Performed by Jelly Roll Morton, edited by James Dapogny. For piano. Format: pian...(+)
Performed by Jelly Roll
Morton, edited by James
Dapogny. For piano.
Format: piano solo book.
With performance notes,
introductory text, color
illustrations and black
and white photos. Jazz
and ragtime. 513 pages.
9x12 inches. Published by
Schirmer.
Piano SKU: M7.AHW-3008 Composed by Bill Dobbins. Sheet music. Performance...(+)
Piano
SKU:
M7.AHW-3008
Composed
by Bill Dobbins. Sheet
music. Performance book.
Charles Colin Corp. #AHW
3008. Published by
Charles Colin Corp.
(M7.AHW-3008).
English.
Eine
einmalige und informative
Stilstudie von 24 der
einflussreichsten
Pianisten der
Jazzgeschichte.
A
comprehensive approach to
keyboard
improvisation.Both a
continuation of the study
of styles in Volume 3 and
a representation of these
style as developed by 24
of the most influential
soloists ever, including
Jelly Roll Morton, Earl
Hines, Art Tatum, Monk,
Cecil Taylor, Oscar
Peterson, Chick Corea,
and Keith Jarrett.
Jelly Roll Morton: Black Bottom Stomp Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba [Conducteur et Parties séparées] Editions Marc Reift (Swiss import)
By Jelly Roll Morton. For 5-part ensemble (brass quintet or woodwind quintet). S...(+)
By Jelly Roll Morton. For
5-part ensemble (brass
quintet or woodwind
quintet). Swiss import.
Score and parts.
Published by Editions
Marc Reift. (EMR
5424) Level: 3+.
GanJam Ensemble Jazz [Set de Parties séparées] Peters
By Ferdinand Jelly Roll Morton. Edited by James Dapogny. For 2 Alto Saxophones...(+)
By Ferdinand Jelly Roll
Morton. Edited by James
Dapogny. For 2 Alto
Saxophones, 2 Tenor
Saxophones, 3 Trumpets, 2
Trombones, Piano, Guitar,
Doublebass, Drum. Modern,
Jazz, Orchestral. Set of
Parts. Duration circa 4-7
minutes. Published by
Edition Peters
Concert Band (SCORE+PARTS) - Level 2.5 SKU: HL.4007411 Bandflex. C...(+)
Concert Band
(SCORE+PARTS) - Level 2.5
SKU: HL.4007411
Bandflex. Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert. Softcover.
Duration 135 seconds.
Anglo Music Press #AMP
519-015. Published by
Anglo Music Press
(HL.4007411).
Concert Band (SCORE) - Level 2.5 SKU: HL.4007412 Bandflex. Compose...(+)
Concert Band (SCORE) -
Level 2.5
SKU:
HL.4007412
Bandflex. Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert. Softcover. Anglo
Music Press #AMP 519-015.
Published by Anglo Music
Press (HL.4007412).
By Morton. Arranged by Arthur Frackenpohl. For soprano, alto, tenor and baritone...(+)
By Morton. Arranged by
Arthur Frackenpohl. For
soprano, alto, tenor and
baritone saxophones.
Saxophone Quartet. Level:
Grade 4. Published by
Kendor Music Inc.
Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, c...(+)
Fakebook (spiral bound)
for voice and C
instrument. With vocal
melody, lyrics, chord
names and leadsheet
notation. Series: Hal
Leonard Fake Books. 407
pages. Published by Hal
Leonard.
By Bill Worrall. Book. Published by Music Sales. Now you can play this foot-stom...(+)
By Bill Worrall. Book.
Published by Music Sales.
Now you can play this
foot-stomping music style
by creating the boogie
sounds of such great
pianists as Jelly Roll
Morton and Jools Holland.
Play along cd provides a
matching audio track to
every music example in
the book.
Guitar - Intermediate SKU: MB.31060M Perfect binding. Jazz. Book and onli...(+)
Guitar - Intermediate
SKU: MB.31060M
Perfect binding. Jazz.
Book and online audio.
180 pages. Mel Bay
Publications, Inc
#31060M. Published by Mel
Bay Publications, Inc
(MB.31060M).
ISBN
9781513468051. 8.75x11.75
inches.
