Organ SKU: SU.80101406 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101406
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101406.
Published by Zimbel Press
(SU.80101406).
San Andreas
Suite (2017) consists of
four movements: The first
movement, Carillon (in
festo S. Andreae
apostoli), is a carillon
with an ostinato repeated
pattern and an
ever-changing series of
harmonies. The harmonic
intensity builds in the
coda to hint at the rich
and complex sonorities of
bells. Versets on a
Melody from Perigord
comprises four versets on
an old melody, Quel bru
fai din lou chiel, which
comes from the Perigord
(Dordogne) region of
France. The title of the
third movement, Pastorale
mit einem Orgelpunkt,
means Pastorale with a
pedal point, and the
organ's lowest C sounds
throughout. The low C is
used as a harmonic
generating source; the
music above thus often
explores sounds based on
the harmonic series. The
fourth movement, Toccata
perigourdine, is an
energetic toccata. Quoted
in the slower middle
section is an old melody
also from Perigord.
Instrumentation: Organ
Duration: 19' Composed:
2017 Published by: Zimbel
Press.
Essentials of Music Theory Software, Version 2.0, Volume 1. (For 5 computers (1 ...(+)
Essentials of Music
Theory Software, Version
2.0, Volume 1. (For 5
computers (1 Educator, 4
Students)). By Andrew
Surmani and Morton Manus.
Reference Textbooks;
Textbook - General;
Theory. Essentials of
Music Theory. Software.
Published by Alfred Music
Publishing
Composed by
Peter Sciaino. Folio.
Cps. Set of Score and
Parts.
4+4+2+4+4+4+2+2+2+2+2+2+4
+4+4+2+2+3+3+3+2+4+1+1+1+
2+1+16 pages. Duration 4
minutes, 10 seconds. Carl
Fischer Music #CPS242.
Published by Carl Fischer
Music (CF.CPS242).
ISBN 9781491157930.
UPC: 680160916535. 9 x 12
inches.
All of us
have experienced unique
moments in our lives that
create unforgettable
mental snapshots. These
images can often provide
comfort, a moment of
humor, or can be a source
of inspiration. Years ago
while traveling with (who
are now) old friends, I
witnessed a New Mexico
night sky for the very
first time. We were so
taken with the view that
we pulled our rental car
to the side of the
highway just to stand and
stare skyward. The
clarity and size of the
stars redefined my
understanding of our
place in this vast
universe. To my eye, I
was staring at hundreds
of little moons. In
writing this piece, I
wanted to capture a sense
of beauty, wonder and
humility. The euphonium
solo presents the theme
as a wistful offering to
things beyond our
understanding. Throughout
the selection this theme
is passed throughout the
ensemble, and thicker
textures evolve. The
mallet percussion plays a
vital role in providing
harmonic stability early
in the selection.
Non-pitched percussion is
essential in building
tension and generating
effective impacts at
louder dynamic levels.
Ideally, the two
triangles found in the
Percussion 2 part should
be mounted and of two
distinctly different
pitches. Both should be
played with light beaters
if possible. I sincerely
hope Many Moons provides
years of inspiration for
you and your ensemble
just as that southwestern
sky did for me amany
moonsa ago. All of us
have experienced unique
moments in our lives that
create unforgettable
mental snapshots. These
images can often provide
comfort, a moment of
humor, or can be a source
of inspiration. Years ago
while traveling with (who
are now) old friends, I
witnessed a New Mexico
night sky for the very
first time. We were so
taken with the view that
we pulled our rental car
to the side of the
highway just to stand and
stare skyward. The
clarity and size of the
stars redefined my
understanding of our
place in this vast
universe. To my eye, I
was staring at hundreds
of little moons. In
writing this piece, I
wanted to capture a sense
of beauty, wonder and
humility. The euphonium
solo presents the theme
as a wistful offering to
things beyond our
understanding. Throughout
the selection this theme
is passed throughout the
ensemble, and thicker
textures evolve. The
mallet percussion plays a
vital role in providing
harmonic stability early
in the selection.
Non-pitched percussion is
essential in building
tension and generating
effective impacts at
louder dynamic levels.
