Concert Band SKU: AP.81-CB27106 Composed by Traditional. Arranged by...(+)
Concert Band
SKU:
AP.81-CB27106
Composed by Traditional.
Arranged by Donald
Coakley. Concert Band;
Performance Music
Ensemble; Single Titles.
Eighth Note Publications.
Folk; Traditional. Score
and Part(s). Eighth Note
Publications #81-CB27106.
Published by Eighth Note
Publications
(AP.81-CB27106).
ISBN
9781554721108. UPC:
685462004645. English.
Traditional.
Bonavi
st' Harbour is based on a
catchy folk tune, popular
in Newfoundland. A
shorter version, often
sung by Newfoundlanders,
is known as The Feller
From Fortune. Both
versions, are rollicking,
and good humoured. The
refrain, and verses are
full of nonsense lyrics.
Rhythmic and fun from
beginning to
end!
Pacific Dreams Chorale SATB [Conducteur et Parties séparées] - Facile De Haske Publications
SATB Choir - Grade 3 SKU: BT.DHP-0991451-050 Composed by Jacob De Haan. I...(+)
SATB Choir - Grade 3
SKU:
BT.DHP-0991451-050
Composed by Jacob De
Haan. Inspiration Series.
Set (Score & Parts).
Composed 1999. De Haske
Publications #DHP
0991451-050. Published by
De Haske Publications
(BT.DHP-0991451-050).
English.
Pacific
Dreams describes the
experience of Miguel, a
traveling composer from
Spain who, feeling
somewhat alienated from
his homeland, is
wandering through an area
of Sydney known as The
Rocks. At a small outdoor
market in a typical
street of this
oldcolonial
neighbourhood, he
discovers a print of
William DeShazos painting
Pacific Dreams Portrayed
in the painting is the
surf of one of the exotic
islands in the Pacific.
Next, with the impressive
Sydney Harbour Bridge
looming over the
narrowstreets of The
Rocks, he envisions
sultry Pacific beaches.
Suddenly a theme he once
composed about the lakes
in Japan comes to him. Is
it the Asian influences
present in cosmopolitan
Sydney that bring this
theme to mind? Or perhaps
the waters aroundSydney,
over which he could sail
to Tahiti? He is
uncertain. Could this
same theme be used to
create a new composition
about his feelings for
the metropolis Sydney?
How then to work his
Pacific Dreams into the
mix? Miguel is certainly
no fan ofHawaiian music.
Mayby he could use the
vocabularies of islands
like Hawaii and Tahiti,
their beautiful vowel
combinations being sung
ad libitum by a mixed
choir.With these ideas
and his newly purchased
print of Pacific Dreams,
he boards the Metroat
Circular Quay. He has a
final glimpse of the
harbour and the Sydney
Opera House as the train
races into the ground. On
to the hotel! To work! He
must compose!Maestoso :
Miguel is impressed as he
gazes upon the Sydney
Harbour Bridge. And yet,
hewants to go away from
this city. Away, to an
exotic island in the
Pacific.Steady Rock : In
the Rocks, musicians are
playing at a square.
Miguel basks in the
atmosphere but at the
same time he is
fantasizing about Hawaii
and Tahiti.Andante
Lamentoso :In his hotel
room, Miguel is feeling
sad and lonely in this
big city. He takes
comfort in his Pacific
Dreams.Allegro : Miguel
boards the boat that
takes him from Darling
Harbour to Circular Quay.
In his mind he is
traveling on to Hawaii.
Or is ithome, where the
bolero is playing? He is
pulled back to reality by
the skyline of
Sydney.
Wir
schlüpfen in die Haut
von Miguel und reisen mit
ihm nach Australien.
Einigermaßen
entfremdet von seiner
spanischen Heimat
schlendert er durch das
Viertel The Rocks in
Sydney. Auf einem kleinen
Markt entdeckt er einen
Druck des Gemäldes
Pacific Dreams von
William DeShazo. Das Bild
stellt die Meeresbrandung
auf einer exotischen
Insel im Pazifik dar.
