Brass Band (Score)

SKU: HL.4006001

Brass Band Score. Composed by Rafael Hernandez. Arranged by Naohiro Iwai. De Haske Brass Band. Puerto Rican. Softcover. 40 pages. Duration 230 seconds. De Haske Publications #1104971130. Published by De Haske Publications (HL.4006001).

UPC: 888680948948.

Rafae l Hernandez (1892-1965) was probably the greatest composer in Puerto Rico. After serving in World War I, he worked in the USA, in Mexico and in Puerto Rico as a musician, composer, band-leader and actor. Masato Myokoin has written this new, exciting arrangement of Rafael Hernandez biggest international hit, El Cumbanchero.

Concert Band/Harmonie and Trumpet Solo - Grade 4

SKU: BT.DHP-1063974-010

For Trumpet and Concert Band. Composed by Bernardo Bautista Monterde. Arranged by Naohiro Iwai. New Sounds for Concert Band. Pop and Rock. Set (Score and Parts). Composed 2006. De Haske Publications #DHP 1063974-010. Published by De Haske Publications (BT.DHP-1063974-010).

9x12 inches. English-German-French-Dut ch.

Here is your chance for some audience participation within your concert programme. The big Summer â??hitâ?? of 1995 was the Bayside Boys with their version of a modern Spanish song. Can you remember the moves? If so, why not demonstrate them and invite your audience to join in with this scintillating arrangement. Guaranteed to bring the house down!

In Sevilla ligt de kleine Basilica de Macarena, oftewel de basiliek van de heilige maagd - de beschermheilige van de toreros. Stierenvechters komen hier bidden en brengen offergaven voor ze de arena betreden. La Virgen de la Macarenavan Bernardino Bautista Monterde, onsterfelijk gemaakt door de grote trompettist Rafael Mendez, roept de sfeer van bewondering en bezetenheid van de stierengevechten op.

La Virgen de la Macarenaâ?? lautet der originale Titel dieses Stückes von Bernardo Bautista Monterde, das eine Marienprozession im spanischen Sevilla beschreibt. Die Melodie wurde bereits in mehreren Soundtracks, wie zum Beispiel zu den Filmen FOOLSRUSH IN (Herz über Kopf) und FORCES OF NATURE (Auf die stürmische Art) verwendet. Ein glänzender Auftritt für Ihren Solotrompeter und das gesamte Blasorchester!

Som ptueuse construction moderne, la basilique de la Macarena est célèbre pour la Vierge de la Macarena, déesse sévillane la plus vénérée et sainte patrone des toreros. La passion et la faveur inconditionnelle de la population sévillane pour la Vierge de la Macarena se retrouve tous les ans lors de la Semaine Sainte. Immortalisée par le grand trompettiste Rafael Mendez, La Virgen de la Macarena de Bernardo Bautista Monterde évoque lâ??émerveillement et la frénésie des corridas.

Sontuosa costruzione moderna, la basilica della Macarena è celebre per la Vergine della Macarena, venerata a Siviglia e protettrice dei toreri. La passione e la venerazione incondizionata della popolazione per la Vergine della Macarena si rinnovano ogni anno in occasione della Settimana Santa. Immortalata dal grande trombettista Rafael Mendez, La Virgen de la Macarena di Bernardo Bautista Monterde evoca la frenesia delle corride.

Concert Band/Harmonie and Trumpet Solo - Grade 4

SKU: BT.DHP-1063974-140

For Trumpet and Concert Band. Composed by Bernardo Bautista Monterde. Arranged by Naohiro Iwai. New Sounds for Concert Band. Pop & Rock. Score Only. Composed 2006. 32 pages. De Haske Publications #DHP 1063974-140. Published by De Haske Publications (BT.DHP-1063974-140).

9x12 inches. English-German-French-Dut ch.

Here is your chance for some audience participation within your concert program. The big Summer ‘hit’ of 1995 was the Bayside Boys with their version of a modern Spanish song. Can you remember the moves? If so, why not demonstrate them and invite your audience to join in with this scintillating arrangement. Guaranteed to bring the house down!

