Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
Composer's notes: This piece came about in a rather unusual way. I had a dream i...(+)
Composer's notes: This
piece came about in a
rather unusual way. I had
a dream in which a string
quartet were playing some
very beautiful music. I
was exhorting them to
'play it like late
Beethoven' When I woke
up, I could not remember
any themes or details of
what they had been
playing, but had an
intense memory of the
'feeling' of the music,
which was soft, sensual
and muted, and I
immediately sat down to
write a string quartet.
What began to emerge was
nothing like Beethoven at
all, and very early into
the writing I had a
strong vision of some
people dancing a formal
and intense series of
dances in a village in a
very dry and hot
landscape - the
Australian outback or
Africa maybe. The dances
were very moving, with an
inward, ritualistic
quality and they
obviously had great
meaning for the people
performing them. Geoffrey
Burgon
String Quartet SKU: HL.49047454 Score and Parts. Composed by Julia...(+)
String Quartet
SKU:
HL.49047454
Score
and Parts. Composed
by Julian Anderson.
String Ensemble. Chamber,
Classical. Softcover. 148
pages. Duration 1380
seconds. Schott Music
#ED13989. Published by
Schott Music
(HL.49047454).
UPC:
842819101086.
9.0x12.0x0.358
inches.
My 3rd
String Quartet is in six
contrasted movements.
Certain musical figures
recur across the work,
but there are few themes
as such. The main
emphasis is on contrast
of mood, texture,
harmony, pacing and
timing. Unlike many of my
works this quartet had no
extra-musical
inspiration, and in
principle should have no
subtitle. Certain
features already present
in my music became more
prominent in this new
work: modes (limited
collections of pitches)
have always helped me to
focus musical character,
but here a sense of key
note for each mode became
much more pronounced, as
did the difference
between modes for each
section of the work. A
sort of hybrid key-system
emerged (even with
equivalents of major and
minor) which is not
normal tonality, nor does
it aim to imitate it.
Unlike tonality this
key-system includes
noises, extended
performance techniques
and intervals outside
Western tuning as
available resources. What
I hope it does is to
focus the listening
experience onto different
musical areas, to
encourage a sense of both
modulation from one area
to another and to give
the music a sense of
goal. No conscious
knowledge of this is
needed when listening:
the music should
communicate directly on
its own. Here, then, is
this collection of six
musical colours, related
and unrelated, different
yet belonging together,
variable yet in a set
order. Hence the
subtitle, chosen both for
both its sound and its
sense: 'hana no hanataba'
meaning, in Japanese,
'bouquet of flowers'. A
brief description: 1)
Moderately fast. Short
droplets of sounds gather
increasing momentum. 2)
Very fast. Canons and
bells at different
speeds. 3) Very slow -
fast - very slow - very
fast - very slow. The
main slow movement and
its main scherzo. An
emphasis on non-tempered
tunings and on inhaling
and exhaling waves of
sound. The slow sections
feature florid melodic
writing. In the exuberant
scherzo competing duos
and trios create
imaginary folk music. 4)
Extremely fast/extremely
slow. Open strings and
harmonics fuse into a
single string instrument
- like a sort of large
resonating Medieval
tromba marina. 5) Very
fast. A variation on
movement 2). Variation,
Schoenberg told Cage, is
just a sort of repetition
'with some things changed
and others not.' 6) Slow
- Very Fast - Fast -
Slow. The opening calm
harmonies and florid
melodies evoke movement
3) in different music.
The fast part features
one overt theme: a
fanfare-like call to
attention which is
subject to extensive
development. There is
much use of non-Western
tuning. At its climax the
music freezes into a
frieze - a wall of sound
standing in front of the
audience with increasing
obstinacy and certainty
as the work grinds
towards its cadence.
String Quartet SKU: HL.50600643 Score and Parts. Composed by Natha...(+)
String Quartet
SKU:
HL.50600643
Score
and Parts. Composed
by Nathaniel Stookey.
String Ensemble.
Classical. Softcover,
Score and Parts. 72
pages. Associated Music
Publishers, Inc #AMP8308.
Published by Associated
Music Publishers, Inc
(HL.50600643).
ISBN
9781495071034. UPC:
888680633202. 9x12
inches.
String
Quartet No. 1 was
inspired by The Lindsays,
who gave its first
British performances and
helped in the preparation
of this edition. The work
was commissioned by
WUNC-FM, with funds from
the North Carolina State
Department of Cultural
Resources, for the
inaugural concert and
broadcast of the WUNC
Composers-in-Context
Series. The premiere was
given by The Ciompi
Quartet at Hill Hall on
the campus of the
University of North
Carolina at Chapel Hill
on November 21, 1998. The
work is dedicated, with
gratitude and affection,
to Ronnie and Susanne
Birks, in celebration of
their 20th anniversary of
marriage.
Arranged by Denes Agay. Book. Published by Music Sales. These familiar melodies...(+)
Arranged by Denes Agay.
