By Joleen G. Meredith/K. Newell Dayley. Arranged by Wilson Brown. For SATB choir...(+)
By Joleen G. Meredith/K.
Newell Dayley. Arranged
by Wilson Brown. For SATB
choir. Previously
published as Supplication
Quodlibet. Sacred, hymns.
Octavo. Duration 3:30.
Published by Jackman
Music Corporation
SATB choir, organ - Beginning SKU: MN.50-9076 Composed by Raymond H Haan....(+)
SATB choir, organ -
Beginning
SKU:
MN.50-9076
Composed
by Raymond H Haan.
Advent, 21st Century,
Commitment/Discipleship.
Octavo. MorningStar Music
Publishers #50-9076.
Published by MorningStar
Music Publishers
(MN.50-9076).
UPC:
688670590764. Scripture:
Matthew 8:8.
Brief,
uncomplicated anthem.
Quiet devotional
intensity. Alleluia!
Jesus, Alleluia! text by
composer for General and
Advent. Supplication text
based on Matthew 8:8 has
theme of Trust and
Faith.
From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.BF141
Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584.
The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music.
Unison voices, cantor,
assembly, keyboard
accompaniment, flute 1,
flute 2, oboe, trumpet 1
in B-flat, trumpet 1 in
C, trumpet 2 in B-flat,
trumpet 2 in C, horn in
f, violin 1, violin 2,
guitar - Early
intermediate
SKU:
GI.G-10401
Composed
by Peter M. Kolar. Easter
Vigil. Ritual Prayer.
Sacred. Octavo. With
guitar chord names. 20
pages. GIA Publications
#10401. Published by GIA
Publications
(GI.G-10401).
UPC:
785147040118. English.
Text Source: The
Roman
Missal
Composer
Peter Kolar has provided
a stunning, metered
setting of the
traditional ritual text
that cleverly blends
contemporary and
classically-inspired
treatment. Easy,
intuitive assembly
responses are surrounded
by rich textures and
adventuresome harmonies
to create a memorable
prayer of supplication
culminating in a
breathtaking
finish.
Composer Peter
Kolar has provided a
stunning, metered setting
of the traditional ritual
text that cleverly blends
contemporary and
classically-inspired
treatment. Easy,
intuitive assembly
responses are surrounded
by rich textures and
adventuresome harmonies
to create a memorable
prayer of supplication
culminating in a
breathtaking finish.
Partita Violon SATB, Orchestre [Conducteur] OR-TAV Music Publications
Violin SKU: OT.22090 Composed by Daniel Akiva. For violin solo. Classical...(+)
Violin
SKU:
OT.22090
Composed by
Daniel Akiva. For violin
solo. Classical. Score.
OR-TAV Music Publications
#22090. Published by
OR-TAV Music Publications
(OT.22090).
ISBN
9789655050738. 8.27 x
11.69
inches.
Daniel
Akiva's Partita for
violin solo consists of
six movements based
loosely on music of the
Sephardic Jews. It was
written for students as
performance material, and
dedicated to them.
Contents: Liturgical
Song Prayer
Supplication
Dance Kaddish
Supplication Daniel
Akiva is a composer,
performer, and educator
whose performances on
guitar and lute have won
great acclaim. Mr. Akiva
graduated from the Rubin
Academy of Music in
Jerusalem in 1981, where
he studied classical
guitar with Haim Asulin
and composition with Haim
Alexander. In 1987 he
completed his studies at
the Geneva Conservatorium
in Switzerland where he
studied lute with
Jonathon Rubin and
composition with Jean
Ballisa. For many years,
he headed the Music
Department at the WIZO
High School for the Arts
in Haifa, which he
founded in 1986, and
served as the Artistic
Director of the Guitar
Gems Festival from
2006-2019. As part of his
work at WIZO High School,
he has developed a method
for teaching free
improvisation that has
been incorporated into
the music program at the
school. Mr. Akiva has
appeared in concert as a
guitarist and lutist and
given master classes in
Israel, Europe, Russia,
the United States, and
Latin America. Daniel
Akiva’s
compositional output
includes works for solo
instruments, chamber
ensembles, choir, voice
and guitar, piano, and
chamber orchestra. His
works have been recorded
on twelve CDs, the latest
of which, Malchut, was
issued by OR-TAV in
2014. A native of
Haifa whose family has
lived in Israel for over
five hundred years, he
was steeped in the
Sephardic
(Jewish-Spanish)
tradition from his youth.