In Sevilla ligt de kleine Basilica de Macarena, oftewel de basiliek van de heilige maagd - de beschermheilige van de toreros. Stierenvechters komen hier bidden en brengen offergaven voor ze de arena betreden. La Virgen de la Macarenavan Bernardino Bautista Monterde, onsterfelijk gemaakt door de grote trompettist Rafael Mendez, roept de sfeer van bewondering en bezetenheid van de stierengevechten op.

La Virgen de la Macarena“ lautet der originale Titel dieses Stückes von Bernardo Bautista Monterde, das eine Marienprozession im spanischen Sevilla beschreibt. Die Melodie wurde bereits in mehreren Soundtracks, wie zum Beispiel zu den Filmen FOOLSRUSH IN (Herz über Kopf) und FORCES OF NATURE (Auf die stürmische Art) verwendet. Ein glänzender Auftritt für Ihren Solotrompeter und das gesamte Blasorchester!

Som ptueuse construction moderne, la basilique de la Macarena est célèbre pour la Vierge de la Macarena, déesse sévillane la plus vénérée et sainte patrone des toreros. La passion et la faveur inconditionnelle de la population sévillane pour la Vierge de la Macarena se retrouve tous les ans lors de la Semaine Sainte. Immortalisée par le grand trompettiste Rafael Mendez, La Virgen de la Macarena de Bernardo Bautista Monterde évoque l’émerveillemen t et la frénésie des corridas.

Sontuosa costruzione moderna, la basilica della Macarena è celebre per la Vergine della Macarena, venerata a Siviglia e protettrice dei toreri. La passione e la venerazione incondizionata della popolazione per la Vergine della Macarena si rinnovano ogni anno in occasione della Settimana Santa. Immortalata dal grande trombettista Rafael Mendez, La Virgen de la Macarena di Bernardo Bautista Monterde evoca la frenesia delle corride.

Arranged by Deborah Greenblatt. Violin Duet. For 2 violins. Tunes for Two. Russian Folk. Tune book. Standard Notation. 47 pages

Arranged by Deborah Greenblatt. Cello Duet. For 2 cellos. Tunes for Two. Russian Folk. Tune book. Standard Notation. 47 pages

Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Along series with accompaniment CD. Jazz Play-A-Long For All Musicians. Book with CD. Published by Jamey Aebersold Jazz.

Arranged by Deborah Greenblatt. Viola Duet. For 2 violas. Tunes for Two. Russian Folk. Tune book. Standard Notation. 47 pages

Arranged by Deborah Greenblatt. Mandolin Duet. For 2 mandolins. Tunes for Two. Russian Folk. Tune book. Standard Notation. 47 pages

Piano; Voice (Vocal Score)

SKU: HL.49015076

Oper in 3 Akten. Composed by Werner Egk. This edition: ED3979. Sheet music. Edition Schott. Classical. Piano reduction. Composed 1935/1954. 264 pages. Duration 110'. Schott Music #ED 3979. Published by Schott Music (HL.49015076).

ISBN 9790001047739. UPC: 884088054519. 9.0x12.0x0.819 inches.

2 (auch 2 Picc.) * 2 (2. auch Engl. Hr.) * 2 * 2 (2. auch Kontrafag.) - 4 * 3 * 3 * 1 - P. S. (gr. Tr. * kl. Tr. * Ruhrtr. * Beck. * Tamt. * Trgl. * Glspl. * Rohrengl. * Xyl. * Vibr.)(2 Spieler) - Cel. - Str.Buhnenmusik (III. Akt, 5. Bild): 2 Klar. * 2 Hr. * 2 Fag. - 2 Soloviol. * 1 Kb.

2 (auch 2 Picc.) * 2 (2. auch Engl. Hr.) * 2 * 2 (2. auch Kontrafag.) - 4 * 3 * 3 * 1 - P. S. (gr. Tr. * kl. Tr. * Ruhrtr. * Beck. * Tamt. * Trgl. * Glspl. * Rohrengl. * Xyl. * Vibr.)
(2 Spieler) - Cel. - Str.
Buhnenmusik (III. Akt, 5. Bild): 2 Klar. * 2 Hr. * 2 Fag. - 2 Soloviol. * 1 Kb.

