By Andreas Jakob Romberg. Edited by Jennifer Caesar. For Flute, violin, two viol...(+)
By Andreas Jakob Romberg.
Edited by Jennifer
Caesar. For Flute,
violin, two violas,
violoncello. Score and
parts. 96 pages.
Published by Edition HH
Music Publishers
By Andreas Jakob Romberg. Edited by Jennifer Caesar. For Flute, violin, two viol...(+)
By Andreas Jakob Romberg.
Edited by Jennifer
Caesar. For Flute,
violin, two violas,
violoncello. Score and
parts. 91 pages.
Published by Edition HH
Music Publishers
By Andreas Jakob Romberg. Edited by Jennifer Caesar. For Flute, violin, two viol...(+)
By Andreas Jakob Romberg.
Edited by Jennifer
Caesar. For Flute,
violin, two violas,
violoncello. Score and
parts. 68 pages.
Published by Edition HH
Music Publishers
By Peter Ilyich Tchaikovsky. Arranged by Evelyn Sabina. For 4 flutes. Flute Quar...(+)
By Peter Ilyich
Tchaikovsky. Arranged by
Evelyn Sabina. For 4
flutes. Flute Quartet.
Romantic, Christmas.
Published by Kendor Music
Inc. Level: Grade 3.
Leduc. CD
only. 22 pages. Alphonse
Leduc #AL30636. Published
by Alphonse Leduc
(HL.48186418).
UPC:
888680831202. 9x12
inches.
“Born
in 1970, Éric
Ledeuil is a versatile
musician, working as a
flautist, composer,
conductor and teacher.
All his expertise has
combined to create the
sublime Flute Quartet,
Sombre Shores. Suitable
for grade 6 and 7
standard flautists,
Sombre Shores is made up
of five sections; The
Approach of a Vessel,
Ghost Choreography, Short
Lull, Darkening, and
Diabolical Dance and
Apotheosis. Sombre Shores
is an exciting and varied
addition to the Flute
Quartet repertoire.
Ledeuil's Sombre Shores
is essential to
intermediate to advanced
flautists seeking to
improve and expand their
ensemble
repertoire.&rdquo.
14 middle-grade duets from the last four centuries. Composed by Various. Perf...(+)
14 middle-grade duets
from
the last four centuries.
Composed by Various.
Performance score. 56
pages.
Universal Edition
#UE035307.
Published by Universal
Edition
Curtain Up! Quartets Quatuor de Flûtes : 4 flûtes [Partition + CD] - Facile Universal Edition
Easy to intermediate arrangements. Composed by Various. Arranged by Barba...(+)
Easy to intermediate
arrangements.
Composed by Various.
Arranged by Barbara
Gisler-Haase. Score,
parts and CD. With
Standard notation. 72
pages. Universal Edition
#UE36692. Published by
Universal Edition
(PR.UE036692).
When I'm Sixty-Four Quatuor de Flûtes : 4 flûtes - Intermédiaire De Haske Publications
Flute Quartet - intermediate SKU: BT.DHP-1185994-070 As performed by T...(+)
Flute Quartet -
intermediate
SKU:
BT.DHP-1185994-070
As performed by The
Beatles. Composed by
John Lennon and Paul
McCartney. Arranged by
Eric J. Hovi. De Haske
Flute Series. Pop and
Rock. Set (Score and
Parts). Composed 2018. De
Haske Publications #DHP
1185994-070. Published by
De Haske Publications
(BT.DHP-1185994-070).
ISBN
9789043156431.
W
hen Iâ??m Sixty-Four
is a famous love song by
The Beatles, in which a
young man sings to his
beloved.
â??Sixty-Fourâ?? is the
age people were allowed
to retire at in 1967.
This version for flute
quartet is a nice
addition to oneâ??s
repertoire, and perfect
for all types of
occasions.
In
When Iâ??m
Sixty-Four een
beroemd liefdesliedje van
The Beatles zingt een
jonge man zijn geliefde
toe. Vierenzestig is de
leeftijd waarop mensen in
het Groot-Brittannië
van 1967 met pensioen
gingen. Deze versie voor
fluitkwartet is een
charmante toevoeging aan
elk repertoire en een
perfect stuk voor diverse
gelegenheden.
W
hen Iâ??m Sixty-Four
ist ein berühmtes
Liebeslied der Beatles
aus dem Jahr 1967, in dem
ein junger Mann seine
Herzensdame fragt, ob sie
wohl mit sixty-fourâ??,
mit 64, noch immer
zusammen sein werden, um
den Lebensabend gemeinsam
zu genieÃ?en. Die hier
vorliegende Version
für Flötenquartett
ist ein schönes
Repertoirestück, das
zu vielen Gelegenheiten
passt.