Much of his compositional
output has been devoted
to a dialogue with the
music of the Sephardic
Jews. Daniel Akiva has
also maintained a
creative dialogue over
many years with the poets
and writers Amnon
Shamash, Rivka Miriam,
and Avner Peretz.
Marche au Supplice Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0991575-140 Composed by Hecto...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0991575-140
Composed by Hector
Berlioz. The Great
Classics. Score Only.
Composed 1999. De Haske
Publications #DHP
0991575-140. Published by
De Haske Publications
(BT.DHP-0991575-140).
Berliosz sagte
einst: 'Mein Leben ist
ein Roman, der mich sehr
interessiert'. Ereignisse
aus seinem
persönlichen Leben
hinterließen einen
großen Eindruck in
seinen Kompositionen.
Auch die Symphonie
Fantastique von 1830 ist
autobiographisch; das
Werk trägt den
Untertitel 'Episode aus
dem Leben eines
Künstlers'. Die
Sinfonie handelt von
seinen Gefühlen für
eine Schauspielerin. Den
Marche au Supplice
fasste er in folgende
Worte: Der Künstler
träumt, seine Geliebte
sei gestorben und ihn,
zum Tode verurteilt,
führe man zum
Schaffot..
4. Marche au Supplice Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Baton Music
(Symphonie Fantastique). By Hector Berlioz (1803-1869). Arranged by Christiaan J...(+)
(Symphonie Fantastique).
By Hector Berlioz
(1803-1869). Arranged by
Christiaan Janssen. For
Concert Band. Grade 5.
Full score and set of
parts. Duration 5:30.
Published by Baton Music
Choir SKU: ST.EC45 Composed by Robert Fayrfax. Edited by Roger Bray. Libr...(+)
Choir
SKU: ST.EC45
Composed by Robert
Fayrfax. Edited by Roger
Bray. Library Volumes.
Edited by Roger Bray.
First published in 2004.
Pages: 176. Format:
Hardback. Dimensions
(mm): 325 x 246 x 23.
Choral Score. Stainer &
Bell Ltd. #EC45.
Published by Stainer &
Bell Ltd. (ST.EC45).
ISBN
9790220221248.
Both
large-scale masses by
Robert Fayrfax included
in this volume are
believed to be late
works. O quam
glorifica, in
particular, was composed
in 1511 for his
supplication for the
degree of Doctor of Music
at Oxford, and in it the
composer comprehensively
explores the
possibilities of extended
structural planning. A
feature of this edition
is the restoration of the
metrical character of the
original, distorted in
all surviving copies.
Probably predating O
quam glorifica, Tecum
principium exhibits
a simpler form, and is
remarkable for the
stylistic feature of
unprepared dissonant
fourths in the final
section of the Agnus
dei.
Christ's Gift Chorale SATB SATB, Piano - Intermédiaire MorningStar Music Publishers
SATB choir, piano - Intermediate SKU: MN.50-9084 Composed by Raymond H Ha...(+)
SATB choir, piano -
Intermediate
SKU:
MN.50-9084
Composed
by Raymond H Haan. 21st
Century,
Praise/Thanksgiving.
Octavo. MorningStar Music
Publishers #50-9084.
Published by MorningStar
Music Publishers
(MN.50-9084).
UPC:
688670590849.
Israe
li melody. Accompaniment
imparts color and
strength to emotions
expressed in text (quiet
assertion/supplication to
forthright praise).
Sacred Solos for Service and Celebration. Composed by Kevin A. Memley. Pavan...(+)
Sacred Solos for Service
and
Celebration. Composed by
Kevin A. Memley. Pavane
Secular. General Worship,
Praise, Thanksgiving.
