Chamber Music Piano

SKU: PR.110418240

For Piano. Composed by Charles Peck. Sws. Performance Score. 16 pages. Duration 13 minutes. Theodore Presser Company #110-41824. Published by Theodore Presser Company (PR.110418240).

ISBN 9781491133835. UPC: 680160683338. 9 x 12 inches.

This cosmopolitan 5-movement suite was inspired by the multitudinous energy in every city, where people from all walks of life intersect in close proximity. The resulting experience breeds collaboration for the inspired, ambition for the eager, danger in the masses, beauty in the diversity, coldness in the operation, power in the structure, and everything in between. The movement titles are: 1. Luminous Canopy, 2. Urban Glass, 3. Magnetic Avenue, 4. Iron Organ, and 5. Midnight City. METROPOLITAN is also available for Orchestra.
Metropolita n was inspired by the multitude of life inherent to every city. A huge variety of people from all walks of life comes together, now united by proximity. The result is a completely unique experience that breeds collaboration for the inspired, ambition for the eager, danger in the masses, beauty in the diversity, coldness in the operation, power in the structure, and everything in between.Each movement explores a different aspect of this complex environment. It is the composer’s hope that the music may inform, illuminate, or resonate with your own urban experiences.METROPOLITAN is also available for Orchestra.

Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 4.5

SKU: CF.SAS8

Composed by Liam Ramsey-White. Set of Score and Parts. 24+15+24+15+10+12 pages. Carl Fischer Music #SAS8. Published by Carl Fischer Music (CF.SAS8).

ISBN 9781491160619. UPC: 680160919208.

This action-packed piece for Advanced String Orchestra imagines a scene straight out of a dystopian novel. Under the midnight moon, two opposing forces enter a dilapidated city searching for supplies. An eerie melody embodies the mysterious glow of the moon as both forces scurry and sneak around crumbling overgrown buildings. Eventually a confrontation occurs and the highly rhythmic music underscores a fierce battle. Ever-changing meter and shifting tonality build tension, punctuated with staccato attacks and explosive dynamic changes. What could become of the two forces? Who will come out on top? It's all left up to the imagination of the listener as the piece comes to a thrilling conclusion.
This action-packed piece for advanced string orchestra imagines a scene straight out of a dystopian novel. Under the midnight moon, two opposing forces enter a dilapidated city searching for supplies. An eerie melody embodies the mysterious glow of the moon as both forces scurry and sneak around crumbling overgrown buildings. Eventually a confrontation occurs and the highly rhythmic music underscores a fierce battle. Ever-changing meter and shifting tonality build tension, punctuated with staccato attacks and explosive dynamic changes. What could become of the two forces? Who will come out on top? It's all left up to the imagination of the listener as the piece comes to a thrilling conclusion.

Guitar

SKU: HL.399603

By Various. Really Easy Guitar. Hard Rock, Rock. Softcover. 48 pages. Published by Hal Leonard (HL.399603).

ISBN 9781705159637. UPC: 196288056188. 9.0x12.0x0.13 inches.

Yes, even if you're a beginner, you CAN play your favorite songs by AC/DC, KISS, Black Sabbath, Poison, and Rush! Hal Leonard's Really Easy Guitar series presents â??paint-by-number,â? easy-to-follow chord charts, tablature, and lyrics will get you playing right away. Songs include: Ain't Talkin' 'Bout Love â?¢ Back in Black â?¢ Barracuda â?¢ Crazy Train â?¢ Detroit Rock City â?¢ Dr. Feelgood â?¢ 18 and Life â?¢ Hells Bells â?¢ Helter Skelter â?¢ Living After Midnight â?¢ Livin' on a Prayer â?¢ Paranoid â?¢ Photograph â?¢ Rebel Yell â?¢ Rock You like a Hurricane â?¢ School's Out â?¢ Smoke on the Water â?¢ Sweet Child O' Mine â?¢ Talk Dirty to Me â?¢ Walk This Way â?¢ Working Man â?¢ You Give Love a Bad Name.

By Various. Arranged by Brent Jorgensen. Text: Various. For Hymnal Extender. Christmas. Published by Jackman Music Corporation.
Level: Medium Easy / Medium (accompaniment).

