Royal Coronation Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545.
Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion.
By Claude Gervaise / Pierre D'attaignant. Peter Reeve - Author. For 4 Trumpets, ...(+)
By Claude Gervaise /
Pierre D'attaignant.
Peter Reeve - Author. For
4 Trumpets, Horn, 4
Trombones, Tuba. Just
Brass. Renaissance. Sheet
Music. Published by
Chester Music.
Himalayan Dances Orchestre d'harmonie [Conducteur] - Débutant Gobelin Music Publications
Concert Band/Harmonie - Grade 1.5 SKU: BT.GOB-001203-140 Valley of Flo...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.GOB-001203-140
Valley of Flowers.
Composed by Marc
Cunningham. Challenger
Series. Concert Piece.
Score Only. Composed
2013. 16 pages. Gobelin
Music Publications #GOB
001203-140. Published by
Gobelin Music
Publications
(BT.GOB-001203-140).
9x12 inches.
English-German-French-Dut
ch.
The special
landscape in the Valley
of Flowers national park
in the Himalayas is
distinguished by its
brilliant colours and the
variety of its
_x001D_flora and fauna.
Marc Cunningham was
deeply in_x001D_fluenced
by the temple dances of
this region. The theme
behind these dances,
which were originally
religious performances
and for which the dancers
dress in colourful garb,
is the tension between
good and evil. In
Himalayan Dances -
Valley of Flowers,
various aspects of this
ancient dance form are
brought into the
spotlight.
Marc
Cunningham haalde voor
deze compositie voor
jeugdorkest zijn
inspiratie uit het
natuurreservaat “Valley
of Flowers” in het
Himalaya gebied. De
kleurenpracht van de
fauna en _x001E_flora en
de indrukwekkende lokale,
oorspronkelijk religieus
getinte dansen waren
aanleiding tot het
componeren van dit
inspirerende en
contrastrijke werk.
Diese besondere
Landschaft im
Nationalpark Valley of
Flowers im Himalaya
zeichnet sich durch ihre
Farbenpracht und Vielfalt
in Flora und Fauna aus.
Marc Cunningham war von
den Tempeltänzen dieser
Region tief beeindruckt.
Thema dieser
ursprünglich religiösen
Tänze, bei denen sich
die Tänzer bunt
verkleiden, ist das
Spannungsverhältnis
zwischen Gut und Böse.
In Himalayan Dances -
Valley of Flowers
werden verschiedene
Aspekte dieser alten
Tanzkunst ins Rampenlicht
gerückt.
Les
danses himalayennes ont
profondément
impressionné le
compositeur Marc
Cunningham. Les danseurs
sont parés de costumes
chatoyants et portent des
masques colorés. Le fil
conducteur de cet art
populaire est la
distinction entre le bien
et le mal. Les minuscules
mouvements des yeux, les
gestes précis de la main
et les expressions
faciales jouent un rôle
d’interprétation
important. Dans
l’oeuvre Himalayan
Dances, divers
aspects de cette danse
folklorique sont mis en
évidence. Haute en
couleurs_x001E_!
L
e danze della regione
dell’Himalaya che hanno
profondamente
impressionato il
compositore Marc
Cunningham, traggono
ispirazione dalla
religione indù, ma non
sono più praticate.
Esiste però una versione
più attuale nella quale
le danzatrici, che spesso
indossano costumi
sgargianti e maschere
colorate, si esibiscono
in balli spettacolari. Il
_x001E_filo conduttore di
quest’arte popolare è
la distinzione tra il
bene e il male. I
minuscoli movimenti degli
occhi, le gesta precise
della mano e le
espressioni del viso
rivestono un ruolo
importante
nell’interpretazione.
Himalayan Dances
evidenzia diversi aspetti
folcloristici di questa
affascinante cultura.
Himalayan Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Gobelin Music Publications
Concert Band/Harmonie - Grade 1.5 SKU: BT.GOB-001203-010 Valley of Flo...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.GOB-001203-010
Valley of Flowers.
Composed by Marc
Cunningham. Challenger
Series. Concert Piece.
Set (Score & Parts).
