Score Only.
Arranged by Carrie Lane
Gruselle. Series; String
Orchestra. FJH Beginning
Strings. Light Concert;
Multicultural; Novelty.
Score. Duration 1:30. The
FJH Music Company Inc
#98-ST6236S. Published by
The FJH Music Company Inc
(FJ.ST6236S).
English.
This
traditional folk tune
begins softly and subtly,
since mama don't allow no
fiddle, banjo, or any
type of playin' 'round
here! As the arrangement
progresses, confidence
builds: We don't care
what mamma don't 'low;
we'll play the fiddle
anyhow! By the end of the
piece, the whole room is
alive with music as
though perhaps mama
herself has now joined
in!
About
FJH Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Arranged by Carrie Lane
Gruselle. MakeMusic
Cloud; String Orchestra.
FJH Beginning Strings.
Fiddle; Folk; Light
Concert; Multicultural;
Novelty. Score and
Part(s). Duration 1:30.
The FJH Music Company Inc
#98-ST6236. Published by
The FJH Music Company Inc
(FJ.ST6236).
UPC:
674398228188.
English.
This
traditional folk tune
begins softly and subtly,
since mama don't allow no
fiddle, banjo, or any
type of playin' 'round
here! As the arrangement
progresses, confidence
builds: We don't care
what mamma don't 'low;
we'll play the fiddle
anyhow! By the end of the
piece, the whole room is
alive with music as
though perhaps mama
herself has now joined
in!
About
FJH Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
By Robert Sheldon. Orchestra. Part(s); Score; SmartMusic; String Orchestra. Belw...(+)
By Robert Sheldon.
Orchestra. Part(s);
Score; SmartMusic; String
Orchestra. Belwin
Intermediate String
Orchestra. Form: Ballade.
Grade 3. 76 pages.
Published by Belwin Music
By Franz Joseph Haydn. Arranged by Robert D. Mccashin. String Orchestra. FJH Str...(+)
By Franz Joseph Haydn.
Arranged by Robert D.
Mccashin. String
Orchestra. FJH String
Orchestra. Late in life,
Franz Joseph Haydn wrote
twelve symphonies known
as the "London" or
"Salomon" Symphonies.
They were composed for
and during his two visits
to London between 1791
and 1795. It was during
his first visit that he
was awarded the honorary
degree of Doctor of Music
from Oxford University
(1791). Haydn had been
invited to come to London
by Johann Peter Salomon,
London violinist and
concert impresario. The
invitation included the
writing and conducting of
some twenty new works as
part of a dedicated
concert series. Symphony
No. 104 in D Major is the
last of the 12 London
Symphonies from which
this arrangement is
drawn. Despite the
dramatic slow
introduction of the first
movement, the entire
symphony reflects the
great satisfaction and
joyful energy of Haydn's
existence during these
visits to England. Score
for this title: ST6097S.
Extra part for this
title: ST6097P. Level:
4.5. Published by The FJH
Music Company Inc.
We Three Kings Orchestre à Cordes [Conducteur et Parties séparées] Carl Fischer
Arranged by Sean O'Loughlin. String orchestra. For violin I, violin II, violin I...(+)
Arranged by Sean
O'Loughlin. String
orchestra. For violin I,
violin II, violin III
(viola TC), viola, cello,
bass, piano. Score and
parts. 94 12 pages.
Duration 3 minutes.
Published by Carl Fischer
Classical Highlights Orchestre à Cordes [Conducteur et Parties séparées] - Débutant De Haske Publications
String Orchestra - very easy SKU: BT.DHP-1094713-070 Arranged by Nico Dez...(+)
String Orchestra - very
easy
SKU:
BT.DHP-1094713-070
Arranged by Nico Dezaire.
De Haske String Orchestra
Series. Set (Score &
Parts). Composed 2009. 24
pages. De Haske
Publications #DHP
1094713-070. Published by
De Haske Publications
(BT.DHP-1094713-070).
ISBN 9789043131919.
9x12 inches.
English-German-French-Dut
ch.
