Má Vlast (My Country). Par SMETANA BEDRICH. In late September 1874, shortly after losing his hearing, Smetana started work on 'Vyšehrad”, the first symphonic poem in what would become a six-part cycle with the title 'Má vlast” (My Country). It tells the eventful history of this fort in Prague. 'Vyšehrad” was published by Urbánek together with 'Vltava” (The Moldau), the next part in the cycle, in a version for piano duet in December 1879. The full score and parts, proofread by the composer, followed in February 1880. Hugh Macdonald has corrected many errors in this first edition. He draws on the autograph and first print of the orchestral version and also refers to the autograph and printed piano duet version. / Date parution : 2019-11-21/ Répertoire / Orchestre

'Vltava? (The Moldau) is Smetana's most famous and frequently performed tone poem. It was written between 20 November and 8 December 1874, but only in 1879-1880, with the completion of the entire cycle 'Má vlast? did it appear in print, when Urbánek issued it in full score and a version for piano duet.Owing to the large number of misprints in the Urbánek first edition, Hugh Macdonald has based his new edition on the autograph score, with cross-references to the first edition and the composer's own version for piano duet. Conflicting readings in the sources are listed in the Critical Commentary along with a discussion of all editorial decisions.- New Urtext edition with clear and uncluttered engraving- Informative foreword (Eng/Cz/Ger) including a contribution by Smetana scholar Olga Moj?í?ová - Includes a detailed Critical Commentary (Eng) / Orchestre

In 1918 Gabriel Faure, then 73 years old, received a commission from Prince Albert I of Monaco to write stage music invoking the atmosphere of the commedia dell'arte. The four-movement orchestral suite op. 112, consisting of Ouverture, Menuet, Gavotte and Pastorale, combines previously unpublished parts of this stage music. The Pastorale of 1919 was Faure's last composition for orchestra, the Ouverture originated in a piece of 1864 for piano duet and the original version of the Gavotte was written for piano as early as 1869. The op. 112 orchestral suite demonstrates how the composer, now older and more experienced, reworked and improved his earlier music. / Orchestre