Ideally, the two
triangles found in the
Percussion 2 part should
be mounted and of two
distinctly different
pitches. Both should be
played with light beaters
if possible. I sincerely
hope Many Moons provides
years of inspiration for
you and your ensemble
just as that southwestern
sky did for me many moons
ago. All of us have
experienced unique
moments in our lives that
create unforgettable
mental snapshots. These
images can often provide
comfort, a moment of
humor, or can be a source
of inspiration. Years ago
while traveling with (who
are now) old friends, I
witnessed a New Mexico
night sky for the very
first time. We were so
taken with the view that
we pulled our rental car
to the side of the
highway just to stand and
stare skyward. The
clarity and size of the
stars redefined my
understanding of our
place in this vast
universe. To my eye, I
was staring at hundreds
of little moons. In
writing this piece, I
wanted to capture a sense
of beauty, wonder and
humility.The euphonium
solo presents the theme
as a wistful offering to
things beyond our
understanding. Throughout
the selection this theme
is passed throughout the
ensemble, and thicker
textures evolve. The
mallet percussion plays a
vital role in providing
harmonic stability early
in the selection.
Non-pitched percussion is
essential in building
tension and generating
effective impacts at
louder dynamic levels.
Ideally, the two
triangles found in the
Percussion 2 part should
be mounted and of two
distinctly different
pitches. Both should be
played with light beaters
if possible.I sincerely
hope Many Moons provides
years of inspiration for
you and your ensemble
just as that southwestern
sky did for me
“many moonsâ€
ago.
SKU: HL.1416717 Modern Analog Keyboard with Expansion Bay. Cre8Aud...(+)
SKU: HL.1416717
Modern Analog Keyboard
with Expansion Bay.
Cre8Audio. Electric
Keyboards. Duration 140
seconds. IConnectivity
#TAIGAKEYS. Published by
iConnectivity
(HL.1416717).
18.0x30.0x8.5
inches.
Taiga
Keyboard is an evolution
of the award-winning
Taiga synthesizer. Taiga
gave users a
boundary-smashing suite
of unique modern
Pittsburgh Modular analog
synthesizer innovations.
Now in Taiga Keyboard,
that same powerful suite
of tools acts as a
foundation in this
expression keyboard
instrument. Exploring the
larger keyboard format,
spreading controls out,
and adding larger knobs
make sound sculpting
while performing easier
than ever. We've also
added additional
modulation sources,
additional controls, a
full-size 37 key premium
aftertouch-enabled
keybed, and a
first-of-its-kind,
modular expansion bay.
Taiga Keyboard
oscillators Waveforms
generated by the three
Taiga Keyboard
oscillators stretch
beyond the basic
geometric shapes and
sounds associated with
analog snythesis. Taiga
Keyboard waveforms pass
through up to three
proprietary, cascading
waveshapers designed to
precisely manipulate
their symmetry and
harmonic content. In
addition, each oscillator
includes a robust
six-stage wave folder to
add even more complexity
and depth to the diverse
sonic palate of Taiga
Keyboard. Dedicated
coarse and fine controls
deliver maximum
flexibility & control
over the full range of
each oscillator. The
“Pittsburgh
Filter†The
Pittsburgh filter has
defined the sound of
Pittsburgh Modular from
the moment it was
introduced. A signature
gummy and relaxed sound
with no dead spots that
has been tweaked to
perfection. It offers a
warm, smooth sweep
through the full
frequency range and a
sweet resonance that does
not roll off the low end.
This generation of the
Pittsburgh filter is
specifically designed to
ensure a remarkable
interplay with Taiga
Keyboard's oscillators.
Pittsburgh Dynamics
Controller Pittsburgh's
new Dynamics technology
imparts Taiga Keyboard
with a uniquely organic
depth and presence. By
simultaneously managing
both amplitude and
harmonic content, the
Pittsburgh Dynamics
Controller expands beyond
the one-dimensional VCA
found in other
synthesizers. It does
this by utilizing new
advancements from
traditional low pass
gates to add additional
definition and dimension
to the voice of Taiga
Keyboard. When used in
low pass gate mode,
sounds shed harmonic
content and become warmer
as they decrease in
volume. This mimics how
sound waves react to
their environment.