The De Haske
String Orchestra
Series offers
attractive pieces
especially composed and
arranged for string
orchestras. Students and
teachers are treated to a
great variety of musical
styles. Each part
presents a challenge to
the player. The Viola
part can be replaced by a
3rd Violin part, and the
Double bass part can be
replaced by a 2nd Cello
part. The Piano part is
mainly meant for support,
but it occasionally adds
new motifs as well.
Classical
Highlights is a
collection of six
arrangements of classical
themes dating from 17th
to 19th century. The
parts have been kept easy
and attractive; at the
same time they stay close
to the
original.
De
De Haske String
Orchestra Series
biedt u aantrekkelijke,
speciaal voor
strijkorkest
gecomponeerde en
gearrangeerde werken. De
stukken zijn geschreven
in verschillende stijlen:
van klassiek en folk tot
moderne, populaire
muziek. Iedere partij is
zo geschreven dat elke
speler in het orkest een
uitdaging heeft. De
partij voor altviool kan
door een derde viool
worden vervangen. De
partij voor contrabas kan
ook door een tweede cello
worden gespeeld. De
pianopartij dient als
ondersteuning, maar voegt
soms ook nieuwe motieven
toe aan de muziek.
Classical
Highlights is een
verzameling arrangementen
van klassieke
thema’s die
dateren uit de 17e tot en
met de 19e eeuw. De
partijen zijn eenvoudig
en aantrekkelijk
geschreven:
tegelijkertijd blijven de
arrangementen dicht bij
het origineel.
Die De Haske
String Orchestra
Series bietet
attraktive, speziell fu r
StreichÂorchester
komponierte und
arrangierte Stu cke in
einer stilistischen
Vielfalt von Klassik u
ber Folk bis zu modernen
U-Musikstilen. Jede
Stimme stellt dabei
besondere
Herausforderungen an die
Spieler. Die Violastimme
kann durch eine dritte
Violine und der
Kontrabass durch ein
zweites Cello ersetzt
werden. Die Klavierstimme
dient zur Unterstu tzung,
fu gt aber zuweilen auch
neue Motive hinzu.
Classical
Highlights enthält
Bearbeitungen von sechs
klassischen Themen aus
der Zeitspanne vom 17.
bis zum 19. Jahrhundert.
Die Stimmen wurden
einfach und ansprechend
gestaltet und sinddoch
zugleich getreu dem
Original. Die Ausgabe
enthält ein
Rigaudon von Henry
Purcell, das berühmte
Menuett aus der
Feuerwerksmusik
von Händel, ein
Andante von Haydn
(das Thema mit dem
berühmten
Paukenschlag), das Thema
aus Beethovens
Violinkonzert,
Das große Tor von
Kiew aus Bilder
einer Ausstellung von
Modest Mussorgsky und
schließlich noch
España von
Waldteufel und Chabrier.
De Haske
String Orchestra
Series è una nuova
raccolta pensata per i
suonatori di archi
principianti. Le
composizioni e gli
arrangiamenti raccolti
sotto questa etichetta
sono perfetti per chi
inizia a suonare e
prongono stili variegati.
La strumentazione è
sempre la stessa: violino
1 & 2, viola (o
violino 3), violoncello,
contrabbasso (o
violoncello 2) e
piano.Classical
Highlights è una
pubblicazione che
raccoglie sei
arrangiamenti di grandi
temi classici del XVII e
XIX secolo. Brani
motivanti e facilmente
accessibili, che rendono
onore
all‘originale.Tracc
e Demo:1. Rigaudon2.
Minuet3. Andante4.
Allegro5. Great Gate of
Kiev6. EspanaPer
effettuare il download
delle tracce demo, clicca
sul titolo selezionato e
scegli “Salva
come†nel
menu.
String Orchestra - Grade 4 SKU: KN.KEN10009S (based on Les Trois Rigod...(+)
String Orchestra - Grade
4
SKU:
KN.KEN10009S
(based on Les Trois
Rigodons). Arranged
by Julie Lyonn Lieberman.
Solo or Ensemble. Apex
String Orchestra. Kendor
Music Inc #KEN10009S.
Published by Kendor Music
Inc (KN.KEN10009S).
UPC:
822795100099.
