Missa Sancti Gabrielis Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Carus Verlag
By Michael Haydn (1737-1806). Edited by Biba, Otto. For SATB Soli, SATB Choir, 2...(+)
By Michael Haydn
(1737-1806). Edited by
Biba, Otto. For SATB
Soli, SATB Choir, 2
Violin, 2 Trumpet,
[Timpani], Basso
Continuo. Full score
available separately -
see item CA.9100900.
Church music of the
Viennese Classical.
Choral score. Language:
Latin. Composed
1760/1768. 16 pages
Te Deum in C Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Composed by Joseph Haydn Johann Michael Haydn. Edited by Hans Ryschawy. For SATB...(+)
Composed by Joseph Haydn
Johann Michael Haydn.
Edited by Hans Ryschawy.
For SATB vocal soli, SATB
choir, 2
clarinos/trumpets,
timpani, 2 violins, basso
continuo. Stuttgart
Urtext Edition. German
title: Te Deum in C.
Choral score. Language:
Latin. MH deest..
Duration 7 minutes.
Published by Carus Verlag
Te Deum in C Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
By Joseph Haydn Johann Michael Haydn. Edited by Hans Ryschawy. For Soli SATB, SA...(+)
By Joseph Haydn Johann
Michael Haydn. Edited by
Hans Ryschawy. For Soli
SATB, SATB Choir, 2
Clarinos/Trumpets,
Timpani, 2 Violins, Basso
continuo. Stuttgart
Urtext Edition. German
title: Te Deum
(Esterhazy) (3). Set of
instrumental parts
(except strings).
Requiem in C minor Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur d'étude / Miniature] Carus Verlag
Composed by Michael Haydn (1737-1806). Edited by Charles H. Sherman. For SATB vo...(+)
Composed by Michael Haydn
(1737-1806). Edited by
Charles H. Sherman. For
SATB vocal soli, SATB
choir, 2
clarinos/trumpets, 2
trumpets, (3 trombones),
timpani, 2 violins, basso
continuo. This edition:
Paperbound. Sacred music
from Salzburg. German
title: Requiem in c
(Schrattenbach) MH 155.
Requiem, Sacred music
from Salzburg Mourning,
death. Level 3. Study
score. Language: Latin.
Composed 1771. MH 155.
120 pages. Duration 35
minutes. Published by
Carus Verlag
Solo voices, mixed choir, orchestra Urtext based on the new Complete Edition. ...(+)
Solo voices, mixed choir,
orchestra
Urtext based on the new
Complete Edition.
Composed by
Johannes Brahms
(1833-1897).
Edited by Michael
Musgrave
and Michael Struck.
Breitkopf
and Haertel #OB 16109-30.
Published by Breitkopf
and
Haertel
Vocal Score. Composed by Ludwig van Beethoven (1770-1827). Edited by Michael Pil...(+)
Vocal Score. Composed by
Ludwig van Beethoven
(1770-1827). Edited by
Michael Pilkington. New
Novello Choral Edition.
Classical. Book Only. 62
pages. Novello and Co
Ltd. #MUSNOV072490.
Published by Novello and
Co Ltd.
Te Deum in C Soli, choeur mixte et accompagnement [Vocal Score] Carus Verlag
By Joseph Haydn Johann Michael Haydn. Edited by Hans Ryschawy. For Soli SATB, SA...(+)
By Joseph Haydn Johann
Michael Haydn. Edited by
Hans Ryschawy. For Soli
SATB, SATB Choir, 2
Clarinos/Trumpets,
Timpani, 2 Violins, Basso
continuo. Stuttgart
Urtext Edition. German
title: Te Deum in C.
Vocal score. Language:
Latin. 16 pages. Duration
7 min
(Wie der Hirsch schreit). Composed by Felix Bartholdy Mendelssohn (1809-1847). E...(+)
(Wie der Hirsch schreit).
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
John Michael Cooper. For
solo voices, choir,
orchestra (soprano voice
solo/2 tenor voice
solos/2 bass voice
solos/SATB choir/2
flutes/2 oboes/2
clarinets/2 bassoons/4
horns/2 trumpets/3
trombones/timpani/2
violins/viola/cello/doubl
e bass/organ). This
edition: Urtext edition.
