| Weber Complete Edition 2/1 Chorale SATB Schott
Mixed choir (SATB), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons - 2 horns, 2 trum...(+)
Mixed choir (SATB), 2
flutes, 2 oboes, 2
clarinets, 2 bassoons - 2
horns, 2 trumpets, 3
trombones, timpani and
strings (P+KRB) SKU:
HL.49042434 Composed
by Carl Maria von Weber.
Edited by Frank Ziegler
and Johannes Kepper. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. 306
pages. Schott Music
#WGA1021. Published by
Schott Music
(HL.49042434). ISBN
9783795794491.
10.25x13.5x1.141 inches.
German. Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references. $257.00 - Voir plus => Acheter | | |
| Sonata No. 6 "Kharkiv", Op. 48 Guitare Guitare classique - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4244 Composed by Konstantin Bliokh. Sco...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4244
Composed by Konstantin
Bliokh. Score. Les
Productions d'OZ #DZ
4244. Published by Les
Productions d'OZ
(DZ.DZ-4244). ISBN
9782898521614. La
Sonate n° 6 Kharkiv
pour guitare solo a
été composée en
2021, Ã la fin du
confinement lié au
COVID-19. Ã? ce
moment-là , ma famille
et moi étions
restés dans notre
ville natale de Kharkiv
(également connue sous
le nom de Kharkov), en
Ukraine, pendant près
de deux ans. Nous
considérions cette
période de pandémie
comme un désastre,
mais nous avons
réalisé plus tard
que c'était en fait un
moment plutôt heureux,
car la guerre est
arrivée dans notre
pays quelques mois plus
tard. Depuis 2022, une
fraction considérable
des 1,5 million de
citoyens de Kharkiv ont
quitté leur foyer,
ceux qui sont restés
vivent sous des attaques
incessantes de missiles,
et beaucoup ont été
tués. Je voudrais
dédier cette Sonate
à la ville
frontalière de Kharkiv
et, surtout, Ã ses
citoyens souffrant de la
guerre.
Pourtant,
la musique de la Sonate
n'a aucun programme
spécifique. Ici, je
donnerai un bref
aperçu de ses
principaux éléments
de composition pour
faciliter les
interprétations
futures.
Les
premier et quatrième
mouvements de cette
Sonate sont basés sur
l'interaction entre le
principe
dodécaphonique et le
centre tonal de sol
majeur, naturel pour la
guitare. En particulier,
le premier mouvement est
basé sur l'interaction
de la triade de sol
majeur Solâ??Siâ??Ré
des cordes de guitare
à vide 2â??3â??4, le
motif ascendant 1
impliquant les notes
Miâ??Fa#â??Laâ??Do#
(Ã l'origine sur la
première corde), et le
motif descendant 2
utilisant les notes
Miâ??Doâ??Sibâ??La
(Ã l'origine sur la
corde de basse 6). Ces
éléments se
complètent presque
pour former douze tons
(Ã l'exception du Fa
manquant), et les motifs
alternent avec des
fragments ostinato où
chaque note de la triade
de sol majeur est
déplacée pas Ã
pas d'un demi-ton vers le
haut ou vers le
bas.
Le
deuxième mouvement est
un Scherzo impliquant de
nombreux demi-tons dans
des accords accentués
et des passages rapides,
ainsi qu'un mouvement
mélodique chromatique
dans la voix de basse. Il
est presque atonal dans
certains fragments, mais
a un centre tonal global
de la mineur.
Le
troisième mouvement
est un Adagio
méditatif basé sur
un thème composé
dans l'échelle
hexatonique
Réâ??Miâ??Faâ??Sol#
â??Laâ??Si et des
accords ostinato
impliquant les cordes de
basse à vide
Miâ??Laâ??Ré et le
demi-ton
Siâ??Do.
Enfin,
le quatrième mouvement
est basé sur le
thème
dodécaphonique complet
composé de deux
phrases comprenant les
motifs 1 et 2 du premier
mouvement :
Solâ??Faâ??Sibâ??Labâ
??Doâ??Mibâ??Ré et
Miâ??Siâ??Do#â??Laâ??
