| The Ultimate Country Fake Book - 4th Edition
Fake Book [Fake Book] Hal Leonard
Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Publis...(+)
Fake Book (Includes
melody line and chords).
Size 9x12 inches. 568
pages. Published by Hal
Leonard.
(8)$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Folksong Fake Book - C Edition
Fake Book [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
(10)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Volume 123 - Now's the Time - Standards with the Joey DeFrancesco Trio Instruments Sib, Mib, Do et Bass clef [Partition + CD] Jamey Aebersold Jazz
Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Alo...(+)
Edited by Jamey
Aebersold. For any C, Eb,
Bb, bass instrument or
voice. Play-Along series
with accompaniment CD.
Jazz Play-A-Long For All
Musicians. Book with CD.
Published by Jamey
Aebersold Jazz.
$17.90 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Volume 75 - Countdown To Giant Steps Instruments Sib, Mib, Do et Bass clef [Partition + CD] - Intermédiaire/avancé Jamey Aebersold Jazz
By Jamey Aebersold. For singers, vocalists, drums, bass, guitar, flute, clarinet...(+)
By Jamey Aebersold. For
singers, vocalists,
drums, bass, guitar,
flute, clarinet, violin,
viola, piano, keyboard,
organ, saxophone,
trombone, trumpet,
harmonica. Play-Along
series with accompaniment
CD. Finally, a "steps"
method to learning "Giant
Steps" and "Countdown.".
Play-Along Categories:
Improvisation. Level:
intermediate, advanced.
Book with 2 CDs.
Published by Jamey
Aebersold Jazz.
$21.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Volume 75 - Countdown To Giant Steps Instruments Sib, Mib, Do et Bass clef [Livre + CD] - Intermédiaire/avancé Jamey Aebersold Jazz
By Jamey Aebersold. For singers, vocalists, drums, bass, guitar, flute, clarinet...(+)
By Jamey Aebersold. For
singers, vocalists,
drums, bass, guitar,
flute, clarinet, violin,
viola, piano, keyboard,
organ, saxophone,
trombone, trumpet,
harmonica. Play-Along
series with accompaniment
CD. Finally, a "steps"
method to learning "Giant
Steps" and "Countdown.".
Play-Along Categories:
Improvisation. Level:
intermediate, advanced.
Book with 2 CDs.
Published by Jamey
Aebersold Jazz.
$21.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Real Country Book Instruments en Do [Fake Book] Hal Leonard
(C Instruments). By Various. For C Instruments. Fake Book. Softcover. 520 pages....(+)
(C Instruments). By
Various. For C
Instruments. Fake Book.
Softcover. 520 pages.
Published by Hal Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The All-Jazz Real Book - C Edition Instruments en Do [Fake Book] Sher Music Company
By Various. Jazz. Fake Book. 550 pages. Published by Sher Music Company. CD Incl...(+)
By Various. Jazz. Fake
Book. 550 pages.
Published by Sher Music
Company. CD Included with
the book contains 37
melodies played by the
following artists:
Bob Sheppard - saxes and
flute
Steve Houghton - drums
Dave Carpenter - acoustic
bass
Paul van Wageningen -
drums
Marc van Wageningen -
electric bass
Larry Dunlap - piano and
synthesizer
Dave Mac Nab - guitar.
(3)$44.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| On the Beaten Path Batterie [Partition + CD] Alfred Publishing
The Drummer's Guide to Musical Styles and the Legends Who Defined Them. By Rich ...(+)
The Drummer's Guide to
Musical Styles and the
Legends Who Defined Them.
By Rich Lackowski. For
Drum Set. Percussion -
Drum Set Method or
Collection. Instructional
Book and Examples CD. 244
pages. Published by
Alfred Publishing.
(1)$34.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Volume 107 - "It Had To Be You" Standards In Singer's Keys
Voix seule [Livre + CD] - Intermédiaire/avancé Jamey Aebersold Jazz
By Jamey Aebersold. For singers, vocalists, drums, bass, guitar, flute, clarinet...(+)
By Jamey Aebersold. For
singers, vocalists,
drums, bass, guitar,
flute, clarinet, violin,
viola, piano, keyboard,
organ, saxophone,
trombone, trumpet,
harmonica. Play-Along
series with accompaniment
CD. 24 beautiful,
well-known standards in
keys comfortable for most
female singers.