As aspiring
fingerpicking guitarists
started expanding their
horizons from folk,
blues, and ragtime in the
1970s, it was only
logical to look towards
early jazz tunes as a
vast source for new
possibilities. For one
thing, they could follow
the same evolutionary
path from ragtime to jazz
that had been taken by
pianists such as Jelly
Roll Morton and Harlem
stride players like James
P. Johnson and Fats
Waller. These musicians
all composed in a variety
of styles, but their most
ambitious piano solos
expanded on the classic
ragtime format developed
by the likes of Scott
Joplin, James Scott, and
Joseph Lamb, using
several strains that
usually changed keys at
least once. Morton, the
self-proclaimed inventor
of jazz, would record
versions of tunes like
King Porter
Stomp and The
Original Jelly Roll
Blues that are
similar to straight
ragtime performances, and
others where there is
lots of room left for
embellishment and jazz
improvisation.
The present
collection is a bonanza
for guitarists who want
to tackle advanced
arrangements along the
lines of ragtime but
featuring jazz age
harmonies from the
playing of Jelly Roll
Morton, Louis Armstrong,
Bix Beiderbecke, WC
Handy, the Original
Dixieland Jazz Band and
other early jazz legends.
The 32 arrangements
included are by a wide
assortment of guitarists
including Ernie Hawkins,
Pat Donohue, Lasse
Johansson, Duck Baker,
Ton Van Bergeyk, Sandy
Shalk, Steve McWilliam,
and Dorian Henry.
Titles
include: Oh, You
Beautiful Doll,
I’ve Got The
Blues, High Society, St.
Louis Blues, Davenport
Blues, Poor Butterfly,
Dixie Jass Band One-Step,
Memphis Blues, Big Foot
Ham, Grandpa’s
Spells, The Original
Jelly Roll Blues,
Midnight Mama, Milenberg
Joys, Fizz Water, Back
Home in Indiana, Sweet
Georgia Brown, Red Wing
(An Indian Intermezzo),
There’ll Be Some
Changes Made, Way Down
Yonder In New Orleans,
Charleston, Where The
Morning Glories Grow,
Limehouse Blues, Susie
(of the Islands), I Need
Some Pettin’,
Weather Bird, Cornet Chop
Suey, Kansas City Stomps,
King Porter Stomp,
Jubilee Stomp, Take It
Easy, If I Had You,
Moonlight
Serenade
DVD, Solos.
Fingerpicking. DVD. 95
pages. Mel Bay
Publications, Inc
#GW1075. Published by Mel
Bay Publications, Inc
(MB.GW1075).
5.75x4
inches.
This lesson
is intended for advanced
players looking for ways
to voice chords and
arrange tunes in ways
that sound rich and
complex but feel nimble
under the hands. We?ll
look mostly at
arrangements I?ve made of
blues and fiddle
melodies, and also look
at the playing of the
remarkable Johnny St.
Cyr.We begin our lesson
with Ma Rainey?s Yonder
Comes the Blues. This is
followed by Jelly Roll
Morton?s Jelly Roll
Blues. Composed in 1915
and was one of the first
published jazz
compositions. Johnny St.
Cyr was a famous New
Orleans musician who
played both guitar and
the six-string banjo. He
recorded with Louis
Armstrongs Hot Five and
Hot Seven bands. He also
played with Jelly Roll
Mortons Red Hot Peppers.
His Guitar Blues is a
tour-de-force and
challenge for any
fingerstyle guitarist. We
finish our lesson with
the Mineola Rag first
recorded by the East
Texas Serenaders. Titles
include: Yonder Come The
Blues, Jelly Roll Blues,
Guitar Blues and Mineola
Rag Detailed tab/music
PDF file on the DVD. 96
minutes. DVD is region 0,
playable worldwide.
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Traditional pop
and vocal standards.
Series: Hal Leonard Fake
Books. 424 pages. 9x12
inches. Published by Hal
Leonard.
Jazz Ensemble 2 Alto
saxophones, 2 Tenor
saxophones, 3 trumpet, 2
trombonne, piano, guitar,
double bass, Dr
SKU:
PE.EP68488A
Composed
by Jelly Roll Morton.
