by Richard C. Moore and Eugene Ettore. For french horn. Classic, mixed periods. ...(+)
by Richard C. Moore and
Eugene Ettore. For french
horn. Classic, mixed
periods. Level:
Intermediate-Advanced.
Book. Solos. Size
8.75x11.75. 160 pages.
Published by Mel Bay
Pub., Inc.
Piano SKU: BT.BWH004910 Composed by Joseph Jongen. Studies & Exercises. B...(+)
Piano
SKU:
BT.BWH004910
Composed
by Joseph Jongen. Studies
& Exercises. Book Only.
12 pages. Bosworth & Co.
#BWH004910. Published by
Bosworth & Co.
(BT.BWH004910).
English.
Premiere Etude De
Concert in B
minor was the first of
three works for solo
Piano, published in 1920
as the composer’s
Opus 65. The suite was
dedicated to the
Ukrainian pianist
Alexander Brailowsky, who
is bestremembered for his
virtuosic interpretation
of Chopin’s
complete works.
Joseph
Jongen (1873-1953)
was a Belgian organist
and composer. A
precocious talent, he was
admitted to the Liege
Conservatory at the age
of 7,studying Fugue,
Piano, Composition and
Organ. He began writing
music at the age of 13
and eventually composed
over 200 works, though
some were later
destroyed. His
Symphonie
Concertante is
considered by many to
beamongthe greatest works
ever written for Organ
and Orchestra.
Flute SKU: HL.48187218 Composed by Charles Marie Widor. Leduc. Classical....(+)
Flute
SKU:
HL.48187218
Composed
by Charles Marie Widor.
Leduc. Classical. CD. 28
pages. Heugel & Cie
#HE18909. Published by
Heugel & Cie
(HL.48187218).
UPC:
888680830373.
9.0x12.0x0.152
inches.
“Char
les-Marie Widor
(1844-1937) was a great
organist who did not only
focus on Organ
composition. From
orchestra pieces to
chamber music, he wrote
various different
compositions, including
Suite for Flute and
Piano, Op. 34 which was
composed for Paul
Taffanel. This suite, a
subtle mix of Romanticism
and Classicism,
particularly stands out
for its nuances and is
composed of four
movements: - Moderato -
Scherzo - Romance - Final
Charles-Marie Widor also
composed 10 symphonies
for Organ, some Operas,
and some Piano
Concerti.â€.
Marche Pontificale Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1074291-140 Composed by Cha...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1074291-140
Composed by Charles
Francois Gounod. Arranged
by Wil van der Beek. Your
Favorite Classics.
Transcription. Score
Only. Composed 2007. 12
pages. De Haske
Publications #DHP
1074291-140. Published by
De Haske Publications
(BT.DHP-1074291-140).
9x12 inches.
English-German-French-Dut
ch.
In 1950, Pope
Pius XII selected Marche
Pontificale from the
OrganSymphony No. 1, by
French composer Charles
Gounod, as the
officialhymn of the
Vatican. The first
rendition of the official
hymn took placein the
same year, in Saint
Peter?s Square in Rome,
played by sevenmilitary
bands. To celebrate the
80th birthday of Pope
Benedict XVI in2007, Wil
van der Beek has produced
a first-class arrangement
of thisfamous work for
concert band.
Ter
gelegenheid van het
heilig jaar 1950 bepaalde
de toenmalige paus Pius
XII dat de Marche
Pontificale van de
Franse componist Charles
Gounod (1818-1893) de
officiële hymne van
Vaticaanstad zou worden,
als opvolger van eenhymne
uit 1857 van Vittorino
Hallmayr. De nieuwe naam
van de mars werd
‘Paushymne’.
De godvruchtige Gounod
had het werk in 1869
geschreven voor een
jubileum van paus Pius
IX. In dat jaar vond de
première plaats op het
Sint-Pieterpleinin Rome,
gespeeld door zeven
militaire orkesten. Het
was een enorm succes - en
ook nu nog is deze muziek
zeer geliefd. Wil van der
Beek stond garant voor
het uitstekende
arrangement van dit
bekende
werk.