Orchestra

SKU: HL.49006940

Essay symphonique. Composed by Wilhelm Killmayer. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Conductor's/study score. Composed 1978. 36 pages. Duration 12'. Schott Music #ED 7066. Published by Schott Music (HL.49006940).

ISBN 9790001074308.

4 (auch 4 Picc.; 1. auch Sopr.-Blfl.) * 3 * 3 (in B, C und A; 2. auch Klar. in Es; 3. auch Bassklar. in B) * 3 (3. auch Kontrafag.) - 4 * 4 (1. auch Kornett in B) * 3 * 1 (auch Kb.tb.) - 4 P. S. (kl. Tr. * 2 Ruhrtr. * gr. Tr. mit Beck. * gr. Holzschlitztr. * 2 Beck. * Beckenmaschine * Tamb. * Kast. * 2 Glspl. * Steinspiel * Schellen * Crotales * Zimb. * Trgl. * Lotosfl. * Flexaton * Metallpl. in f und g * Rohrengl. in fis * Mar. * 2 Woodbl. * 2 Congas * 2 Timbales * Rute * Hammer * Klappholz * Ratsche * Peitsche * Sandblock * Glockchen in h' * Xyl.) (5-6 Spieler) - 2 Hfn. * Cel. - Str.Hinter der Buhne: 2 Tromp. in B (aus dem Orchester) - gr. Klappholz

4 (auch 4 Picc.; 1. auch Sopr.-Blfl.) * 3 * 3 (in B, C und A; 2. auch Klar. in Es; 3. auch Bassklar. in B) * 3 (3. auch Kontrafag.) - 4 * 4 (1. auch Kornett in B) * 3 * 1 (auch Kb.tb.) - 4 P. S. (kl. Tr. * 2 Ruhrtr. * gr. Tr. mit Beck. * gr. Holzschlitztr. * 2 Beck. * Beckenmaschine * Tamb. * Kast. * 2 Glspl. * Steinspiel * Schellen * Crotales * Zimb. * Trgl. * Lotosfl. * Flexaton * Metallpl. in f und g * Rohrengl. in fis * Mar. * 2 Woodbl. * 2 Congas * 2 Timbales * Rute * Hammer * Klappholz * Ratsche * Peitsche * Sandblock * Glockchen in h' * Xyl.) (5-6 Spieler) - 2 Hfn. * Cel. - Str.

Hinter der Buhne: 2 Tromp. in B (aus dem Orchester) - gr. Klappholz.

Viola - Grade 4

SKU: HL.14048276

Solo Viola Part. Composed by Sø and ren Nils Eichberg. Music Sales America. Classical. Softcover. Composed 2016. 15 pages. Edition Wilhelm Hansen #WH32897C. Published by Edition Wilhelm Hansen (HL.14048276).

ISBN 9788759891865. English.

This is the solo part for Charybdis - 'Wirbelrausch fur Bratsche und Orchester' by Soren Nils Eichberg (2016). Concerto for Viola and Orchestra, dedicated to Rafael Altino. Premiere by Rafael Altino and Odense Symphony Orchestra conducted by Michael Schonwandt on October 27, 2016.

Composed by Nino Miguel. Carisch - Music Sales. Folk Music. Book with CD. 80 pages. Play Music Spain #MUSML3775. Published by Play Music Spain

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-0960680-010

Composed by Rafael Hernandez. Arranged by Naohiro Iwai. New Sounds for Concert Band. Concert Piece. Set (Score & Parts). Composed 1996. De Haske Publications #DHP 0960680-010. Published by De Haske Publications (BT.DHP-0960680-010).

As with many publications from the DE HASKE 'New Sounds for Concert Band' series this work will be a challenge for many concert bands. Extensive percussion, virtuoso passages for woodwinds and special effects from the brass guarantee excitement for every musician in your band.