Because of this
connection, the Taiga
Keyboard sounds more
natural or complex
compared to other
instruments. Analog Echos
Echos is a beautifully
dark analog delay tuned
to enhance the source
material by repeating it
over and over. Echos
utilizes a pair of bucket
brigade delay chips to
produce a classic
voltage-controllable
analog delay effect that
helps to place the sounds
of Taiga Keyboard in a
simulated environment.
Open Architecture Taiga
Keyboard has an
internally defined signal
path. Patch cables are
not necessary to begin
exploring. Attach a MIDI
keyboard and plug the
o.
String Quartet No. 2 Quatuor à cordes: 2 violons, alto, violoncelle Merion Music
Chamber Music String Quartet SKU: PR.14440265S Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet
SKU:
PR.14440265S
Composed
by Sydney F. Hodkinson.
Large Score. With
Standard notation.
Duration 25 minutes.
Merion Music #144-40265S.
Published by Merion Music
(PR.14440265S).
UPC:
680160027910.
The
Second and Third Quartets
were conceived at the
same time; indeed, their
composition intermingled,
over half of No. 3 being
sketched before No. 2 was
completed. Accordingly,
they share similar
material but, like the
intertwining blood of
cousins, their natures
differ: No. 2 being
somewhat acerbic and
declamatory, No. 3 more
lyric and gentler. An
annunicatory 'leaping
motive' (derived from a
motto generated by my
name) opens Quartet No. 2
and inhabits the course
of the piece as a
cyclical binding-force. A
five-note motive, usually
very deliberate, also
keeps recurring like an
insistent caller. All
three movements are based
on tonal centers (I on B
and E, II on D, III on C)
and the harmonic
'grammar' spoken tends to
recall the jazz world of
my youth. To hopefully
achieve a certain
classical ambience was
one of the goals of this
piece, and all three
movements have
traditional forms. The
first movement is a
modified Sonata-Allegro
design, with a
severely-truncated
recapitulation balanced
by a lengthy, and
decaying Coda. The second
movement is a set of
strophic variants and an
epilogue interspersed
with both solo ritornelli
and first-movement
material (the motto and
the five-note motive) in
the nature of a
fantasia-like
'call-and-response.' It
is dedicated to the
memory of the American
mezzo-soprano Jan
DeGaetani. The third
movement is a modified
Rondo (ABACBA) which
evolves out of the
opening motto. All three
movements make much use
of canonic stretti,
similar gestures, and
repetition. For example,
the climax of movement
III's Rondo throws the
first movement back at us
again, as if the players
were reluctant to let it
go, so that the entire
piece could perhaps be
viewed as a single large,
extended, Sonata
movement, with
introduction and
Coda. The Second and
Third Quartets were
conceived at the same
time; indeed, their
composition intermingled,
over half of No. 3 being
sketched before No. 2 was
completed.Â
Accordingly, they share
similar material but,
like the intertwining
blood of cousins, their
natures differ: No. 2
being somewhat acerbic
and declamatory, No. 3
more lyric and gentler.An
annunicatory
‘leaping
motive’ (derived
from a motto generated by
my name) opens Quartet
No. 2 and inhabits the
course of the piece as a
cyclical
binding-force. A
five-note motive, usually
very deliberate, also
keeps recurring like an
insistent caller. All
three movements are based
on tonal centers (I on B
and E, II on D, III on C)
and the harmonic
‘grammar’
spoken tends to recall
the jazz world of my
youth.To hopefully
achieve a certain
classical ambience was
one of the goals of this
piece, and all three
movements have
traditional forms.Â
The first movement is a
modified Sonata-Allegro
design, with a
severely-truncated
recapitulation balanced
by a lengthy, and
decaying Coda. The
second movement is a set
of strophic variants and
an epilogue interspersed
with both solo ritornelli
and first-movement
material (the motto and
the five-note motive) in
the nature of a
fantasia-like
‘call-and-response.
’ It is
dedicated to the memory
of the American
mezzo-soprano Jan
DeGaetani. The third
movement is a modified
Rondo (ABACBA) which
evolves out of the
opening motto.All three
movements make much use
of canonic stretti,
similar gestures, and
repetition. For
example, the climax of
movement III’s
Rondo throws the first
movement back at us
again, as if the players
were reluctant to let it
go, so that the entire
piece could perhaps be
viewed as a single large,
extended, Sonata
movement, with
introduction and
Coda.