Marche
Pontificale stammt
aus der Orgelsymphonie
Nr. 1, die Charles
François Gounod 1835
zur Ernennung von Papst
Pius IX schrieb und die
seit 1950 als offizielle
Vatikanhymne gilt. Nun
liegt sie, pünktlich
zum Jubiläumsjahr
2007, in dem unser“
Papst Benedikt XVI seinen
80. Geburtstag feierte,
in einer neuen
Bearbeitung für
Blasorchester aus der
Feder des erfahrenen
Arrangeurs Wil van der
Beek vor.
Cello Series, 2013
Edition. Composed by
The Royal Conservatory.
Cello Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VC7. Published
by The Frederick Harris
Music Company (FH.VC7).
ISBN
978-1-55440-543-5.
This inaugural edition of
the Cello Series offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
cellist. With an
expansive representation
of musical styles from
all eras, this series
addresses the need for a
single collection of
quality educational
materials to foster
musical development and
instill appreciation of
the richness and
diversity of music
written for cello.
Supporting a balanced
course of study, this
series organizes
repertoire into nine
volumes from the
Preparatory Level through
Level 8. Each level
offers music from a range
of styles and
compositional eras,
including standard
literature, new
arrangements of familiar
tunes, and music written
for cellists, by
cellists. These
selections provide the
flexibility to choose
pedagogically appropriate
material suited to each
individual, and to
motivate students to
fully develop their
musicianship and
technique. Level
7: Il barbiere di
Siviglia: Overture -
Rossini,
Gioachino Carmen:
Prelude to act 1 - Bizet,
Georges Coriolan
Overture, op. 62 -
Beethoven, Ludwig
van Symphony No. 94
(Surprise), Hob. I:94:
I,IV - Haydn, Franz
Joseph Ruslan and
Ludmilla: Overture -
Glinka, Mikhail Peer
Gynt Suite No. 1, op. 46:
I,III,IV - Grieg,
Edvard Level
8: Incidental Music to
A Midsummer Night's
Dream, op. 61: I -
Mendelssohn,
Felix Symphony No. 8,
op. 88: I,IV - Dvorak,
Antonin The
Nutcracker, op. 71:
Russian Dance, Waltz of
the Flowers, Pas de deux
- Tchaikovsky, Pyotr
Il'yich Symphony No. 8
(Unfinished), D 759: I,II
- Schubert, Franz Die
Zauberfloete, K 620:
Overture - Mozart,
Wolfgang
Amadeus Symphony No.
40, K 550: I,IV - Mozart,
Wolfgang Amadeus Level
9: Symphony No. 9, op.
125: II,IV - Beethoven,
Ludwig van Symphony
No. 8, op. 93: III -
Beethoven, Ludwig
van Serenade for
Strings, op. 22: III,IV,V
- Dvorak,
Antonin Piano Concerto
No. 2, op. 83: III -
Brahms,
Johannes Serenade for
Strings, op. 48:
I,II,III,IV -
Tchaikovsky, Pyotr
Il'yich Symphony No. 4
(Italian), op. 90: I,IV -
Mendelssohn,
Felix Symphony No. 3,
op. 90: III,IV - Brahms,
Johannes Symphony No.
35 (Haffner), K 385: I,IV
- Mozart, Wolfgang Le
nozze di Figaro, K 492:
Overture - Mozart,
Wolfgang Amadeus Level
10: Group
1: Variations on an
Original Theme (Enigma),
op. 36: Variation 12 -
Elgar, Edvard Dichter
und Bauer: Overture -
Suppe, Franz von Messa
da Requiem: III - Verdi,
Giuseppe Guillame
Tell: Overture - Rossini,
Gioachino Group
2: Symphonie
fantastique: II,III,V -
Berlioz,
Hector Symphony No. 4,
op. 36: I,II,IV -
Tchaikovsky, Pyotr
Il'yich Symphony No.
