Volume 1 and 2 - 2 Books and CD. By Jerry Willard. By Gaspar Sanz (1640-1710). Edited by Jerry Willard. Arranged by Jerry Willard. Guitar. Classical. Softcover Audio Online. With guitar tablature. 272 pages. Amsco Publications #AM948629. Published by Amsco Publications

Guitar - Beginning

SKU: MB.31103M

Third Edition. Bluegrass, Wire bound. World. Book and online audio. 236 pages. Mel Bay Publications, Inc #31103M. Published by Mel Bay Publications, Inc (MB.31103M).

ISBN 9781513468792. 8.75x11.75 inches.

Adam Granger self-published the first edition of Grangerâ??s Fiddle Tunes for Guitar in 1979. A second edition was published in 1994. Now Mel Bay Publications presents the third edition of the book.

This 236-page book is the most extensive and best-documented collection of fiddle tunes for the flatpicking guitar player in existence, and includes reels, hoedowns, hornpipes, rags, breakdowns, jigs and slip-jigs, presented in Southern, Northern, Irish, Canadian, Texas and Old-time styles.

There are 508 fiddle tunes referenced under 2500 titles and alternate titles. The titles are fully indexed, making the book doubly valuable as a reference book and a source book.

In this new edition, all tunes are typeset, instead of being handwritten as they were in the previous editions, making the tabs easier to read.

The tunes in Grangerâ??s Fiddle Tunes for Guitar are presented in Easytab, a streamlined tablature notation system designed by Adam specifically for fiddle tunes.

The book comes with a link which gives access to mp3 recordings by Adam of all 508 tunes, each played once at a moderate tempo, with rhythm on one channel and lead on the other.

Also included in Grangerâ??s Fiddle Tunes for Guitar are instructions for reading Easytab, descriptions of tune types presented in the book, and primers on traditional flatpicking and rhythm guitar. Additionally, there are sections on timing, ornamentation, technique, and fingering, as well as information on tune sources and a history of the collection.

Mel Bay also offers The Granger Collection, by Bill Nicholson, the same 508 tunes in standard music notation.

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By Dean Sorenson. For Viola. Band Methods. Standard of Excellence Jazz Ensemble Method. Level: Book A,1. Music Book. Published by Neil A. Kjos Music Company.

By Antonio Vivaldi. Edited by Antonio Vivaldie, Giovanni Maria Ruggieri. Arranged by Clayton Westermann. For Soprano voice and Alto voice (Soli), Choir / Piano. (Chorus and piano). New Issues. Baroque: Rococco/Gallant; Sacred/Hymns. Vocal Score. Text Language: Latin, English. Composed c1710. 80 pages. Duration 31 minutes. Published by Serenissima.

Composed by Percy Aldridge Grainger (1882-1961). Arranged by Richard W. Sargeant Jr. Transcriptions, Suites. Reprint Source: Edwardsville: Serenissima Music, Inc., 2013. Plate 40864. 20th Century, American Celtic/Irish/Scottish English. Study score (paperback). Composed 40864. 64 pages. Duration 17 minutes. Published by Serenissima (SA.40864).

By Francesco Durante. Edited by Francesco Durante, Giovanni Battista Pergolesi. Arranged by Clayton Westermann. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), Choir / Piano. (Chorus and piano). New Issues. Baroque: Rococco/Gallant; Sacred/Hymns. Vocal Score. Text Language: Latin. 52 pages. Published by Serenissima.

By Franz Schubert. Edited by Franz Schubert. Arranged by Julius Heinrich Spengel. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), SATB Choir / Piano. (Chorus and piano). Classical; Sacred/Hymns. Vocal Score. Text Language: Latin. Composed 1828. 100 pages. Duration 60 minutes. Published by Serenissima.

By Wolfgang Amadeus Mozart. Edited by Wolfgang Amadeus Mozart. Arranged by Franz Xaver Sussmayr, Friedrich Ferdinand Brissler. For Solo voices, Choir / Piano. (Chorus and piano). Classical; Sacred/Hymns; Funerals. Vocal Score. Text Language: Latin. Composed 1791. 80 pages. Duration 57 minutes. Published by Serenissima.

String Quartet

SKU: HL.14030964

Composed by Bent Sorensen. Music Sales America. Classical. Score. 10 pages. Music Sales #KP00510. Published by Music Sales (HL.14030964).

ISBN 9788759861455. English.

The Composer writes: 'In February 1987 I saw in the Tate Gallery in London a painting by the Victorian English painter John William Waterhouse. The painting kept haunting my memory, and as I at the same time planned to write a piece for solo Viola, my ideas for the music and the memory of the painting fused more and more. I decided, then, to let my piece borrow the title of Waterhouse's painting: The Lady Of Shalott. The picture of a mad-like, pale, and perhaps singing woman alone in a boat without sculls, which calmly slips out from the rush growth of the river is an illustration for the ending of Alfred Tennyson's poem by the same title, which again plaits into the old English legends about King Arthur. My piece tries to meander - like the river at Camelot - among these sources.' As suggested above the piece was originally written for Viola solo. This version for String Quartet is from 1993.