SATB choir, cantor solo, SSAAT soli, organ or piano - Late Intermediate SKU: ...(+)
SATB choir, cantor solo,
SSAAT soli, organ or
piano - Late Intermediate
SKU: MN.CH-1165
Composed by Robert
Strassburg. Sacred Jewish
Choral Music Series.
Praise/Thanksgiving,
Faith. Octavo. Duration 4
minutes, 45 seconds.
Laurendale Associates
#CH-1165. Published by
Laurendale Associates
(MN.CH-1165).
Scripture: Psalms
100.
The text of
Psalm 100 - Hariu
L'adonai, Shout unto God
with Joy. is majestic in
language and
God-intoxicated in its
fervent expression of
thanksgiving and faith.
The English translation
adheres closely to the
meaning of the Hebrew
words making this anthem
accessible to both church
and synagogue. Rich organ
and choral textures
provide exciting
rhythmic, melodic and
harmonic features of a
celebratory character,
reaching ecstatic and
mystical heights. The
chorestration provides
solo, duet, and quartet
opportunities midst
richly fervent tuttis,
bringing this exultant
expression of humanity's
trust in God from
generation to generation,
to a dramatic close.
Duration 4:45.
(Advanced Techniques, Harmony and Arranging Concepts for Fingerstyle Guitar). By...(+)
(Advanced Techniques,
Harmony and Arranging
Concepts for Fingerstyle
Guitar). By Muriel
Anderson. For acoustic
guitar. Instructional.
Instructional DVD.
Published by Music Sales
Block M Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Jerry H. Bilik. By Jerry H. Bilik. For Concert Band. Concert Band. Symphonic ...(+)
By Jerry H. Bilik. By
Jerry H. Bilik. For
Concert Band. Concert
Band. Symphonic Band.
Level: 4 (Medium) (grade
4). Conductor Score and
Parts. 144 pages.
Duration 3:13. Published
by Alfred Publishing.
Wind Quintet SKU: ST.C525 Composed by Janne Kolodub. Wind & brass music. ...(+)
Wind Quintet
SKU:
ST.C525
Composed by
Janne Kolodub. Wind &
brass music. Clifton
Edition #C525. Published
by Clifton Edition
(ST.C525).
ISBN
9790570815258.
The Ukrainian
Suite for wind
quintet dates from 1983
and is in three
movements. In the opening
Allegretto, there is a
hint of minimalist
techniques, where the
unusual harmonic shifts
will challenge the
players to forget
conventional cadences.
Several parts share
parallel rhythms in many
places, while one part
carries the melodic
material. Similar
principles can be seen at
work in the Moderato con
moto second movement,
where persistent repeated
notes accompany the
melody. The third
movement, also Moderato
at the start, builds
towards a final section
where all five parts
share very similar note
patterns, and excitement
is generated by the
contrasting dynamics and
the relentless drive of
the rhythms. This quintet
was originally published
by Phylloscopus
Publications in 2001 and
set from the manuscript
by C.M.M. Nex and F.H.
Nex.
Flute, Oboe,
Clarinet in B flat and A,
Horn in F and Bassoon.
Score and 5 Parts
included.
Jazz Ensemble standard jazz ensemble - Grade 3 SKU: KN.61029 Composed by ...(+)
Jazz Ensemble standard
jazz ensemble - Grade 3
SKU: KN.61029
Composed by Bill Liston.
Jazz Journey. Swing.
Score and set of parts.
Duration 5 minutes, 10
seconds. Kendor Music Inc
#61029. Published by
Kendor Music Inc
(KN.61029).
UPC:
822795610291.
Commi
ssioned by John Rush and
the Los Alamitos Jazz
Band #1, this original
for advancing groups is
exactly what you need to
open your next concert or
festival performance.
Several musical
generations work together
as the chart combines
elements of 1930's swing
with a fresh harmonic
approach. Ranges and
technical requirements
are reasonable, and tenor
sax and trumpet are
featured soloists. A
guitar chord chart by Jim
Greeson is included in
each set. Duration 5:10.
Available in
SmartMusic.