(Flute/Piano) SKU: HL.48181380 Composed by Wolfgang Amadeus Mozart. Leduc...(+)
(Flute/Piano)
SKU:
HL.48181380
Composed
by Wolfgang Amadeus
Mozart. Leduc. Classical.
CD. 42 pages. Alphonse
Leduc #AL20857. Published
by Alphonse Leduc
(HL.48181380).
UPC:
888680984427.
9.0x12.0x0.13
inches.
“Wolf
gang Amadeus Mozart's
(1756-1791) Flute
Concerto in D is an
adaptation of the
original Oboe Concerto in
C, which the composer
reworked in 1778. The
Concerto remains widely
studied and performed on
both instruments, making
it one of the more
important Concerti in the
woodwind repertoire.
Concerto in D is in three
movements; 1. Allegro
aperto, 2. Adagio non
troppo, and 3. Rondo:
Allegretto. The first and
last movements are in the
tonic key, whilst the
second movement is in the
subdominant key of G
major. A Dutch flautist
of the time, Ferdinand de
Jean, commissioned Mozart
for four Flute quartets
and three Flute concerti.
However, the composer,
who famously disliked the
Flute, only completed
three quartets and one
concerto. Instead of
composing a second
concerto, Mozart
rearranged his Oboe
Concerto, with
substantial changes for
it to fit with the Flute.
De Jean did not approve,
yet the Concerto in D for
Flute remains as popular
to this day as the
Concerto in C for
Oboe.â€.
(Flute/Piano) SKU: HL.48181379 Composed by Wolfgang Amadeus Mozart. Leduc...(+)
(Flute/Piano)
SKU:
HL.48181379
Composed
by Wolfgang Amadeus
Mozart. Leduc. Classical.
CD. 32 pages. Alphonse
Leduc #AL20856. Published
by Alphonse Leduc
(HL.48181379).
UPC:
888680857073.
9.0x12.0x0.114
inches.
Wolfgang
Amadeus Mozart's
(1756-1791) Flute
Concerto in G was written
by the composer in 1778.
The Concerto remains
widely studied and
performed on the Flute,
making it one of the most
important Concerti in the
instrument's repertoire.
Concerto in G is in three
movements; 1. Allegro
maestoso, 2. Adagio ma
non troppo, and 3. Rondo:
Tempo di Menuetto. The
first and last movements
are in the tonic key,
whilst the second
movement is in the
subdominant key of D
major. A Dutch flautist
of the time, Ferdinand de
Jean, commissioned Mozart
for four Flute quartets
and three Flute concerti.
However, the composer,
who famously disliked the
Flute, only completed
three quartets and two
concertos. Instead of
composing a second
concerto, Mozart
rearranged his Oboe
Concerto, with
substantial changes for
it to fit with the Flute.
This edition of Mozart's
Concerto in G includes
cadences by virtuosos
Taffanel, Gaubert and
Bozza, making for an
unmissable version of the
famed work. .
By Various. Arranged by Donald Coakley. For 4 F Horns. Mixed Instruments - Flexi...(+)
By Various. Arranged by
Donald Coakley. For 4 F
Horns. Mixed Instruments
- Flexible
Instrumentation; Part(s);
Quartet; Score. Eighth
Note Publications.
Renaissance. Duration
00:04:00. Published by
Eighth Note Publications
. Renaissance.
4 Saxophones SATBar SKU: AP.1-ADV7411 For SATBar Saxophone Quartet...(+)
4 Saxophones SATBar
SKU: AP.1-ADV7411
For SATBar Saxophone
Quartet. Composed by
Johann Christian Bach.
Arranged by Christoph
Enzel. Masterworks;
Quartet; Solo Small
Ensembles; Woodwind -
Saxophone Quartet.
Advance Music. Classical;
Masterwork Arrangement.
Score and Part(s).
Advance Music
#01-ADV7411. Published by
Advance Music
(AP.1-ADV7411).
UPC:
805095074116.
English.
This
beautiful addition to the
saxophone quartet
repertoire is taken from
Johann Christian Bach's
set of Six Quartettos for
a German flute, violin,
tenor, and violincello.
J.C. Bach was the
youngest of Johann
Sebastian's sons and is
noted for influencing the
concerto style of
Mozart.
Chamber Music flute, piano SKU: CF.WF232 Composed by Antonin Dvorak. Edit...(+)
Chamber Music flute,
piano
SKU:
CF.WF232
Composed by
Antonin Dvorak. Edited by
Robert Stallman. Arranged
by Robert Stallman. Set
of Score and Parts. With
Standard notation. 28+16
pages. Carl Fischer Music
#WF232. Published by Carl
Fischer Music (CF.WF232).
