Wind Quintet SKU: FG.55011-508-8 Composed by Kimmo Hakola. Score. Fennica...(+)
Wind Quintet
SKU:
FG.55011-508-8
Composed by Kimmo Hakola.
Score. Fennica Gehrman
#55011-508-8. Published
by Fennica Gehrman
(FG.55011-508-8).
ISBN
9790550115088.
Kimm
o Hakola's Wind Quintet
op. 96 (2017) was
commissioned by the
Kimito Island Music
Festival. The composer
sees that making the
ensemble ultimately
breathe and express
itself as an organic,
coherent subject should
be the aim in composing
for wind quintet. The
normal chamber-music
configuration is not a
sufficient basis for me
in composing a wind
quintet: the instruments
have to be compressed,
reduced, even crushed
together so that, in
pairs and different
combinations, they
produce new, viable audio
units. Collision often
generates something new.
Kimmo Hakola has gone
through a number of
styles and influences in
his career as a composer,
his idiom expanding at
times to embrace
Romanticism, Orientalism
and klezmer. He has
attained international
recognition with an
output that spans various
genres from intimate solo
works to full-length
operas such as La Fenice
(2011) commissioned by
the Savonlinna Opera
Festival. Many of his
works are expansive and
epic: his Piano Concerto
(1996), for instance,
clocks in at 55 minutes.
Hakola says that he sees
music as drama. His
dramas explore almost
Shakespearean extremes,
from moments of raging
sound and fury and
violent battles to quiet
moments of meditation and
heart-rending
monologues.
Wind Quintet Op. 96 Compressions Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor [Set de Parties séparées] Fennica Gehrman
Wind Quintet SKU: FG.55011-509-5 Composed by Kimmo Hakola. Parts. Fennica...(+)
Wind Quintet
SKU:
FG.55011-509-5
Composed by Kimmo Hakola.
Parts. Fennica Gehrman
#55011-509-5. Published
by Fennica Gehrman
(FG.55011-509-5).
ISBN
9790550115095.
Kimm
o Hakola's Wind Quintet
op. 96 (2017) was
commissioned by the
Kimito Island Music
Festival. The composer
sees that making the
ensemble ultimately
breathe and express
itself as an organic,
coherent subject should
be the aim in composing
for wind quintet. The
normal chamber-music
configuration is not a
sufficient basis for me
in composing a wind
quintet: the instruments
have to be compressed,
reduced, even crushed
together so that, in
pairs and different
combinations, they
produce new, viable audio
units. Collision often
generates something new.
Kimmo Hakola has gone
through a number of
styles and influences in
his career as a composer,
his idiom expanding at
times to embrace
Romanticism, Orientalism
and klezmer. He has
attained international
recognition with an
output that spans various
genres from intimate solo
works to full-length
operas such as La Fenice
(2011) commissioned by
the Savonlinna Opera
Festival. Many of his
works are expansive and
epic: his Piano Concerto
(1996), for instance,
clocks in at 55 minutes.
Hakola says that he sees
music as drama. His
dramas explore almost
Shakespearean extremes,
from moments of raging
sound and fury and
violent battles to quiet
moments of meditation and
heart-rending
monologues.
Score and Parts Woodwind Quintet (Score & Parts) - advanced SKU: HL.50565947<...(+)
Score and Parts Woodwind
Quintet (Score & Parts) -
advanced
SKU:
HL.50565947
Transcribed for
Woodwind Quintet Score
and Parts. Composed
by Claude Debussy.
Editions Durand.
Classical. Softcover.
Composed 2019. 85 pages.
Editions Durand
#DD01657000. Published by
Editions Durand
(HL.50565947).
ISBN
9781540056443. UPC:
888680948252.
9.0x12.0x0.268 inches.
French-English-Italian.
p>
This volume enriches
the wind quintet
repertoire with a
masterpiece of the most
refined chamber music
literature, composed in a
valuable historical
period which did not give
birth to novel pieces of
relevant importance for
this kind of ensemble.
