An
Easter Musical for Every
Choir. Arranged by
Tom Fettke & Russell
Mauldin. This edition:
Paperback. Musical. Excel
Series. Multicultural and
Sacred. Bulk CDs (10
pack). Published by
Lillenas Publishing
Company
(LP.765762128224).
UPC:
765762128224.
What
better time is there to
reaffirm our beliefs as
followers of Christ than
at Easter? This We
Believe is a compelling
and praise-filled
celebration of the basic
tenets of Christianity.
From the birth of the
Messiah to the promise of
the resurrection to
Christ's ultimate return
to claim His people this
magnificent collection
from the creative
artistry of Tom Fettke
and Russell Mauldin will
touch a special place
deep in the hearts of
Christians
everywhere.
An
Easter Musical for Every
Choir. Arranged by
Tom Fettke & Russell
Mauldin. Musical. Excel
Series. Multicultural and
Sacred. Accompaniment CD.
Published by Lillenas
Publishing Company
(LP.765762130029).
UPC:
765762130029.
What
better time is there to
reaffirm our beliefs as
followers of Christ than
at Easter? This We
Believe is a compelling
and praise-filled
celebration of the basic
tenets of Christianity.
From the birth of the
Messiah to the promise of
the resurrection to
Christ's ultimate return
to claim His people this
magnificent collection
from the creative
artistry of Tom Fettke
and Russell Mauldin will
touch a special place
deep in the hearts of
Christians
everywhere.
An
Easter Musical for Every
Choir. Arranged by
Tom Fettke & Russell
Mauldin. Musical. Excel
Series. Multicultural and
Sacred. Rehearsal CDs.
Published by Lillenas
Publishing Company
(LP.765762128521).
UPC:
765762128521.
What
better time is there to
reaffirm our beliefs as
followers of Christ than
at Easter? This We
Believe is a compelling
and praise-filled
celebration of the basic
tenets of Christianity.
From the birth of the
Messiah to the promise of
the resurrection to
Christ's ultimate return
to claim His people this
magnificent collection
from the creative
artistry of Tom Fettke
and Russell Mauldin will
touch a special place
deep in the hearts of
Christians
everywhere.
An
Easter Musical for Every
Choir. Arranged by
Tom Fettke & Russell
Mauldin. Musical. Excel
Series. Multicultural and
Sacred. Split-channel
accompaniment CD.
Published by Lillenas
Publishing Company
(LP.765762128323).
UPC:
765762128323.
What
better time is there to
reaffirm our beliefs as
followers of Christ than
at Easter? This We
Believe is a compelling
and praise-filled
celebration of the basic
tenets of Christianity.
From the birth of the
Messiah to the promise of
the resurrection to
Christ's ultimate return
to claim His people this
magnificent collection
from the creative
artistry of Tom Fettke
and Russell Mauldin will
touch a special place
deep in the hearts of
Christians
everywhere.
An
Easter Musical for Every
Choir. Arranged by
Tom Fettke & Russell
Mauldin. Musical. Excel
Series. Multicultural and
Sacred. Orchestration on
CD-ROM. Published by
Lillenas Publishing
Company
(LP.765762176508).
UPC:
765762176508.
What
better time is there to
reaffirm our beliefs as
followers of Christ than
at Easter? This We
Believe is a compelling
and praise-filled
celebration of the basic
tenets of Christianity.
From the birth of the
Messiah to the promise of
the resurrection to
Christ's ultimate return
to claim His people this
magnificent collection
from the creative
artistry of Tom Fettke
and Russell Mauldin will
touch a special place
deep in the hearts of
Christians
everywhere.
11 celebratory pieces
for weddings and other
occasions. Arranged
by Markus Schenk. De
Haske Brass Series. Set
(Score & Parts). Composed
2014. De Haske
Publications #DHP
1145594-070. Published by
De Haske Publications
(BT.DHP-1145594-070).
ISBN 9789043137010.
English-German-French-Dut
ch.
A collection of
classical works for
various occasions
including birthdays,
anniversaries, weddings
and funerals, arranged by
Markus Schenk especially
for this edition. These
works are distinguished
by their stylistic
diversity and character,
and areversatile thanks
to their range of
durations-from a short
Bach chorale to an
extended concert
work.