We
welcome Julie Lyonn
Lieberman to the Kendor
family of writers with
this arrangement based on
Les Trois Rigadons. Where
mystery meets the
medieval, this Provencal
folk tune with an Italian
twist has survived the
centuries. With its 3/3/2
grooving rhythmic
subtext, unforgettable
melody and soloing
section, this arrangement
is sure to be a big hit
with your students.
Duration 3:30 with all
solos. Available in
SmartMusic.
A Very Viola Christmas Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
Viola Section Feature (Featuring: Ding Dong Merrily on High / Deck the Halls ...(+)
Viola Section Feature
(Featuring: Ding Dong
Merrily on High / Deck
the Halls / The First
Noel / We Wish You a
Merry Christmas).
Arranged by Bob Phillips.
Part(s); Score; String
Orchestra. Sound
Innovations for String
Orchestra. Christmas;
Winter. 96 pages.
Published by Alfred Music
(AP.43818).
(Featuring: We're Off to See the Wizard / If I Only Had a Brain (A Heart, the Ne...(+)
(Featuring: We're Off to
See the Wizard / If I
Only Had a Brain (A
Heart, the Nerve) / Ding
Dong! The Witch Is Dead /
Over the Rainbow).
Composed by Harold Arlen,
lyrics by E. Y. Harburg.
Arranged by Ralph Ford.
Orchestra. Part(s);
Score; SmartMusic; String
Orchestra. Pop Beginning
String Orchestra. Form:
Suite. Movie. Grade 2.
152 pages. Published by
Alfred Music
The Oregano Suite Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
String Orchestra - intermediate SKU: BT.DHP-1094711-070 Composed by Jos V...(+)
String Orchestra -
intermediate
SKU:
BT.DHP-1094711-070
Composed by Jos Van Den
Dungen. De Haske String
Orchestra Series. Set
(Score & Parts). Composed
2009. 32 pages. De Haske
Publications #DHP
1094711-070. Published by
De Haske Publications
(BT.DHP-1094711-070).
ISBN 9789043131872. 12
X 9 inches.
English-German-French-Dut
ch.
The De Haske
String Orchestra
Series offers
attractive pieces
especially composed and
arranged for string
orchestras. Students and
teachers are treated to a
great variety of musical
styles. Each part
presents a challenge to
the player. The Viola
part can be replaced by a
3rd Violin part, and the
Double bass part can be
replaced by a 2nd Cello
part. The Piano part is
mainly meant for support,
but it occasionally adds
new motifs as well.
The Oregano Suite
is a flavoursome mix of
delightful Italianate
music.
De De
Haske String Orchestra
Series biedt u
aantrekkelijke, speciaal
voor strijkorkest
gecomponeerde en
gearrangeerde werken. De
stukken zijn geschreven
in verschillende stijlen:
van klassiek en folk tot
moderne, populaire
muziek. Iedere partij is
zo geschreven dat elke
speler in het orkest een
uitdaging heeft. De
partij voor altviool kan
door een derde viool
worden vervangen. De
partij voor contrabas kan
ook door een tweede cello
worden gespeeld. De
pianopartij dient als
ondersteuning, maar voegt
soms ook nieuwe motieven
toe aan de muziek.
Jos
van den Dongen liet zich
door Italië inspireren
toen hij deze vierdelige
suite
schreef.
Die
De Haske String
Orchestra Series
bietet attraktive,
speziell fu r
StreichÂorchester
komponierte und
arrangierte Stu cke in
einer stilistischen
Vielfalt von Klassik u
ber Folk bis zu modernen
U-Musikstilen. Jede
Stimme stellt dabei
besondere
Herausforderungen an die
Spieler. Die Violastimme
kann durch eine dritte
Violine und der
Kontrabass durch ein
zweites Cello ersetzt
werden. Die Klavierstimme
dient zur Unterstu tzung,
fu gt aber zuweilen auch
neue Motive hinzu.
The Oregano Suite
ist eine originale,
italienisch inspirierte
Suite in vier
Sätzen.
De Haske String
Orchestra Series è una
nuova raccolta pensata
per i suonatori di archi
principianti. Le
composizioni e gli
arrangiamenti raccolti
sotto questa etichetta
sono perfetti per chi
inizia a suonare e
prongono stili variegati.