5, op. 67: I,II,III -
Beethoven, Ludwig
van Symphony No. 4,
op. 98: I,II,III,IV -
Brahms,
Johannes Symphony No.
6 (Pathetique), op. 74:
I,II - Tchaikovsky, Pyotr
Il'yich Symphony No.
2, op. 73: I,II,IV -
Brahms,
Johannes Associate: Group 1: Symphony No.
5, op. 100: I,II,III,IV -
Prokofiev, Sergei La
mer: I,II - Debussy,
Claude The Bartered
Bride: Overture -
Smetana,
Bed_ich Symphony No.
5, op. 47: I,II,III -
Shostakovich,
Dmitri Group
2: Matthaus-Passion,
BWV: Komm, suesses Kreutz
- Bach, Johann
Sebastian Don Juan,
op. 20 - Strauss,
Richard Ein
Heldenleben, op. 40 -
Strauss,
Richard Verklaerte
Nach1, op. 4 -
Schoenberg, Arnold.
Organ SKU: HL.48180249 Composed by Marcel Dupre. Leduc. Classical. CD onl...(+)
Organ
SKU:
HL.48180249
Composed
by Marcel Dupre. Leduc.
Classical. CD only. 41
pages. Alphonse Leduc
#AL16921. Published by
Alphonse Leduc
(HL.48180249).
UPC:
888680794811. 9x12
inches.
French
organist and composer,
Marcel Dupré
(1886-1971) is also
remembered as a
significant pedagogue.
However, his prominence
within the organ
repertoire remains
absolute with sublime
works, including his
Passion Symphony.
Dupré studied at
the Paris Conservatoire
with Louis Vierne and
Charles-Marie Widor,
where he won prizes for
piano, organ and fugue,
as well as the Grand Prix
de Rome. He was a famous
organ virtuoso and was
able to perform the
entire works composed for
the instrument by J. S.
Bach from memory.
Dupré's Op. 23,
the Passion Symphony for
Organ is made up of
four movements depicting
the life of Christ; 1)
The World awaiting the
Saviour, 2) Nativity, 3)
Crucifixion, and 4)
Resurrection. All of the
movements display a high
degree of virtuosic
technique and musical
integrity. Dupré's
compositions and didactic
works remain important to
organists today and his
Passion Symphony
is no exception.
Composed by Leo Nestor. For Soprano or Tenor solo, SATB choir, 2 obbligato Instr...(+)
Composed by Leo Nestor.
For Soprano or Tenor
solo, SATB choir, 2
obbligato Instruments
(Mixed Voices). Year C:
Epiphany of the Lord.
Epiphany, Christmas,
Services, Concerts, 20th
Century. Medium. Octavo.
Text Language: English.
Published by E.C.
Schirmer Publishing
Grade 4 - Score
Only. Composed by
Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Score
Only. Composed 2007.
Anglo Music Press
#AMP201140. Published by
Anglo Music Press
(HL.44007487).
Symphonic
Metamorphosis was
commissioned by the
Sierra Vista High School
Symphonic Band, Las Vegas
(NV). The composer was
given free hand to choose
the style of the new
commission and originally
planned to use the
opportunity to fulfil a
long-held ambition to
write a set of variations
on the famous chorale
from Saint-Saens' Third
Symphony (Organ); in
beginning work he was so
moved by the work's
highlights that he
decided to include more
than just the chorale
melody. Therefore, while
Symphonic Metamorphosis
starts out as an original
set of variations for
concert band, it is
gradually subsumed by
other elements in the
symphony (particularly
the slow movement), and
the piece closes with a
finale that has been
reorganized and rescored
from the majestic closing
pages of the
symphony.
Piano SKU: PR.510076960 Pour Piano. Composed by Stephane Delplace....(+)
Piano
SKU:
PR.510076960
Pour
Piano. Composed by
Stephane Delplace. Full
score. With Standard
notation. 28 pages.
Duration 25 minutes, 37
seconds. Gerard Billaudot
Editeur #510-07696.