Während die
eindrucksvolle Harbour
Bridge von Sidney vor ihm
auftaucht, ist er in
Gedanken bei den
heißen Stränden im
Stillen Ozean. Auf einmal
kommt ihm das Thema in
den Sinn, das er einst
über die Gewässer
Japans komponiert hatte.
Liegt es an den
asiatischen
Einflüssen, die im
kosmopolitischen Sydney
so vielfältig
vertretensind? Oder sind
es die Wasser rund um
Sydney, über die er
nach Tahiti segeln
könnte? Er ist sich
unsicher. Könnte er
genau dieses Thema für
eine neue Komposition
über die Metropole
Sydney verwenden? Wie
sollte er seine Träume
vom Pazifik, seine
Pacific Dreams, in
diese Mixtur einbringen?
Vielleicht könnte er
den Wortschatz von Inseln
wie Hawaii und Tahiti
für seine Komposition
verwenden. Und einen
gemischten Chor die
schönen
Vokalverbindungen ad
libitum singen lassen.
Mit diesen Ideen im Kopf
steigt er in die Metro am
Circular Quay. Auf ins
Hotel und frisch ans
Werk! Jetzt muss er
einfach
komponieren....
Pacific Dreams Ensemble de cuivres [Conducteur et Parties séparées] - Facile De Haske Publications
Brass Band - Grade 3 SKU: BT.DHP-0991451-030 Composed by Jacob De Haan. I...(+)
Brass Band - Grade 3
SKU:
BT.DHP-0991451-030
Composed by Jacob De
Haan. Inspiration Series.
Original Light Music. Set
(Score & Parts). Composed
1999. De Haske
Publications #DHP
0991451-030. Published by
De Haske Publications
(BT.DHP-0991451-030).
Pacific Dreams
describes the experience
of Miguel, a traveling
composer from Spain who,
feeling somewhat
alienated from his
homeland, is wandering
through an area of Sydney
known as The Rocks. At a
small outdoor market in a
typical street of this
oldcolonial
neighbourhood, he
discovers a print of
William DeShazos painting
Pacific Dreams Portrayed
in the painting is the
surf of one of the exotic
islands in the Pacific.
Next, with the impressive
Sydney Harbour Bridge
looming over the
narrowstreets of The
Rocks, he envisions
sultry Pacific beaches.
Suddenly a theme he once
composed about the lakes
in Japan comes to him. Is
it the Asian influences
present in cosmopolitan
Sydney that bring this
theme to mind? Or perhaps
the waters aroundSydney,
over which he could sail
to Tahiti? He is
uncertain. Could this
same theme be used to
create a new composition
about his feelings for
the metropolis Sydney?
How then to work his
Pacific Dreams into the
mix? Miguel is certainly
no fan ofHawaiian music.
Mayby he could use the
vocabularies of islands
like Hawaii and Tahiti,
their beautiful vowel
combinations being sung
ad libitum by a mixed
choir.With these ideas
and his newly purchased
print of Pacific Dreams,
he boards the Metroat
Circular Quay. He has a
final glimpse of the
harbour and the Sydney
Opera House as the train
races into the ground. On
to the hotel! To work! He
must compose!Maestoso :
Miguel is impressed as he
gazes upon the Sydney
Harbour Bridge. And yet,
hewants to go away from
this city. Away, to an
exotic island in the
Pacific.Steady Rock : In
the Rocks, musicians are
playing at a square.
Miguel basks in the
atmosphere but at the
same time he is
fantasizing about Hawaii
and Tahiti.Andante
Lamentoso :In his hotel
room, Miguel is feeling
sad and lonely in this
big city. He takes
comfort in his Pacific
Dreams.Allegro : Miguel
boards the boat that
takes him from Darling
Harbour to Circular Quay.
In his mind he is
traveling on to Hawaii.
Or is ithome, where the
bolero is playing? He is
pulled back to reality by
the skyline of
Sydney.
Wir
schlüpfen in die Haut
von Miguel und reisen mit
ihm nach Australien.
