Skye Boat Song Orchestre à Cordes [Conducteur] Highland/Etling
Composed by Scottish Folk Song. Arranged by John O'Reilly. Performance Music Ens...(+)
Composed by Scottish Folk
Song. Arranged by John
O'Reilly. Performance
Music Ensemble; Single
Titles; SmartMusic;
String Orchestra.
Highland/Etling Strictly
Strings. Folk. Score. 8
pages. Highland/Etling
#00-26558S. Published by
Highland/Etling
(AP.26558S).
High Voice; Piano Accompaniment SKU: HL.1445201 For High Voice and Pia...(+)
High Voice; Piano
Accompaniment
SKU:
HL.1445201
For
High Voice and Piano.
Composed by Thea
Musgrave. Vocal. Folk,
Scottish. Softcover. 16
pages. Duration 600
seconds. Novello and Co
Ltd. #NOV100516.
Published by Novello and
Co Ltd. (HL.1445201).
ISBN 9798350124309.
UPC: 196288206279.
9.0x12.0x0.066
inches.
Thea
Musgrave's Three Scottish
Songs are all based on
tunes and words by Robert
Burns. The songs may be
performed as a cycle,
individually, or as a
collection in a different
order. Includes: Robin
was a Rovin' Boy • My
Love is Like a Red, Red
Rose • Robin Shure in
Hairst.
35 Traditional Pieces - for Violin Book/Audio Online. String. Folk, Scottish...(+)
35 Traditional Pieces -
for
Violin Book/Audio Online.
String. Folk, Scottish.
Softcover Audio Online.
60
pages. Schott Music
#ED13786D.
Published by Schott Music
By Scottish Folk. Arranged by Jerry Ulrich. Text: Robert Burns. For SAB Choir. ...(+)
By Scottish Folk.
Arranged by Jerry Ulrich.
Text: Robert Burns. For
SAB Choir.
(Accompaniment: Piano).
Secular. 8 pages.
Duration 2 min. Published
by Hinshaw Music Inc.
Level: Medium Jr.
High/High School or Easy
Adult.
(Traditional Scottish Folk Song). Composed by Darmon Meader. For SATB choir. Oct...(+)
(Traditional Scottish
Folk Song). Composed by
Darmon Meader. For SATB
choir. Octavo. 12 pages.
Duration 4 minutes, 13
seconds. Published by
Carl Fischer
Atop A Scottish Highland Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.026-5042-00 Composed by Neeck. Concert Band. Score and se...(+)
Grade 2
SKU:
CL.026-5042-00
Composed by Neeck.
Concert Band. Score and
set of parts. C.L.
Barnhouse #026-5042-00.
Published by C.L.
Barnhouse
(CL.026-5042-00).
This unique
rhapsody is comprised of
three well-known Scottish
folk melodies: Annie
Laurie, Who’ll Be
King But Charlie, and
Scotland The Brave. The
distinct character of
each of these melodies
provides your ensemble
with the perfect vehicle
to express a wide variety
of moods, musical colors,
and expressions. Atop A
Scottish Highland is an
excellent showcase for
your band, even if your
ensemble has limitations
of size or
instrumentation.
Grade 2 SKU: CL.026-5042-01 Composed by Neeck. Concert Band. Extra score....(+)
Grade 2
SKU:
CL.026-5042-01
Composed by Neeck.
Concert Band. Extra
score. C.L. Barnhouse
#026-5042-01. Published
by C.L. Barnhouse
(CL.026-5042-01).
This unique
rhapsody is comprised of
three well-known Scottish
folk melodies: Annie
Laurie, Who’ll Be
King But Charlie, and
Scotland The Brave. The
distinct character of
each of these melodies
provides your ensemble
with the perfect vehicle
to express a wide variety
of moods, musical colors,
and expressions. Atop A
Scottish Highland is an
excellent showcase for
your band, even if your
ensemble has limitations
of size or
instrumentation.
Book/Media Online Guitar SKU: HL.49046905 28 Traditional Pieces Book/M...(+)
Book/Media Online Guitar
SKU: HL.49046905
28 Traditional Pieces
Book/Media Online.
Edited by Hugh Burns.
Guitar. English,
European, Folk. Softcover
Media Online. 72 pages.
Schott Music #ED13491D.
Published by Schott Music
(HL.49046905).
UPC:
196288082040.
Engli
sh Folk Tunes contains 28
original arrangements of
traditional and
contemporary tunes
including ballads, sea
shanties, and carols.
Most of the pieces are
arranged for solo guitar,
with several also offered
as trios and with
accompaniments.
Experienced folk
guitarist, and author of
Scottish Folk Tunes for
Guitar (ED 13359) Hugh
Burns provides notes on
all of the pieces, as
well as playing tips, and
technical advice. The
volume includes
recordings of all tunes
in MP3 files for download
performed by Hugh Burns.
German and French
translations of all texts
are available as pdf
downloads from the Schott
Music website. Suitable
for players of grades
3-8.
An Introduction to Folk Styles, Technique and Improvisation. Strings, Meth...(+)
An Introduction to Folk
Styles, Technique and
Improvisation. Strings,
Methods. Schott
Pop-Styles.
Exploring Folk Fiddle.
Softcover Book and CD.
208
pages. Schott Music
#ED13460.
Published by Schott Music
Grade 2 SKU: CL.011-1767-02 Arranged by John Edmondson. Young Concert Ban...(+)
Grade 2
SKU:
CL.011-1767-02
Arranged by John
Edmondson. Young Concert
Band. Audio recording
available separately
(item CL.WFR369). Extra
score. Composed 1984.
Duration 3 minutes, 49
seconds. C.L. Barnhouse
#011-1767-02. Published
by C.L. Barnhouse
(CL.011-1767-02).