ISBN 9781491153772.
UPC:
680160911271.
Known
internationally for
superior flute editions,
Robert Stallman continues
his considerable
expansion of the flute
repertoire with
re-creations, or
“new†works
for flute by Bach,
Mozart, Schubert,
Beethoven, Chopin,
Dvořák, and other
great composers.Conceived
originally as a work for
solo piano, this
arrangement of
Dvořák’s
Suite in A Major for
flute and piano is based
on both the piano and
orchestra versions. It is
one in a series of
Stallman’s
“new†works
for flute. Dvořák
composed the Suite in A
Major in 1894, inspired
by his happy and fruitful
stay in the “New
World†—a
period that produced some
of his greatest works,
full of thematic
freshness, raw energy and
folk influences, both
American and Old World
Czech. The “New
World†Symphony,
Cello Concerto,
“Americanâ€
Quartet, String Quintet
in E≤ Major, the
Violin Sonatina and this
A Major Suite are all cut
from the same musical
cloth—textured
with his personal
impressions of the Wild
West’s fascinating
Indian and Afro-American
music, its God-fearing
and friendly people, its
vast open spaces and its
awe-inspiring natural
beauty. PrefaceConceiv
ed originally as a work
for solo piano, the Suite
in A Major was composed
by Dvořák in 1894,
during his famous
two-year visit to the
United States. He wrote
the work in a mere ten
days, and a year later
made a full orchestration
of it. The Suite was
first performed in this
second version in 1910 in
Prague at the Rudolfinum.
Dvořák, who died
in 1904, never had a
chance to hear a
performance of this
stirring orchestral
realization.The Suite was
inspired by the
composer’s happy
and fruitful stay in the
“New Worldâ€,
especially by his
unforgettable summers
spent in the quiet
Czech-American village of
Spillville, Iowa—a
period that produced some
of his greatest works,
full of thematic
freshness, raw energy and
folk influences, both
American and Old World
Czech. The “New
World†Symphony,
Cello Concerto,
“Americanâ€
Quartet, String Quintet
in Eb Major, the Violin
Sonatina and this A Major
Suite are all cut from
the same musical
cloth—textured
with his personal
impressions of the Wild
West’s fascinating
Indian and Afro-American
music, its God-fearing
and friendly people, its
vast open spaces and its
awe-inspiring natural
beauty.Several of the
Suite’s affecting
melodies find echoes in
these other, better known
compositions of this
American period. Wistful
themes abound in all five
movements, reflecting
Dvořák’s
transformative American
experience as it found
resonance in his own
emotions. Contrasting
with deeply felt,
contemplative passages
are
Dvořák’s
joyous and tempestuous
expressions, which open
the second, third and
final movements.This
arrangement for flute and
piano is based on both
the piano and orchestra
versions. It is one in a
series of my
“new†works
for flute by some of our
greatest composers and I
am delighted to add it to
the collection. I predict
that the A Major Suite
will become a popular
addition to our Romantic
recital repertoire, much
like the Dvořák
Sonatina.—Robert
StallmanMarblehead,
Mass.June 1, 2018.
String quartet SKU: HH.HH369-FSP Composed by Anonymous. Edited by Christo...(+)
String quartet
SKU:
HH.HH369-FSP
Composed
by Anonymous. Edited by
Christopher Hogwood. Two
Violins, Viola,
Violoncello. Full score
and parts. Edition HH
Music Publishers
#HH369-FSP. Published by
Edition HH Music
Publishers
(HH.HH369-FSP).
ISBN
9790708041887.
This
previously-unpublished
Concerto a Quadro
presumably started life
as a concerto for the
standard Baroque forces
of flute, strings and
continuo, now otherwise
unknown; it is preserved
in its surviving form for
flute, violin, viola and
cello in a set of
manuscript parts
apparently copied by an
amateur musician in
Sweden. Although unlikely
to be the work of Handel,
as a rare early example
of music for flute
quartet it is an
attractive extension to a
repertoire otherwise
dominated by the works of
Mozart and his
contemporaries. In the
present publication,
editorial figuring in the
cello part allows for the
possibility of expanding
the texture with
additional continuo
instruments.
Chamber Music Clarinet, Flute, Piano SKU: PR.114417570 For Flute, Bb C...(+)
Chamber Music Clarinet,
Flute, Piano
SKU:
PR.114417570
For
Flute, Bb Clarinet, And
Piano. Composed by
Edvard Grieg. Arranged by
Michael Webster. Sws
each. See the program
notes on pages two and
three of the full score.