Play-Along Categories:
Vocals, Standards. Level:
intermediate, advanced.
Book with 2 CDs.
Published by Jamey
Aebersold Jazz.
(4)$19.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Daily Drumset Workout Batterie [Partition + CD] Alfred Publishing
(A day-to-day guide to better drumming). By Claus Hessler. For Drumset. Book; CD...(+)
(A day-to-day guide to
better drumming). By
Claus Hessler. For
Drumset. Book; CD;
Method/Instruction;
Percussion - Drum Set
Method or Collection;
Technique Musicianship.
Published by Alfred Music
Publishing
$26.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| FastTrack Guitar Method - Starter Pack Guitare notes et tablatures [Partition + Accès audio] - Débutant Hal Leonard
Fast Track Music Instruction. Instruction, Rock Instruction, Method. Softc...(+)
Fast Track Music
Instruction.
Instruction, Rock
Instruction, Method.
Softcover Media Online.
With
guitar tablature. 48
pages.
Published by Hal Leonard
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Volume 2 - Nothin' But Blues for Jazz Guitar Guitare [Partition + CD] Jamey Aebersold Jazz
Composed by Jamey Aebersold. Jazz. Book and CD. 76 pages. Published by Jamey Aeb...(+)
Composed by Jamey
Aebersold. Jazz. Book and
CD. 76 pages. Published
by Jamey Aebersold Jazz
(JA.V02G).
$19.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Timbafunk Talking Drums Play Along 2 Cds Included Batterie [Partition + CD] Alfred Publishing
TimbaFunk by David Garibaldi, Michael Spiro, and Jesús Diaz [Talking Drums]. Fo...(+)
TimbaFunk by David
Garibaldi, Michael Spiro,
and Jesús Diaz [Talking
Drums]. For Drumset.
Artist/Personality;
Method/Instruction;
Percussion - Drum Set
Method or Collection;
Play-Along. Latin. Book
and CD. 96 pages.
Published by Alfred Music
Publishing
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Contextures: Riots - Decade '60 Orchestre Theodore Presser Co.
Orchestra SKU: PR.11641867L Composed by William Kraft. Spiral. Large Scor...(+)
Orchestra SKU:
PR.11641867L Composed
by William Kraft. Spiral.
Large Score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867L. Published by
Theodore Presser Company
(PR.11641867L). UPC:
680160683215. Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death. $105.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Contextures: Riots - Decade '60 Orchestre [Conducteur] Theodore Presser Co.
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Durati...(+)
Orchestra SKU:
PR.11641867S Composed
by William Kraft. Full
score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867S. Published by
Theodore Presser Company
(PR.11641867S). UPC:
680160683208. Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death. $43.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Block Rockin' Beats Batterie [Partition] Mel Bay
By Dawn Richardson. For Drum Set. Technic. Rock. Level: Intermediate-Advanced. B...(+)
By Dawn Richardson. For
Drum Set. Technic. Rock.
Level:
Intermediate-Advanced.
Book. Size 8.5x11. 80
pages. Published by Mel
Bay Publications, Inc.
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Celtic Fake Book
Fake Book [Fake Book] Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 256 pa...(+)
C Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 256 pages.
Published by Hal Leonard.
(2)$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| EpiK DrumS EDU Batterie [Partition + DVD] Alfred Publishing
By Ken Scott. For Drumset. Books and DVDs; DVD; Method/Instruction; Percussion -...(+)
By Ken Scott. For
Drumset. Books and DVDs;
DVD; Method/Instruction;
Percussion - Drum DVD;
Pro Audio; Software.
Beginner. Published by
Alfred Music Publishing
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Nameless Seas (Piano Concerto) Piano et Orchestre Fennica Gehrman
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Stu...(+)
Piano and orchestra
SKU:
FG.55011-372-5
Composed by Matthew
Whittall. Study score.