Paperback. Score.
Language: German/English,
Text Language:
German/English. Opus 42.
Published by Baerenreiter
Verlag
Missa Sancti Aloysii Soli, choeur mixte et accompagnement [Conducteur] Carus Verlag
Composed by Michael Haydn (1737-1806). Edited by Armin Kircher. This edition: ur...(+)
Composed by Michael Haydn
(1737-1806). Edited by
Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
German title: Missa Sti
Aloysii in B. SSA MH 257.
Latin Masses. Full score.
Composed 1777. MH 257. 56
pages. Duration 30
minutes. Published by
Carus Verlag
(CA.5425700).
Missa Sancti Aloysii Soli, choeur mixte et accompagnement [Set de Parties séparées] Carus Verlag
Composed by Michael Haydn (1737-1806). Edited by Armin Kircher. This edition: ur...(+)
Composed by Michael Haydn
(1737-1806). Edited by
Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
German title: Missa Sti
Aloysii in B. SSA MH 257.
Latin Masses. Complete
orchestral parts.
Composed 1777. MH 257.
Duration 30 minutes.
Published by Carus Verlag
(CA.5425719).
By Michael Haydn (1737-1806). Edited by Biba, Otto. For SATB Soli, SATB Choir, 2...(+)
By Michael Haydn
(1737-1806). Edited by
Biba, Otto. For SATB
Soli, SATB Choir, 2
Violin, 2 Trumpet,
[Timpani], Basso
Continuo. This edition:
paperbound. Church music
of the Viennese
Classical. Score.
Language: Latin. Composed
1760/1768. 48 pages
Sosarme, Re di Media Soli, choeur mixte et accompagnement [Conducteur] Barenreiter
Opera in 3 acts. Composed by George Frideric Handel (1685- 1759). Edited by M...(+)
Opera in 3 acts. Composed
by
George Frideric Handel
(1685-
1759). Edited by Michael
Pacholke. This edition:
complete edition, urtext
edition. Cloth bund.
Halle
Handel Edition (HHA)
II/27.1+2. Complete
edition,
Score. HWV 30. Duration
12
hours. Baerenreiter
Verlag
#BA10713-01. Published by
Baerenreiter Verlag
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Stae Cyrilli Et
Methodii Mh 13. Sacred
vocal music, Masses,
Latin. Single Part, basso
continuo. MH 13. 28
pages. Duration 55
minutes. Carus Verlag #CV
54.013/13. Published by
Carus Verlag
(CA.5401313).
ISBN
9790007225896. Language:
Latin.
The thirty
or so settings of the
Mass by Johann Michael
Haydn (Joseph's younger
brother) are masterpieces
of their class, and were
greatly loved during his
lifetime. As part of its
Urtext complete edition
Carus now presents the
Missa Sancti Cyrilli et
Methodii. This
composition of 1758 is an
early work, still written
in the baroque stylistic
tradition of the southern
German region, Out it
also reveals subjective
inspiration which
separates it from many
mass settings by Haydn's
contemporaries. With this
mass dedicated to the
Slavic apostles Cyrill
and Methodius it is
possible that Haydn
applied for a position in
Brno and it actually
appears as if the
21-year-old composer
wanted to present a
masterpiece demonstrating
his skills. This mass is
published here in the
first edition. Score and
part available separately
- see item
CA.5401300.
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Stae Cyrilli Et
Methodii Mh 13. Sacred
vocal music, Masses,
Latin. Choral Score. MH
13. 32 pages. Duration 55
minutes. Carus Verlag #CV
54.013/05. Published by
Carus Verlag
(CA.5401305).
ISBN
9790007165307. Language:
Latin.
The thirty
or so settings of the
Mass by Johann Michael
Haydn (Joseph's younger
brother) are masterpieces
of their class, and were
greatly loved during his
lifetime. As part of its
Urtext complete edition
Carus now presents the
Missa Sancti Cyrilli et
Methodii. This
composition of 1758 is an
early work, still written
in the baroque stylistic
tradition of the southern
German region, Out it
also reveals subjective
inspiration which
separates it from many
mass settings by Haydn's
contemporaries. With this
mass dedicated to the
Slavic apostles Cyrill
and Methodius it is
possible that Haydn
applied for a position in
Brno and it actually
appears as if the
21-year-old composer
wanted to present a
masterpiece demonstrating
his skills. This mass is
published here in the
first edition. Score
available separately -
see item CA.5401300.