Fa#. Ce thème est
présenté dans ses
formes prime et
rétrograde. Il y a des
dialogues entre la
première corde, les
basses et les cordes
médianes à vide,
similaires au premier
mouvement. Ã? son
apogée, le thème
dodécaphonique est
interprété en
utilisant le mouvement
parallèle de l'accord
de sol majeur standard de
la guitare avec les
cordes médianes Ã
vide sur douze
positions.
La
Sonate a été
créée en
première et
enregistrée (CD Naxos
No. 8.574630) par le
célèbre guitariste
ukrainien Marko Topchii,
qui a également
vécu et étudié
à Kharkiv. Je lui suis
extrêmement
reconnaissant pour
l'interprétation
brillante de cette
pièce.
Je suis
très redevable envers
Productions d'Oz d'avoir
conservé mes notations
originales là où
celles-ci ne
correspondent pas au
style de
l'éditeur.
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| To Create a Voice Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euph...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion 1, Mallet
Percussion 2, Marimba,
Oboe, Percussion 1,
Percussion 2, Shaker,
Snare Drum and more. -
Grade 3 SKU:
CF.CPS226 Composed by
Carol Brittin Chambers.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
16+4+8+16+16+4+4+4+4+4+4+
8+8+8+4+4+6+6+6+8+2+2+2+6
+12+24+4 pages. Duration
3 minutes, 55 seconds.
Carl Fischer Music
#CPS226. Published by
Carl Fischer Music
(CF.CPS226). ISBN
9781491152522. UPC:
680160910021. Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it! $95.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| To Create a Voice Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euph...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion 1, Mallet
Percussion 2, Marimba,
Oboe, Percussion 1,
Percussion 2, Shaker,
Snare Drum and more. -
Grade 3 SKU:
CF.CPS226F Composed
by Carol Brittin
Chambers. Concert Band
(CPS). Full score. With
Standard notation. 24
pages. Carl Fischer Music
#CPS226F. Published by
Carl Fischer Music
(CF.CPS226F). ISBN
9781491153208. UPC:
680160910700. Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it! $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Somebody's Been Playing With That Thing Guitare notes et tablatures [Partition + Accès audio] - Intermédiaire Mel Bay
Guitar (fingerpicking) - Intermediate SKU: MB.30779M Ragtime Blues Gui...(+)
Guitar (fingerpicking) -
Intermediate SKU:
MB.30779M Ragtime
Blues Guitar.
Composed by Stefan
Grossman. Squareback
saddle stitch, Solos,
Blues, Ragtime,
Technique, Theory and
Reference. Grossman
Audio. Style. Book and
online audio. 120 pages.
Mel Bay Publications, Inc
#30779M. Published by Mel
Bay Publications, Inc
(MB.30779M). ISBN
9781513462691. 8.75 x
11.75
inches. This
book presents three of
the greatest ragtime
blues guitar players from
the 1920s-1940s. They all
possessed what Rev. Gary
Davis called that
sportinâ?? right hand.
Each could sing the blues
or play a dance
instrumental. They
favored first-position
chords but produced
incredible textures and
rhythms from these easy
left-hand fingerings.
There are years of
exciting fingerpicking
challenges in these
pages. But what fun it
will be once you can play
these tunes!
BIG BILL
BROONZY Big Bill
Blues â?¢ At the Break
of Day â?¢ Friendless
Blues â?¢ Shuffle Rag
â?¢ Worrying You off My
Mind Bull Cow Blues â?¢
Five Feet Five
BLIND
BLAKE Georgia
Bound â?¢ Back Biting
Bee Blues â?¢ Cold
Hearted Mama Blues â?¢
Ice Man Blues â?¢
Righteous Blues â?¢
Tootie Blues Rope
Stretchinâ?? Blues â?¢
Sea Board Stomp â?¢
Walkinâ?? Across the
Country â?¢ What a
Lowdown Place the
Jailhouse Is
BLIND BOY
FULLER Baby, I
Donâ??t Have to Worry
â?¢ Careless Love â?¢
Georgia Ham Mama â?¢
Keep Away From My Woman
Somebodyâ??s Been
Playing With That Thing
â?¢ Why Donâ??t My
Baby Write To Me (I Got A
Woman Crazy For Me)
Sheâ??s Funny That Way
â?¢ Jivinâ?? Woman
Blues HOW
TO USE THIS BOOK
1) Listen over and over
to the original
recordings available via
the download link for
this collection. 2) Get a
program that can control
digital audio files. Use
this with the
transcriptions and the
recordings. 3) Be
patient!! Practice,
practice and practice
some more!! $24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Wisdom Of The Hand Piano seul Sher Music Company
A Guide to the Jazz Pentatonic Scales. Jazz, Jazz Instruction. Softcover Book....(+)
A Guide to the Jazz
Pentatonic
Scales. Jazz, Jazz
Instruction. Softcover
Book.
