Hautbois, Piano (duo) [Set de Parties séparées] - Intermédiaire Barenreiter
Composed by Johann Sebastian Bach (1685-1750), edited by Mark Biggam. For oboe a...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Mark Biggam. For oboe and
keyboard (organ,
harpsichord, piano).
Format: set of
performance parts
(includes separate
pull-out oboe part).
Baroque. 23 pages. 9x12
inches. Published by
Baerenreiter-Ausgaben.
Play Bach Clarinette [Livre + CD] De Haske Publications
Classical Instrumental Play-Along (Book/CD Pack) - Clarinet. By Johann Sebastian...(+)
Classical Instrumental
Play-Along (Book/CD Pack)
- Clarinet. By Johann
Sebastian Bach. Arranged
by Wim Stalman. This
edition: 1002346. De
Haske Play-along Book.
Play Along. 16 pages.
Published by De Haske
Publications.
Sonatas and Partitas, 4 Concertos, and Arioso. Composed by Johann Sebastian ...(+)
Sonatas and Partitas, 4
Concertos, and Arioso.
Composed by Johann
Sebastian
Bach (1685-1750). String
Solo. Softcover. 88
pages.
Published by G. Schirmer
Violoncelle, Piano [Conducteur et Parties séparées] Hal Leonard
By Johann Sebastian Bach (1685-1750), arranged by Sam Franko. Set of performance...(+)
By Johann Sebastian Bach
(1685-1750), arranged by
Sam Franko. Set of
performance parts for
violin solo (or cello)
and piano accompaniment.
For violin or cello and
piano. G Major. Published
by Hal Leonard.
Composed by Johann Sebastian Bach (1685-1750), arranged by George Barrere. For f...(+)
Composed by Johann
Sebastian Bach
(1685-1750), arranged by
George Barrere. For flute
solo and piano
accompaniment. Format:
set of performance parts.
With standard notation,
solo part and piano
accompaniment. Baroque. 3
pages. 9x12 inches.
Published by Hal Leonard.
Cantatas BWV 72, 73,
111, 156/ BWV 14, 81.
Composed by Johann
Sebastian Bach. Edited by
Peter Wollny and Ulrich
Leisinger. This edition:
Complete edition. Linen.
New Bach Edition (NBA)
I/6. Complete edition,
Critical commentary,
anthology. BWV 72, 73,
111, 156, BWV 14, 81. 173
pages. Baerenreiter
Verlag #BA05087_41.
Published by Baerenreiter
Verlag (BA.BA05087-41).
ISBN 9790006494491.
24.7 x 17.8 cm
inches.
This
separately published
Critical Commentary
offers extensive
information on the
genesis, reception,
sources, and readings of
the works included in the
music volume.
Composed by Johann Sebastian Bach (1685-1750), edited by Klaus Hofmann. For pian...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Klaus Hofmann. For piano
(solo, duet - see
contents). Urtext of the
New Bach Edition. Format:
piano book. With
introductory text,
performance notes and
manuscript facsimiles.
Baroque. 156 pages. 9x12
inches. Published by
Baerenreiter-Ausgaben
(German import).
Arioso Flûte et Guitare [Conducteur et Parties séparées] Theodore Presser Co.
(From Cantata No. 156 (Bwv 156) and Harpsichord Concerto in F Minor (Bwv 1056))....(+)
(From Cantata No. 156
(Bwv 156) and Harpsichord
Concerto in F Minor (Bwv
1056)). By Johann
Sebastian Bach
(1685-1750). Edited by
Jason Vieaux. Arranged by
Gary Schocker. For Flute,
Guitar. Flute and Guitar
Parts. Standard notation
Urtext der Neuen Mozart-Ausgabe. By Johann Sebastian Bach. Edited by Leisinger, ...(+)
Urtext der Neuen
Mozart-Ausgabe. By Johann
Sebastian Bach. Edited by
Leisinger, Ulrich;
Wollny, Peter. For Soli,
Mixed Choir, Orchestra.