Jazz Ensembles. Edition
Peters. Part(s). 60
pages. Edition Peters
#98-EP68488A. Published
by Edition Peters
(PE.EP68488A).
ISBN
9790300758909.
English.
At the
end of 1938, Jelly Roll
Morton (1890-1941)
returned to New York from
his years in Washington,
D.C. Recent publicity had
made a comeback seem
possible, and he hoped to
recapture the prominent
place in the jazz world
that he had held in the
1920s. Still well known,
though mainly as a New
Orleans music pioneer, he
understood that in order
to be taken seriously as
a contemporary artist, he
needed to form a big band
like those of his
competition, such as Duke
Ellington, Count Basie,
Benny Goodman, and Tommy
and Jimmy Dorsey. In the
1920s Morton's recordings
and tours featured a
ten-piece band following
the first-generation
big-band format. But in
the late 1930s, larger
groups were popular, so
Morton assembled a
conventional '30s band
consisting of four
saxophones, six brass,
and four rhythm. The band
was to open at the Golden
Gate Ballroom in Harlem
on April 17th, 1939, but
on opening night Morton
collapsed before going
onstage. During his
recuperation from the
asthma and heart problems
that dogged him, the band
broke up, never to
reassemble. Only six
items written for that
band's instrumentation
are known to exist:
Morton's arrangements of
his own compositions --
Finger Breaker, GanJam,
Good Old New York, Mister
Joe, and Stop and Go --
and an arrangement,
Mamies' Blues, by another
artist. -- James Dapogny
(Editor)
As an
editor, Dapogny shows his
customary sound musical
scholarship and deep
knowledge of Morton's
style....The publishers
are to be congratulated
for bringing this
fascinating work into the
public domain, which
throws a totally new
light on 'Mister Jelly
Lord.' Who knows what he
would have achieved had
he lived beyond his
alleged 51 years?
--Martin Litton, for JUST
JAZZ (Feb 2011)
Jazz Ensemble 2 Alto
saxophones, 2 Tenor
saxophones, 3 trumpet, 2
trombonne, piano, guitar,
double bass, Dr
SKU:
PE.EP68488
Composed
by Jelly Roll Morton.
Jazz Ensembles. Edition
Peters. Score. 36 pages.
Edition Peters
#98-EP68488. Published by
Edition Peters
(PE.EP68488).
ISBN
9790300758893.
English.
At the
end of 1938, Jelly Roll
Morton (1890-1941)
returned to New York from
his years in Washington,
D.C. Recent publicity had
made a comeback seem
possible, and he hoped to
recapture the prominent
place in the jazz world
that he had held in the
1920s. Still well known,
though mainly as a New
Orleans music pioneer, he
understood that in order
to be taken seriously as
a contemporary artist, he
needed to form a big band
like those of his
competition, such as Duke
Ellington, Count Basie,
Benny Goodman, and Tommy
and Jimmy Dorsey. In the
1920s Morton's recordings
and tours featured a
ten-piece band following
the first-generation
big-band format. But in
the late 1930s, larger
groups were popular, so
Morton assembled a
conventional '30s band
consisting of four
saxophones, six brass,
and four rhythm. The band
was to open at the Golden
Gate Ballroom in Harlem
on April 17th, 1939, but
on opening night Morton
collapsed before going
onstage. During his
recuperation from the
asthma and heart problems
that dogged him, the band
broke up, never to
reassemble. Only six
items written for that
band's instrumentation
are known to exist:
Morton's arrangements of
his own compositions --
Finger Breaker, GanJam,
Good Old New York, Mister
Joe, and Stop and Go --
and an arrangement,
Mamies' Blues, by another
artist. -- James Dapogny
(Editor)
As an
editor, Dapogny shows his
customary sound musical
scholarship and deep
knowledge of Morton's
style....The publishers
are to be congratulated
for bringing this
fascinating work into the
public domain, which
throws a totally new
light on 'Mister Jelly
Lord.' Who knows what he
would have achieved had
he lived beyond his
alleged 51 years?--Martin
Litton, for JUST JAZZ
(Feb 2011)
4 Saxophones SATBar SKU: AP.1-ADV7606 For SATBar Saxophone Quartet...(+)
4 Saxophones SATBar
SKU: AP.1-ADV7606
For SATBar Saxophone
Quartet. Composed by
Jelly Roll Morton.