219 pages. Sher Music
Company
#9781883217846. Published
by
Sher Music Company
$48.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Acoustic Guitar Tab White Pages
Guitare notes et tablatures [Partition] Hal Leonard
150 Songs * Over 1,000 Pages. Guitar Collection. With notes and tablature. Size ...(+)
150 Songs * Over 1,000
Pages. Guitar Collection.
With notes and tablature.
Size 8.5x11 inches. 1024
pages. Published by Hal
Leonard.
(10)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Unsinkable Molly Brown Piano, Voix [Vocal Score] Hal Leonard
| | |
| Etude-Tableau in C Major, Op. 33 No. 2 Piano seul G. Henle
Piano solo (Piano Solo) - Henle Level 7 SKU: HL.51481279 Piano Solo(+)
Piano solo (Piano Solo) -
Henle Level 7 SKU:
HL.51481279 Piano
Solo. Composed by
Sergei Rachmaninoff.
Edited by Dominik Rahmer.
Sheet Music. Paperbound.
Henle Music Folios.
Classical. Softcover. 11
pages. G. Henle #HN1279.
Published by G. Henle
(HL.51481279). ISBN
9790201812793. UPC:
888680625603.
9.25x12.25x0.06
inches. Alongside
HN 1264 (the Etude in e
flat minor op. 39,5), we
are now offering the
Etude in C major in a
single edition, taken
from our much-loved
complete edition of the
17 Études-Tableaux.
Rachmaninoff greatly
valued this work, often
included it in his
concert programmes and
also recorded it. A
longing melody unfolds
over a simple
accompaniment. This
charming piece that
alternates between major
and minor is a good
technical exercise for
the crossing over of the
hands, but does not
contain nearly as many
difficulties as
Rachmaninoff's other
etudes and is thus also
manageable by advanced
amateurs. They will be
aided in the Henle Urtext
edition by the helpful
fingerings provided by
the virtuoso
Marc-André
Hamelin.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
- error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
- preface in 3
languages with
information on the
genesis and history of
the work
- Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
- most beautiful music
engraving
- page-turns, fold-out
pages, and cues where you
need them
- excellent print
quality and
binding
- largest Urtext
catalogue
world-wide
- longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
$7.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hal Leonard Acoustic Guitar Tab Method - Combo Edition Guitare notes et tablatures Guitare acoustique [Partition + Accès audio] Hal Leonard
Books 1 and 2 with Online Audio, Plus Bonus Material. By Various. Guitar Tab ...(+)
Books 1 and 2 with Online
Audio, Plus Bonus
Material.
By Various. Guitar Tab
Method. Acoustic,
Instruction. Softcover
Audio
Online. With guitar
tablature. 82 pages.
Published by Hal Leonard
$27.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Roger Nichols Recording Method Livre - Pas de partitions [Livre + DVD] - Intermédiaire Alfred Publishing
(A Primer for the 21st Century Audio Engineer). By Roger Nichols. Book; Books an...(+)
(A Primer for the 21st
Century Audio Engineer).
By Roger Nichols. Book;
Books and DVDs; DVD;
Method/Instruction; Pro
Audio; Pro Audio
Textbook; Reference
Textbooks. 180 pages.
Published by Alfred Music
Publishing
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Falcon Ridge - Intermédiaire Carl Fischer
Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3 SKU: CF.CAS1...(+)
Orchestra Cello,
Contrabass, Viola, Violin
1, Violin 2 - Grade 3
SKU: CF.CAS149F
Composed by Austin Isaac.
Full score. 8 pages.
Duration 2:30. Carl
Fischer Music #CAS149F.
Published by Carl Fischer
Music (CF.CAS149F).
ISBN 9781491163153.
UPC: 680160921904. Key: G
major. This
exciting piece will help
orchestra students soar
to new heights! The
brisk, consistent tempo
will keep all players
engaged as they alternate
playing the two main
themes. Light staccato
accompaniments offer the
opportunity to practice a
brushed bow stroke, and
Violin I and Bass
sections will encounter
some easy shifting.