Einigermaßen
entfremdet von seiner
spanischen Heimat
schlendert er durch das
Viertel The Rocks in
Sydney. Auf einem kleinen
Markt entdeckt er einen
Druck des Gemäldes
Pacific Dreams von
William DeShazo. Das Bild
stellt die Meeresbrandung
auf einer exotischen
Insel im Pazifik dar.
Während die
eindrucksvolle Harbour
Bridge von Sidney vor ihm
auftaucht, ist er in
Gedanken bei den
heißen Stränden im
Stillen Ozean. Auf einmal
kommt ihm das Thema in
den Sinn, das er einst
über die Gewässer
Japans komponiert hatte.
Liegt es an den
asiatischen
Einflüssen, die im
kosmopolitischen Sydney
so vielfältig
vertretensind? Oder sind
es die Wasser rund um
Sydney, über die er
nach Tahiti segeln
könnte? Er ist sich
unsicher. Könnte er
genau dieses Thema für
eine neue Komposition
über die Metropole
Sydney verwenden? Wie
sollte er seine Träume
vom Pazifik, seine
Pacific Dreams, in
diese Mixtur einbringen?
Vielleicht könnte er
den Wortschatz von Inseln
wie Hawaii und Tahiti
für seine Komposition
verwenden. Und einen
gemischten Chor die
schönen
Vokalverbindungen ad
libitum singen lassen.
Mit diesen Ideen im Kopf
steigt er in die Metro am
Circular Quay. Auf ins
Hotel und frisch ans
Werk! Jetzt muss er
einfach
komponieren....
Part V,VI en VII. Composed by Alex Poelman. The Best Original Composition...(+)
Part V,VI en VII.
Composed by Alex Poelman.
The Best Original
Compositions for Concert
Band. Molenaar
Masterpieces. Recorded on
The Seven Wonders of the
Ancient World
(ML.311080720). Full set.
Duration 17 minutes, 35
seconds. Published by
Molenaar Edition
(ML.012793100).
(Newly Composed Fiddle Tunes). Edited by Paul Stewart Cranford. For Fiddle and V...(+)
(Newly Composed Fiddle
Tunes). Edited by Paul
Stewart Cranford. For
Fiddle and Violin.
Transcribed Solos.
Cranford Publications.
Fiddle Tunes.
Intermediate. Book/CD
Set. 112 pages
Arranged by Jim Duff. Arr. Jim Duff. For Concert Band. Concert Band. Growing Ban...(+)
Arranged by Jim Duff.
Arr. Jim Duff. For
Concert Band. Concert
Band. Growing Band
Series. Level: 3 (Medium)
(grade 3). Conductor
Score. 12 pages.
Published by Alfred
Publishing.
Mombassa Beat Ensemble de cuivres [Conducteur] - Débutant Gobelin Music Publications
Brass Band - Grade 1.5 SKU: BT.GOB-000701-130 Composed by Peter Martin. S...(+)
Brass Band - Grade 1.5
SKU:
BT.GOB-000701-130
Composed by Peter Martin.
Score Only. 8 pages.
Gobelin Music
Publications #GOB
000701-130. Published by
Gobelin Music
Publications
(BT.GOB-000701-130).
A contagious
piece of music by Peter
Martin in which he hints
at the popular amusement
music by Bert Kaempfert.
Mombassa is a lively
harbour city in Kenya
which can be heard in the
music. Happiness and
cheeriness are the
ingredients of this nice
piece. Success is
assured.
Erg
aanstekelijk muziekwerkje
van Peter Martin waarin
hij knipoogt naar de
populaire
amusementsmuziek van Bert
Kaempfert. Mombassa
is een levendige
havenstad in Kenia en dat
is te merken. Vrolijkheid
en opgewektheid zijn de
ingrediëntenvan dit
fraaie werkje dat succes
garandeert.
Pacific Dreams Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-0991451-140 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-0991451-140
Composed by Jacob De
Haan. Inspiration Series.
Original Light Music.