Arranged by Fred Sturm.
Quartet; Solo Small
Ensembles; Woodwind -
Saxophone Quartet.
Advance Music. Jazz;
Standard. Score and
Part(s). Advance Music
#01-ADV7606. Published by
Advance Music
(AP.1-ADV7606).
ISBN
9783892216728. UPC:
805095076066.
English.
Black
Bottom Stomp is a quick
2-beat jazz chart. The
composition is abundant
with rapid
orchestrational shifts,
heavy technical demands,
structural logic, and
Jelly Roll's inimitable
sense of humor. No
improvisation required.
Arranged for SATB
saxophone quartet by Fred
Sturm.
(B-Flat Instruments). Composed by Various. Arranged by Robert Rawlins. For B...(+)
(B-Flat Instruments).
Composed
by Various. Arranged by
Robert
Rawlins. For B-flat
Instruments. Fake Book.
Softcover. 380 pages.
Published by Hal Leonard
Black Bottom Stomp Big band [Conducteur et Parties séparées] Handelsware
Big band (Clarinet (Solo), Soprano Sax 1, Soprano Sax 2, Tenor Sax, Baritone Sax...(+)
Big band (Clarinet
(Solo), Soprano Sax 1,
Soprano Sax 2, Tenor Sax,
Baritone Sax, Trumpet 1
(Solo), Trumpet 2-3,
Trombone 1-3, Piano
(Solo), Banjo (optional),
Bass, Drums) - advanced
to difficult
SKU:
M7.SMP-171
Swing. Composed by
Jelly Roll Morton.
Arranged by Jackson
Stock. Sheet music.
Swing. Score and parts.
Handelsware #SMP 171.
Published by Handelsware
(M7.SMP-171).
English.
This
chart is destined to
become a best-seller
because of its unique and
exciting format ... an
orchestration of Jelly
Roll Morton's original
recording of one of his
most famous compositions.
The arranger has
successfully captured the
spirit of the '20's with
the modern big band.
Scored for 5 woodwinds
(incl. clarinet and 2
soprano saxes) 6 brass
and 4 rhythm, this is one
piece that your band and
audiences will ask for
again and again.
5-3-3-4.
(Eight Piano Etudes Inspired by the Masters). By Jeremy Siskind. Educational P...(+)
(Eight Piano Etudes
Inspired
by the Masters). By
Jeremy
Siskind. Educational
Piano
Solo. Intermediate to
Late
Intermedi. Softcover. 32
pages. Published by Hal
Leonard
King Porter Stomp Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Jelly Roll Morton. Arranged by Fletcher Henderson. Composed by Jelly Roll Mor...(+)
By Jelly Roll Morton.
Arranged by Fletcher
Henderson. Composed by
Jelly Roll Morton / arr.
Fletcher Henderson. For
Jazz Ensemble. Jazz
ensemble. Essential Jazz
Editions (Jazz at Lincoln
Center). Level: 3.5
(Medium) (grade 3.5).
Conductor Score & Parts.
Published by Alfred
Publishing.
Performed by Charles Mingus. For C instrument. Format: biographical book. With m...(+)
Performed by Charles
Mingus. For C instrument.
Format: biographical
book. With musical
examples, performance
notes, introductory text,
instructional text and
black and white photos.
Jazz. 160 pages. 9x12
inches. Published by Hal
Leonard. (HL.673220)
The Blues Book Ligne De Mélodie, Paroles et Accords [Partition] - Facile Hal Leonard
For guitar and voice. Format: easy guitar/vocal songbook (simplified arrangement...(+)
For guitar and voice.
Format: easy guitar/vocal
songbook (simplified
arrangements for guitar).
With leadsheet notation,
strum and pick patterns,
chord names and lyrics.
Blues. 128 pages. 9x12
inches.
Edited by Amy Appleby. Collection and examples CD for voice and piano. Over 180 ...(+)
Edited by Amy Appleby.
Collection and examples
CD for voice and piano.
Over 180 hits and
showstoppers by the
master songwriters of
yesteryear. 399 pages.
Published by Music Sales.