Book. Published by Music
Sales. These familiar
melodies for one piano,
four hands are in
arrangements equally easy
for both players, with
the melody alternating
between the two. The
collection includes
Careless Love, Jamaica
Farewell, and many more
favorites.
Urtext. Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Konig. This
edition: Urtext. Chamber
music; Folder. Edition
Breitkopf.
Orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern:
The two captivating
quartets are now
available as Urtext
editions. Romantic
period. Set of parts. 88
pages. Breitkopf and
Haertel #EB 8939.
Published by Breitkopf
and Haertel (BR.EB-8939).
ISBN
9790004186084.
With
his first String Quartet
in D minor, op. 77,
composed in 1855, the
native Swiss composer
Joachim Raff bid a
brilliant farewell to
Weimar. He had been there
as Franz Liszt's
assistant since 1850 and
had made a name for
himself in the city's art
scene - now he embarked
on new paths. He composed
his second Quartet in A
major, op. 90, already in
1857 in Wiesbaden, the
spa town that was to
become his home for 21
years. The two quartets
are unequivocal works:
orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern.
They confidently continue
the Beethoven tradition
and attest at the same
time to Raff's intensive
confrontation with
Richard Wagner's music
during the Weimar years.
In his chamber music, the
composer wanted to
achieve progress in an
inherently historical way
and to ground the
individual substance in
existing forms, as he
told the Viennese
violinist Josef
Hellmesberger, who
launched opus 77. The
quartets, first published
in 1860/62, found
illustrious interpreters,
among them, the Muller
brothers' renowned
ensemble, to which opus
90 was also dedicated,
and Joseph Joachim.In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.
By Franz Joseph Haydn. Arranged by David Kraehenbuehl. For Piano. This edition: ...(+)
By Franz Joseph Haydn.
Arranged by David
Kraehenbuehl. For Piano.
This edition: 2 copies
included. Piano Quartet
(Two Pianos, Eight
Hands). Level: Early
Intermediate (grade III).
8 pages. Published by
Alfred Publishing.
String Quartet SKU: HL.14031801 Composed by Sir Arthur Drummond Bliss. Mu...(+)
String Quartet
SKU:
HL.14031801
Composed
by Sir Arthur Drummond
Bliss. Music Sales
America. Classical.
Score. 56 pages. Music
Sales #NOV120144.
Published by Music Sales
(HL.14031801).
7.0x10.0x0.28
inches.
Sir
Arthur Bliss
(1891-1975) was a British
composer and conductor.
He studied under Wood and
Stanford at Cambridge and
the Royal College of
Music, where he met and
drew inspiration from
Vaughan Williams, Holst,
Howells, and Goossens. He
was appointed Master of
the Queen's Music in 1953
and wrote music for many
state occasions,
including the Coronation
and the Funeral of
Winston Churchill.
The String
Quartet No.1 in Bb
Major was first
published in 1941. It was
actually the third String
Quartet Bliss
composed, but the first
two were early works
which he withdrew or
lost. It was written in
America in 1940 and first
performed inBerkeley,
California; it became the
last work he wrote before
he returned to Britain to
help the war effort.
For Piano. Contains a newly engraved, complete music score, printed on high-qual...(+)
For Piano. Contains a
newly engraved, complete
music score, printed on
high-quality ivory paper;
and a digital stereo
compact disc containing a
complete reference
version of the quartet,
then a recording of the
accompaniments minus you,
the soloist!. Published
by Music Minus One.
String Quartet (Score) SKU: HL.14023669 Composed by Michael Nyman. Music ...(+)
String Quartet (Score)
SKU: HL.14023669
Composed by Michael
Nyman. Music Sales
America. 20th Century.
Score. Composed 1993. 48
pages. Chester Music
#CH60850. Published by
Chester Music
(HL.14023669).
ISBN
9780711977570.
9.0x12.0x0.155
inches.
There are
two primary ideas behind
this composition, the
first being to create and
almost orchestral chamber
music, the idea for this
coming from a performance
of the Grosse Fuge
performed by the Arditti
Quartet. The second idea
was to excercise the
impressive and oppresive
history of the string
quartet by making the
work a compendium of
quotations from quartet
repertoire. Influence
from Schoenberg can be
heard in chromatic,
harmonic sequences and
modal/diatonic
varioations are also
actively displayed within
the piece. The quartet is
written with
amplification in mind and
it is the composer's
preference that it is
performed in this way.
String Quartet No.1 is
dedicated to the memory
of Thurston Dart. It was
commissioned by the
Arditti Quartet and first
performed by them on 23
September 1985, Warsaw.
Duration 26 minutes.
Instrumental parts are
available on sale.
Score
and Parts. Composed
by Gabriel Prokofiev.
Music Sales America.
Classical. Set. Composed
2017. Chester Music
#CH86438. Published by
Chester Music
(HL.234469).