Softcover. Pavane
Publishing
#P4034. Published by
Pavane
Publishing
Choral (SATB and Soli) SKU: HL.49044369 SATB or Soloists and Organ...(+)
Choral (SATB and Soli)
SKU: HL.49044369
SATB or Soloists and
Organ. Composed by
Carl Friedrich Zelter.
Edited by Hermann Max.
This edition: Saddle
stitching. Sheet music.
Choral. Classical,
Contemporary, General
Worship, Sacred. Octavo.
20 pages. Schott Music
#ED 21914. Published by
Schott Music
(HL.49044369).
ISBN
9790001199551. UPC:
841886024540. 9.0x12.0
inches.
Latin.
Discover two
motets by Carl Friedrich
Zelter in the 'Schatze
der Chormusik' [Treasures
of Choral Music] series:
'Dignare Domine' (a hymn
of praise and
supplication) can be sung
on various occasions.
'Tenebrae factae sunt' is
suitable for the Good
Friday liturgy.
Organ - Medium SKU: JK.01589 Composed by Various. Arranged by Brent Jorge...(+)
Organ - Medium
SKU:
JK.01589
Composed by
Various. Arranged by
Brent Jorgensen.
Difficulty Medium, Organ
Chains, Organ Postludes,
God the Father, Jesus
Christ - Savior, Joy,
Love, Peace, Prayer,
Sacrament, Supplication.
Christian, Inspirational.
Jackman Music Corporation
#01589. Published by
Jackman Music Corporation
(JK.01589).
Fifteen
favorite closing hymns
arranged for organ
prelude in a continuous
medley, allowing you to
begin anywhere and end
anywhere. Titles
included in this
volume: God Be With
You Lord We Ask Thee
Ere We Part Sing We
Now at Parting Thy
Spirit Lord Hath
Stirred Before Thee
Lord I Bow My Head As
Shadows Falls Lord
Dismiss Us Come Let
Us Sing an Evening
Hymn Abide With
Me Father This Hour
Has Been One of Joy
We Have Partaken of Thy
Love Great God to
Thee The Lord Be with
Us Now the Day is
Over Composer:
Various Arranger:
Brent Jorgensen
Difficulty: Medium.
Piano, Guitar, Vocal - medium - difficult SKU: JK.02012 Composed by Vario...(+)
Piano, Guitar, Vocal -
medium - difficult
SKU: JK.02012
Composed by Various.
Arranged by Various.
Difficulty Medium,
Instrumental Cello,
Comfort, Jesus Christ -
Savior, Supplication.
Christian, Contemporary
Christian, Gospel,
Inspirational. Jackman
Music Corporation #02012.
Published by Jackman
Music Corporation
(JK.02012).
UPC:
093285020122. Luke 24:29
(13-32).
For the
first time, eight of the
most beloved songs about
our Savior can be found
in one vocal solos book,
complete with beautiful
piano accompaniment and
guitar chords. This book
is for high voice (range:
C4 to A5); this series is
also available for medium
and low voice. These
Christ-centered pieces
are perfect for sacrament
meetings, baptisms,
funerals, firesides,
at-home enjoyment, and
more.
CLICK HERE
to see the High, Medium,
and Low books.
Pieces included in this
volume: Come Unto
Him (with optional C
instrument) Consider
the Lilies The Day
the Savior Came His
Hands I Heard Him
Come (with optional
duet) Peace This
Is the Christ A
Window to His Love
Come Unto Him - C
Instrument Part
Composers and Arrangers:
Various Difficulty:
Medium to Medium
Hard.
His Peace - SATB Chorale SATB SATB, Piano Jackman Music Corporation
SATB chorus and piano - Medium-difficult / medium-difficult acc. SKU: JK.0026...(+)
SATB chorus and piano -
Medium-difficult /
medium-difficult acc.
SKU: JK.00264
Composed by Ann Kapp
Andersen. Choral SATB,
Difficulty Medium Hard,
Piano Choir, God the
Father, Jesus Christ -
Savior, Prayer,
Supplication. Christian,
Inspirational. Jackman
Music Corporation #00264.