Fennica Gehrman
#55011-372-5. Published
by Fennica Gehrman
(FG.55011-372-5). ISBN
9790550113725. Imag
es of the sea figure
prominently throughout my
life and memories: from
holidays on the Atlantic
coast during my Canadian
childhood to my current
Baltic home, and the
imagined, only later
experienced Mediterranean
of my ancestral heritage.
As an immigrant (son of
an immigrant) bound to
two northern countries,
the sea is emblematic of
my twin homelands, from
the expanses of water
surrounding them to those
separating them. A Mari
usque ad Mare. The sea is
also an enduring image of
the unknown, of expanses
unexplored, of the raw
power of nature and, for
too many currently, of
terror holding a hope of
refuge - or the pain of
loss. Such disparate
ideas were captured for
me in the seascapes of
the New York painter
MaryBeth Thielhelm, whom
I met in 2008 during a
residency on the Gulf of
Mexico. Her vast,
abstract, nearly
monochromatic depictions
of imaginary seas in
wildly varying moods were
the catalyst for a
concerto where the piano
is frequently far from a
hero battling a
collective, but rather
acts as a channel for
elemental forces surging
up from the orchestra,
floating - sometimes
barely so - on its
constantly shifting
surface. There are few
themes to speak of,
beyond a handful of
iconic ideas that
periodically cycle
upward. Rather, the
piano's material is
largely an ornamentation
of the more primal
rhythmic and harmonic
impulses from the
orchestra below - a
poetic interpretation, if
you will, of the more
immediate experience of
facing the vastness of
some unknown body of
water. The title
Nameless Seas is borrowed
from one of Thielhelm's
exhibitions, as are those
of the four movements,
which are bridged
together into two halves
of roughly equal weight -
one rhapsodic and free,
the other more
single-minded and direct,
separated only by a short
breath. The opening
movement, Nocturne, is
predominantly calm, if
brooding, darkness and
light alternating
throughout. Lyrical
arabesques sparkle over
gently lapping
cross-currents in the
strings and mirrored
timpani, the piano's full
power only rarely
deployed. The waves
gradually build, drawing
in the full orchestra for
a meeting of forces in
Land and Sea, a brighter,
more warmly lyrical scene
that unfolds in series of
dreamlike, sometimes even
nostalgic visions, which
for me carry strong
memories of sitting on
rocks above surging
Atlantic waves. The third
movement, Wake, is a
fast, perpetual-motion
texture of glinting,
darting rhythms and
sudden shafts of light,
with a prominent part for
the steel drums, limning
the piano's quicksilver
figurations. An ecstatic
climax crashes into a
solo cadenza that grows
progressively calmer and
more introspective rather
than virtuosic. Much of
the tension finally
releases into Unclaimed
Waters, a drifting,
meditative seascape in
which the piano is
progressively engulfed by
a series of ever-taller
waves, ultimately
dissolving into a
tolling, rippling
continuum of sound.
It has been a great
privilege to realize such
a long-held dream as this
piece, and to write it
for not one, but two
great pianists.
Risto-Matti Marin and
Angela Hewitt, both of
whose friendship and
support have been
unfailing and humbling,
share the dedication.
Nameless Seas was
commissioned by the
PianoEspoo festival and
Canada's National Arts
Centre, with the
premieres in Ottawa and
Helsinki led by Hannu
Lintu and Olari Elts.
Thanks are due also to
the Jenny and Antti
Wihuri fund, whose
generous grant provided
me with much-needed time,
and Escape to Create in
Seaside, Florida, the
source to which I
returned to do a large
part of the work. $49.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Open-Handed Playing, Volume 1 Batterie [Partition + CD] Alfred Publishing
By Claus Hessler With Dom Famularo. For Drum Set. Percussion - Drum Set Method o...(+)
By Claus Hessler With Dom
Famularo. For Drum Set.
Percussion - Drum Set
Method or Collection.
Book and CD. 120 pages.
Published by Alfred
Publishing.
