Par NORGAARD MARTIN. Jazz violoncelle/basse Assistant Junior 2 est une continuation de Jazz violoncelle Assistant Junior (Mel Bay, 2002) et est conçu pour les étudiants de chaîne middle school et l'école secondaire supérieures. JCWjr 2 utilise la même approche de base comme JCWjr - apprend principalement par le biais d'imitation, de la même façon, nous apprendre à parler notre langue maternelle. Il a également introduit la théorie de la corde facultatif très facile mais seulement après l'étudiant a connu improviser avec cordes phonétiquement. Les livres viennent en trois versions - violon, alto et violoncelle/basse - conçues pour être utilisés ensemble dans des situations de studio et de la salle de classe. Ce volume présente trois concepts fondamentaux qui sont des conditions préalables à l'improvisation jazz avancées : développement solo, modes et mélodies intérieures - la seule technique plus puissante pour obtenir des étudiants d'improviser sur avancé des progressions immédiatement. -Tout étudiant ou enseignant apprendront à improviser indépendante de l'arrière-plan. -Fournit toutes les instructions et verbiage qu'un nouveau venu au jazz devront apprendre ou enseigner à partir de la méthode. -Incl... / Niveau : Intermédiaire / Jazz - Methods / Recueil / Violoncelle

A dozen hot contemporary hits are included in this collection perfect for budding instrumentalists. Instrumental Play-Along Chart Hits comes complete with online access to audio demonstration tracks for download or streaming, helping you to hear how the songs should sound and allowing you to play along.Songs include: All About That Bass, All of Me, Happy, Radioactive, Roar, Say Something, Shake It Off, A Sky Full of Stars, Someone like You, Stay with Me, Thinking Out Loud and Uptown Funk. / Violoncelle

NO. 5 G MINOR INSTRUMENTATION : CELLO (BASSOON, VIOLA DA GAMBA) AND BASSO CONTINUO DATE DE PARUTION : 14/06/1985 NOMBRE DE PAGES : 24 COLLECTION : CELLO LIBRARY FORMAT : NEW EDITION PORTRAIT

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition 6 Suites a Violoncello Solo senza Basso qui a été écrite pourVioloncelle. Les éditions Bärenreiter qui ont éditées cette oeuvre l'ont répertoriée sour la référence BA 5215 . / Violoncelle / Partition

A minor - VC/BC - cello and basso continuo (harpsichord/piano); cello (viola da gamba) ad lib.editor: Ruf, Hugocomposer: Marcello, BenedettoÉditeur: Schott MusicSérie: Cello LibraryDifficulté: Intermediatepages: 20Die sechs Sonaten von Benedetto Marcello (1686-1739) gehören neben denjenigen von Antonio Vivaldi zu den bekanntesten Barockkompositionen für Violoncello und Basso continuo. Schon zu Lebzeiten des zu seiner Zeit durchaus berühmten Komponisten wurde die Sammlung in den wichtigen europäischen Musikmetropolen London, Paris und Amsterdam in Drucken angeboten. Auch wenn es einige unbequeme Griffverbindungen in diesen Sonaten gibt, die daher rühren dürften, dass Marcello mit einem fünfsaitigen, um eine e?-Saite ergänzten Cello rechnete, so sind sie doch von moderater Schwierigkeit und gehören zu den Standardwerken des Violoncellounterrichts.

Eight great flexible arrangements in two parts, for Bass Clef Instruments, including Cello, Trombone and Bassoon with specially recorded arrangements. The CD includes full backing tracks, professionally arranged and recorded. The Book contains carefully selected and editied Bass Clef arrangements for two parts in score format. Compatible with other editions in the series. / Pop and rock / Recueil / Basse Continue

24 Pieces For Flexible String Ensemble. Par BLACKWELL KATHY. 21 easy, characterful ensemble pieces, plus fun warm ups Flexible scoring for violin, viola, cello, and double bass with piano or CD accompaniment - from duets in any combination to large ensembles The level approximately corresponds to the Starters books for violin, viola, and cello - some parts use open strings only, some use open strings and first fingers, and some use all fingers, catering for groups of mixed ability Pupil books for violin, viola, cello, and double bass with lively illustrations Teacher's book with score, including piano part, and a CD with performances and backing tracks for all pieces / Niveau : Facile / Recueil / Violoncelle