Ogni pubblicazione è
accompagnata da un CD che
contiene una versione
demo dei brani. La
strumentazione è
sempre la stessa: violino
1 & 2, viola (o
violino 3), violoncello,
contrabbasso (o
violoncello 2) e
piano.Tracce Demo:1.
Spaghetti Blues2. Italian
Bossa3. Tango Verona4.
Sicilienne TarantellaPer
effettuare il download
delle tracce demo, clicca
sul titolo selezionato e
scegli “Salva
come†nel
menu.
Yuletide Rejoicing Orchestre à Cordes [Conducteur et Parties séparées] - Facile FJH
Arranged by William Owens. For string orchestra. FJH Developing Strings. Level 2...(+)
Arranged by William
Owens. For string
orchestra. FJH Developing
Strings. Level 2. Score
and parts. Duration 2:00.
Published by The FJH
Music Company Inc
Composed by Traditional
Holiday Song. Edited by
Amy Rosen. Arranged by
Bud Caputo. SWS FS. Carl
Fischer Young String
Orchestra Series. Score
and Parts. With Standard
notation.
16+2+4+16+10+10+3+10+12
pages. Carl Fischer Music
#YAS15. Published by Carl
Fischer Music (CF.YAS15).
ISBN 9780825851995.
UPC: 798408051990. 8.5 X
11 inches. Key: D
minor.
Lower
strings be sure to
maintain a steady pulse
and dont rush the walking
figure at the opening.
When the melody is
transferred to the lower
strings (pick-up to m. 10
and m. 13), play with a
full sound. Be careful of
the balance and allow the
soloist to dominate in
mm. 121. If the soloist
is comfortable using
third position, play mm.
119 and the first half of
m. 20 one octave higher.
All parts should be in a
solid marcato style in
the fast section (m. 22
to the end). In m.50,
Violin I should bring out
the Hava Nagila quote
equal to the volume of
the rest of the
orchestra. Be sure to
observe all the soft
dynamics to add interest
to the performance.
String editing by Amy
Rosen. Lower strings
be sure to maintain a
steady pulse and donat
rush the walking figure
at the opening. When the
melody is transferred to
the lower strings
(pick-up to m. 10 and m.
13), play with a full
sound. Be careful of the
balance and allow the
soloist to dominate in
mm. 1a21. If the soloist
is comfortable using
third position, play mm.
1a19 and the first half
of m. 20 one octave
higher. All parts should
be in a solid marcato
style in the fast section
(m. 22 to the end). In
m.50, Violin I should
bring out the Hava Nagila
quote equal to the volume
of the rest of the
orchestra. Be sure to
observe all the soft
dynamics to add interest
to the performance.
String editing by Amy
Rosen. Lower strings
be sure to maintain a
steady pulse and don't
rush the walking figure
at the opening. When the
melody is transferred to
the lower strings
(pick-up to m. 10 and m.
13), play with a full
sound. Be careful of the
balance and allow the
soloist to dominate in
mm. 1-21. If the soloist
is comfortable using
third position, play mm.
1-19 and the first half
of m. 20 one octave
higher. All parts should
be in a solid marcato
style in the fast section
(m. 22 to the end). In
m.50, Violin I should
bring out the Hava Nagila
quote equal to the volume
of the rest of the
orchestra. Be sure to
observe all the soft
dynamics to add interest
to the performance.
String editing by Amy
Rosen. Lower strings
be sure to maintain a
steady pulse and
don’t rush the
walking figure at the
opening. When the melody
is transferred to the
lower strings (pick-up to
m. 10 and m. 13), play
with a full sound. Be
careful of the balance
and allow the soloist to
dominate in mm.
1–21. If the
soloist is comfortable
using third position,
play mm. 1–19 and
the first half of m. 20
one octave higher.All
parts should be in a
solid marcato style in
the fast section (m. 22
to the end). In m.50,
Violin I should bring out
the Hava Nagila quote
equal to the volume of
the rest of the
orchestra. Be sure to
observe all the soft
dynamics to add interest
to the performance.String
editing by Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Score Only.