Composed 2013. 55 pages.
Gobelin Music
Publications #GOB
001203-010. Published by
Gobelin Music
Publications
(BT.GOB-001203-010).
9x12 inches.
English-German-French-Dut
ch.
The special
landscape in the Valley
of Flowers national park
in the Himalayas is
distinguished by its
brilliant colours and the
variety of its
_x001D_flora and fauna.
Marc Cunningham was
deeply in_x001D_fluenced
by the temple dances of
this region. The theme
behind these dances,
which were originally
religious performances
and for which the dancers
dress in colourful garb,
is the tension between
good and evil. In
Himalayan Dances -
Valley of Flowers,
various aspects of this
ancient dance form are
brought into the
spotlight.
Marc
Cunningham haalde voor
deze compositie voor
jeugdorkest zijn
inspiratie uit het
natuurreservaat “Valley
of Flowers” in het
Himalaya gebied. De
kleurenpracht van de
fauna en _x001E_flora en
de indrukwekkende lokale,
oorspronkelijk religieus
getinte dansen waren
aanleiding tot het
componeren van dit
inspirerende en
contrastrijke werk.
Diese besondere
Landschaft im
Nationalpark Valley of
Flowers im Himalaya
zeichnet sich durch ihre
Farbenpracht und Vielfalt
in Flora und Fauna aus.
Marc Cunningham war von
den Tempeltänzen dieser
Region tief beeindruckt.
Thema dieser
ursprünglich religiösen
Tänze, bei denen sich
die Tänzer bunt
verkleiden, ist das
Spannungsverhältnis
zwischen Gut und Böse.
In Himalayan Dances -
Valley of Flowers
werden verschiedene
Aspekte dieser alten
Tanzkunst ins Rampenlicht
gerückt.
Les
danses himalayennes ont
profondément
impressionné le
compositeur Marc
Cunningham. Les danseurs
sont parés de costumes
chatoyants et portent des
masques colorés. Le fil
conducteur de cet art
populaire est la
distinction entre le bien
et le mal. Les minuscules
mouvements des yeux, les
gestes précis de la main
et les expressions
faciales jouent un rôle
d’interprétation
important. Dans
l’oeuvre Himalayan
Dances, divers
aspects de cette danse
folklorique sont mis en
évidence. Haute en
couleurs_x001E_!
L
e danze della regione
dell’Himalaya che hanno
profondamente
impressionato il
compositore Marc
Cunningham, traggono
ispirazione dalla
religione indù, ma non
sono più praticate.
Esiste però una versione
più attuale nella quale
le danzatrici, che spesso
indossano costumi
sgargianti e maschere
colorate, si esibiscono
in balli spettacolari. Il
_x001E_filo conduttore di
quest’arte popolare è
la distinzione tra il
bene e il male. I
minuscoli movimenti degli
occhi, le gesta precise
della mano e le
espressioni del viso
rivestono un ruolo
importante
nell’interpretazione.
Himalayan Dances
evidenzia diversi aspetti
folcloristici di questa
affascinante cultura.
Piano - beginner SKU: BT.1582-08-400-M Klavierschule Band 3. Compo...(+)
Piano - beginner
SKU:
BT.1582-08-400-M
Klavierschule Band
3. Composed by Aniko
Drabon. Tastenzauberei.
Method. Book, CD and
Audio Online. Composed
2008. 96 pages. Mitropa
Music #1582-08-400 M.
Published by Mitropa
Music (BT.1582-08-400-M).
ISBN 9789043130868.
9x12 inches.
German.
Ein
zauberhafter Einstieg ins
Klavierspiel!
Das ist
Tastenzauberei: • für Kinder
ab dem Vor- und
Grundschulalter
• sowohl für den
Einzel- als auch für
den Gruppenunterricht
• Quereinstieg
in die Arbeit mit jedem
der Bände ist
möglich •
kindgerechtes Lerntempo
• Motivation
der Schüler durch die
ansprechende Gestaltung
und Smiley-Aufkleber als
Bonbon“ •
viele Spielstücke (oft
vierhändig für
Schüler und Lehrer
oder zwei Schüler)
machen Tastenzauberei von
Anfang an zu einem
klangvollen Erlebnis
• professionelle
Mitspiel- und Demo-CDs,
eingespielt von der
Autorin selbst
Inhalte von Band 3 sind
u. a.: Intervalle,
Dreiklänge, Dur- und
Moll-Tonarten, Rhythmen
und Tänze,
Zusammenspiel.