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Stae Cyrilli Et
Methodii Mh 13. Sacred
vocal music, Masses,
Latin. Single Part,
Organ. MH 13. 40 pages.
Duration 55 minutes.
Carus Verlag #CV
54.013/49. Published by
Carus Verlag
(CA.5401349).
ISBN
9790007165314. Language:
Latin.
The thirty
or so settings of the
Mass by Johann Michael
Haydn (Joseph's younger
brother) are masterpieces
of their class, and were
greatly loved during his
lifetime. As part of its
Urtext complete edition
Carus now presents the
Missa Sancti Cyrilli et
Methodii. This
composition of 1758 is an
early work, still written
in the baroque stylistic
tradition of the southern
German region, Out it
also reveals subjective
inspiration which
separates it from many
mass settings by Haydn's
contemporaries. With this
mass dedicated to the
Slavic apostles Cyrill
and Methodius it is
possible that Haydn
applied for a position in
Brno and it actually
appears as if the
21-year-old composer
wanted to present a
masterpiece demonstrating
his skills. This mass is
published here in the
first edition. Score and
part available separately
- see item
CA.5401300.
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext. 1x
54.013/31 clarino 1, 1x
54.013/32 clarino 2, 1x
54.013/33 trumpet 1, 1x
54.013/34 trumpet 2, 1x
54.013/35 trombone 1, 1x
54.013/36 trombone 2, 1x
54.013/37 trombone 3, 1x
54.013/41 timpani.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Stae Cyrilli Et
Methodii Mh 13. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. MH 13. Duration 55
minutes. Carus Verlag #CV
54.013/09. Published by
Carus Verlag
(CA.5401309).
ISBN
9790007225865. Language:
Latin.
The thirty
or so settings of the
Mass by Johann Michael
Haydn (Joseph's younger
brother) are masterpieces
of their class, and were
greatly loved during his
lifetime. As part of its
Urtext complete edition
Carus now presents the
Missa Sancti Cyrilli et
Methodii. This
composition of 1758 is an
early work, still written
in the baroque stylistic
tradition of the southern
German region, Out it
also reveals subjective
inspiration which
separates it from many
mass settings by Haydn's
contemporaries. With this
mass dedicated to the
Slavic apostles Cyrill
and Methodius it is
possible that Haydn
applied for a position in
Brno and it actually
appears as if the
21-year-old composer
wanted to present a
masterpiece demonstrating
his skills. This mass is
published here in the
first edition. Score and
parts available
separately - see item
CA.5401300.
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Stae Cyrilli Et
Methodii Mh 13. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. MH 13. Duration 55
minutes. Carus Verlag #CV
54.013/19. Published by
Carus Verlag
(CA.5401319).
ISBN
9790007140403. Language:
Latin.
The thirty
or so settings of the
Mass by Johann Michael
Haydn (Joseph's younger
brother) are masterpieces
of their class, and were
greatly loved during his
lifetime. As part of its
Urtext complete edition
Carus now presents the
Missa Sancti Cyrilli et
Methodii. This
composition of 1758 is an
early work, still written
in the baroque stylistic
tradition of the southern
German region, Out it
also reveals subjective
inspiration which
separates it from many
mass settings by Haydn's
contemporaries. With this
mass dedicated to the
Slavic apostles Cyrill
and Methodius it is
possible that Haydn
applied for a position in
Brno and it actually
appears as if the
21-year-old composer
wanted to present a
masterpiece demonstrating
his skills. This mass is
published here in the
first edition. Score and
parts available
separately - see item
CA.5401300.
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Stae Cyrilli Et
Methodii Mh 13. Sacred
vocal music, Masses,
Latin. Full score. MH 13.
124 pages. Duration 55
minutes. Carus Verlag #CV
54.013/00. Published by
Carus Verlag
(CA.5401300).
ISBN
9790007097554. Language:
Latin.
