(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyr...(+)
(C Edition) For voice and
C instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Series: Hal
Leonard Fake Books. 856
pages. 9x12 inches.
Published by Hal Leonard.
By Various.
Harmonica. Blues,
Country, Folk, Pop, Rock.
Softcover. 336 pages.
Published by Hal Leonard
(HL.300155).
ISBN
9781540061874. UPC:
888680960902. 9.0x12.0
inches.
Play your
favorite harmonica solos
and learn new classics
with this new collection
of songs for 10-hole
diatonic C harp! This
comprehensive songbook
presents an extensive
collection of 140 songs
spanning diverse genres
including blues, rock,
country, folk,
traditional, gospel, and
pop. Curated for
harmonica enthusiasts of
all levels, each song is
meticulously transcribed
with harmonica tabs,
lyrics, and chord
symbols, and skillfully
adapted for various
harmonica positions.
Furthermore, the songbook
offers valuable insights
for performing each piece
in its original key,
along with note-for-note
transcriptions of intros,
licks, and solos by
esteemed harp experts and
virtuosos from varied
musical backgrounds. Add
this new songbook to your
collection today to
unlock the endless
possibilities of your
harmonica!
Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, c...(+)
Fakebook (spiral bound)
for voice and C
instrument. With vocal
melody, lyrics, chord
names and leadsheet
notation. Series: Hal
Leonard Fake Books. 407
pages. Published by Hal
Leonard.
For C instrument and voice. Format: fakebook (spiral bound). With chord names, v...(+)
For C instrument and
voice. Format: fakebook
(spiral bound). With
chord names, vocal melody
and lyrics. Jazz. Series:
Hal Leonard Fake Books.
448 pages. 9x12 inches.
Published by Hal Leonard.
Fakebook for Eb instrument and voice. With vocal melody, lyrics and leadsheet no...(+)
Fakebook for Eb
instrument and voice.
With vocal melody, lyrics
and leadsheet notation.
Series: Hal Leonard Fake
Books. 448 pages.
Published by Hal Leonard.
(80 Classics, From Miles to Monk and More). By Various. Arranged by Various. For...(+)
(80 Classics, From Miles
to Monk and More). By
Various. Arranged by
Various. For
Piano/Keyboard. Piano
Solo Songbook.
Intermediate to Advanced.
Softcover. 320 pages.
Published by Hal Leonard
Composed by Travis
Weller. Folio. Cps. Set
of Score and Parts.
8+8+4+8+8+8+4+4+8+4+4+8+8
+8+8+6+6+6+4+8+6+2+4+4+6+
32 pages. Duration 3
minutes, 10 seconds. Carl
Fischer Music #CPS234.
Published by Carl Fischer
Music (CF.CPS234).
ISBN 9781491156346.
UPC: 680160914883. 9 x 12
inches.
Mercury -
the Roman god of
financial gain, commerce,
travelers, boundaries,
luck, trickery,
merchants, and thieves. A
popular deity in Roman
culture, he was instantly
recognized by his unique
winged shoes (talaria)
and hat (petasos). With
its close proximity to
the sun and faster orbit
than all other planets,
the Romans named this
small celestial body
after the swift-winged
messenger of their
culture. It is not
surprising that in
Holst's major orchestral
suite The Planets that
Mercury utilizes such
light and swift themes.
There is some duality to
the title of the work.
Part of it involves my
impression of what a
playful chase of the
winged messenger sounds
like. The other part is
the opening motif chasing
two themes of Holst
around the rest of the
work. It was only after
developing the first few
ideas that I recognized
some of the commonalities
with some of those same
themes from Holst's
orchestral work. There
are several quotations
from that famous piece by
Holst (notably as both
are stated successively
at mm. 13-20). The idea
of someone having to
chase the Winged
Messenger struck me as a
unique title around which
to craft a work. One of
my core beliefs about
music is that it can be
imbued with meaning by a
composer, and as the
sonic story unfolds an
ensemble, director, and
audience members can draw
out their own meaning
from the experience. Who
exactly is chasing
Mercury? I leave that up
to the wonderfully
creative minds of the
young ladies and
gentlemen who have the
opportunity to bring this
work to life. The
opportunity to compose
music and allow student
musicians to give this
piece new life and draw
out different meanings is
a humbling experience.