Here’s a
clever setting of three
delightful Scottish songs
which we highly recommend
as a young band contest
or concert piece.
69 Traditional Pieces. Edited by Kevin McCrae and Neil Johnstone. Arranged by Ke...(+)
69 Traditional Pieces.
Edited by Kevin McCrae
and Neil Johnstone.
Arranged by Kevin McCrae
and Neil Johnstone. This
edition: Saddle
stitching. Sheet music
with CD. String.
Scottish. Edition with
CD. 60 pages. Schott
Music #ED 12830.
Published by Schott Music
Three Scottish Folk Songs Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-1767-00 Arranged by John Edmondson. Young Concert Ban...(+)
Grade 2
SKU:
CL.011-1767-00
Arranged by John
Edmondson. Young Concert
Band. Command Series.
Audio recording available
separately (item
CL.WFR369). Score and set
of parts. Composed 1984.
Duration 3 minutes, 49
seconds. C.L. Barnhouse
#011-1767-00. Published
by C.L. Barnhouse
(CL.011-1767-00).
Here’s a
clever setting of three
delightful Scottish songs
which we highly recommend
as a young band contest
or concert piece.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Concert Band SKU: AP.26730S Composed by Traditional. Arranged by Douglas ...(+)
Concert Band
SKU:
AP.26730S
Composed by
Traditional. Arranged by
Douglas E. Wagner.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Belwin Young Band.
Traditional. Score. 12
pages. Belwin Music
#00-26730S. Published by
Belwin Music (AP.26730S).
UPC: 038081299815.
English.
Traditional.
Dougla
s E. Wagner has scored
this traditional Scottish
folk song, also known as
Turn Ye to Me, for young
band. The full, rich
phrases combined with
tasteful dynamic
contrasts will ensure
this is an arrangement
that can be programmed
again and again. A
charming work. This title
is available in MakeMusic
Cloud.
Book. Published by Music Sales. (TT10064) Introduces Fiddlers to the third pos...(+)
Book. Published by Music
Sales. (TT10064)
Introduces Fiddlers to
the third position in a
fun and exciting way by
using well known Scottish
tunes as the example.
(The Skye Boat Song). Arranged by Douglas E. Wagner. Choral Octavo. Alfre...(+)
(The Skye Boat
Song). Arranged by
Douglas E. Wagner. Choral
Octavo. Alfred Choral
Designs. Folk; Secular. 8
pages. Published by
Alfred Music (AP.43213).
Composed by
Larry Clark. Concert Band
(CPS). Set of Score and
Parts. With Standard
notation.
12+12+6+12+24+24+6+4+6+6+
6+6+8+8+8+4+4+6+6+6+8+2+1
+6+2+4+10+32+4 pages.
Duration 6 minutes, 9
seconds. Carl Fischer
Music #CPS225. Published
by Carl Fischer Music
(CF.CPS225).
ISBN
9781491152515. UPC:
680160910014.
Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017.
Composed
by Larry Clark. Concert
Band (CPS). Full score.
With Standard notation.
32 pages. Carl Fischer
Music #CPS225F. Published
by Carl Fischer Music
(CF.CPS225F).
ISBN
9781491153192. UPC:
680160910694.
Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017.
Composed by Scottish Folk
Song. Arranged by
Virginia Croft. Carl
Fischer First Plus String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation. 8+8+8+2+5+5+5+2
pages. Carl Fischer Music
#FAS39. Published by Carl
Fischer Music (CF.FAS39).
ISBN 9780825863301.
UPC: 798408063306. 8.5 X
11 inches. Key: D
major.
Virginia
Croft's experience as a
string player and
educator is evident in
the care with which she
has scored this beautiful
folk tune idiomatically
for young string players.
Relatively easy to play,
Skye Boat Song is a great
opportunity to develop
lyrical playing habits
with a developing string
group. Here is a very
playable setting of a
beautiful Scottish folk
song. It commemorates one
of the most exciting
moments in Scottish
history in the middle of
the eighteenth century
during the Jacobite
Rebellion. At this time,
a small group of men
escaped by night in a
tiny boat across the
rough sea to the Isle of
Skye to save the life of
the young lad whom they
believed to be the
rightful heir to the
throne of Scotland.As you
play this music, can't
you feel the boat rocking
and the oarsmen straining
at their posts against
the sea? The long
diminuendo from m. 51 to
the end passes the final
melodic fragment down
through the voices until
the small boat has
vanished into the
distance, leaving only
the water.The words of
the original folk song
are:Speed, bonnie boat,
like a bird on the
wind;Hark, how the
seagulls cray!Carry the
lad that was born to be
kindOver the sea to
Skye!.
Saddle-stitched, Wedding.
World Music. Book/insert.
68 pages. Mel Bay
Publications, Inc #30859.
Published by Mel Bay
Publications, Inc
(MB.30859).
ISBN
9781513465951. 8.75x11.75
inches.
Imagine a
campfire! Envision
sitting around the bright
flames with your friends
and family singing songs
out in the great expanse.
Imagine that those
melodies you sing stir up
joy, hope, and belief in
the great wonders of the
world. Melodies have
connected different kinds
of people for many, many
years. Music brings us
closer, and music makes
any occasion more festive
and memorable. This book
was written to promote
the love of old folk
melodies, provide
processional music for
special celebrations, and
to include players of all
levels. Music educators
will find that there are
many possibilities and
combinations for practice
and performance. Includes
a 16-page pull-out
section of twelve
selected pieces for an
optional cello
part.
It is my great
hope that music students,
families, and educators
will all enjoy this very
special collection of
Beautiful Melodies
from Around the
World.Â