By Various. Arranged by Brent Jorgensen. For Violin. Christmas. Medium Easy. Instrumental accompaniment part. Published by Jackman Music Corporation

Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 4.5

SKU: CF.SAS8F

Composed by Liam Ramsey-White. Full score. 12 pages. Carl Fischer Music #SAS8F. Published by Carl Fischer Music (CF.SAS8F).

ISBN 9781491160886. UPC: 680160919482.

This action-packed piece for advanced string orchestra imagines a scene straight out of a dystopian novel. Under the midnight moon, two opposing forces enter a dilapidated city searching for supplies. An eerie melody embodies the mysterious glow of the moon as both forces scurry and sneak around crumbling overgrown buildings. Eventually a confrontation occurs and the highly rhythmic music underscores a fierce battle. Ever-changing meter and shifting tonality build tension, punctuated with staccato attacks and explosive dynamic changes. What could become of the two forces? Who will come out on top? Its all left up to the imagination of the listener as the piece comes to a thrilling conclusion.

50 Years of Music Row. By Michael Kosser. Book (not sheet music). Softcover with CD. 373 pages. Published by Hal Leonard.

Concert Band - Grade 4

SKU: AP.49982

Composed by Rossano Galante. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Alfred Concert Band. Patriotic; Programmatic. Score and Part(s). Duration 5:45. Alfred Music #00-49982. Published by Alfred Music (AP.49982).

ISBN 9781470659301. UPC: 038081576565. English.

Three main themes comprise Midnight Ride by Rossano Galante. Paul Revere's motif is a romantic, heroic melody that captures his bravery and tenacity. The Brown Beauty theme (Paul Revere's horse) incorporates a slower, lush musical offering that captures the strength and beauty of this animal. The ending thematic material represents the ride with a soaring melody accompanied by fast, rhythmic ostinati. (5:45).

Concert Band - Grade 4

SKU: AP.49982S

Composed by Rossano Galante. Concert Band; Performance Music Ensemble; Single Titles. Alfred Concert Band. Patriotic; Programmatic. Score. Duration 5:45. Alfred Music #00-49982S. Published by Alfred Music (AP.49982S).

ISBN 9781470659318. UPC: 038081576572. English.

Three main themes comprise Midnight Ride by Rossano Galante. Paul Revere's motif is a romantic, heroic melody that captures his bravery and tenacity. The Brown Beauty theme (Paul Revere's horse) incorporates a slower, lush musical offering that captures the strength and beauty of this animal. The ending thematic material represents the ride with a soaring melody accompanied by fast, rhythmic ostinati. (5:45).

The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Published by Hal Leonard.

Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.

Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, chord names and leadsheet notation. Series: Hal Leonard Fake Books. 407 pages. Published by Hal Leonard.

Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 864 pages. Published by Hal Leonard.

(For C Instruments). By Various. For C Instruments. Fake Book. Softcover. 576 pages. Published by Hal Leonard

By Various. For C Instruments. Fake Book. Softcover. 560 pages. Published by Hal Leonard

250 Songs. By Various. Bass. Blues, Pop, Rock. Softcover. 500 pages. Published by Hal Leonard

Orchestra

SKU: PR.416415760

For Really Big Orchestra. Composed by PDQ Bach. Edited by Prof. Peter Schickele. Study Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576. Published by Theodore Presser Company (PR.416415760).

UPC: 680160636532. 9 x 12 inches.

The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams.

For bass guitar and voice. Format: bass tablature songbook. With bass tablature, standard notation, vocal melody, lyrics, chord names and bass notation legend. Rock and pop rock. Series: Hal Leonard Bass Recorded Versions. 1023 pages. 8.5x11 inches. Published by Hal Leonard.

Orchestra

SKU: PR.41641576L

For Really Big Orchestra. Composed by PDQ Bach. Edited by Peter Schickele. Large Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576L. Published by Theodore Presser Company (PR.41641576L).

UPC: 680160636549. 11 x 17 inches.

The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams.

C Instruments). Composed by Various. For C Instruments. Fake Book. Softcover. 536 pages. Published by Hal Leonard

Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Library. Softcover. Size 8.5x11 inches. 373 pages. Published by Hal Leonard.

B-Flat Instruments. Composed by Various. Fake Book. RandB, Jazz. Softcover. 536 pages. Published by Hal Leonard