Par MAW NICHOLAS. Nicholas Maw's Narration was commissioned by the BBC for the 2001 RNCM Manchester International Cello Festival. Having previously written solo works for violin, double bass and flute with a strong sense of narrative, Maw on this occasion decided to take this as a concept and build the whole work around it. The 20-minute work is cast in a single movement divided into four clearly defined sections. A declamatory opening, a fast moving pizzicato section, an arioso of gradually increasing intensity, and a passage marked 'Fast', which with nervous energy encompasses previous thoughts from the 'narrative' and climaxes in a short recitative just before the finish. / Répertoire / Violoncelle

Par PIATTI ALFREDO. The first part of the comprehensive and renowned Method For Cello by nineteenth century composer, educator and celebrated cellist Alfredo Piatti. An extremely popular tutor, Piatti takes the student through the early stages of playing technique & such as the open strings, first position and bowings & up to exercises in the fifth, sixth and seventh positions (in the Tenor Clef). Arpeggios and scales are also included throughout to train the hands, fingers and wrists, in order for the right technique to become ingrained. Whenever a new concept or technique is introduced Piatti provides a detailed explanation of it, sothat no prior Cello experience is required. However, a basic knowledge of music theory is assumed, the student is expected to be familiar with the notes of the bass clef, note lengths, key and time signatures etc./ Méthode / Violoncelle

Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Violoncelle

for Fiddle Tunes. Eclectic cellist, Renata Bratt, has written the ultimate book for the fiddling cellist, this time from the perspective of an accompanist. Herein, you'll find the theoretical and technical foundation for everything you need to creatively back up the lead players in a fiddle jam session, not to mention playing the lead yourself. This progressive method includes detailed fingerings and bowings for traditional fiddle tunes like: Salt Creek, Jenny Dang the Weaver, The Water Is Wide, The Girl I left Behind Me, The Road to California, Mason's Apron, and Green Grows the Laurel - plus three jigs and a slip-jig. Accompaniment elements include single chord-tone backup, bluegrass bass style, 2 and 3-note chords and arpeggios in the common fiddling keys, one and two-measure rhythmic bowing patterns, the Charleston rhythm, the traveling beat, and many variations of the ever-popular chop bowing technique. With the knowledge and experience conveyed by this book, a cellist can become a valuable asset to any musical group no matter the style! Includes access to 100 online audio tracks expertly played by the author. / Niveau : Intermédiaire à Avancé / Date parution : 2020-04-11/ Etude / Violoncelle

Arrangeur: Martin Tourish. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic? presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal?, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic? is available in six formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet or saxophone (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán./ Recueil / Violoncelle et Piano

Par DIVERS AUTEURS / KOEPPEN GABRIEL (ARR.). This collection is for classical Cellists and presents a broad selection of well-known pieces from the repertoire of classical music, opera, musicals, jazz and tunes from all over the world for all occasions, from solemn ceremonies to happy celebrations. This includes performances as part of public or private ceremonies to mark birthdays, weddings, funerals, anniversaries and jubilee celebrations as well as concerts in schools. The selection ranges from popular classical works such as Bach's 'Air', Mozart's 'Little Night Music' or Schumann's 'Reverie' and well-known operatic melodies through to medleys featuring waltzes, Dixieland or folk songs through to tangos and a few jazz standards. As the second cello part includes symbols for harmonies, it can also be played at will on keyboard, guitar and/or bass. Enjoy your gig!/ Recueil / Violoncelle

The Belwin String Builder is a string class method in which the violin, viola, cello, and bass play together throughout. Each book, however, is a complete unit and may be used separately for class or individual instruction. The material in this book is realistically graded so that only a minimum of explanatory material is required. Each melody is interesting and will provide the basis for a fine left hand technic and bow arm. Available in three levels for violin, viola, cello, bass, piano accompaniment, and teacher's manual.