Neue Bach-Ausgabe. Serie
I, Band 6. Score; Urtext
Edition; Complete Edition
(cloth bound). Published
by Baerenreiter-Ausgaben
(German import). (BA5087
01)
Chorus (with soloists) and piano (solos: SATB - choir: SATB - 0.1.0.0 - 0.0.0.0 ...(+)
Chorus (with soloists)
and piano (solos: SATB -
choir: SATB - 0.1.0.0 -
0.0.0.0 - str - bc)
SKU: BR.EB-7156
3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Bernhard Todt.
Choir; stapled. Edition
Breitkopf. Cantata;
Baroque. Piano/Vocal
Score. 20 pages. Duration
20'. Breitkopf and
Haertel #EB 7156.
Published by Breitkopf
and Haertel (BR.EB-7156).
Cantata for the 3rd
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Epiphany.
Single Part, Violin 1.
Composed 1729. BWV 156. 8
pages. Duration 17
minutes. Carus Verlag #CV
31.156/11. Published by
Carus Verlag
(CA.3115611).
ISBN
9790007208776. Text
language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and part available
separately - see item
CA.3115600.
Cantata for the 3rd
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
basso continuo. Composed
1729. BWV 156. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.156/14. Published by
Carus Verlag
(CA.3115614).
ISBN
9790007208806. Text
language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and part available
separately - see item
CA.3115600.
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115619 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115619
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Epiphany. Set of
Orchestra Parts. Composed
1729. BWV 156. Duration
17 minutes. Carus Verlag
#CV 31.156/19. Published
by Carus Verlag
(CA.3115619).
ISBN
9790007208813. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and parts available
separately - see item
CA.3115600.
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115603 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115603
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Epiphany. Vocal score.
Composed 1729. BWV 156.
24 pages. Duration 17
minutes. Carus Verlag #CV
31.156/03. Published by
Carus Verlag
(CA.3115603).
ISBN
9790007186784. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
available separately -
see item CA.3115600.
Cantata for the 3rd
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Oboe. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Oboe. Composed 1729. BWV
156. 4 pages. Duration 17
minutes. Carus Verlag #CV
31.156/21. Published by
Carus Verlag
(CA.3115621).
Text
language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and part available
separately - see item
CA.3115600.
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115605 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115605
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Epiphany. Choral Score.
Composed 1729. BWV 156. 2
pages. Duration 17
minutes. Carus Verlag #CV
31.156/05. Published by
Carus Verlag
(CA.3115605).
ISBN
9790007186791. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
available separately -
see item CA.3115600.
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115649 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115649
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Organ. Composed 1729. BWV
156. 12 pages. Duration
17 minutes. Carus Verlag
#CV 31.156/49. Published
by Carus Verlag
(CA.3115649).
ISBN
9790007208820. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and part available
separately - see item
CA.3115600.
Cantata for the 3rd
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Epiphany.
Single Part, Violin 2.
Composed 1729. BWV 156. 8
pages. Duration 17
minutes. Carus Verlag #CV
31.156/12. Published by
Carus Verlag
(CA.3115612).
ISBN
9790007208783. Text
language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and part available
separately - see item
CA.3115600.
Cantata for the 3rd
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Viola. Composed 1729. BWV
156. 4 pages. Duration 17
minutes. Carus Verlag #CV
31.156/13. Published by
Carus Verlag
(CA.3115613).
ISBN
9790007208790. Text
language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and part available
separately - see item
CA.3115600.
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115600 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115600
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Epiphany. Full score.
Composed 1729. BWV 156.
28 pages. Duration 17
minutes. Carus Verlag #CV
31.156/00. Published by
Carus Verlag
(CA.3115600).
ISBN
9790007186777. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale.
3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Part. 8
pages. Duration 20'.
Breitkopf and Haertel #OB
4656-19. Published by
Breitkopf and Haertel
(BR.OB-4656-19).
3rd
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Choir; stapled.
Partitur-Bibliothek
(Score Library). Cantata;
Baroque. Full score.
Duration 20'. Breitkopf
and Haertel #PB 4656.
Published by Breitkopf
and Haertel (BR.PB-4656).
3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Part.
16 pages. Duration 20'.
Breitkopf and Haertel #OB
4656-11. Published by
Breitkopf and Haertel
(BR.OB-4656-11).