Of het nu
gaat om een verjaardag,
jubileumfeest, bruiloft
of uitvaart, er zijn veel
gelegenheden die vragen
om passende plechtige
blaasmuziek. Die muziek
mag vaak feestelijk zijn,
maar soms is eerder een
ingetogen stemming
gewenst. Voor zijn
Musicfor
Celebrations
selecteerde Markus Schenk
een aantal bekende en
minder bekende klassieke
werken, die hij speciaal
voor deze uitgave heeft
bewerkt. Deze verzamelde
werken onderscheiden zich
door hun stilistische
diversiteit en de
variatie insfeer, maar
ook door de wisselende
tijdsduur – van een
kort Bachkoraal tot een
omvangrijk concertwerk.
Derhalve is deze
veelzijdige bundel
geschikt voor
uiteenlopende
gelegenheden.
M
usic for Celebrations
enthält 11 klassische
Stücke für
verschiedene Anlässe
wie Geburtstage,
Jubiläen, Hochzeiten
und Beerdigungen, die von
Markus Schenk extra
für diese Ausgabe
arrangiert wurden. Die
sehr wohlüberlegte
Auswahl enthält
vomkurzen Bachchoral bis
zum längeren
Konzertwerk viele
charakterlich und
stilistisch
unterschiedliche
Werke.
Ebenfalls
erhältlich für
variables
Bläserensemble in
einer deutschen Ausgabe
(Feierliche
Bläserklänge
DHP
1145595-070).
Hallelujah Chorale SATB SATB, Piano - Intermédiaire GIA Publications
SATB choir, piano accompaniment - Intermediate SKU: GI.G-8618 From Mes...(+)
SATB choir, piano
accompaniment -
Intermediate
SKU:
GI.G-8618
From
Messiah. Composed by
George Frideric Handel.
Edited by Dennis Shrock.
Christmas Vigil,
Christmas Night,
Christmas Dawn, Christmas
Day, Easter Day. GIA
Historical Music. Music
Education. Octavo. 12
pages. GIA Publications
#8618. Published by GIA
Publications (GI.G-8618).
The
“Hallelujahâ€
chorus is the final
movement of part two of
Handel’s Messiah,
the part that comments on
Christ’s
crucifixion,
resurrection, and
ascension. The text of
the chorus, assembled
from Biblical passages by
the oratorio’s
librettist, Charles
Jennens, is from
Revelation 19:6, 11:15,
and 19:16:
“Hallelujah, for
the Lord God omnipotent
reigneth. The kingdom of
this world is become the
kingdom of our Lord and
of his Christ, and he
shall reign for ever and
ever. KING OF KINGS, AND
LORD OF LORDS.â€
This edition has been
prepared from the first
published score in 1767,
with comparisons to
Handel’s autograph
manuscript now housed in
the British Museum. The
text has been reproduced
here without alterations.
However, the beamings of
the vocal parts have been
modernized for ease of
reading (the original
material has flags
instead of beams for
every separate syllable).
The piano accompaniment
is a reduction of the
orchestral material: the
first and second violin
parts are represented in
the upper staff, with
only occasional inclusion
of the viola, trumpet,
and timpani parts, the
basso continuo, in its
original form, is in the
bottom staff. The GIA
Historical Music Series
edited by Dennis Shrock,
presents repertoire
suitable for performance
by public school, college
and university, church,
and community ensembles,
with the purpose of
making available to
today’s conductors
lesser-known and
previously
difficult-to-procure
historical masterpieces.
The music, drawn from the
Renaissance through the
Romantic eras, is in
performance editions
based on the most current
and rigorous scholarly
research. The musical
scores reflect original
intent of notation, with
all editorial markings
and emendations clearly
identified as such. In
addition, preface
material accompanying the
music contains literal
translations of foreign
language texts and
information regarding the
lives of the composers,
genres, and relevant
performance practices.
Dennis Shrock is Director
of Choral Activities at
Texas Christian
University. He has been
called one of the top
choral scholars in the
United States and has
received a number of
awards for his work. He
received a bachelor's
degree in music education
from Westminster Choir
College and both master's
and doctoral degrees in
choral conducting from
Indiana University.
11 celebratory pieces
for weddings and other
occasions. Arranged
by Markus Schenk. Music
Box. Set (Score & Parts).