The present version,
which generates from the
study and expertise of a
musician who devoted more
than twenty years of his
artistic career to the
wind quintet, yearns to
be a meta-arrangement.
Indeed, the musical
material is expressed in
a language so profound
and so universal that it
can be played by
instruments different
from the original ones
without losing any of its
significance. Flute, Oboe
(or English Horn),
Clarinet, Horn in F, and
Bassoon. Score and
Parts.
Wind Band SKU: IS.WE6435EM Composed by Dirk Brosse. Ensembles - Wind Band...(+)
Wind Band
SKU:
IS.WE6435EM
Composed
by Dirk Brosse. Ensembles
- Wind Band. The Dirk
Brosse Collection.
Metropolis Music
Publishers #WE6435EM.
Published by Metropolis
Music Publishers
(IS.WE6435EM).
Wind Band SKU: IS.WE6437EM Composed by Dirk Brosse. Ensembles - Wind Band...(+)
Wind Band
SKU:
IS.WE6437EM
Composed
by Dirk Brosse. Ensembles
- Wind Band. The Dirk
Brosse Collection.
Metropolis Music
Publishers #WE6437EM.
Published by Metropolis
Music Publishers
(IS.WE6437EM).
Wind Band SKU: IS.WE6439EM Composed by Dirk Brosse. Ensembles - Wind Band...(+)
Wind Band
SKU:
IS.WE6439EM
Composed
by Dirk Brosse. Ensembles
- Wind Band. The Dirk
Brosse Collection.
Metropolis Music
Publishers #WE6439EM.
Published by Metropolis
Music Publishers
(IS.WE6439EM).
Wind Band SKU: IS.WE6434EM Composed by Dirk Brosse. Ensembles - Wind Band...(+)
Wind Band
SKU:
IS.WE6434EM
Composed
by Dirk Brosse. Ensembles
- Wind Band. The Dirk
Brosse Collection.
Metropolis Music
Publishers #WE6434EM.
Published by Metropolis
Music Publishers
(IS.WE6434EM).
Wind Band SKU: IS.WE6438EM Composed by Dirk Brosse. Ensembles - Wind Band...(+)
Wind Band
SKU:
IS.WE6438EM
Composed
by Dirk Brosse. Ensembles
- Wind Band. The Dirk
Brosse Collection.
Metropolis Music
Publishers #WE6438EM.
Published by Metropolis
Music Publishers
(IS.WE6438EM).
Wind Band SKU: IS.WE6442EM Composed by Dirk Brosse. Ensembles - Wind Band...(+)
Wind Band
SKU:
IS.WE6442EM
Composed
by Dirk Brosse. Ensembles
- Wind Band. The Dirk
Brosse Collection.
Metropolis Music
Publishers #WE6442EM.
Published by Metropolis
Music Publishers
(IS.WE6442EM).
Wind Band SKU: IS.WE6436EM Composed by Dirk Brosse. Ensembles - Wind Band...(+)
Wind Band
SKU:
IS.WE6436EM
Composed
by Dirk Brosse. Ensembles
- Wind Band. The Dirk
Brosse Collection.
Metropolis Music
Publishers #WE6436EM.
Published by Metropolis
Music Publishers
(IS.WE6436EM).
Wind Band SKU: IS.WE6433EM Composed by Dirk Brosse. Ensembles - Wind Band...(+)
Wind Band
SKU:
IS.WE6433EM
Composed
by Dirk Brosse. Ensembles
- Wind Band. The Dirk
Brosse Collection.
Metropolis Music
Publishers #WE6433EM.
Published by Metropolis
Music Publishers
(IS.WE6433EM).
Wind Band SKU: IS.WE6440EM Composed by Dirk Brosse. Ensembles - Wind Band...(+)
Wind Band
SKU:
IS.WE6440EM
Composed
by Dirk Brosse. Ensembles
- Wind Band. The Dirk
Brosse Collection.