Set of Score and Parts.
With Standard notation.
Composed 2008. 40 8 8
pages. Duration 18
minutes. Theodore Presser
Company #114-41757.
Published by Theodore
Presser Company
(PR.114417570).
ISBN
9781491107867. UPC:
680160636013. 9x12
inches.
The famous
set of dances by Norway's
greatest composer were
written for piano duet.
Grieg later created a
piano solo version, but
refused to orchestrate
the set. After some study
of Grieg and his music,
Michael Webster has
arranged the four dances
for Flute, Clarinet, and
Piano in a faithful
setting, using the piano
duet version as a guide.
This lively Grieg classic
will be a welcome new
addition to performance
programs. For advanced
performers.______________
_________________________
Text from the scanned
back cover:Born in 1944,
MICHAEL WEBSTER made his
New York recital debut at
Town Hall in 1968 with
his eminent father,
Beveridge Webster, as
pianist. In the same
year, he won the Young
Concert Artists
International Competition
and succeeded his
teacher, Stanley Hasty,
as Principal Clarinet in
the Rochester
Philharmonic, a position
he held for twenty years.
Webster has performed
with the Chamber Music
Society of Lincoln
Center, the 92nd Street
Y, with the Tokyo,
Cleveland, Muir, Ying,
Enso, and Dover String
Quartets, and with the
festivals of Marlboro,
Santa Fe, Norfolk,
Chamber Music Northwest,
Angel Fire, Steamboat
Springs, Park City,
Sitka, Kapalua, Bowdoin,
Orcas Island,
Skaneateles, La Musica di
Asolo, Stratford,
Victoria, and Domaine
Forget.As soloist he has
appeared with many
orchestras, including the
Philadelphia Orchestra
under Aaron Copland and
the Boston Pops under
John Williams. His
travels have taken him as
performer and teacher to
most of the 50 states, as
well as Canada,
Mexico,Puerto Rico,
Central and South
America, Europe, Japan,
China, Australia, and New
Zealand. Webster was
Acting Principal Clarinet
of the San Francisco
Symphony, and has served
on the clarinet and/or
conducting faculties of
New England Conservatory,
Boston University,
University of Michigan,
and the Eastman School,
from which he earned his
three degrees. Currently
he is Professor of Music
at Rice Universityâ??s
Shepherd School of Music
and Artistic Director of
the Houston Youth
Symphony, which has won
multiple first prizes in
national performance
competitions.With his
wife, flutist Leone
Buyse, and pianist Robert
Moeling, he plays in the
Webster Trio, which has
recorded his arrangements
on Tour de France and
World Wide Webster for
Crystal Records.
Otherarrangements were
recorded for Nami and
Camerata Tokyo in Japan
with pianist Chizuko
Sawa. Webster has also
recorded for Albany,
Arabesque, Beaumont,
Bridge, Centaur, CRI, and
New World. He has played
at many ClarinetFests for
the International
Clarinet Association and
written a column entitled
â??TeachingClarinetâ?
in The Clarinet Magazine
since 1998. Michael
Webster is a Buffet
artist-clinician,
performing on Buffet
clarinets
exclusively. NORWEGIAN
DANCES (Grieg)Michael
Websterâ??s
transcriptions for Flute,
Clarinet, and Piano have
created the core
literature for this
instrumental genre.
Working directly from
Griegâ??s original piano
four-hands version of the
charmingly familiar
Norwegian Dances, Webster
has given flutists and
clarinetists another
addition to the
ensembleâ??s
repertoire.
Leduc.
CD. Alphonse Leduc
#AL30635. Published by
Alphonse Leduc
(HL.48186417).
Born in 1970,
Eric Ledeuil is a
versatile musician,
working as a flautist,
composer, conductor and
teacher. All his combined
expertise has created
this sublime ensemble
work, Spring Quartet for
Flute. Suitable for grade
7 and 8 standard
flautists, Spring Quartet
is made up of four
sections; Blooms,
Awakening Animals, Taking
Flight and Spring
Apotheosis. Spring
Quartet is an exciting
and varied addition to
the Flute Quartet
repertoire, essential to
advanced flautists
seeking to improve and
expand their ensemble
experience..
Symphony Quintetto Orchestre Symphonique [Conducteur et Parties séparées] Barenreiter
After Symphony No. 97 for Flute, String Quartet and Piano ad libitum. By Haydn, ...(+)
After Symphony No. 97 for
Flute, String Quartet and
Piano ad libitum. By
Haydn, Joseph;Salomon,
Johann Peter. Edited by
Hogwood, Christopher. For
Flute, Violin 1, Violin
2, Viola, Violoncello,
Piano ad lib. Score; Set
of Parts. Hob. I:97.
