasquini (1637-1710). Edited by Emer Buckley. For Harpsichord. Facsimiles. Collection Dominantes. Grade 0

By Gustav Leonhardt. For harpsichord. Classical. Book. Text language: French. 40 pages. Published by Editions Van de Velde