À ce jour, les concertos pour violon de Bach sont parmi les plus populaires pièces de répertoire de nombreux violonistes qui doivent répondre à des exigences techniques grands dans ces oeuvres. Créé au cours du temps de Bach à Köthen, dans laquelle le compositeur a présenté des oeuvres de nove révolutionnaire / Orchestre

Par DVORAK ANTONIN. This study score is based on the score and complete performance material of Dvorák's famous B minor Cello Concerto (BA 9045) edited by Jonathan Del Mar and published in 2011. In addition the study score contains a Foreword by Dvorák scholar Jan Smaczny. Like every other major 19th-century cello concerto, Dvorák's concerto resulted from a collaboration between the composer and a virtuoso musician. Several passages in Dvorák's autograph were written by the cellist Hanus Wihan but Bärenreiter's edition now reveals that some details in the orchestral parts are also in his writing, showing just how closely the two musicians were working together. The editor Jonathan Del Mar has conscientiously examined every available source, including two that have hitherto been either ignored or crucially undervalued. His research has led to a benchmark edition that reconstructs, for the first time since its initial publication in 1896, Dvorák's definitive version of the solo part. It differs from previous editions in practically every measure and hundreds of corrections have also been made to the orchestral parts. - Includes Dvorák's final and definitive version of the solo cello part - Incorporates new discoveries regarding the collaboration between Dvorák and Wihan - With Feuermann's and Casals's alternative versions of a passage in the first movement - Detailed Foreword (Eng/Cz/Ger)/ Répertoire / Violoncelle et Orchestre

Solo for Oboe or Violin. Par BACRI NICOLAS. The title only appears frivolous to those who have lived little. With the passage of time, the seasons that pass, the differences in quantity and quality of light, of temperature and weather, become of ever greater importance in the meaning of our individual existence. This transformation follows the path of our lives and often mimes in front of our very own eyes, incredulous and wondrous, events that we can only experience once in a lifetime: our birth, our blossoming, our aging and our death. Such a subject could well take up ten years of my life. This was the case. Nevertheless, everything started very innocently with a proposition from my friend François Leleux to write him a double concerto that he could play with Natalia Gutman, initially named ‘Musica Concertante’. It was with this second proposition from François for another double concerto, this time with Lisa Batiashvili, that the idea came to me for a cycle of four concertos with, each time, a different instrument from the string quartet to join the oboe. The automnal colours of the cello are a perfect match for the retrospective nature of the first completed concerto in the cycle. ‘concerto nostalgico, l’automne’, whilst the love and the first child of the Leleux-Batiashvili couple could only bring Spring to mind, hence the ‘Concerto amoroso, le printemps’, was born. When Jean-Marc Bador asked me to be an associate of the Ensemble Orchestral de Paris for two years, it was quite naturally that I thought of completing this cycle for François Leleux, with winter ‘Concerto tenebroso’, created in January 2010 with Lise berthaud playing the viola. All that remained was for me to conclude, with a work that reunited all four protagonsits. It was summer, the ‘Concerto luminoso’, which took on this role’./ Répertoire / Orchestre

Mon Concerto pour orchestre (2007) est une oeuvre de vingt minutes dans laquelle les différentes sections de l'orchestre, ainsi que différents solos et duos du sein de l'orchestre, sont mis en évidence que la musique se déploie. Le travail continue mon intérêt pour les formes à deux mouvement qui a commencé avec mon Concerto pour violoncelle (1991), et plus tard a été développé dans Sortilège (1996) et la Symphonie (Broken Consort) (2004). Dans ces oeuvres, et dans le Concerto pour orchestre, chaque mouvement est le même poids et de l'importance avec le second développement de matériel plus tôt et prendre de nouvelles directions.La forme en deux mouvements du Concerto pour orchestre vient d'une structure symphonique sonate, remodeler la forme en quatre mouvements traditionnels et en combinant cela avec les aspects de la forme sonate, une tradition qui remonte à Liszt, Schoenberg et Sibelius:1er mouvement (i) l'exposition d'idées - dramatique et soudaine (ii) scherzo et développement 1 - résolue2ème mouvement (iii) adagio - calme et tranquille (iv) le développement 2 avec récapitulation - intense et énergiqueLe Concerto pour orchestre a été commandée par le Musikalische Akademie des Nationaltheatre-Orchesters Mannheim avec le soutien de Die Landesbank Baden-Württemberg pour ses deux premières représentations le 31 Mars et 1er Avril 2008 réalisée par Friedemann Layer. La partition est dédiée à l'amitié et l'admiration pour Ronald Zollman. / Orchestre