Arranged by Carrie Lane
Gruselle. Series; String
Orchestra. FJH Developing
Strings. Ringing half and
whole notes simulate the
chiming of bells in this
arrangement of the
Renaissance melody. Some
are accented, some are
not, and others are
pizzicato. But all
represent celebratory
church bells. Christmas;
Holiday Pops. Score.
Duration 1:45. The FJH
Music Company Inc
#98-ST6128S. Published by
The FJH Music Company Inc
(FJ.ST6128S).
English.
This
spirited work is certain
to make its way into
libraries everywhere.
Listeners can hear the
bells chiming right away
as this fantastic
arrangement unfolds. With
several textural changes
and an easily achievable
fugue, the arrangement
includes a wealth of
interesting harmonies and
teaching opportunities.
An instant classic not to
be overlooked!
About FJH
Developing
Strings
Sl
ightly more advanced than
Beginning Strings, this
series begins to involve
more position work and a
slightly more complex
rhythmic figures.
Rehearsal piano is often
provided. Ideal for
middle school and smaller
high school programs.
Grade 2 - 2.5
String Orchestra SKU: SU.81001322 For String Orchestra. Composed b...(+)
String Orchestra
SKU:
SU.81001322
For
String Orchestra.
Composed by Michael
Gordon. Strings, String
Ensemble. Study Score.
Subito Music Corporation
#81001322. Published by
Subito Music Corporation
(SU.81001322).
String
orchestra Duration: 62'
Composed: 1997 Published
by: Red Poppy Ltd.
String orchestra SKU: M2.MOS-40069-70 Composed by Johann Christian Bach. ...(+)
String orchestra
SKU:
M2.MOS-40069-70
Composed by Johann
Christian Bach. Corona -
Werkreihe fur
Kammerorchester. Set of
string parts. Möseler
Verlag #MOS 40069-70.
Published by Möseler
Verlag (M2.MOS-40069-70).
By Wolfgang Amadeus Mozart. Arranged by John O'reilly. Music by Wolfgang Amadeus...(+)
By Wolfgang Amadeus
Mozart. Arranged by John
O'reilly. Music by
Wolfgang Amadeus Mozart /
arr. John O'Reilly. For
String Orchestra. String
Orchestra. Strictly
Strings Series. Level: 1
(grade 1). Conductor
Score and Parts. 1 pages.
Published by Alfred
Publishing.
By Wolfgang Amadeus Mozart. Arranged by John O'reilly. Music by Wolfgang Amadeus...(+)
By Wolfgang Amadeus
Mozart. Arranged by John
O'reilly. Music by
Wolfgang Amadeus Mozart /
arr. John O'Reilly. For
String Orchestra. String
Orchestra. Strictly
Strings Series. Level: 1
(grade 1). Conductor
Score. 8 pages. Published
by Alfred Publishing.
String orchestra SKU: BR.LCE-1 Score and Study Scores for the Concerti...(+)
String orchestra
SKU:
BR.LCE-1
Score and
Study Scores for the
Concerti grossi No. 1 -
12. Composed by
Pietro Antonio Locatelli.
Edited by Agnese
Pavanello. Orchestra;
Softbound. Please check
the respective concertos
to find the orchestral
parts. Concerto grosso;
Baroque. Full score. 372
pages. Breitkopf and
Haertel #LCE 1. Published
by Breitkopf and Haertel
(BR.LCE-1).
ISBN
9790220118500. 9.5 x 12
inches.
Please
check the respective
concertos to find the
orchestral parts.
Symphonieorcheste
r des Bayerischen
Rundfunks Ltg. Mariss
Jansons
(Kompositionsauftrag des
BR)
,,Nirai
beschreibt ein
imaginiertes Land ein
Paradies. Zu Beginn
meiner Arbeit hatte ich
diese beiden
Vorstellungen: von einer
Fuge und von den Wurzeln
auf Okinawa einer
tropischen Insel im Suden
Japans. Dort haben viele
Baume ganz unglaubliche
Formen besonders die
Wurzeln haben mich
fasziniert. Sie ergeben
ausserst komplizierte und
organische Gebilde die
mich an eine Frage
erinnerten. ,,Nirai
heisst wortlich ,,aus den
Wurzeln kommend oder ,,in
Richtung der Wurzeln oder
auch ,,Land der Wurzeln.