Score Only. Composed
1999. 48 pages. De Haske
Publications #DHP
0991451-140. Published by
De Haske Publications
(BT.DHP-0991451-140).
Wir
schlüpfen in die Haut
von Miguel und reisen mit
ihm nach Australien.
Einigermaßen
entfremdet von seiner
spanischen Heimat
schlendert er durch das
Viertel The Rocks in
Sydney. Auf einem kleinen
Markt entdeckt er einen
Druck des Gemäldes
Pacific Dreams von
William DeShazo. Das Bild
stellt die Meeresbrandung
auf einer exotischen
Insel im Pazifik dar.
Während die
eindrucksvolle Harbour
Bridge von Sidney vor ihm
auftaucht, ist er in
Gedanken bei den
heißen Stränden im
Stillen Ozean. Auf einmal
kommt ihm das Thema in
den Sinn, das er einst
über die Gewässer
Japans komponiert hatte.
Liegt es an den
asiatischen
Einflüssen, die im
kosmopolitischen Sydney
so vielfältig
vertretensind? Oder sind
es die Wasser rund um
Sydney, über die er
nach Tahiti segeln
könnte? Er ist sich
unsicher. Könnte er
genau dieses Thema für
eine neue Komposition
über die Metropole
Sydney verwenden? Wie
sollte er seine Träume
vom Pazifik, seine
Pacific Dreams, in
diese Mixtur einbringen?
Vielleicht könnte er
den Wortschatz von Inseln
wie Hawaii und Tahiti
für seine Komposition
verwenden. Und einen
gemischten Chor die
schönen
Vokalverbindungen ad
libitum singen lassen.
Mit diesen Ideen im Kopf
steigt er in die Metro am
Circular Quay. Auf ins
Hotel und frisch ans
Werk! Jetzt muss er
einfach komponieren....
Pacific
Dreams descrive
l’esperienza di
Miguel, un compositore
spagnolo che, stanco
della vita nella terra
natia, parte per un
viaggio a Sydney dove
scopre una stampa
raffigurante i cavalloni
del Pacifico.
Improvvisamente Miguel
ricorda un tema composto
in precedenza sui laghi
giapponesi. E’
l’influenza
asiatica presente nella
cosmopolita Sydney che
porta questo tema alla
mente? Oppure è
l’acqua attorno a
Sydney sulla quale si
può navigare verso
Tahiti? Non si sa, ma
Miguel avverte
l’immediato
bisogno di rientrare in
albergo e
comporre….
Mombassa Beat Fanfare [Conducteur et Parties séparées] - Débutant Gobelin Music Publications
Fanfare Band - Grade 1.5 SKU: BT.GOB-000625-020 Composed by Peter Martin....(+)
Fanfare Band - Grade 1.5
SKU:
BT.GOB-000625-020
Composed by Peter Martin.
Set (Score & Parts). 49
pages. Gobelin Music
Publications #GOB
000625-020. Published by
Gobelin Music
Publications
(BT.GOB-000625-020).
A contagious
piece of music by Peter
Martin in which he hints
at the popular amusement
music by Bert Kaempfert.
Mombassa is a lively
harbour city in Kenya
which can be heard in the
music. Happiness and
cheeriness are the
ingredients of this nice
piece. Success is
assured.
Erg
aanstekelijk muziekwerkje
van Peter Martin waarin
hij knipoogt naar de
populaire
amusementsmuziek van Bert
Kaempfert. Mombassa
is een levendige
havenstad in Kenia en dat
is te merken. Vrolijkheid
en opgewektheid zijn de
ingrediëntenvan dit
fraaie werkje dat succes
garandeert.
Pacific Dreams Fanfare [Conducteur] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-0991451-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-0991451-120
Composed by Jacob De
Haan. Inspiration Series.
Original Light Music.
Score Only. Composed
1999. De Haske
Publications #DHP
0991451-120. Published by
De Haske Publications
(BT.DHP-0991451-120).
Wir
schlüpfen in die Haut
von Miguel und reisen mit
ihm nach Australien.