The thirty
or so settings of the
Mass by Johann Michael
Haydn (Joseph's younger
brother) are masterpieces
of their class, and were
greatly loved during his
lifetime. As part of its
Urtext complete edition
Carus now presents the
Missa Sancti Cyrilli et
Methodii. This
composition of 1758 is an
early work, still written
in the baroque stylistic
tradition of the southern
German region, Out it
also reveals subjective
inspiration which
separates it from many
mass settings by Haydn's
contemporaries. With this
mass dedicated to the
Slavic apostles Cyrill
and Methodius it is
possible that Haydn
applied for a position in
Brno and it actually
appears as if the
21-year-old composer
wanted to present a
masterpiece demonstrating
his skills. This mass is
published here in the
first edition.
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Stae Cyrilli Et
Methodii Mh 13. Sacred
vocal music, Masses,
Latin. Vocal score. MH
13. 88 pages. Duration 55
minutes. Carus Verlag #CV
54.013/03. Published by
Carus Verlag
(CA.5401303).
ISBN
9790007140731. Language:
Latin.
The thirty
or so settings of the
Mass by Johann Michael
Haydn (Joseph's younger
brother) are masterpieces
of their class, and were
greatly loved during his
lifetime. As part of its
Urtext complete edition
Carus now presents the
Missa Sancti Cyrilli et
Methodii. This
composition of 1758 is an
early work, still written
in the baroque stylistic
tradition of the southern
German region, Out it
also reveals subjective
inspiration which
separates it from many
mass settings by Haydn's
contemporaries. With this
mass dedicated to the
Slavic apostles Cyrill
and Methodius it is
possible that Haydn
applied for a position in
Brno and it actually
appears as if the
21-year-old composer
wanted to present a
masterpiece demonstrating
his skills. This mass is
published here in the
first edition. Score
available separately -
see item CA.5401300.
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three ...(+)
Soloists, Mixed choir,
Orchestra
SKU:
BA.BA10726-01
Oratorio in three
parts. Composed by
George Frideric Handel.
Edited by Michael
Pacholke. This edition:
Complete edition. Linen.
Complete edition, Score.
HWV 46. Baerenreiter
Verlag #BA10726-01.
Published by Baerenreiter
Verlag (BA.BA10726-01).
ISBN 9790006575596. 33
x 26 cm inches. Text
Language: Italian.
Preface: Pacholke,
Michael.
In the
brief half-year period
from August 14, 1736, to
January 27, 1737, Georg
Friedrich Handel achieved
an unprecedented level of
productivity in his opera
compositions, creating
three operas.
Additionally, in March
1737, he also composed a
largely new oratorio
titled â??Il trionfo del
Tempo e della
Verità â? (â??The
Triumph of Time and
Truthâ?) HWV 46b. The
libretto of this oratorio
closely corresponds to
that of the oratorio
â??La Bellezza ravveduta
nel trionfo del Tempo e
del Disingannoâ?
(â??Beauty Reconciled in
the Triumph of Time and
Enlightenmentâ?) HWV
46a written in 1707. With
â??La Bellezza
ravvedutaâ?, Handel
composed an allegorical
and particularly dramatic
oratorio right at the
beginning of his oratorio
compositions. In this
work, there is no chorus
inclined towards
reflection. Not only do
the four allegorical
figures, Bellezza
(Beauty), Piacere
(Pleasure), Tempo (Time),
and Disinganno
(Enlightenment), listen
to each other and react
to the ideas presented by
the others, but this
prevailing dramatic
principle of dispute is
also found in the
recitatives.
In
1737, when reworking the
oratorio material as
â??Il trionfo del Tempo
e della Verità â?,
Handel approached the
task pragmatically. He
needed a new non-dramatic
work to fulfill the
eveningâ??s program for
his audience at the
Covent Garden Theatre
during the fasting season
when theatrical
performances were
prohibited. Although he
had excellent Italian
vocal soloists, notorious
for their pronunciation
in Handelâ??s English
oratorios and who
naturally preferred
singing in Italian,
Handel found a solution.
It was evident to Handel
that, in response to the
ban on performances of
his Italian operas during
the fasting season of
1737, he should promptly
create a new oratorio in
the Italian language but
following the three-part
â??Englishâ? oratorio
form that he had
developed in
â??Estherâ? HWV 50b
in 1732. Unlike in Rome
in 1707, he had access to
a chorus in London in
1737, and the English
oratorio, with its
substantial choral
sections, a preference
for concert-like rather
than dramatic
composition, and frequent
inclusion of organ
concertos loosely related
to the narrative, was
already
established.