Published by Gerard
Billaudot Editeur
(PR.510076960).
1. Choral: An
improbably superimposing
of Beethoven and Brahms.
At the end of the first
performance of the
latter's 1st Symphony,
someone asked the
composer: Don't you find
that your main theme
remin ds one of the Ode
to Joy? To which he
retorted: Even an idiot
would have noticed it! 2.
Fugue: in the last
exposition, the subject
of Fugue I from volume 1
of Bach's Well-Tempered
Keyboard is super imposed
on the theme from
Mozart's so-called easy
sonata. 3. Passion: In
his Violin Concerto,
Mendelssohn, to whom we
owe the rediscovery of
Bach's Passions, seems to
have borrowed a theme
from a lost Passion. 4.
Recitativo: Tribute to
Franck's tribute to Bach
in his Sonata for violin
and piano. 5. Invention:
A private revenge, after
a bitter failure.
Debussy's Toccata was on
the compulsory list for
the Conservatory piano
class entrance exam. 6.
Arpeggione: In which the
listener realizes the
similarity in the
introduction to
Schubert's Unfinished
Symphony and Arpeggione
Sonata. 7. Sarabande: The
most iconoclastic, for
Bach's 5th Cello Suite is
already suffused with
harmony. There might be
an evocatioin of a
Brahms-like overarching
structure, though... 8.
Variation: The slowest
variation ever written on
Paganini's 24th Caprice.
9. Scene: Schumann's
Reverie as a Prelude. 10.
Finale: In order to
capture the elusive
harmony of the Finale of
Chopin's Sonate Funebre.
11. Fugue on Au clair de
la lune: Our greatest
nursery rhymes, fugue
fitted and choralized.
12. Fugue de Noel
(Christmas fugue): Quite
appropriate. 13. Fugue on
J'ai du bon tabac:
Prohibited counterpoint.
14. Fugue on La
Marseillaise:
Franco-German
reconciliation. 15. Pedal
- Exercitium: Realization
and conclusion of Bach's
organ pedal exercies.
SKU: PR.16400212S Composed by Dan Welcher. With Standard notation. Durati...(+)
SKU: PR.16400212S
Composed by Dan Welcher.
With Standard notation.
Duration 16 minutes.
Theodore Presser Company
#164-00212S. Published by
Theodore Presser Company
(PR.16400212S).
UPC:
680160037605.
Works
of chamber music
including flute and
strings are not nearly as
numerous as those for
clarinet, or even the
oboe. Probably the reason
for this is the less
assertive, more pure tone
the flute possesses - it
can't compete for volume
or range with the
clarinet, except in its
top octave, and the
oboe's tone is more
penetrating and easily
discerned from within a
string texture.
Consequently, composers
who have written for
flute and strings have
done so in lightweight
divertimento works:
compare, for instance,
the delicate flute
quartets of Mozart with
his monumental quintet
for clarinet and strings.
When Karl and Joan
Karber approached me with
the ideas of writing a
work for flute and string
trio, I originally
thought it would be best
to write a humorous,
rather offhand piece -
but a look at their
repertoire (mostly
comprised of smaller
works of the Rococo
period) convinced me that
it was the last thing
they needed. In spite of
the challenge (or maybe
because of it?), I
determined to write a
large work, and a serious
work. Zephyrus (named for
the God of the West Wind,
in deference to the
flute) is a
three-movement work, with
each movement cast in a
very different form, but
all three being built of
the same twelve-note
series. There is also a
rhythmic motive and a
pair of themes that
appear in all three
movements. The
first movement plays with
the idea of contrast and
persuasion. The flute, at
the outset, is the
hell-for-leather
protagonist, charging and
swooping around the
strings - who seem oddly
unconcerned by his
passion. Indeed, they
have a more somber song
to sing - and as the
movement unfolds, the
flute becomes less and
less active, while the
strings become
increasingly enlivened.