Einigermaßen
entfremdet von seiner
spanischen Heimat
schlendert er durch das
Viertel The Rocks in
Sydney. Auf einem kleinen
Markt entdeckt er einen
Druck des Gemäldes
Pacific Dreams von
William DeShazo. Das Bild
stellt die Meeresbrandung
auf einer exotischen
Insel im Pazifik dar.
Während die
eindrucksvolle Harbour
Bridge von Sidney vor ihm
auftaucht, ist er in
Gedanken bei den
heißen Stränden im
Stillen Ozean. Auf einmal
kommt ihm das Thema in
den Sinn, das er einst
über die Gewässer
Japans komponiert hatte.
Liegt es an den
asiatischen
Einflüssen, die im
kosmopolitischen Sydney
so vielfältig
vertretensind? Oder sind
es die Wasser rund um
Sydney, über die er
nach Tahiti segeln
könnte? Er ist sich
unsicher. Könnte er
genau dieses Thema für
eine neue Komposition
über die Metropole
Sydney verwenden? Wie
sollte er seine Träume
vom Pazifik, seine
Pacific Dreams, in
diese Mixtur einbringen?
Vielleicht könnte er
den Wortschatz von Inseln
wie Hawaii und Tahiti
für seine Komposition
verwenden. Und einen
gemischten Chor die
schönen
Vokalverbindungen ad
libitum singen lassen.
Mit diesen Ideen im Kopf
steigt er in die Metro am
Circular Quay. Auf ins
Hotel und frisch ans
Werk! Jetzt muss er
einfach
komponieren....
Composed by Karl Aage
Rasmussen. Music Sales
America. Classical.
Softcover. Composed 2013.
Edition Wilhelm Hansen
#WH31846. Published by
Edition Wilhelm Hansen
(HL.14042984).
ISBN
9788759828250.
Conc
erto In Amber composed by
Karl Aage Rasmussen for
Saxophone Quartet and
period Strings. Concerto
In Amber has its world
premier on the 24/11/2013
at the Black Diamond
concert hall at the
Copenhagen harbour.
Harbor Music Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Theodore Presser Co.
String Quartet SKU: PR.16400222S Composed by Dan Welcher. Full score (stu...(+)
String Quartet
SKU:
PR.16400222S
Composed
by Dan Welcher. Full
score (study). With
Standard notation.
Duration 11 minutes.
Theodore Presser Company
#164-00222S. Published by
Theodore Presser Company
(PR.16400222S).
UPC:
680160037841.
This
work follows my Quartet
No. 1 by five years. In
terms of style and
aesthetic aim, however,
it seems light years
away. Where the first
work, a 28-minute,
four-movement piece, took
aim at cosmic conflicts
and heroic resolutions,
the present work is
intended as a kind of
divertissment. Harbor
Music lasts a mere eleven
minutes, is cast in a
single movement with six
sections, and should
leave both performers and
listeners with a feeling
of good humor and
affection. The
title comes from my
experience as a guest in
the magnificent city of
Sydney, Australia. One of
its most attractive
features is its unique
system of ferry boats:
the city is laid out
around a large,
multi-channeled harbor,
with destinations more
easily approached by
water than by land.
Consequently, inhabitants
of Sydney get around on
small, people-friendly
boats that come and go
from the central docks at
Circular Quay. During a
week's visit in 1991, I
must have boarded these
boats at least a dozen
times, always bound for a
new location - the resort
town of Manley, or the
Zoo at Taronga Park, or
the shopping district at
Darling Harbour.
In casting about for a
form for my second string
quartet, a kind of loose
rondo came to mind. Each
new destination would be
approached from the same
starting-out point
(although there are
subtle variations in the
repeating theme; it's
always in a new key, and
the texture is never the
same). The result, I
hope, is a sense of
constant new information
presented with
introductory frames of a
more familiar nature.