Metropolis Music
Publishers #WE6440EM.
Published by Metropolis
Music Publishers
(IS.WE6440EM).
Wind Band SKU: IS.WE6441EM Composed by Dirk Brosse. Ensembles - Wind Band...(+)
Wind Band
SKU:
IS.WE6441EM
Composed
by Dirk Brosse. Ensembles
- Wind Band. The Dirk
Brosse Collection.
Metropolis Music
Publishers #WE6441EM.
Published by Metropolis
Music Publishers
(IS.WE6441EM).
Guitarra Liturgia Guitare [Conducteur] - Intermédiaire OR-TAV Music Publications
Guitar - Intermediate SKU: OT.26114 Composed by Ariel Lazarus. A short su...(+)
Guitar - Intermediate
SKU: OT.26114
Composed by Ariel
Lazarus. A short suite
for classical guitar
based on themes from the
Spanish and Portuguese
tradition. Classical.
Score. OR-TAV Music
Publications #26114.
Published by OR-TAV Music
Publications (OT.26114).
ISBN 9789655051049.
8.27 x 11.69
inches.
Ariel
Lazarus Guitarra
Liturgia Two pieces
based on music from the
Spanish and Portuguese
tradition.
Contents: Jerusalem
de Sefarad - Suite for
Guitar Contrapunto
Sefardi The composer
writes: For many
years I wanted to compose
a piece for guitar which
would inspire interested
students to expand their
repertoire in the
direction of Jewish
music. The most natural
thing for me was to write
a suite based on themes
from the synagogue in
which I grew up –
the Spanish and
Portuguese synagogue of
Gibraltar. My beloved
grandfather served all
his life as hazzan
(cantor) of this
synagogue, and I always
felt as a composer and
educator that I had a
special obligation to
continue his tradition
and pass it on to a new
generation. In this
composition, I let the
guitar echo the piyyutim
(semi-liturgical poems)
that were part of my
childhood: Adon Olam,
Sh'charchoret, Achot
K'tana, Yigdal, Borei ad
Ana, all of which are
sung in the Spanish and
Portuguese tradition from
Gibraltar to London, and
from New York to
Jerusalem. I let myself
dream the piyyutim, take
them apart and
reconstruct them as a
short suite for guitar,
the results of which you
are invited to hear here.
As a conceptual idea for
the suite, I choose to
suggest about the
cultural continuation
between the Diaspora and
the land of Israel by way
of referencing the
well-known melody of
Naomi Shemer, which is
also popular among the
hazzanim. Dr. Ariel
Lazarus is a unique voice
among Israeli
composer-performers
today. Brought up in a
family with Jewish
musical roots both in
Gibraltar and Westphalia,
he began composing and
playing the guitar in his
teens, and has been
committed to developing
his own compositional
language ever since,
always maintaining an
open dialogue with his
traditions. Lazarus
received his BMus and
MMus degrees from
Oklahoma City University
in classical guitar
performance and
composition where he
studied with American
composer Dr. Edward
Knight. He earned his PhD
from Bar Ilan University,
studying composition with
Prof. Betty Olivero and
Prof. Gideon Lewensohn
and conducting research
under the supervision of
Prof. Edwin Seroussi from
the Hebrew University.
His symphonic works have
been premiered by the
Raanana Symphonette
Orchestra, and his
chamber works have been
performed by various
ensembles in the United
States, Central Europe,
Portugal, Gibraltar,
Scandinavia and Israel.
Lazarus performs
regularly as Art
Ambassador on behalf of
the Israeli Ministry of
Diaspora affairs Amiel
BaKehila program. His
solo album A Hebrew
Capriccio was released by
the German boutique label
SmoothFactor and was
awarded critical acclaim,
among others, in Haaretz,
and Neue Westfalishe.
Dr. Lazarus is the
musical director and
co-founder of the Israeli
Ladino Orchestra. His
work with the orchestra
has been recognized by
the official Carta de
España. He teaches at
the Academic College for
Education Givat
Washington, and the Rimon
School of Music.