Among the glories of the Baroque era is a legacy of concertos for multiple soloists, in which two, three, or a complete ensemble interact with the orchestra. A product of that fine tradition, this work is rooted in earlier pieces that lend it a distinctive color and structure.

Full Score. Par FUCHS KENNETH. Kenneth Fuch's Bass Trombone Concerto places the soloist in the role of a musical protagonist, leading the players of the ensemble in a vibrant affirmation of lyrical melody, instrumental color, and orchestral texture. The workemerges from a serene atmosphere with the bass trombonist weaving fragments of melody from which the entire concerto evolves. The work takes the form of a through-composed extended single movement in four sections (Adagietto -Allegro - Allegro poco agitato - Allegro con brio) based upon the simple triadic intervals of the opening melodic fragments. Versions for orchestra and band are available from the publisher, as well as a piano reduction./ Répertoire / Orchestre

Par AROUTIOUNIAN ALEXANDER. Alexander Arutiunian's Concerto For Trumpet. Alexander Arutiunian's Concerto For Trumpet./ Répertoire / Orchestre

Par CHOSTAKOVITCH DIMITRI. Available in France and Belgium only! Dmitri Shostakovich's Concerto No. 1 Op. 107 Available in France and Belgium only! Dmitri Shostakovich's Concerto No. 1 Op. 107/ Répertoire / Orchestre

L'oeuvre musicale qui a pour support une Partition a pour titre Concerto N02 (Pour Orchestre). C'est une partition musicale composée par Chaynes Charles et qui est destinée aux joueurs de Conducteur et Poche. Le détail de l'instrumentation Partition D'Orchestre In 16 Poche vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / Partition D'Orchestre In 16 Poche / Partition

L'oeuvre musicale qui a pour support une Partition a pour titre Concerto (Orchestre A Cordes). C'est une partition musicale composée par Chaynes Charles et qui est destinée aux joueurs de Conducteur et Poche. Le détail de l'instrumentation Partition D'Orchestre In 16 Poche vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / Partition D'Orchestre In 16 Poche / Partition

Harpsichord Concerto in F major BWV 1057
[hps,2rec,str,bc] 20’
solos: hps.2rec – str
/ Partitions classique / Ensemble et orchestre / Orchestre / EDITION BREITKOPF

Harpsichord Concerto in F major BWV 1057
[hps,2rec,str,bc] 20’
solos: hps.2rec – str
/ Partitions classique / Ensemble et orchestre / Orchestre / EDITION BREITKOPF

Contenu :
Concerto N°7 in F (K.242)
Concerto N°8 in C (K.246)
Concerto N°9 in E-flat (K.271)
Double Concerto N°10 in E-flat (K.365).

With Critical Report. Par BARTOK BELA. The Béla Bartók Complete Critical Edition is a joint project of G. Henle Publishers, Munich and Edition Musica Budapest. The volume at hand was edited by Klára Móricz. By publishing Concerto for Orchestra the score for one of Bartók’s truly importantorchestra works is now available. The well readable introduction describes the genesis of this work that Bartók wrote during the last part of his life under special circumstances. The critical commentary contains documents the process of compositionin detail, and also transcriptions of the extensive sketches. / Móricz, Klára / Répertoire / Orchestre

Par CHOSTAKOVITCH DIMITRI. Dmitri Shostakovich's Concerto No. 2 Op. 126./ Répertoire / Orchestre