Man verwendet dieses Wort
um etwas zu beschreiben
das aus der Vergangenheit
kommt und das noch heute
also in der Gegenwart
sinnvoll ist. Genau wie
es in Platons ,,Phaidon
heisst: Alle alten Dinge
kommen aus den neuen und
alle neuen Dinge kommen
aus den alten. Ich wollte
diese Dualitat oder
Interaktion zwischen zwei
verschiedenen Epochen
darstellen. Als Beethoven
seine Symphonien schrieb
benutzte er die
kompositorischen
Moglichkeiten die ihm zu
jener Zeit zur Verfugung
standen. Ich wollte das
auch. Wir haben
heutzutage ein riesigen
Archiv an Techniken und
Asthetiken auf die wir
zuruckgreifen konnen. Wir
konnen aus ihnen die
passenden auswahlen oder
sie auch kombinieren. In
gewisser Weise kann man
auch zu diesem Archiv
,,Nirai sagen denn es
stellt das Erbe eines
Volkes dar. Also wollte
ich gerne eine alte
Satzweise verwenden die
heutzutage nicht so oft
zum Einsatz kommt.
Ursprunglich wollte ich
das ganze Intermezzo in
Fugentechnik schreiben.
Aber das hat sich als zu
schwierig herausgestellt.
Ein Rest dieser
ursprunglich geplanten
Fuge ist am Anfang noch
erkennbar. Die Faktur
insgesamt ist eher
einfach gehalten. Im
Stuck ist ein stetes
Accelerando angelegt fur
den Horer gut wahrnehmbar
obwohl mehrere Melodien
gleichzeitig in
unterschiedlichen
Geschwindigkeiten
erklingen. Was den
Beethoven-Bezug betrifft
so nahm ich eine kurze
Phrase aus dem Schluss
des letzten Satzes der
Zweiten Symphonie funf
kurze Wechselnoten.
Daraus entwickelte ich
das Stuck. Bei Beethoven
steht diese Phrase in
D-Dur naturlich ubernahm
ich die Tonart nicht. Was
mich reizte war die
Tatsache dass es sich um
eine kleine Sekunde
handelt - das Intervall
das in der
zeitgenossischen Musik
bevorzugt verwendet wird.
Die kleine Sekunde ist
sehr flexibel sie
ermoglicht einem viele
Formen der Verwendung.
Beethoven war seinen
Zeitgenossen vor allem
als genialer Improvisator
bekannt also nahm ich
diese kleine Phrase als
Thema einer Improvisation
und behandelte es auf
sehr freie Art. Von der
Sechsten Symphonie
entnahm ich keine
musikalischen Zitate;
stattdessen entwickle ich
dieses kurze Intermezzo
in ,,pastoraler
Form.
(Misato
Mochizuki) UA der
zweisatzigen Fassung:
21.10.2011 NULL World
premiere version with two
sets: Oct. 21 2011
NULL.
Pacem Noel Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
By Larry Clark. Arranged by Larry Clark. For Full Score, Violin I, Violin II, Vi...(+)
By Larry Clark. Arranged
by Larry Clark. For Full
Score, Violin I, Violin
II, Violin III, Viola,
Cello, Bass, Piano. Carl
Fischer Young String
Orchestra Series. Grade
2-2.5. Score and parts.
Published by Carl Fischer
String orchestra SKU: M2.MOS-10014-70 Orgelstuck fur eine Uhr. Com...(+)
String orchestra
SKU:
M2.MOS-10014-70
Orgelstuck fur eine
Uhr. Composed by
Wolfgang Amadeus Mozart.
Set of string parts.
Möseler Verlag #MOS
10014-70. Published by
Möseler Verlag
(M2.MOS-10014-70).
ISBN
9790203735670.
Ein
Stuck fur ein Orgelwerk
in einer Uhr lautet eine
undatierte
handschriftliche
Eintragung Mozarts
(zwischen Dezember 1790
und 5. Januar 1791) in
sein Verzeichnuss aller
meiner Werke, etwas
spater finden wir unter
dem 3. Marz 1791 Ein
OrgelStucke fur eine Uhr.