The
new volume of the HHA
includes the original
version of the 1737
premiere as well as all
the surviving early and
later versions (the
latter being exceptional
highlights) of individual
musical pieces from
â??Il trionfo del Tempo
e della
Verità â?.
A
Symphony-Cantata after
Texts from the Holy
Scriptures. Composed
by Felix Bartholdy
Mendelssohn. Edited by
John Michael Cooper.
Arranged by Felix
Bartholdy Mendelssohn.
This edition: urtext
edition. Paperback.
Barenreiter Urtext. Vocal
Score. Opus 52, MWV A 18.
Baerenreiter Verlag
#BA09092_90. Published by
Baerenreiter Verlag
(BA.BA09092-90).
ISBN
9790006565801. 27 x 19 cm
inches. Text Language:
German, English. Preface:
John Michael Cooper.
Text: Mendelssohn
Bartholdy, Felix (nach
der Luther-Bibel und
Martin Rinckart) /
Monicke, Charles
Henry.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. 1x 50.321/31
clarino 1, 1x 50.321/32
clarino 2, 1x 50.321/33
trumpet 1, 1x 50.321/34
trumpet 2, 1x 50.321/35
trombone 1, 1x 50.321/36
trombone 2, 1x 50.321/37
trombone 3, 1x 50.321/41
timpani. Stuttgart Urtext
Edition: Johann Michael
Haydn. Requiem In C
(Schrattenbach) Mh 155.
Sacred vocal music,
Requiem, Mourning, death.
Set of Orchestra Parts.
Composed 1771. MH 155. 72
pages. Duration 35
minutes. Carus Verlag #CV
50.321/09. Published by
Carus Verlag
(CA.5032109).
ISBN
9790007081003. Key: C
minor. Language:
Latin.
Johann
Michael Haydn's Requiem
in C minor heavily
influenced W. A. Mozart's
Requiem. In just two
weeks Michael Haydn
composed his work in
December 1771, on the
occasion of the death of
his employer, Prince
Bishop Sigismund Count
Schrattenbach, who was
beloved among the people
and was a great patron of
the arts. The work was
written under the
impression of personal
tragedy: Haydn's only
child, Aloisia Josepha,
died in January 1771,
before completing her
first year of life. Parts
of the
Schrattenbach-Requiem
were played together with
the completed movements
from his second,
unfinished Requiem during
his own furneral service.
During the funeral
service in Vienna for
Joseph Haydn, parts of
his younger brother's
C-minor Requiem were also
performed. Score and
parts available
separately - see item
CA.5032100.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. German title:
Requiem In C
(Schrattenbach) Mh 155.
Sacred vocal music,
Requiem, Mourning, death.
Set of Orchestra Parts.
Composed 1771. MH 155.
Duration 35 minutes.
Carus Verlag #CV
50.321/19. Published by
Carus Verlag
(CA.5032119).
ISBN
9790007133566. Key: C
minor. Language:
Latin.
Johann
Michael Haydn's Requiem
in C minor heavily
influenced W. A. Mozart's
Requiem. In just two
weeks Michael Haydn
composed his work in
December 1771, on the
occasion of the death of
his employer, Prince
Bishop Sigismund Count
Schrattenbach, who was
beloved among the people
and was a great patron of
the arts. The work was
written under the
impression of personal
tragedy: Haydn's only
child, Aloisia Josepha,
died in January 1771,
before completing her
first year of life. Parts
of the
Schrattenbach-Requiem
were played together with
the completed movements
from his second,
unfinished Requiem during
his own furneral service.
During the funeral
service in Vienna for
Joseph Haydn, parts of
his younger brother's
C-minor Requiem were also
performed. Score and
parts available
separately - see item
CA.5032100.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. Requiem In C
(Schrattenbach) Mh 155.
Sacred vocal music,
Requiem, Mourning, death.
Choral Score. Composed
1771. MH 155. 20 pages.
Duration 35 minutes.
Carus Verlag #CV
50.321/05. Published by
Carus Verlag
(CA.5032105).