Year 5 Book/CD SKU: HL.49030432 A Year-by-Year Series for Teachers in ...(+)
Year 5 Book/CD
SKU:
HL.49030432
A
Year-by-Year Series for
Teachers in Primary
Schools. Composed by
Dorothy Taylor and
William McVicker. This
edition: Paperback/Soft
Cover. Book with CD.
Edition Schott.
Classical, Instruction.
Book with CD. 96 pages.
Schott Music #ED 12642.
Published by Schott Music
(HL.49030432).
ISBN
9781902455013. English.
John Minnion.
In
this sixth book of the
series, the authors
builld upon the lower
junior stage, and use a
similar modular format.
Designed to extend skill
acquisition in
performance, improvising
and composing, listening
and appraising, and
notating music, pupils
are challenged by
incresingly demanding
musical materials. At the
same time there is an
emphasis on pupils
acquiring knowledge and
expertise of the deep
structures of a range of
music, and a greater
acknowledgement of
musical purpose and
context. Attuned to the
National Curriculum
experiences, particular
features of this book
are: a consolidation and
deepening of vocal and
instrumental techniques
and performance * an
integrated approach to
improvising and
composing, combing skills
in listening and
appraising, knowledge and
understanding * a module
focusing on aural
observation,
representation, recording
and notation of sound *
an active, analytical and
frequently physical
approach to listening and
appraising * a focus on
music in its social and
historical context in
relation to dance.
Solo organ - Moderately Difficult SKU: OU.9780193532915 From Organ Dan...(+)
Solo organ - Moderately
Difficult
SKU:
OU.9780193532915
From Organ Dances.
Composed by Bob Chilcott.
Organ (Solo). The Oxford
Organ Library. 12 pages.
Duration 3.5'. Oxford
University Press
#9780193532915. Published
by Oxford University
Press (OU.9780193532915).
ISBN 9780193532915. 12
x 9 inches.
Sun
Dance is a slightly
modified version of the
fifth movement from the
composer's Organ Dances.
The music is for the most
part celebratory in
character, its spiky
rhythms driven along by
the pervasive alternation
of 3/8 and 4/4 metrical
groupings, although the
composer also has fun
with 7/8 and 5/8
patterns.
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1114864-140 From opus 46(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1114864-140
From opus 46.
Composed by Antonin
Dvorak. Arranged by Wil
van der Beek. Great
Classics. Transcription.
Score Only. Composed
2011. 40 pages. De Haske
Publications #DHP
1114864-140. Published by
De Haske Publications
(BT.DHP-1114864-140).
9x12 inches.
English-German-French-Dut
ch.
In 1878, on a
commission from his
publisher, Anton n
Dvorák wrote a series
of eight Slavonic dances.
Modelled on Johannes
Brahmsâ?? famous
Hungarian Dances,
although in contrast to
Brahmsâ?? work,
Dvorák used no
original melodies. Wil
van der Beek has arranged
No. 7, a brisk 2/4 dance,
as well as No. 8, a
passionate, exuberant
furiant in 3/4.
In 1878 schreef
Dvoøák op verzoek
van zijn uitgever een
serie van acht Slavische
dansen. Daarbij zouden de
beroemde Hongaarse dansen
van Brahms als voorbeeld
moeten dienen.