Gemeint sind die beiden
ublicherweise als
Fantasie bezeichneten
Werke in f-Moll, KV 594
und KV 608, die Mozart
mit grosser
Wahrscheinlichkeit fur
eine mit einem Uhrwerk
verbundene mechanische
Orgel - also einen
Orgel-Automaten - im
Mausoleum Laudons der
Mullerschen Kunstgalerie
geschrieben hat. Wer
unter diesen so harmlos
wirkenden Titeln eine
ebenso harmlose, hubsche
und unterhaltende Musik
erwartet, wird schon
durch die Tonart der
beiden in Mozarts letztem
Lebensjahr entstandenen
Musiken uberrascht sein -
vielmehr noch durch ihre
konzentrierte Form und
Ausdruckstiefe. Stucke
fur ein mechanisches
Orgelwerk zu schreiben
war durchaus eine
Aufgabe, der sich viele
der grossen Meister des
18. Jahrhunderts
unterzogen. Wir haben
kostliche Miniaturen fur
eine Flotenuhr von
Handel, Haydn, Beethoven
u.a., die heute in der
Regel auf einer Orgel
wiedergegeben werden.
Umso verwunderlicher ist
es, dass Mozart mit
diesen beiden
Kompositionen eine ganz
andere Musik geschaffen
hat: gross dimensioniert
schon in der Ausdehnung,
die der Lange eines
Sinfoniesatzes
entspricht, erst recht
aber in ihrer
inhaltlichen
Ausarbeitung! Vom
dusteren Adagio am Beginn
der Fantasie KV 594 uber
das triumphierend
auffahrende Allegro bis
zum ersterbenden Ende
wird der Horer
gleichermassen wie in der
entgegengesetzt
aufgebauten Fantasie KV
608 von dem mit
dramatisch-heroischem
Impetus anpackenden
Themenkopf uber das durch
2 Fugen von allerhochster
Meisterschaft umrahmten
innig beruhrenden Andante
bis zum letzten Ton in
Atem gehalten. War es die
vermutete Bestimmung der
Kompositionen als
Trauermusik oder Mozarts
Beschaftigung mit Handel
und Bach, die so
ungewohnlich ergreifende
Musik entstehen liess?
Unuberhorbar ist
jedenfalls ihre Nahe zu
seinen letzten grossen
Kirchenmusiken, der Messe
c-Moll und dem Requiem!
Wolfgang Helbich in
seinem Vorwort zu den
beiden Fantasien fur eine
Uhr.
Composed by Franz Joseph Haydn (1732-1809). Edited by Sonja Gerlach and Sterli...(+)
Composed by Franz Joseph
Haydn
(1732-1809). Edited by
Sonja
Gerlach and Sterling E.
Murray. This edition:
urtext
edition. Stapled. Score.
Hob.
I:76. Baerenreiter Verlag
#BA10987. Published by
Baerenreiter Verlag
Cliffhanger Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS34 Full Sco...(+)
Orchestra String
Orchestra - Medium
Easy/Medium
SKU:
CF.CAS34
Full
Score and Parts.
Composed by Sean
O'Loughlin. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
12+16+16+4+10+10+10+4
pages. Carl Fischer Music
#CAS34. Published by Carl
Fischer Music (CF.CAS34).
ISBN 9780825861055.
UPC: 798408061050. 8.5 X
11 inches. Key: E
minor.
Cliffhanger
is a programmatic work
for string orchestra that
harkens back to the days
of silent film. One of
the lasting images of
that time period is the
Saturday afternoon
matinee, where each
episode ended on a
cliffhanger until it
could be continued next
week. This piece tells
the familiar story of the
damsel in distress who is
tied up to the train
tracks as a train is
approaching. Nicely
done!. Cliffhanger is
a programmatic work for
string orchestra that
harkens back to the days
of silent film. One of
the lasting images of
that time period is the
Saturday-afternoon
matinee, where each
episode ended on a
cliffhanger until it
could be continued next
week. This piece tells
the familiar story of the
damsel in distress who is
tied up to the train
tracks as a train is
approaching.The opening
of the piece sets the
scene with danger and
desperation. By m. 6, our
hero is making his way on
horseback to rescue the
fair maiden. This main
melody is developed and
passed around the
ensemble until m. 36, at
which point despair sets
in. The music is rich
with romantic harmonies
and inner lines. Be sure
to bring out these inner
lines to add to the
passion and drama of the
moment. It continues to
build until a thunderous
arrival at m. 49. From
there we return to our
hero, who is now getting
close to the train tracks
to save the fair maiden.