(Study Score) Composed by Claude Debussy (1862-1918), arranged by Andre Caplet (1878-1925). Miniature score for orchestra. With full score notation. Composed 1911. 84 pages. Published by Serenissima.

By Antonin Dvorak (1841-1904). Edited by Otakar Sourek. Arranged by Josef Zubay. Choir and piano. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), SATB Choir, Piano. This edition: Paperback. Choral, Transcriptions, Original Works, Liturgical. Romantic Period; Sacred/Hymns, Czech. Vocal Score. 166 pages. Published by Serenissima

By Antonio Vivaldi (1678-1741). Edited by Antonio Vivaldi. Arranged by Clayton Westermann. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), Choir / Piano (Chorus and piano). New Issues. Baroque: Rococco/Gallant; Sacred/Hymns. Vocal Score. Text Language: Latin, English. 76 pages

By Antonin Dvorak (1841-1904). Edited by Antonin Dvorak. Arranged by Josef Zubaty. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), SATB Choir / Piano (Chorus and piano). New Issues. Romantic; Sacred/Hymns. Vocal Score. Text Language: Latin. Composed 1877/1880. 116 pages. Duration 95 minutes

Old Time, Wire bound. Vocal. Book and online audio. 248 pages. Mel Bay Publications, Inc #31104M. Published by Mel Bay Publications, Inc

Composed by Camille Saint-Saens (1835-1921). Edited by Richard W. Sargeant Jr. Original Works, Dances, Opera Excerpts. Reprint Source: Edwardsville: Serenissima Music, Inc., 2015. Plate 41588. Romantic, French Mythology/Legends. Study score (paperback). Composed 1877. 46 pages. Duration 8 minutes. Published by Serenissima (SA.41588).

(Bach Gesellschaft Ausgabe). Composed by Johann Sebastian Bach (1685-1750). Edited by Wilhelm Rust. Arranged by Gustav Rosler. Choir and piano. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), SATB Choir, Piano. This edition: Paperback. Sacred Cantata, Original Works, Transcriptions, Choral. Baroque Period; Sacred/Hymns, German. Vocal Score. Text Language: German. Composed 1715. 32 pages. Duration 21 minutes. Published by Serenissima

Composed by Heather Sorenson. Shawnee Sacred. General Worship, Sacred. Octavo. 12 pages. Published by Shawnee Press

Parts for String Quartet No.3 'Angel's Music' by Bent Sorensen (1988) Premiered by the Arditti String Quartet at the Danish Radio Concert Hall 16 November 1988. Score available: KP00250 The composer writes: 'Even when I was writing Adieu, I knew that I wished to write Angels Music. The title existed in an incomplete form in my mind and gradually more and more ideas and a few outlines became clear. The actual work on Angels Music was started in Rome, where I spent the autumn of 1987 staying at The Danish Academy. Whether this stay has influenced the quartet or not is impossible to say. however, it is true to say that, in the Roman churches I visited, I saw countless angels playing in the top of frescoes and altars. Without these angels, together with the many crackled-gold paintings in this city and my general fascination with the Italian renaissance painter Fra Angelico, (in fact there are only a few paintings by him in Rome, but even his name..!) I am not sure my quartet would have been what it is. Anyway I do feel that there is a bit of Italy in the piece. The angels apart there are, in the short rhythmic agitating part of the quartet, reminiscences of the Italian medieval Trotto dance, and in the most expressive part ofthe piece there are flashes of Puccini-like music. From the very beginning of my work on the quartet, the distant, extremely muted sound in the high register which opens the piece, was on my mind. A sound satiated with a dense heterophonic and polyphonic texture of elegiac melody and vibrating trills. I imagined that little songs (maybe angel songs) could be created in this density, these songs constantly echoing themselves. Gradually as this sound got a more and more concrete musical and instrumental form, I felt, that not only should the little songs be created, played and die out in an echo, but also that the general pattern of the quartet should give the feeling of music which, from the distance, is getting closer and closer, culminates and at last disappears like an echo. Related to this, the general pattern of Angels Music is divided into three: a pre-echo, culmination and echo.. The relationship between the three part is 5: 6: 4. The reason why I can say this precisely and prosaically is that it was necessary to me to mark the overall guidelines before I started to compose. I had to do this in order to enable the relationships to crawl from the small cells into the general pattern.'

Piano

SKU: BT.9781408193075

Composed by Karen Marshall. Get Set! Piano. Studies & Exercises. Book Only. 48 pages. Collins Music Publishing #9781408193075. Published by Collins Music Publishing (BT.9781408193075).

ISBN 9781408193075. English.

Get Set! Piano Tutor Book 2 is the second volume in an exciting new series by Heather Hammond and Karen Marshall, written specially for the twenty-first century child.

This tried and tested course guidesbeginners from their very first lesson through to Prep test level. Note learning is taught alongside aural theory, technique and composing skills, providing a holistic approach to music.

Packed with favourites such asWhat Shall We Do With A Drunken Sailor?, In The Hall Of The Mountain King, Amazing Grace and The Entertainer, Get Set! Piano Tutor Book 2 is the perfect tutor for getting to Grade 1.

Thisbook is fully compatible with Get Set! Piano Pieces Book 2 (9781408192788), providing plenty of material for reinforcement, or just pure musical enjoyment.