The embarkation
theme, which begins the
piece, is a sort of
bi-tonal fanfare in which
the violins are in G
major and the viola and
cello are in B-flat
major. It is bold, eager,
and forward-looking. The
first voyage maintains
this bi-tonality,
beginning as a 9/8 due
for second violin and
viola in a kind of
rocking motion -much as a
boat produces when
reaching the deeper water
in the harbor. A sweet,
nostalgic theme emerges
over this rocking
accompaniment. This music
is developed somewhat,
then transforms quickly
into a much faster and
lighter episode, filled
with rising and falling
scales (again, in
differing keys). A
scherzando interlude in
short notes and changing
meters provides contrast,
and the episode ends with
a reprise of the scales.
The second
embarkation follows, this
time in A major/C major.
It leads quickly into a
very warm and slow theme,
in wide-leaping intervals
for the viola. This
section is interrupted
twice by solo cadenzas
for the cello, suggesting
distant boat-horns in
major thirds. The end of
the episode becomes a
transition, with
boat-horns leading into
the final appearance of
the embarkation music,
this time in trills and
tremolos instead of
sharply accented chords.
The nostalgic theme of
the first episode makes a
final appearance, serving
now as a coda. The
rocking motion continues,
in a lullaby fashion,
leaving us drowsy and
satisfied on our homeward
journey. Harbor
Music was written for the
Cavani Quartet, and is
dedicated to Richard J.
Bogomolny. Commissioned
by his employees at First
National Supermarkets as
a gift, it represents a
thank you from many of
the people (including
this composer) who have
benefitted from his
vision and generosity. An
ardent advocate of
chamber music (and a
cellist himself), Mr.
Bogomolny has for many
years been Chairman of
the Board of Chamber
Music America. -- Dan
Welcher.
The companion MP3 CD to book 5 of the bestselling series Piano Gefällt Mir! b...(+)
The companion MP3 CD to
book 5 of the bestselling
series Piano Gefällt
Mir! by Hans-Günter
Heumann features
demonstration tracks with
recorded Piano, Bass and
Drums, as well as backing
with the Piano part taken
out, allowing you to play
along. **Please note: The
CD included with this
title can only be played
through an MP3 compatible
program.**
Visions of Australia Orchestre d'harmonie [Conducteur] - Intermédiaire Opus III Wind Orchestra Publications
Grade 5 SKU: CL.012-3688-01 Composed by Lloyd. Concert Band. Gems of the ...(+)
Grade 5
SKU:
CL.012-3688-01
Composed by Lloyd.
Concert Band. Gems of the
Concert Band Series.
Audio recording available
separately (item
CL.WFR358). Extra full
score. Composed 2008.
Duration 8 minutes, 14
seconds. Opus III Wind
Orchestra Publications
#012-3688-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-3688-01).
Visions of
Australia' is a musical
panorama paying tribute
to the epochs in
Australia's history from
its Aboriginal
predecessors through to
its 'yet to be
determined' future. The
journey begins with a
tribute to Australia's
aboriginal past, the
arrival of the British
Navy and the
establishment of the
first colony on the
shores of Sydney Harbour.
The journey then meanders
through to the
development of
electricity and
communication, through
the wars and to the
present. Following a
brief reflection on the
past, the music concludes
with a stirring and
patriotic march-like
section representing a
confident and bold
future. The work is a
great challenge for all
sections of the band and
will be easily accessible
to any audience. Download
the didgerido sound file
for use in your
performance:
http://www.barnhouse.com/
samples/mp3/012-3688-99.m
p3.
About
Gems of the Concert
Band
A
series of transcriptions
and other works in
varying styles,
representative of the
programming of the Great
American Classic Concert
Band era of a century
ago, as exemplified by
John Phillip Sousa, Edwin
Franko Goldman, Karl L.
King, and Leonard B.
Smith
By Nancy Telfer. For SSA/2-Part/Unison Choir. (SSA/2 Part/Unison). Choral Octav...(+)
By Nancy Telfer. For
SSA/2-Part/Unison Choir.
(SSA/2 Part/Unison).
Choral Octavos.
Successful Sight Singing
Performance Selections.
Secular. Level: Grade 2.
Choral Octavo. Published
by Neil A. Kjos Music
Company.