Rehearsal Notes and
Suggestions As stated
earlier, the opening
motif (a range of a
seventh) comes back
frequently in the work in
a variety of settings and
textures. Throughout the
work, it is important for
students to recognize the
two themes from Holst
when they are present in
the sound canvas. If the
solos (clarinet and alto
saxophone) are utilized,
the supporting parts
around and underneath
those lines must be
sensitive and play in
such a way to properly
balance those parts.
There are number of muted
sections for the trumpet
section, and I would
advocate for all trumpets
acquiring the same mute
to contribute to unity in
timbre. The bold fanfare
sections (the first
occurs at m. 37) must be
presented with a unified
articulation style. As
the texture intensifies
prior to m. 169, it is
crucial for the ensemble
to play within themselves
and exercise musical
courtesy to allow all
voices to be heard as
they arrive at m. 181. My
thanks in advance for
your support of this
music, and I wish you
well as you and your
ensemble begin Chasing
Mercury!. Mercury
– the Roman god of
financial gain, commerce,
travelers, boundaries,
luck, trickery,
merchants, and thieves. A
popular deity in Roman
culture, he was instantly
recognized by his unique
winged shoes (talaria)
and hat (petasos). With
its close proximity to
the sun and faster orbit
than all other planets,
the Romans named this
small celestial body
after the swift-winged
messenger of their
culture. It is not
surprising that in
Holst’s major
orchestral suite The
Planets that Mercury
utilizes such light and
swift themes.There is
some duality to the title
of the work. Part of it
involves my impression of
what a playful chase of
the winged messenger
sounds like. The other
part is the opening motif
chasing two themes of
Holst around the rest of
the work. It was only
after developing the
first few ideas that I
recognized some of the
commonalities with some
of those same themes from
Holst’s orchestral
work. There are several
quotations from that
famous piece by Holst
(notably as both are
stated successively at
mm. 13–20). The
idea of someone having to
chase the Winged
Messenger struck me as a
unique title around which
to craft a work.One of my
core beliefs about music
is that it can be imbued
with meaning by a
composer, and as the
sonic story unfolds an
ensemble, director, and
audience members can draw
out their own meaning
from the experience. Who
exactly is chasing
Mercury? I leave that up
to the wonderfully
creative minds of the
young ladies and
gentlemen who have the
opportunity to bring this
work to life. The
opportunity to compose
music and allow student
musicians to give this
piece new life and draw
out different meanings is
a humbling
experience.Rehearsal
Notes and SuggestionsAs
stated earlier, the
opening motif (a range of
a seventh) comes back
frequently in the work in
a variety of settings and
textures. Throughout the
work, it is important for
students to recognize the
two themes from Holst
when they are present in
the sound canvas. If the
solos (clarinet and alto
saxophone) are utilized,
the supporting parts
around and underneath
those lines must be
sensitive and play in
such a way to properly
balance those parts.
There are number of muted
sections for the trumpet
section, and I would
advocate for all trumpets
acquiring the same mute
to contribute to unity in
timbre. The bold fanfare
sections (the first
occurs at m. 37) must be
presented with a unified
articulation style. As
the texture intensifies
prior to m. 169, it is
crucial for the ensemble
to play within themselves
and exercise musical
courtesy to allow all
voices to be heard as
they arrive at m. 181. My
thanks in advance for
your support of this
music, and I wish you
well as you and your
ensemble begin Chasing
Mercury!
Lyrics/Chord Symbols/Guitar Chord Diagrams Guitar SKU: HL.363741 By Taylo...(+)
Lyrics/Chord
Symbols/Guitar Chord
Diagrams Guitar
SKU:
HL.363741
By Taylor
Swift. Guitar Chord
Songbook. Country, Pop.
Softcover. 152 pages.
Published by Hal Leonard
(HL.363741).
ISBN
9781705132388. UPC:
840126956351.
6.0x9.0x0.389
inches.
Get just
what you need to play
Taylor's greatest hits on
guitar! This third
edition features 44 tunes
with complete lyrics,
chord symbols, and guitar
chord diagrams from
Taylor's country as well
as pop career. Includes:
Back to December •
Blank Space •
Cardigan • Exile
• Fifteen • I
Knew You Were Trouble
• Love Story
• ME! • Mean
• No Body, No Crime
• Picture to Burn
• Red • Shake
It Off • Teardrops
on My Guitar • We
Are Never Ever Getting
Back Together •
Wildest Dreams •
You Belong with Me
• and more.