$17.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Jazz Drumming Essentials and More Batterie [Partition] Mel Bay
By Mat Marucci. For Drum Set. Technic. Bill's Music Shelf. Jazz. Intermediate. B...(+)
By Mat Marucci. For Drum
Set. Technic. Bill's
Music Shelf. Jazz.
Intermediate. Book. 76
pages. Published by Mel
Bay Publications, Inc
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Jazz Waltz Batterie [Partition + CD] Alfred Publishing
By Andy Ziker. For Drumset. Book; CD; Method/Instruction; Percussion - Drum ...(+)
By Andy Ziker. For
Drumset.
Book; CD;
Method/Instruction;
Percussion - Drum Set
Method
or Collection; Technique
Musicianship. Jazz. 80
pages.
Published by Alfred Music
$18.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| One For Helen Big band [Conducteur et Parties séparées] - Avancé Jazz Lines Publications
Arranged by Chuck Israels. For little big band. Swing, Jazz. Difficult. Score an...(+)
Arranged by Chuck
Israels. For little big
band. Swing, Jazz.
Difficult. Score and
parts. Published by Jazz
Lines Publications
$50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Modern Drummer Legends: Rush's Neil Peart Batterie Modern Drummer Publications
An Anthology of Neil's Modern Drummer Cover Stories. By Neil Peart. P...(+)
An Anthology of
Neil's
Modern Drummer Cover
Stories. By Neil Peart.
Percussion. Biography /
MUSIC BISAC,
Biography/Composers &
Musicians. Softcover. 112
pages. Modern Drummer
Publications
#LEGENDSNEIL.
Published by Modern
Drummer
Publications
$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Modern Drummer Legends: Steve Smith Batterie [Partition + Accès audio] Modern Drummer Publications
Book with Online Audio Drums SKU: HL.609286 By Steve Smith. Book. Biograp...(+)
Book with Online Audio
Drums SKU:
HL.609286 By Steve
Smith. Book.
Biography/Composers and
Musicians, Drum
Reference. Softcover
Audio Online. Modern
Drummer Publications
#MDLEGENDSSSMITH.
Published by Modern
Drummer Publications
(HL.609286). ISBN
9781705167618. UPC:
196288078616.
9.0x12.0x0.595
inches. In the new
Steve Smith Legends, you
get a brand new 40-page
interview which covers
Steve's entire career and
virtually every band and
recording in which he's
played as a sideman or a
leader including:
Jean-Luc Ponty, Ronnie
Montrose, Steps Ahead,
Vital Information, Mike
Stern, Hiromi, the many
editions of the band
Electric Miles, the
tribute gigs playing The
Music of Coltrane and The
Music of Ornette Coleman.
We discuss what it means
to be a professional
drummer and musician, the
history of jazz and
fusion drumming, the
music business, and being
an eternal student of the
drums and music. To help
you study how Steve
interprets music and
creates drum parts, he
gave us eight of his own
handwritten drum charts
from the Journey and Mike
Stern gigs. The reader
also gets an in-depth
step-by-step lesson on
Indian rhythms and
drumming. LEGENDS also
comes with a free
download component of
Steve's drum solo
recording The Fabric of
Rhythm (a $200 value)
with exclusive in-depth
explanations of each
solo. For the gear
obsessed drummers, Steve
gives us a complete
rundown of every drum set
that he has owned,
recorded, and toured
with, and hundreds of
never-before-seen
pictures from his own
archive. You will also
get over 50 brand new
transcriptions. However,
LEGENDS transcriptions
are not just the notes
and rests. LEGENDS also
includes Steve's thoughts
on what makes the
transcribed parts and
recordings special and
unique. Along with the
detailed transcriptions,
we discuss WHAT and WHY
he played what he did.
Plus, you get all six of
Steve's past Modern
Drummer cover feature
interviews. There are a
lot of surprises in every
LEGENDS book, and there
is a mountain of useful
information inside the
over 248 pages! This is
not just another drum
book or magazine, it's
Modern Drummer
LEGENDS. $34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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