Composed 2014. De Haske
Publications #DHP
1145593-070. Published by
De Haske Publications
(BT.DHP-1145593-070).
ISBN 9789043137003.
International.
A
collection of classical
works for various
occasions including
birthdays, anniversaries,
weddings and funerals,
arranged by Markus Schenk
especially for this
edition. These works are
distinguished by their
stylistic diversity and
character, and
areversatile thanks to
their range of
durations-from a short
Bach chorale to an
extended concert
work.
Of het nu
gaat om een verjaardag,
jubileumfeest, bruiloft
of uitvaart, er zijn veel
gelegenheden die vragen
om passende plechtige
blaasmuziek. Die muziek
mag vaak feestelijk zijn,
maar soms is eerder een
ingetogen stemming
gewenst. Voor zijn
Musicfor
Celebrations
selecteerde Markus Schenk
een aantal bekende en
minder bekende klassieke
werken, die hij speciaal
voor deze uitgave heeft
bewerkt. Deze verzamelde
werken onderscheiden zich
door hun stilistische
diversiteit en de
variatie insfeer, maar
ook door de wisselende
tijdsduur – van een
kort Bachkoraal tot een
omvangrijk concertwerk.
Derhalve is deze
veelzijdige bundel
geschikt voor
uiteenlopende
gelegenheden.
M
usic for Celebrations
enthält 11 klassische
Stücke für
verschiedene Anlässe
wie Geburtstage,
Jubiläen, Hochzeiten
und Beerdigungen, die von
Markus Schenk extra
für diese Ausgabe
arrangiert wurden. Die
sehr wohl überlegte
Auswahl enthält
vomkurzen Bachchoral bis
zum längeren
Konzertwerk viele
charakterlich und
stilistisch
unterschiedliche
Werke.
SKU: LO.99-3000L The Christmas Story Through Timeless Carols. Comp...(+)
SKU: LO.99-3000L
The Christmas Story
Through Timeless
Carols. Composed by
Larry Shackley. Choral,
cantatas. Christmas,
Sacred. Accompaniment CD.
Lorenz Publishing Company
#99/3000L. Published by
Lorenz Publishing Company
(LO.99-3000L).
UPC:
000308131888.
The
Christmas season opens a
portal in time through
which words and melodies
from many centuries flow
into our busy modern
lives. In A Blest Messiah
Born, Larry Shackley
skillfully blends some of
the most beloved ancient
carols into a fresh,
captivating retelling of
the story of Jesus'
birth. It begins with
God's eternal plan of
redemption, then starts
the Christmas story with
the Annunciation. Along
the way, Larry presents
delightful new settings
of favorite carols such
as The Friendly Beasts;
What Child is This?; Ding
Dong! Merrily on High;
and Good Christian
Friends, Rejoice. A Blest
Messiah Born contains
rich moments of
reflection as well as
high-spirited rejoicing.
It is enhanced by hints
of Renaissance rhythms
and melodies, and the
lyrics of the carols flow
together with the poetic
narration to portray the
events of the nativity
story. The entire work
lends itself to simple
staging, adding
characters in each number
to build a living manger
scene.
Royal Coronation Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545.
Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion.
From Messiah. By George Frideric Handel. Arranged by Gordon Cherry. Brass Quinte...(+)
From Messiah. By George
Frideric Handel. Arranged
by Gordon Cherry. Brass
Quintet and Organ. For 2
Trumpets, Horn in F,
Trombone, Tuba and Organ.
Christmas Easter Baroque.
Level: advanced. Full
score and parts.
Published by Cherry
Classics.
Instrumental, Flute SKU: HP.9116 Arranged by Lloyd Larson. General Worshi...(+)
Instrumental, Flute
SKU: HP.9116
Arranged by Lloyd Larson.
General Worship.
Instrumental parts. 76
pages. Hope Publishing
Company #9116. Published
by Hope Publishing
Company (HP.9116).
UPC:
763628191160.
Eight
Contempory Christian
Songs This collection of
eight flute solos is
filled with popular
contemporary songs that
cover many Sundays of the
church year including,
Christmas, Lent,
Pentecost, and general
worship occasions.
Featuring well-developed
piano accompaniments and
creative flute writing
for intermediate to
advanced players these
settings are sure to
enhance your worship.