Book/Online Audio Female Voice; Piano Accompaniment; Vocal SKU: HL.299347 ...(+)
Book/Online Audio Female
Voice; Piano
Accompaniment; Vocal
SKU: HL.299347
12 Songs from Teen
Musical Theatre
Roles. Composed by
Various. Vocal
Collection. Broadway,
Musicals, Teens.
Softcover Audio Online.
88 pages. Published by
Hal Leonard (HL.299347).
ISBN 9781540060228.
UPC: 888680956158.
9.0x12.0x0.222
inches.
12 songs
from teen musical theatre
roles from shows that
opened in 2010-2019
complete with access to
professionally-recorded
piano accompaniments!
Contents: Alyssa Greene
from The Prom * Home from
Beetlejuice * Home from
Wonderland * I Love Play
Rehearsal from Be More
Chill * In My Dreams from
Anastasia * Journey to
the Past from Anastasia *
Just Breathe from The
Prom * One Perfect Moment
from Bring It On: The
Musical * Sal Tlay Ka
Siti from The Book of
Mormon * Stupid With Love
from Mean Girls * What's
Wrong With Me? from Mean
Girls * World Burn from
Mean Girls. Audio is
accessed online using the
unique code inside the
book and can be streamed
or downloaded. The audio
files include PLAYBACK ,
a multi-functional audio
player that allows you to
slow down audio without
changing pitch, set loop
points, change keys, and
pan left or right.
Authentic Jazz Play-Along -- It Don't Mean a Thing (10 jazz standards for trumpe...(+)
Authentic Jazz Play-Along
-- It Don't Mean a Thing
(10 jazz standards for
trumpet). Edited by Andy
Hampton. For trumpet.
Book; CD; Instrumental
Series; Play-Along.
Authentic Jazz Playalong.
Jazz standards, play
along. Intermediate. Book
and CD. 32 pages.
Published by Faber Music
Authentic Jazz Play-Along -- It Don't Mean a Thing (10 jazz standards for flute)...(+)
Authentic Jazz Play-Along
-- It Don't Mean a Thing
(10 jazz standards for
flute). Edited by Andy
Hampton. For flute. Book;
CD; Instrumental Series;
Play-Along. Authentic
Jazz Playalong. Jazz
standards, play along.
Book and CD. Published by
Faber Music
Authentic Jazz Play-Along -- It Don't Mean a Thing (10 jazz standards for clarin...(+)
Authentic Jazz Play-Along
-- It Don't Mean a Thing
(10 jazz standards for
clarinet). Edited by Andy
Hampton. For clarinet.
Book; CD; Instrumental
Series; Play-Along.
Authentic Jazz Playalong.
Jazz standards, play
along. Book and CD. 32
pages. Published by Faber
Music
Authentic Jazz Play-Along -- It Don't Mean a Thing (10 jazz standards for tenor ...(+)
Authentic Jazz Play-Along
-- It Don't Mean a Thing
(10 jazz standards for
tenor saxophone). Edited
by Andy Hampton. For
tenor saxophone. Book;
CD; Instrumental Series;
Play-Along. Authentic
Jazz Playalong. Jazz
standards, play along.
Book and CD. 32 pages.
Published by Faber Music
Authentic Jazz Play-Along -- It Don't Mean a Thing (10 jazz standards for alto s...(+)
Authentic Jazz Play-Along
-- It Don't Mean a Thing
(10 jazz standards for
alto saxophone). Edited
by Andy Hampton. For alto
saxophone. Book; CD;
Instrumental Series;
Play-Along. Authentic
Jazz Playalong. Jazz
standards, play along.
Book and CD. Published by
Faber Music
A Treasury of Songs from Stage and Film, Specially Designed for Young Singers!. ...(+)
A Treasury of Songs from
Stage and Film, Specially
Designed for Young
Singers!. Edited by Lisa
Despain. For Voice.
General Music and
Classroom Publications.
Book and CD. 128 pages.
Published by Alfred
Publishing.