Accented syncopation with
ties across the bar are
performed in all
sections, perfect for
refining subdividing
skills. This piece was
inspired by the sight of
a majestic falcon flying
effortlessly over the
scenic landscape of the
Blue Ridge Parkway in
Virginia.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$9.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Falcon Ridge - Intermédiaire Carl Fischer
Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3 SKU: CF.CAS1...(+)
Orchestra Cello,
Contrabass, Viola, Violin
1, Violin 2 - Grade 3
SKU: CF.CAS149
Composed by Austin Isaac.
Set of Score and Parts.
Duration 2:30. Carl
Fischer Music #CAS149.
Published by Carl Fischer
Music (CF.CAS149).
ISBN 9781491162811.
UPC: 680160921560. Key: G
major. This
exciting piece will help
orchestra students soar
to new heights! The
brisk, consistent tempo
will keep all players
engaged as they alternate
playing the two main
themes. Light staccato
accompaniments offer the
opportunity to practice a
brushed bow stroke, and
Violin I and Bass
sections will encounter
some easy shifting.
Accented syncopation with
ties across the bar are
performed in all
sections, perfect for
refining subdividing
skills. This piece was
inspired by the sight of
a majestic falcon flying
effortlessly over the
scenic landscape of the
Blue Ridge Parkway in
Virginia.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$60.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Klosterscheu - Intermédiaire Carus Verlag
Soprano voice, piano - Grade 3 SKU: CA.926710 From: Sonne, Mond und St...(+)
Soprano voice, piano -
Grade 3 SKU:
CA.926710 From:
Sonne, Mond und
Sterne. Composed by
Peter Schindler. Carus
digital: Extra digital
products. Full Score.
Duration 1 minute. Carus
Verlag #926710. Published
by Carus Verlag
(CA.926710). ISBN
9790007296278.
German. Peter
Schindler’s
full-length secular
choral work Sonne,
Mond und Sterne (Sun,
Moon and Stars) narrates
a love story based on
“old†texts
which are given a new
interpretation through
his musical settings.
Some individual numbers
were published in spring,
and now further movements
with piano accompaniment
are available in print
and
digitally.
- Choral work of
medium
difficulty
-
Will appeal to
experienced Brahms
Requiem singers as well
as ambitious chamber or
youth choirs with a
gospel, pop or jazz
background
- Cross-
over between jazz,
chanson, and chamber
music
$4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Easy Classics for Piano Beethoven Piano seul - Facile Santorella Publications
By Ludwig van Beethoven (1770-1827). For Piano. The "Easy Classic Composer Serie...(+)
By Ludwig van Beethoven
(1770-1827). For Piano.
The "Easy Classic
Composer Series"
published for Piano by
East Coast Books,
previously known as
Karamar Publications, is
exclusively distributed
by Santorella
Publications. This
assorted "easy piano"
composer collection is a
standard stock item for
many music retailers
across the United States
and into Canada. Each
edition has been
transcribed, edited and
arranged by Erika
Feuchtner Macris and
graded for the early
beginner or young adult.
The cover artwork and
pencil throughout the
text adds some fun,
making this series the
one of choice by
countless piano teachers
and students alike. To
follow are the easy piano
arrangements you will
find in this edition
featuring the works of
"Ludwig van Beethoven".
$10.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| iWorship Chord Chart Edition CD-ROM [Key & Note References|CD-ROM] Hal Leonard
| | |
| RGT - Electric Guitar Playing Grade 7 Guitare [Partition] - Avancé RGT
Compiled by Tony Skinner. For Guitar (Electric). Methods. Rock. Level: Advanced....(+)
Compiled by Tony Skinner.
For Guitar (Electric).
Methods. Rock. Level:
Advanced. Book. Size
8.25x11.75. 36 pages.
Published by RGT.
$14.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Alfred's Basic All-in-One Course for Children, Book 5
Piano seul [Partition] Alfred Publishing
By Willard A. Palmer, Morton Manus, and Amanda Vick Lethco. For Piano. Piano Met...(+)
By Willard A. Palmer,
Morton Manus, and Amanda
Vick Lethco. For Piano.
Piano Method. Alfred's
Basic Piano Library.
Book. 48 pages. Published
by Alfred Publishing.
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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