Lazarus’s work has
been awarded by the
Israeli Pais Art council
and ACUM.
Chamber Music English Horn, Piano SKU: PR.114417250 For English Horn a...(+)
Chamber Music English
Horn, Piano
SKU:
PR.114417250
For
English Horn and
Orchestra. Composed
by Gaetano Donizetti.
Edited by Mark Biggam
Pedro Diaz. Sws each. See
the Historical Notes by
Michael Finkelman on the
second and third pages.
Romantic. Set of Score
and Parts. With Standard
notation. 16+8 pages.
Duration 12:30. Theodore
Presser Company
#114-41725. Published by
Theodore Presser Company
(PR.114417250).
ISBN
9781491110928. UPC:
680160631469. 9x12
inches. Key:
F.
Concertino in
FÂ for English Horn and
OrchestraPreviously known
only through a spurious
edition in G Major, the
authentic Concertino in F
was recently discovered
in Italy by Pedro Diaz,
English Hornist of the
Metropolitan Opera
Orchestra. Diaz prepared
this ground-breaking
authentic edition through
comparison of the
multiple historical
sources and an intimate
knowledge of Donizetti's
works. The new edition in
F Major is embellished
with footnotes regarding
sources and
ornamentation. The piano
reduction and orchestral
score and parts
(available on rental)
were prepared by
composer/oboist Mark
Biggam in tandem with
Diaz's work, and the
publication includes
extensive historical
notes by scholar Michael
Finkelman. PEDRO DIAZ
joined The Metropolitan
Opera Orchestra in 2005
and has performed as solo
English Hornist in
hundreds of productions.
As a sought after
teacher, Mr. DÃaz has
lectured extensively at
top music conservatories
including The Juilliard
School, The Manhattan
School of Music, The
Eastman School of
Music,The Hartt Music
School, and Duquesne
University. His
international appearances
include masterclasses in
Panama, Italy, Mexico,
Canada, Puerto Rico,
Leipzig, Berlin, and
Italy.A native of Puerto
Rico, he received his
early musical training in
the “Escuela Libre
de Musica,†an
esteemed public school
for the performing arts.
He has performed as a
guest artist with the
Chicago Symphony, New
York Philharmonic, and
many other leading
ensembles. His playing
has been hailed by
critics as evocative,
eloquent and expressive
and is considered one of
the pre-eminent players
of his generation. Mr.
DÃaz has performed
Wagner’s Tristan
und Isolde 24 times under
the batons of James
Levine, Daniel Barenboim,
and Sir Simon
Rattle.Pedro
DÃaz’s
recording of the
Donizetti Concertino in F
and other concerti is
available from Fox
Products and online
sources, performed with
members of the
Metropolitan Opera
Orchestra. MARK
BIGGAM’s
compositions have been
recognized in various
venues throughout the
United States, Central
America, Asia, and
Europe. He has received
awards from ASCAP and the
Cleveland Foundation. An
oboist himself, many of
Biggam’s
compositions have been
performed by notable
oboists and English Horn
players including John
Mack, Joseph Robinson,
Pedro DÃaz, Carolyn
Hove, and Dwight Parry.
Premieres of his works
have been featured at
events including the
International Double Reed
Society and John Mack
Legacy
Camp.Biggam’s
choral works have gained
recognition, awards, and
commissions from
organizations including
the Moravian Music
Foundation, Ohio
BoyChoir, and Triad Pride
Men’s Chorus. He
also has published
arrangements and piano
reductions of J.S.
Bach’s music for
Bärenreiter-Verlag.
His collaborations with
Pedro DÃaz include the
Donizetti Concertino in F
as well as works of the
lesser-known composers
Pilotti and Mares,
recorded by Mr. Diaz and
members of the
Metropolitan Opera
Orchestra. Biggam has
alsoprepared arrangements
and settings of works for
symphonic band, which
have been performed by
the Piedmont Wind
Symphony.