Dvoøák had echter
zijn eigen opvattingover
het kunstzinnigvormgeven
van (volks)dansen. Waar
Brahms meerdere bestaande
melodieën van dansen
uitHongarije gebruikte,
beperkte Dvoøák
zich tot karakteristieke
ritmische patronen van
dansvormen uit zijn
vaderland. Oorspronkelijk
zijn de Slavischedansen
gecomponeerd voor klavier
vierhandig. Vrij spoedig
maakte Dvoøák zelf
een versie voor orkest,
waarmee hij wereldroem
vergaarde. Het succes was
zo groot (zeker ook in
financieel opzicht voor
de uitgever!) dat een
tweedeserie van acht
dansen volgde: opus 72 in
het oeuvre van
Dvoøák.Kenmerken:Dans nr. 4 (Tempo di
menuetto, 3/4 maat)Dit is
een feestelijke, vrolijke
sousedská (te
beschouwen als de
Tsjechische variant op
het menuet), een
driedeligedans waarvan de
hoekdelen gracieus zijn
en het middendeel voor
een levendig contrast
zorgt.Dans nr. 7
(Allegro assai, 2/4
maat)Dvoøák lijkt
hier ge nspireerd te zijn
geweest door een snelle
dans genaamd skocná.
Het hoofdthemawerkt
humoristisch doordat het
in de vorm van een canon
wordt
gepresenteerd.Dans nr.
8 (Presto, 3/4
maat)Dit is een
temperamentvolle furiant,
vol vreugde en
uitgelatenheid, gevolgd
door een rustiger
middendeel, datuitmondtin
een zeer krachtig en snel
slot.
Im Jahre
1878 schrieb Anton n
Dvorák im Auftrag
seines Verlegers eine
Reihe von acht slawischen
Tänzen. Als Vorbild
dienten die beru?hmten
Ungarischen
Tänze von Johannes
Brahms, im Gegensatz zu
diesem verwendete
Dvorák jedoch keine
originalen Melodien. Wil
van der Beek bearbeitete
fu?r dieses Arrangement
die Nr. 7, einen
schnellen Tanz im
2/4-Takt, sowie die Nr.
8, einen
leidenschaftlichen,
u?berschwänglichen
Furiantâ?? im 3/4-Takt.
Nel 1878
Antonin Dvorák compone
su commissione una serie
di otto danze slave.
Anche se le celebri
Danze Ungheresi di
Brahms gli servirono da
modello, Dvorák non
utilizzò melodie
originali. Wil van der
Beek ha arrangiato la
Danza n.7
caratterizzata da un
tempo veloce in 2/4 e la
Danza n. 8, un
furiant passionale in
3/4.
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1114864-010 From opus 46(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1114864-010
From opus 46.
Composed by Antonin
Dvorak. Arranged by Wil
van der Beek. Great
Classics. Transcription.
Set (Score and Parts).
Composed 2011. De Haske
Publications #DHP
1114864-010. Published by
De Haske Publications
(BT.DHP-1114864-010).
9x12 inches.
English-German-French-Dut
ch.
In 1878, on a
commission from his
publisher, Anton n
Dvorák wrote a series
of eight Slavonic dances.
Modelled on Johannes
Brahmsâ?? famous
Hungarian Dances,
although in contrast to
Brahmsâ?? work,
Dvorák used no
original melodies. Wil
van der Beek has arranged
No. 7, a brisk 2/4 dance,
as well as No. 8, a
passionate, exuberant
furiant in 3/4.
In 1878 schreef
Dvoøák op verzoek
van zijn uitgever een
serie van acht Slavische
dansen. Daarbij zouden de
beroemde Hongaarse dansen
van Brahms als voorbeeld
moeten dienen.
Dvoøák had echter
zijn eigen opvattingover
het kunstzinnigvormgeven
van (volks)dansen. Waar
Brahms meerdere bestaande
melodieën van dansen
uitHongarije gebruikte,
beperkte Dvoøák
zich tot karakteristieke
ritmische patronen van
dansvormen uit zijn
vaderland. Oorspronkelijk
zijn de Slavischedansen
gecomponeerd voor klavier
vierhandig. Vrij spoedig
maakte Dvoøák zelf
een versie voor orkest,
waarmee hij wereldroem
vergaarde. Het succes was
zo groot (zeker ook in
financieel opzicht voor
de uitgever!) dat een
tweedeserie van acht
dansen volgde: opus 72 in
het oeuvre van
Dvoøák.Kenmerken:Dans nr. 4 (Tempo di
menuetto, 3/4 maat)Dit is
een feestelijke, vrolijke
sousedská (te
beschouwen als de
Tsjechische variant op
het menuet), een
driedeligedans waarvan de
hoekdelen gracieus zijn
en het middendeel voor
een levendig contrast
zorgt.Dans nr. 7
(Allegro assai, 2/4
maat)Dvoøák lijkt
hier ge nspireerd te zijn
geweest door een snelle
dans genaamd skocná.