Jazz Ensemble - Grade 3 SKU: KN.61029S Composed by Bill Liston. Jazz Jour...(+)
Jazz Ensemble - Grade 3
SKU: KN.61029S
Composed by Bill Liston.
Jazz Journey. Kendor
Music Inc #61029S.
Published by Kendor Music
Inc (KN.61029S).
UPC:
822795610291.
Commi
ssioned by John Rush and
the Los Alamitos Jazz
Band #1, this original
for advancing groups is
exactly what you need to
open your next concert or
festival performance.
Several musical
generations work together
as the chart combines
elements of 1930's swing
with a fresh harmonic
approach. Ranges and
technical requirements
are reasonable, and tenor
sax and trumpet are
featured soloists. A
guitar chord chart by Jim
Greeson is included in
each set. Duration 5:10.
Available in
SmartMusic.
Piano SKU: M7.AHW-3028 Composed by Herbie Hancock. Arranged by Oligario D...(+)
Piano
SKU:
M7.AHW-3028
Composed
by Herbie Hancock.
Arranged by Oligario
Diaz. Sheet music.
Performance book. Charles
Colin Corp. #AHW 3028.
Published by Charles
Colin Corp.
(M7.AHW-3028).
English.
This
theoretical book is meant
to improve contemporary
jazz styles and
techniques for all
players of modern jazz.
This study investigates
jazz pianist and composer
Herbie Hancock's seven
albums recorded as a
bandleader for Blue Note
Records between 1962 and
1969. Recorded during
Hancock's tenures with
Donal Byrd and Miles
Davis, his early works
are highly mature musical
conceptions, with all the
major elements of
Hancock's personal
musical style already
present. A mixed-methods
approach combining sever
forms of qualitative data
analysis is used to
identify the formal
construction, the musical
meanings, and the
cultural significance of
this body of music. The
study surveys the
thirty-six compositions
that comprise these seven
albums, and selects for
in-depth analysis seven
pieces that are
proportionally
representative of the
formal characteristics of
this larger repertoire:
The Maze, The Pleasure Is
Mine, Jack Rabbit, One
Finger Snap, Little One,
Toys, and I Have A Dream.
Hancock's improvisations
on these repretative
compositions are
transcribed, and each
improvisation and
composition is analyzed
for its historical
context and significance
of each recording is
examined through
interviews with persons
involved in the original
recording process, as
well as other jazz
musicians and scholars
with deep knowledge of
Hancock's life, music and
oeuvre. Aesthetic
analyses, informed by the
theories of of Kivy and
Elliot, investigate the
expressive or
representational
qualities of each
composition, and examine
how formal musical
elements contribute to
these expressive or
representational
qualities. Formal
analyses examine elements
of Hancock's
compositional and
improvisational style.
The study concludes the
Hancock's compositions
and improvisations of the
period exhibit a number
of consistent style
elements, such as
sophisticated harmonic
and rhythmic
superimposition, that
were very important
influences on jazz
pianists of the following
generation.
Prayer for Asia Orchestre d'harmonie [Conducteur] - Intermédiaire
Concert band - Grade 4 SKU: CL.012-4030-01 Composed by LaBounty. Concert ...(+)
Concert band - Grade 4
SKU:
CL.012-4030-01
Composed by LaBounty.
Concert Band. Opus III
Series. Audio recording
available separately
(item CL.WFR372). Extra
full score. Composed
2011. Duration 6 minutes,
8 seconds. Opus III Wind
Orchestra Publications
#012-4030-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4030-01).
Prayer For Asia
is an original work for
wind orchestra whose main
theme was inspired by
prayer. Simple and pure
in its core,
exponentially powerful
harmonic and textural
scoring make this work
both music for the
musician and soul food
for a new generation of
audiences here and
abroad. The imagery of
this musical entreaty
tranquilly unfolds with a
clarinet exposition that
authentically captures
the essence of an
invocation that is
adeptly passed to English
Horn and masterfully
developed via sectional
highlighting, superlative
percussion and a climax
of elysian dimension.
Prayer For Asia conveys
reverence and paramount
reflection that will,
perhaps now more than
ever, touch mature
ensembles and audiences
in a significant
manner.
