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| Sonates Pour Viole De
Gambe Wq 88, 136, 137
Edition Pour Gambe (Alto)
Viole de Gambe, Basse continue
G. Henle
Tout comme son père, Carl Philipp Emanuel Bach a composé trois sonates pour vi...(+)
Tout comme son père, Carl Philipp Emanuel Bach a composé trois sonates pour viole de gambe. Elles datent de sa période passée au service du roi de Prusse Frédéric le Grand et donnèrent l'occasion au brillant gambiste de la chapelle de la cour, de faire étalage de sa virtuosité. Si les deux Sonates Wq 136 et 137 sont écrites avec accompagnement de basse continue, Bach fils suit, dans la Sonate en sol mineur Wq 88, le modèle fourni par son père: dans cette écriture à trois voix traitées d'égale manière, la main droite et la main gauche du clavecin rivalisent avec l'instrument soliste. La tessiture originale de la partie de gambe permet également une exécution à l'alto, une pratique d'exécution déjà documentée par les sources de l'époque. Cette version est adjointe en supplément à notre édition Urtext. / Alto Et Piano
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| ABEL CARL FRIEDRICH - 3
SONATEN FUR VIOLA DA
GAMBA UND BASSO
Viole de Gambe, Basse continue
Guntersberg
in c-Moll A2:55A, g-Moll A2:56A, a-Moll A2:57AThe Maltzan Collection is a trove ...(+)
in c-Moll A2:55A, g-Moll A2:56A, a-Moll A2:57AThe Maltzan Collection is a trove of manuscripts made up of thirty for the most part unknown works for viola da gamba in the holdings of the library of Adam Mickiewicz University in Pozna?, Poland. Twenty-eight of the works are by Carl Friedrich Abel - including a number of autographs - and one each by Johann Christian Bach and Andreas Lidl. The manuscripts were copied between 1759 and 1789 in England, and purchased there by the then Prussian envoy in London, Count Joachim Carl Maltzan, who brought them back with him to Militsch, Silesia (today Milicz, Poland). In 1945 the manuscripts came into the possession of the library in Poznan. The collection was discovered in 2016 by Sonia Wronkowska, who is also the editor of the ten-volume edition of all the previously unknown works from this collection.The viola da gamba sonatas by Abel in the Maltzan Collection are musically mature pieces that throw a new light on Abel's compositional artistry. For the most part, they pose greater challenges for the player than the previously known sonatas from Abel's time in London. The fast movements are more expansive; the range extends from AA to b ; there are movements with variations and polyphonic passages; unusual keys, such as A-flat Major and E Major, are to be found; and many a slow movement contains a cadenza from Abel's hand. / Viole de gambe / Guntersberg
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| Becker Dietrich - Sonata
A-dur - Violon, Viole De
Gambe and B.c
Viole de Gambe, Basse continue
Guntersberg
Becker, Dietrich (1623'1679): Sonata A-Dur for violin, viola da gamba, and b. c...(+)
Becker, Dietrich (1623'1679): Sonata A-Dur for violin, viola da gamba, and b. c., first edition edited by Leonore and Günter von Zadow. Becker numbered among the most important North-German instrumental composers of the second half of the seventeenth century. His works stand in the tradition of Weckmann, Reincken, and Buxtehude. Characteristic of Becker are the passages in which the viola da gamba and bass play together and the concertante sections with solos for the individual instruments with a concluding tutti. Edition Güntersberg
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