Het hoofdthemawerkt
humoristisch doordat het
in de vorm van een canon
wordt
gepresenteerd.Dans nr.
8 (Presto, 3/4
maat)Dit is een
temperamentvolle furiant,
vol vreugde en
uitgelatenheid, gevolgd
door een rustiger
middendeel, datuitmondtin
een zeer krachtig en snel
slot.
Im Jahre
1878 schrieb Anton n
Dvorák im Auftrag
seines Verlegers eine
Reihe von acht slawischen
Tänzen. Als Vorbild
dienten die beru?hmten
Ungarischen
Tänze von Johannes
Brahms, im Gegensatz zu
diesem verwendete
Dvorák jedoch keine
originalen Melodien. Wil
van der Beek bearbeitete
fu?r dieses Arrangement
die Nr. 7, einen
schnellen Tanz im
2/4-Takt, sowie die Nr.
8, einen
leidenschaftlichen,
u?berschwänglichen
Furiantâ?? im 3/4-Takt.
Nel 1878
Antonin Dvorák compone
su commissione una serie
di otto danze slave.
Anche se le celebri
Danze Ungheresi di
Brahms gli servirono da
modello, Dvorák non
utilizzò melodie
originali. Wil van der
Beek ha arrangiato la
Danza n.7
caratterizzata da un
tempo veloce in 2/4 e la
Danza n. 8, un
furiant passionale in
3/4.
Paris Dance Saxophone Alto et Piano - Intermédiaire De Haske Publications
Alto Saxophone and Piano - intermediate SKU: BT.DHP-1155655-401 Composed ...(+)
Alto Saxophone and Piano
- intermediate
SKU:
BT.DHP-1155655-401
Composed by Pascal
Proust. De Haske
Saxophone Series. Book
Only. Composed 2015. 8
pages. De Haske
Publications #DHP
1155655-401. Published by
De Haske Publications
(BT.DHP-1155655-401).
ISBN 9789043147507.
English-German-French-Dut
ch.
Who could play
a waltz more beautifully
than a saxophone? This
little waltz could have
been played in the
Roaring Twenties in the
fashionable districts of
Paris.
The composer
Pascal Proust has many
years’ experience
as a musician and music
teacher. His output
includes several hundred
compositions for the most
diverse instrumentations.
He wrote Paris
Dance for
saxophonists at the level
of approximately3 4
years’ study and
paid special attention to
an easy-to-follow,
attractive musical style.
As a result, Paris
Dance is an ideal
performance or
competition work for
young
musicians.
Wie kan
een wals mooier spelen
dan een saxofonist? Dit
fraaie walsje zou zomaar
gespeeld kunnen zijn in
de jaren twintig van de
vorige eeuw in de
modieuze stadsdelen van
Parijs.
De componist
Pascal Proust kan bogen
op een jarenlange
ervaring als muzikant en
muziekdocent. Zijn oeuvre
omvat honderden
composities voor de meest
diverse instrumentaties.
Hij schreef Paris
Dance voor
saxofonisten die ongeveer
drie tot vierjaar les
hebben gehad, waarbij hij
speciaal aandacht heeft
besteed aan een makkelijk
te volgen, aantrekkelijke
muziekstijl. Daardoor
is Paris Dance een
ideaal voordrachts- of
wedstrijdstuk voor jonge
muzikanten.
Wer
könnte einen Walzer
schöner spielen als
das Saxophon? Diese
Walzertakte könnten
genau so in den zwanziger
Jahren des vorigen
Jahrhunderts in einem
berühmten Stadtviertel
von Paris erklungen
sein...