Clarinet and Piano SKU: ST.C129 Composed by Mark Tanner. Wind & brass mus...(+)
Clarinet and Piano
SKU: ST.C129
Composed by Mark Tanner.
Wind & brass music.
Clifton Edition #C129.
Published by Clifton
Edition (ST.C129).
ISBN
9790570811298.
As I
sit myself down to write
this brief foreword, I
ask myself can there be
music more stirring than
these old Cornish folk
melodies? Though not
Cornish myself (I confess
to being born a little
further up the road, in
Bristol), I feel I have
spent sufficient time in
these 'ere parts to
resonate with the sturdy
brass band tradition that
continues to permeate
this incomparably
beautiful, rugged county.
One can almost detect a
French 'accent' when
listening to the piano
music of Debussy, and
likewise, speaking as a
lapsed brass player,
there is undoubtedly
something of the Cornish
twang about Trelawny when
played on a cornet or
euphonium. Then again,
one gets a different, yet
entirely convincing
effect upon hearing these
melodies rendered on
woodwind instruments;
hence, with a little
gamesmanship on my part,
I am pleased to see my
collection of these
fifteen delectable
ditties come to fruition
in the form of
arrangements for treble
clef brass instruments
(in B flat and E flat),
trombone and tuba (bass
clef), horn in F, flute,
clarinet and bassoon.
While many will find
themselves humming the
likes of Going up
Camborne Hill, Lamorna or
The Helston Furry Dance
even before they have
turned to the first page
- for these are indelibly
intertwined with Cornish
culture – I wonder if I
might draw your attention
to The Cornish Squire,
The Pool of Pilate and
Cold Blows the Wind Today
Sweetheart, which are
quite simply sublime
melodies, perhaps needing
that extra bit of help in
bringing them to mind
nowadays. In the best
tradition of musical
hand-me-downs, Cornish
folk music works equally
ideally sung and played,
and only by doing so on a
regular basis can such
traditions hope to
continue forward with
vigour and authority. A
legitimate way of
achieving this is to
revitalise the harmonic
scheme of these ancient
tunes and bring them up
to date for a modern
audience; after all, it
was such an approach that
fuelled the imagination
of Benjamin Britten and
Ralph Vaughan Williams in
decades past, while
skilfully paying homage
to the underlying charm
and, for want of a better
word, simplicity, of the
original music. But this
is only a start – for
without an energetic
response from younger
generations, Cornish folk
music is destined to
wither on the vine in
much the same way as is
happening with the
Cornish dialect. So, put
your instrument to your
lips and proceed, not
with caution, but with
enthusiasm and a smile,
for your great
grandparents (and perhaps
even their grandparents)
would surely raise a
glass if they could hear
you doing your bit to
ensure the survival of
this splendid
heritage. Timeless
Cornish melodies, cooked
up for hungry clarinet
players Grades
1–4 Former Spartan
Press Cat. No.:
SP1218.
String Quartet (Score) SKU: HL.14043597 Score. Composed by Brian E...(+)
String Quartet (Score)
SKU: HL.14043597
Score. Composed by
Brian Elias. Music Sales
America. Classical,
Contemporary. Score. 46
pages. Chester Music
#CH81103. Published by
Chester Music
(HL.14043597).
8.25x12.0x0.166
inches.
String
Quartet Was Composed By
Mumbai-Born Brian Elias
In 2012, And Was
Commissioned By The
Jerusalem String Quartet.
Lasting Around 20
Minutes, This Is The Full
Score Of The Work
Arranged For Violin I,
Violin Ii, Viola And
Cello. The Work Has Been
Laid Out In The
Conventional Four
Movements, Allegro,
Adagio, Presto,
Adagio-Allegro-Adagio,
But It Is Essentially A
Work In A Single Movement
To Be Performed With No
Breaks. A Set Of Double
Variations Generates The
Thematic And Harmonic
Material For The Entire
Piece In Its First Few
Bars, With A Brilliant
Viola Solo Afterwards.
Throughout The Piece,
Changes In Dynamics And
Tempo Characterise The
Different Movements,
Before Finally EndingWith
A Calming Return To The
Slow Music.&Nbsp; You Can
Purchase The Individual
Instrument&Nbsp; Parts
Here.