By the midpoint, when all
four instruments are
finally in the same meter
and the same tempo, the
flute's energy has
finally infected the
other three players, and
this energy does not let
up until the movement's
abrupt final cadence.
The second
movement begins with a
tag from the first - as
if the energy left over
was too great to simply
stop. At length, though,
a very poignant flute
melody appears over an
almost bluesy harmony in
the strings. After this
has been fully exposed, a
slight increase in
motion, marked gently
rocking in triplets,
features a theme-fragment
from Leonard Bernstein's
Symphony No. 2 (Kaddish).
Bernstein died as I was
writing this work, and it
seemed quite natural to
encourage what was
already implicit in the
music, and create an
Elegy for L.B. The music
rises and peaks, then in
the recapitulation of the
opening the Kaddish theme
reappears, as the
ensemble suggests a
gentle song of sleep.
The final movement
is a Rondo-Variations
form, with the slight
alteration of adding the
main theme of the second
movement in what would be
the trio of the form. The
ritornello theme is a
kind of ethnic dance
music, almost an allusion
to the Klezmer ensembles
of Eastern Europe. The
successive episodes
between the ritornelli
are loosely organized
variations on the basic
theme, but always
beginning with a metric
modulation, a rhythmic
changing of gears. The
movement reaches and apex
of speed and furious
pulsing, then abruptly
pirouttes, and finishes.
Zephyrus was
written between April and
November of 1990 in
Austin, Aspen, and
Honolulu, and is
dedicated to Karl Kraber
and The Chamber Soloists
of Austin. --Dan
Welcher.
Organ (Organ) SKU: HL.14005770 Composed by Charles Villiers Stanford. Mus...(+)
Organ (Organ)
SKU:
HL.14005770
Composed
by Charles Villiers
Stanford. Music Sales
America. Folk British
Isles. Book [Softcover].
8 pages. Music Sales
#NOV590094. Published by
Music Sales
(HL.14005770).
9.0x12.0x0.047
inches.
Char
les Villiers
Stanford was an
Irish composer, music
teacher, and conductor.
Stanford
composed a substantial
number of concert works,
including seven
symphonies, but his
best-remembered pieces
are his choral works for
church performance,
chiefly composed in the
Anglican tradition.
Admitted to Queens
College, Cambridge with
an Organ scholarship
Stanford had
written a substantial
number of compositions,
including vocal music,
both sacred and secular,
and orchestral works
before getting involved
with the university's
Musical Society. While
still an undergraduate,
Stanford was
appointed organist of
Trinity College,
Cambridge.
Part of
the'Four Intermezzi Op.
189' Intermezzo
On An Irish Air
for Organ is based on the
melody of the well-known
'Londonderry Air'. The
traditional Irish tune
was first collected in
the mid 19th century by
Jane Ross, and is
recognised all around the
world by the Irish
Diaspora. Duration ca.
6:20.
Level
2. Composed by John
M. Feierabend. Choral.
Conversational Solfege.
Music Education. Octavo.
GIA Publications #527.
Published by GIA
Publications (GI.G-527).
Text by Noel
Goemanne.
Conversat
ional Solfege is a
dynamic and captivating
first-through-eighth
grade general music
program that enables
students to become
independent musical
thinkers with the help of
a rich variety of folk
and classical
music. It is organized
around increasingly
complex rhythmic and
melodic content. Each new
rhythmic or melodic
element is discovered
first in patterns and
then reinforced with folk
songs, rhymes, and
classical examples.
Central to the
Conversational Solfege
program is the use of
music harvested from our
rich and diverse American
musical history. This
variety of music serves
as a common thread that
spans and bonds
generations. Each book
contains varied song
material so the teacher
can select appropriate
music for the lower
grades or older
beginners. This 12-step
teaching method carefully
brings students from
readiness to, ultimately,
creating music through
inner hearing and then
transferring their
musical thoughts into
notation—in other
words, to compose music!