Published by Jackman
Music Corporation
(JK.00264).
Original anthem
for mixed chorus (SATB)
and piano
accompaniment. Compose
r: Ann Kapp Andersen
Lyricist: Arliene K.
Dunn Difficulty:
Medium-difficult /
medium-difficult acc.
Composed by Nick Strimple (1946-). Pavane Choral. Anthem, General Worship, Sac...(+)
Composed by Nick Strimple
(1946-). Pavane Choral.
Anthem, General Worship,
Sacred. Octavo. 8 pages.
Pavane Publishing
#NS0017. Published by
Pavane Publishing
(HL.209868).
(Children's Choir And Band). By Henk van Lijnschooten. For Fanfare Band. Band wi...(+)
(Children's Choir And
Band). By Henk van
Lijnschooten. For Fanfare
Band. Band with (Solo)
Voice / Original Works
Light Music Repertoire.
Solo and Band Series.
Grade 2. Score and Parts
Birkat Haderekh Clarinette, Violon, Violoncelle, Piano [Set de Parties séparées] Theodore Presser Co.
(Blessing For The Road). Composed by Shulamit Ran (1949-). For mixed quartet: cl...(+)
(Blessing For The Road).
Composed by Shulamit Ran
(1949-). For mixed
quartet: clarinet,
violin, cello, piano. Set
of parts. 28 pages.
Duration 6 minutes.
Published by Theodore
Presser Company
Guernica Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043740-140 Composed by Jan H...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1043740-140
Composed by Jan
Hadermann. Sovereign
Series. Concert Piece.
Score Only. Composed
2004. De Haske
Publications #DHP
1043740-140. Published by
De Haske Publications
(BT.DHP-1043740-140).
English-German-French-
Dutch.
Guernica, a
peaceful town in the
Basque region of Spain,
was reduced to ruins on
the 26th of April 1937 by
Nazi bombers. It was a
totally unexpected attack
that happened while the
crowded open-air market
was in progress. Over
1600 innocent citizens
were killed.This was one
of the most senseless and
abhorrent war crimes in
history. In this new work
by Jan Hadermann the
music of the Basque
region can clearly be
heard, with street
musicians adding lustre
to the open-air market
with dance music. Spring
is in the air when
suddenly from behind the
mountaintops, the death
squad appears and all
hell breaks loose. The
work ends with an intense
plea to never let
anything like this
happenagain. A moving and
contemplative new work
for concert band.
Guernica, een
vredig stadje in het
Spaanse Baskenland, werd
op 26 april 1937 door
nazi bommenwerpers
volledig in puin gelegd.
Die aanval vond totaal
onverwacht plaats terwijl
de drukbezochte
openluchtmarkt volop aan
de gang was. Meerdan 1600
onschuldige burgers
werden gedood. Dit is een
van de meest zinloze en
weerzinwekkende
oorlogsmisdaden uit de
geschiedenis. In het stuk
Guernica van Jan Haderman
horen we hoe de Baskische
muziek klinkt:
straatmuzikantenluisteren
de openluchtmarkt op met
dansmuziek. Het is lente.
Dan duikt plotseling
vanachter de bergtoppen
het doodseskader op en
barst de hel los. Het
werk eindigt met een
intense smeekbede zoiets
nooit meer te laten
gebeuren. Eenontroerend
nieuw werk voor
harmonieorkest.
Gu
ernica, eine friedliche,
strategisch eher
bedeutungslose Stadt im
Baskenland in Spanien,
ist durch einen
furchtbaren Blitzangriff
von Nazibombern im Jahr
1937 zum Symbol für
die Sinnlosigkeit und
Grausamkeit von
Kriegsverbrechen und
Terror geworden. Im
Stück Guernica
ist die fröhliche
Musik der Basken
herauszuhören, bevor
die Hölle des Angriffs
losbricht. Das Werk endet
mit der eindringlichen
Bitte, so etwas nie
wieder geschehen zu
lassen. Ein
eindrucksvolles Werk mit
einer nach wie vor
aktuellen
Botschaft.