Published by
Baerenreiter-Ausgaben
(German import).
Three Dances Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114419480 For Flute and Piano. ...(+)
Chamber Music flute,
piano
SKU:
PR.114419480
For
Flute and Piano.
Composed by Gary
Schocker. Sws. Set of
Score and Parts. 20+8
pages. Duration 8:30.
Theodore Presser Company
#114-41948. Published by
Theodore Presser Company
(PR.114419480).
ISBN
9781491131428. UPC:
680160677313. 9 x 12
inches.
Gary
Schocker’s THREE
DANCES FOR TWO FLUTES has
long been a staple of the
flute repertoire –
in its original voicing
with piano, as well as in
transcriptions with
string orchestra or band
accompaniment, for alto
saxophone duo with piano,
and even in the
composer’s flute
quartet version of the
famous Coffee Nerves
movement. Schocker has
arranged THREE DANCES for
one solo flute with
piano, incorporating all
of the original
work’s
counterpoint, beauty, and
spice, into this
practical and concise
instrumentation.
4 flutes SKU: M7.KECF-126 Overture. Composed by Wolfgang Amadeus M...(+)
4 flutes
SKU:
M7.KECF-126
Overture. Composed
by Wolfgang Amadeus
Mozart. Arranged by
Sabine Gunther. This
edition: Saddle-wire
stitching. Sheet music.
Score and parts. 32
pages. MDS (Music
Distribution Services)
#KECF 126. Published by
MDS (Music Distribution
Services) (M7.KECF-126).
ISBN 9790502361266.
German
English.
Since the
demise of a rich
repertoire of
arrangements of classic
overtures, symphonies etc
for flute ensemble,
Edition Con Fuoco is
continuously publishing a
series to fill this need.
Mozart's Musical
excursion into the world
of oriental Music was a
work commissioned ny
Emperor Joseph II. to
vitalize the German
Singspiel (opera) and was
premiered in 1782 with
great success. The
oriental colour in the
Abduction of the Seraglio
is supported in this
arangement for four
flutes by simple
percussion parts (ad
lib.).
4 flutes SKU: M7.KECF-125 Composed by Wolfgang Amadeus Mozart. Arranged b...(+)
4 flutes
SKU:
M7.KECF-125
Composed
by Wolfgang Amadeus
Mozart. Arranged by
Sabine Gunther. This
edition: Saddle
stitching. Sheet music.
Score and parts. 36
pages. MDS (Music
Distribution Services)
#KECF 125. Published by
MDS (Music Distribution
Services) (M7.KECF-125).
ISBN 9790502361259.
German
English.
Since the
demise of a rich
repertoire of
arrangements of classic
overtures, symphonies ect
for flute Ensemble,
Edition Con Fuoco is
continuosly publishing a
series to fill this need.
The present Symphony No.
1 by W.A. Mozart is the
symphonic debut of a
nine-year-old Wunderkind,
which was composed at the
end of 1764/beginning of
1765 in London. The
symphony contains a
lively Allegro, an
expressive Andante and a
Vibrant 3/8-Presto. Pure
Mozart with a joy of life
and intimacy.
For Flute, Clarinet in
B-Flat, Harp, and String
Quartet. Composed by
Han Lash. Sheet music.
Edition Schott.
Classical. Score and
parts. Composed 2017. 52
pages. Duration 20'.
Schott Music #ED31318.
Published by Schott Music
(HL.49045537).
ISBN
9781495095290. UPC:
888680688394.
9.5x12.0x0.435
inches.
Form and
Postlude is a piece in
one continuous movement
but with a distinct
postlude which ends the
work. I play throughout
with the idea of pacing
on many levels: the
largest level is the idea
of proportion of sections
to one another, then
harmonic rhythm (in the
broad sense), then
harmonic rhythm on a more
local level, and of
course then on the
surface of the music
there is instrumental
texture and how fast the
notes go by. Along with
this sense of play in
terms of the pacing and
motion is the idea of
color. I love this
ensemble, and its palette
of color has been part of
my DNA, as it were, for
many years, because
Ravel's wonderful work
Introduction et Allegro
is such a cornerstone in
the harpist's repertoire.
While composing, I found
myself feeling that I was
entering into this
colorful world that is
possible with this
combination of
instruments, almost as if
it were possible to step
into a painter's palette
in a real and visceral
way, physically
interacting with all the
different colors. The
title Form and Postlude
nods to Ravel's
Introduction et Allegro,
although my piece lives
in its own very distinct
space apart from Ravel.
-Hannah Lash.