This CD provides
14Â classical
selections referenced in
Conversational Solfege
Level 2. These examples
provide reinforcement for
emerging literacy skills,
and they also enable
students to listen to
wonderful classical
examples with greater
attention. Listening to
classical music can be
challenging for
elementary students. With
nothing to hang onto, the
many notes can be too
much to comprehend and
attention soon wanes. But
with minimal literacy
skills, students will
have enough musical
information to discover
that classical music can
be accessible and
appealing. In the
included booklet, timings
are given for each
selection and the
portions of the music
that are readable by the
students are reproduced.
Whether using this CD
with Conversational
Solfege instructional
materials or simply as a
resource of classical
music with simple to read
rhythmic and melodic
material, both teachers
and students will delight
in discovering this
wonderful music through
literacy. This series is
a complete, innovative
approach to teaching
music that will stay
fresh year after year.
CONTENTS Conversational
Solfege Unit 5:Â 1.
Antonin Dvorak •
New World Theme
Conversational Solfege
Unit 6:Â 2. Franz
Joseph Haydn •
Theme from  the
Surprise Symphony, 3.
Camille
Saint-Sans •
Turtles from Carnival of
the Animals, 4. Ludwig
van Beethoven •
Symphony No. 7, 2nd
Movement, 5. Josef
Strauss •
Feuerfest (Fireproof)
Polka, Op. 269
Conversational Solfege
Unit 7:Â 6. Jacques
Offenbach •
Can-Can, 7. Dmitry
Kabalevsky •
Pantomime from the
Comedians, 8. Edvard
Grieg • In the
Hall of the Mountain King
Conversational Solfege
Unit 9 and Unit 11:Â 9.
Jacques
Offenbach •
Barcarolle Conversational
Solfege Unit 10:Â 10.
Edvard Grieg •
Morning Conversational
Solfege Unit 11:Â 11.
Ottorino
Respighi •
Ground in G
Conversational Solfege
Unit 12:Â 12. Johann
Sebastian Bach •
Jesu, Joy of Men's
Desiring, 13. Jean
Sibelius •
Finlandia Conversational
Solfege Unit 13:Â 14.
Ludwig Van
Beethoven •
Symphony No. 6, Movement
5Â John M. Feierabend
is Professor Emeritus and
former Director of Music
Education at The Hartt
School of Music,
University of Hartford,
Connecticut.
TTBB chorus with (piano) or (wind ensemble) or (brass quintet, organ & optional ...(+)
TTBB chorus with (piano)
or (wind ensemble) or
(brass quintet, organ &
optional percussion) or
(full orchestra) or
(Reduced orchestra)
(Please note
accompaniments are not
compatible with each
other.)
SKU:
EC.RBM-103A
Composed
by Randol Alan Bass.
Multi-Movement/Large
Choral Work. Christmas,
Sacred, 21st Century.
Choral score. Duration
12:00. Randol Bass Music
#RBM-103A. Published by
Randol Bass Music
(EC.RBM-103A).
UPC:
688670440052.
This
carol medley was
commissioned by the
Dallas Symphony Orchestra
in 1992 and has been
performed nationwide on
Holiday and Christmas
programs- both in the
concert hall and for
church-based
presentations.
The
following four carols
appear, without
interruption, in this
manner: Shiloh
(William Billings) Joy
To the World Silent
Night (German /
English) Angels We
Have Heard On High.
Edition Eulenburg No.
1529. Composed by
Camille Saint-Saens. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed 1886.
Op. 78. 192 pages.
Duration 36'. Eulenburg
Edition #ETP1529.
Published by Eulenburg
Edition (HL.49046125).
ISBN 9783795712679.
UPC: 888680938956. 6.25x9
inches. Edition Eulenburg
No. 1529.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Composed by Randol Alan Bass. Multi-Movement/Large Choral Work. Christmas, Sacre...(+)
Composed by Randol Alan
Bass.
Multi-Movement/Large
Choral Work. Christmas,
Sacred, 21st Century.
Choral score. Randol Bass
Music #RBM-102. Published
by Randol Bass Music