Rafael Hérnandez (1892-1965) gilt als einer der größten, wenn nicht gar der größte Komponist Puerto Ricos. Aus einer armen Familie stammend, lernte er zunächst den Beruf eines Zigarrendrehers, studierte dann aber Musik und lernte zahlreiche Instrumente zu spielen. Nach seinem Einsatz im ersten Weltkrieg lebte und arbeitete er in den USA, in Mexiko und Puerto Rico als Musiker, Komponist, Orchesterleiter und Schauspieler. El Cumbanchero ist einer der größten, international bekannten Hits von Hérnandez. In dem berauschenden, anspruchsvollen Arrangement von Naohiro Iwai wird er zu einem echten Erlebnis!

Composed by Nino Miguel. Carisch - Music Sales. Book with CD. Composed 2014. 79 pages. Play Music France #CARMF2412. Published by Play Music France

Orchestra Bassoon, Cello, Clarinet, Contrabass, Flute, Harp, Horn, Marimba, Oboe, Vibraphone, Viola, Violin 1, Violin 2

SKU: PR.416414230

For Chamber Orchestra. Composed by James Matheson. This edition: Version 6/10/10. Sws. Contemporary. Full score. With Standard notation. Composed February 13 2003. 84 pages. Duration 18 minutes. Theodore Presser Company #416-41423. Published by Theodore Presser Company (PR.416414230).

ISBN 9781598066630. UPC: 680160602087. 9x12 inches.

Colonnade is James Matheson’s intriguing response to the Albany Symphony’s commission to create a work inspired by the NY State Board of Education Building, designed by the renowned architect Rafael Guastavino. Matheson explains that “A colonnade acts as a metaphor for the tension between knowledge and perception. The columns are the same height and equidistant from each other; while the mind understands this fully, there exists no place from which one can perceive this – the columns always appear to be of uneven height and spacing. If one then adds motion to perspective, identical columns acquire elasticity, and begin to change kaleidoscopically – they shrink, grow, become closer, and then further apart.” This structural paradox is given musical life in the outer sections of Colonnade, while the long, arching middle section is inspired by the vaulted ceiling of one of the building’s largest rooms, enhancing the structure’s spacious openness and lightness.
Colonnade is inspired by Albany’s majestic New York State Board of Education Building, and written on a commission from the Albany Symphony Orchestra. It was an intriguing task, in part because in order to accept the commission I had to agree to write a work “inspired by” a building I had not yet seen. Thisproblem was compounded by the fact that, for me, the very notion of extra-musical inspiration is a complex one, particularly with respect to literary or visual sources. I generally find ideas and abstracted notions more generative of musical ideas than specific ones (a poem, an experience, a painting). So when I went to seeand tour the building, I sought to identify fundamental formal aspects of the building which I could process into musical ideas, and would then be linked to the building through a sense of formal relationship. In theend, two characteristics of the building stood out as noteworthy and undiminished by time (compared with, for instance, the building’s rotunda, which contains a series of quaintly outdated allegorical paintings): theexterior colonnade and a beautiful interior vaulted ceiling, designed by Rafael Guastavino.For me, a colonnade acts as a metaphor for the tension between knowledge and perception. We all know, for instance, that the columns are of the same height and are equidistant from each other. Nevertheless, while the mind understands this fully, it is also the case that there exists no place – no standpoint or viewpoint – anywhere in the universe – from which one can perceive this; the columns always appear to be of uneven height and spacing. If one then adds motion to perspective – a walk along the colonnade, for instance – the fixed, even, rigidly identical columns acquire elasticity, and begin to change kaleidoscopically – they shrink, grow, become closer, and then further apart. Further, the detail of the building’s façade behind the colonnadeshifts into and out of visibility, with different portions obscured by the columns from each vantage point. These considerations underlie the outer sections of Colonnade, in which a continuously repeated, continuously varied rising figure – suggestive of a column – dominates. The iterations of this elastic, evolvingfigure are interspersed with other music – suggestive of the building’s façade. The second feature of the building that caught my attention was the vaulted ceiling, designed by Guastavino,of one of the building’s largest rooms. The ceiling enhances the spaciousness of the room, giving it an openness and lightness that is quite captivating. The middle section of Colonnade has this openness at its core, and is dominated by long, arching lines that, to me, suggest the refined beauty of this ceiling.World premiere March 8, 2003; Albany Symphony Orchestra conducted by David Alan Miller.