Der Komponist
Pascal Proust kann aus
seiner langjährigen
Erfahrung als Musiker und
Musikpädagoge
schöpfen; sein Oeuvre
umfasst mehrere hundert
Kompositionen für
verschiedenste
Besetzungen. Er schrieb
Paris Dance für
Saxophonisten mit
ungefähr3 4 Jahren
Unterrichtserfahrung und
legte besonderes
Augenmerk auf einenleicht
verständlichen,
attraktiven musikalischen
Stil. Dadurch eignet sich
Paris Dance ideal
als Vortrags- und
Wettbewerbsstück
für junge
Musiker.
Desert Dances Orchestre d'harmonie - Facile Anglo Music
Score and Parts Concert Band (Score & Parts) - Grade 3 SKU: HL.4006900 Co...(+)
Score and Parts Concert
Band (Score & Parts) -
Grade 3
SKU:
HL.4006900
Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert. Softcover.
Duration 290 seconds.
Anglo Music Press
#AMP474-010. Published by
Anglo Music Press
(HL.4006900).
UPC:
840126945539.
Hende
rson is a city in Clark
County, Nevada, just
southeast of Las Vegas
and surrounded by desert:
this was the inspiration
for the title. Desert
Dances opens with a
lively introduction,
mostly in 3/4, which
pervades the faster
sections of the piece.
This subsides to
introduce a slower dance
which expands to a
full-band climax. The
introduction soon returns
and leads to the main
theme of the piece, a
waltz-like melody played
by the full ensemble. A
short bridge passage
follows, which leads to a
legato central theme.
This is played twice and
heralds the return of the
main theme and a short
coda which closes the
work. An imaginative work
for concert or contest
with nice features
throughout all groups of
the band.
Orchestra String Orchestra - Grade 2 SKU: FJ.ST6453 Composed by Claude Ge...(+)
Orchestra String
Orchestra - Grade 2
SKU: FJ.ST6453
Composed by Claude
Gervais. Arranged by
Deborah Baker Monday.
Series; String Orchestra.
FJH Developing Strings.
Form: Dance. Masterwork
Arrangement. Score and
Part(s). Duration 2:45.
The FJH Music Company Inc
#98-ST6453. Published by
The FJH Music Company Inc
(FJ.ST6453).
UPC:
241444388198.
English.
These
vibrant and lively French
Renaissance dances have a
wealth of teaching
material and will be a
huge hit with your
students. In the friendly
keys of G and D, the
music features simple
rhythms and bowings so
your students will have a
stunning performance.
Fantastic music that will
complement any concert or
festival program.
About FJH
Developing
Strings
Sl
ightly more advanced than
Beginning Strings, this
series begins to involve
more position work and a
slightly more complex
rhythmic figures.
Rehearsal piano is often
provided. Ideal for
middle school and smaller
high school programs.
Grade 2 - 2.5
Desert Dances Orchestre d'harmonie - Facile Anglo Music
Concert Band (Score) - Grade 3 SKU: HL.4007380 Composed by Philip Sparke....(+)
Concert Band (Score) -
Grade 3
SKU:
HL.4007380
Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert. Softcover.
Duration 290 seconds.
Anglo Music Press
#AMP474-140. Published by
Anglo Music Press
(HL.4007380).
UPC:
196288019725.
Hende
rson is a city in Clark
County, Nevada, just
southeast of Las Vegas
and surrounded by desert:
this was the inspiration
for the title. Desert
Dances opens with a
lively introduction,
mostly in 3/4, which
pervades the faster
sections of the piece.
This subsides to
introduce a slower dance
which expands to a
full-band climax. The
introduction soon returns
and leads to the main
theme of the piece, a
waltz-like melody played
by the full ensemble. A
short bridge passage
follows, which leads to a
legato central theme.
This is played twice and
heralds the return of the
main theme and a short
coda which closes the
work. An imaginative work
for concert or contest
with nice features
throughout all groups of
the band.
Traditional, Wire bound,
Celtic. Folk. Book and
online audio. 216 pages.
Mel Bay Publications, Inc
#WBM58M. Published by Mel
Bay Publications, Inc
(MB.WBM58M).