ISBN
9790007080990. Key: C
minor. Language:
Latin.
Johann
Michael Haydn's Requiem
in C minor heavily
influenced W. A. Mozart's
Requiem. In just two
weeks Michael Haydn
composed his work in
December 1771, on the
occasion of the death of
his employer, Prince
Bishop Sigismund Count
Schrattenbach, who was
beloved among the people
and was a great patron of
the arts. The work was
written under the
impression of personal
tragedy: Haydn's only
child, Aloisia Josepha,
died in January 1771,
before completing her
first year of life. Parts
of the
Schrattenbach-Requiem
were played together with
the completed movements
from his second,
unfinished Requiem during
his own furneral service.
During the funeral
service in Vienna for
Joseph Haydn, parts of
his younger brother's
C-minor Requiem were also
performed. Score
available separately -
see item CA.5032100.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. Missa
Beatiss.Virginis Mariae
Mh 15. Sacred vocal
music, Masses, Latin,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Set of Orchestra
Parts. Composed circa
1758-1760. MH 15.
Duration 30 minutes.
Carus Verlag #CV
50.305/19. Published by
Carus Verlag
(CA.5030519).
ISBN
9790007145477. Key: C
major. Language:
Latin.
The Missa
Beatissimae Virginis
Maria was composed ca.
1758-1760, between the
end of his tenure as a
singer in the choir of
St. Stephen's in Vienna
and the beginning of his
first position as
violinist and music
director for the Bishop
of Grosswardein. The
scoring of SATB (for soli
as well as choir) and
church trio was augmented
by two trumpets (clarini)
and timpani, as well as
two trombones. The latter
instruments double the
alto and tenor voices in
tutti passages but in the
Et incarnatus est they
are also employed in an
obbligato role. On the
one hand, as an early
work this Mass is in the
style of the festive
baroque tradition, as
practiced in south-German
regions until the middle
of the eighteenth
century; on the other
hand it already shows the
subjective inspiration
which distinguished it
from many of the mass
settings by Haydn's
contemporaries. Score and
parts available
separately - see item
CA.5030500.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. Missa
Beatiss.Virginis Mariae
Mh 15. Sacred vocal
music, Masses, Latin,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Single Part, Organ.
Composed circa 1758-1760.
MH 15. 24 pages. Duration
30 minutes. Carus Verlag
#CV 50.305/49. Published
by Carus Verlag
(CA.5030549).
ISBN
9790007223762. Key: C
major. Language:
Latin.
The Missa
Beatissimae Virginis
Maria was composed ca.
1758-1760, between the
end of his tenure as a
singer in the choir of
St. Stephen's in Vienna
and the beginning of his
first position as
violinist and music
director for the Bishop
of Grosswardein. The
scoring of SATB (for soli
as well as choir) and
church trio was augmented
by two trumpets (clarini)
and timpani, as well as
two trombones. The latter
instruments double the
alto and tenor voices in
tutti passages but in the
Et incarnatus est they
are also employed in an
obbligato role. On the
one hand, as an early
work this Mass is in the
style of the festive
baroque tradition, as
practiced in south-German
regions until the middle
of the eighteenth
century; on the other
hand it already shows the
subjective inspiration
which distinguished it
from many of the mass
settings by Haydn's
contemporaries. Score and
part available separately
- see item
CA.5030500.
Berenice Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Lemoine, Henry
Soli, chorus and orchestra SKU: LM.29343 Composed by Michael Jarrell. Cla...(+)
Soli, chorus and
orchestra
SKU:
LM.29343
Composed by
Michael Jarrell.
Classical: 20th Century
(Contemporary). Score.
Editions Henry Lemoine
#29343. Published by
Editions Henry Lemoine
(LM.29343).
Berenice Soli, choeur mixte et accompagnement Soli, chœur mixte et piano Lemoine, Henry
Soli, chorus and piano SKU: LM.29344 Composed by Michael Jarrell. Classic...(+)
Soli, chorus and piano
SKU: LM.29344
Composed by Michael
Jarrell. Classical: 20th
Century (Contemporary).
Score. Editions Henry
Lemoine #29344. Published
by Editions Henry Lemoine
(LM.29344).