The tension becomes the
highest at m. 61, when we
are still not sure if our
hero will make it in
time. But alas, at m. 68
he swoops in to save the
day and rescue the fair
maiden. Of course, they
live happily ever
after.My hope is that
your ensemble will have
some fun with this style
of music. It was adapted
from an arrangement I
wrote for the new pipe
organ at the Walk Disney
Concert Hall in Los
Angeles. They wanted some
scary train music to show
children how the organ
was used back before
movies had sound. Strings
provide a heightened
sense of drama with this
genre of music.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Cliffhanger Orchestre à Cordes [Conducteur] - Facile Carl Fischer
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS34F Composed b...(+)
Orchestra String
Orchestra - Medium
Easy/Medium
SKU:
CF.CAS34F
Composed by
Sean O'Loughlin. SWS.
Carl Fischer Concert
String Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #CAS34F. Published
by Carl Fischer Music
(CF.CAS34F).
ISBN
9780825861062. UPC:
798408061067. 8.5 X 11
inches. Key: E
minor.
Cliffhanger
is a programmatic work
for string orchestra that
harkens back to the days
of silent film. One of
the lasting images of
that time period is the
Saturday afternoon
matinee, where each
episode ended on a
cliffhanger until it
could be continued next
week. This piece tells
the familiar story of the
damsel in distress who is
tied up to the train
tracks as a train is
approaching. Nicely
done!. Cliffhanger is
a programmatic work for
string orchestra that
harkens back to the days
of silent film. One of
the lasting images of
that time period is the
Saturday- afternoon
matinee, where each
episode ended on a
cliffhanger until it
could be continued next
week. This piece tells
the familiar story of the
damsel in distress who is
tied up to the train
tracks as a train is
approaching.The opening
of the piece sets the
scene with danger and
desperation. By m. 6, our
hero is making his way on
horseback to rescue the
fair maiden. This main
melody is developed and
passed around the
ensemble until m. 36, at
which point despair sets
in. The music is rich
with romantic harmonies
and inner lines. Be sure
to bring out these inner
lines to add to the
passion and drama of the
moment. It continues to
build until a thunderous
arrival at m. 49. From
there we return to our
hero, who is now getting
close to the train tracks
to save the fair maiden.
The tension becomes the
highest at m. 61, when we
are still not sure if our
hero will make it in
time. But alas, at m. 68
he swoops in to save the
day and rescue the fair
maiden. Of course, they
live happily ever
after.My hope is that
your ensemble will have
some fun with this style
of music. It was adapted
from an arrangement I
wrote for the new pipe
organ at the Walt Disney
Concert Hall in Los
Angeles. They wanted some
scary train music to show
children how the organ
was used back before
movies had sound. Strings
provide a heightened
sense of drama with this
genre of music.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Composed by Spanish Folk
Song. Arranged by Carrie
Lane Gruselle. Series;
String Orchestra. FJH
Developing Strings.
Multicultural;
Traditional. Score and
Part(s). Duration 2:00.
The FJH Music Company Inc
#98-ST6445. Published by
The FJH Music Company Inc
(FJ.ST6445).
UPC:
241444385746.
English.
Giddy-up
little donkey! Hurry,
because we're late
getting to Bethlehem! The
image of the traveler is
vividly portrayed in this
Spanish children's carol,
arranged to depict the
clip-clop of the donkey
with pizzicato eighth
notes and an optional
wood block. Students will
focus on articulations,
dynamics, and the
inherent modulations
between the verse and the
chorus.
About FJH
Developing
Strings
Sl
ightly more advanced than
Beginning Strings, this
series begins to involve
more position work and a
slightly more complex
rhythmic figures.
Rehearsal piano is often
provided. Ideal for
middle school and smaller
high school programs.
Grade 2 - 2.5