ISBN
9781736363058. 8.75x11.75
inches.
A
comprehensive collection
of 172 guitar solos for
the flatpick or plectrum
guitarist. All solos are
written in standard
notation with
accompanying online
recordings by the author.
The solos include
beautiful American,
British and Celtic airs
and ballads, Celtic dance
tunes, lute and early
music, popular classical
repertoire and
contemporary etudes.
Includes access to online
audio.
Nora's Dance Piano seul [Conducteur] Theodore Presser Co.
Chamber Music Piano SKU: PR.140401310 Composed by Nora Holt. Edited by La...(+)
Chamber Music Piano
SKU: PR.140401310
Composed by Nora Holt.
Edited by Lara Downes.
Sws. Score. 8 pages.
Duration 2 minutes.
Theodore Presser Company
#140-40131. Published by
Theodore Presser Company
(PR.140401310).
ISBN
9781491134153. UPC:
680160684250. 9 x 12
inches. Key: G
major.
NORA’
S DANCE is a
jazz-influenced rag from
1921, and among the only
surviving compositions by
Nora Douglas Holt. A
charming and exciting
work rejuvenated by Lara
Downes’ 2021
recording for the Rising
Sun label, the rag is
both a fun 2 minutes for
pianists and audiences,
and also a fascinating
time capsule. Composed
several years after Scott
Joplin’s death,
and several years before
the Charleston pervaded
popular music,
NORA’S DANCE
blossoms with the energy
and jazz harmony starting
to emerge as The Roaring
20’s, using
ragtime and stride as the
seed for pianistic
style. My own life in
music has been driven by
a quest to find strong
female role models,
trails to follow,
shoulders to stand on. In
Nora Douglas Holt, I find
an inspiring example of
creativity, independence,
and resilience –
with a dash of
troublemaking. She was a
free spirit, a force of
nature, and she lived a
fascinating and eventful
life on her own terms.
She reinvented herself
through five marriages
and at least as many
careers. From her
beginnings at the piano
at age four, she explored
many avenues of musical
expression –
performing, composing,
music journalism,
broadcasting, teaching
– all with
inventiveness, style, and
zeal.She made the most of
the Roaring ’20s,
as an artist, socialite,
jetsetter, muse, and
patroness of the Harlem
Renaissance. In 1921 she
started an independent
arts journal called
“Music and
Poetry,†where the
charming piano solo
Nora’s Dance was
first published. I think
the piece captures
beautifully, in a little
under 2 minutes, the
energy and excitement of
those heady years.In
1926, Nora left New York
to travel the world,
performing in nightclubs
throughout Europe and
Asia. She put her
belongings in storage
before she left, and when
she came back she
discovered that many of
her things had been
stolen, including more
than 200 of her musical
compositions. She never
composed again.When the
Depression hit, she moved
out to Los Angeles, where
she studied music
education at USC, taught
music in the LA public
schools, and opened her
own beauty salon. She
returned to New York in
the ’40s and
worked as a music critic
for several major
newspapers, then launched
yet another career, this
time in broadcasting. Her
popular radio concert
series “Nora
Holt’s Concert
Showcase†broadcast
to New York’s
classical music audience,
with a focus on Black
composers and
performers.Ahead of her
time, larger than life,
full of ideas…. I
am so pleased to
introduce you to the
feisty and free spirited
Nora Douglas Holt!
String quartet SKU: FG.55009-420-8 Composed by Juhani Nuorvala. Score. Pu...(+)
String quartet
SKU:
FG.55009-420-8
Composed by Juhani
Nuorvala. Score.
Published by Fennica
Gehrman (FG.55009-420-8).
ISBN
979-0-55009-420-8.
Dancescapes (Nuorvala's
String Quartet No. 1)
professes to be a
three-movement work, but
the introduction, main
movement and epilogue are
played without a break
and leave impression of a
one-movement form. The
dominating trait of
Nuorvala's quartet is
without doubt its
incredibly rich and
subtle use of rhythm - an
aspect which the works
subtitle leads us to
expect.