By Benedetto Marcello (1686-1739). For Alto Recorder and Basso Continuo. Baroque...(+)
By Benedetto Marcello
(1686-1739). For Alto
Recorder and Basso
Continuo. Baroque;
Chamber. Intermediate.
Booklet, including full
score, part, and
Play-Along CD. Published
by Recorder JP
Trombone & Band SKU: SU.32040020 For Trombone & Band. Composed by ...(+)
Trombone & Band
SKU:
SU.32040020
For
Trombone & Band.
Composed by Amy Riebs
Mills. Brass, Trombone,
Concert Band/Wind
Ensemble. Full Score.
Subito Music Corporation
#32040020. Published by
Subito Music Corporation
(SU.32040020).
Solo Trombone,
Band parts - picc, 2fls,
2 obs, EH, 2bsns, 3 cls,
bcl, 2asx, tsx, bsx, 4
hns, 3 tpts, 3 tbns,
euph, tba, timp, 3 perc
Duration: 17' Composed:
2013 Published by: Amy
Mills Music, LLC
…the audience loved
Red Dragonfly. Definitely
a keeper in my
repertoire! Dr. James
Bicigo, Associate
Professor of Trombone,
University of Alaska,
Anchorage Virtuoso piece,
the dramatic first
movement opens with a
Bold statement followed
by the beautiful love
theme. It reaches up to
the Cry of the Heart,
then everything ruptures
and crashes. Now the
trombonist must rebuild
and gain strength through
dramatic cadenzas until
reaching the
recapitulation where the
opening Bold melody is
transformed into a
majestic march in 3/4
time. The love theme
returns, and the movement
ends in triumph. The
second movement is a
setting of the famous
Japanese folksong, Red
Dragonfly. The trombonist
and pianist play the
lovely song amidst the
sound of fluttering wings
that appear and disappear
like memories of the
heart. Thank you to the
Nihon Gakugeki Kyoukai
Foundation for permission
to use the melody in this
trombone sonata. A solo
glissando opens the third
movement in American folk
dance style with tongue
in cheek and twinkle in
both eyes. The subsequent
variations include a
perfect triple canon, a
taste of New Orleans
jazz, and a dramatic
augmentation which spills
into a flashback of the
first movement’s
love theme. This melts
away and we recapture a
glimpse of the Red
Dragonfly melody, this
time growing to the
Triumphant restatement of
the first
movement’s main
theme. And finally, the
exuberant coda drives to
a spectacular ending.
Difficulty Level:
Trombone 6 (Professional)
Band 5 (Advanced) See
also Red Dragonfly,
Sonata for Trombone and
Piano for the version
with piano accompaniment.
See composer website for
audio sample. Performance
materials available on
rental only:.
By Various. Arranged by Daniel Kelley. For Flute or Oboe or Violin in C. Quartet...(+)
By Various. Arranged by
Daniel Kelley. For Flute
or Oboe or Violin in C.
Quartets. Intermediate
Music for Four.
Classical. Level:
Intermediate. Part 1.
Published by Last Resort
Music Publishing.
Composed by Sheila
Sandys-Wunsch.
Performance Music
Ensemble; Quartet; String
Quartet. Latham Music.
Score and Part(s).
LudwigMasters
Publications
#36-52703397. Published
by LudwigMasters
Publications
(AP.36-52703397).
ISBN
9781628760743. UPC:
679360680742.
English.
A
collection of simple
folk, classic, and
Christmas tunes for the
young ensemble. Includes
piano part for rehearsal
only and includes score
and parts. These quartets
remain mostly in first
position. Contents: Czech
Song, Jolly Old St.
Nicholas, Good King
Wenceslas, Simple Gifts,
Waltz Song, Lullaby Jesu,
My Paddle's Keen and
Bright, This Old Man, La
Russe, Romanza, and Piano
Sonata in C, Op. 3
(Andre).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
By Craig Duncan. For Violin. method. First Lessons. All Styles. Level: Beginning...(+)
By Craig Duncan. For
Violin. method. First
Lessons. All Styles.
Level: Beginning. Book CD
DVD. Size 8.75x11.75. 32
pages. Published by Mel
Bay Publications, Inc.
Basse electrique [Partition + Accès audio] - Intermédiaire/avancé Mel Bay
Composed by Johann Sebastian Bach (1685-1750). Arranged by Josquin Des Pres. T...(+)
Composed by Johann
Sebastian
Bach (1685-1750).
Arranged
by Josquin Des Pres. This
edition: saddle-stitch.
Book
and online audio. 48
pages.
Published by Mel Bay
Publications, Inc
Concert Band; Orchestra 2.0.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Violin in...(+)
Concert Band; Orchestra
2.0.0.0: 2.0.0.0: Str
(4-4-3-3-3 in set): Solo
Violin in set
SKU:
AP.36-A744690
Composed by Wolfgang
Amadeus Mozart. Full
Orchestra, Conductor
Score & Parts. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A744690.
Published by
LudwigMasters
Publications
(AP.36-A744690).
UPC:
659359882814.
English.
It is
widely believed that
Wolfgang Amadeus Mozart
(1756-1791) wrote the
Adagio in E major, K. 261
in or around 1776 as a
replacement for the
second movement of his
Violin Concerto No. 5 in
A, K. 219. The likely
reason for the
replacement is a
complaint by Italian
violinist Antonio
Brunetti, recently
brought to the Salzburg
court orchestra by the
Prince-Archbishop of
Salzburg, Heironymus
Colloredo, that the
original movements was
too artificial, according
to a letter from Leopold
Mozart. The Mozarts,
finding Brunetti boorish
and morally
objectionable, also would
have thought his
complaint regarding the
artificial second
movement to confirm their
worst opinions of Italian
taste. Still, young
Mozart wrote the
replacement Adagio as
requested, and its serene
beauty in sonata form
remains a fine example of
his lyrical ability.
Instrumentation: 2.0.0.0:
2.0.0.0: Str (4-4-3-3-3
in set): Solo Violin in
set.
These
products are currently
being prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2.0.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Violin in...(+)
Concert Band; Orchestra
2.0.0.0: 2.0.0.0: Str
(4-4-3-3-3 in set): Solo
Violin in set
SKU:
AP.36-A744601
Composed by Wolfgang
Amadeus Mozart. Full
Orchestra, Conductor
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-A744601.
Published by
LudwigMasters
Publications
(AP.36-A744601).
ISBN
9798888529805. UPC:
659359863653.
English.
It is
widely believed that
Wolfgang Amadeus Mozart
(1756-1791) wrote the
Adagio in E major, K. 261
in or around 1776 as a
replacement for the
second movement of his
Violin Concerto No. 5 in
A, K. 219. The likely
reason for the
replacement is a
complaint by Italian
violinist Antonio
Brunetti, recently
brought to the Salzburg
court orchestra by the
Prince-Archbishop of
Salzburg, Heironymus
Colloredo, that the
original movements was
too artificial, according
to a letter from Leopold
Mozart. The Mozarts,
finding Brunetti boorish
and morally
objectionable, also would
have thought his
complaint regarding the
artificial second
movement to confirm their
worst opinions of Italian
taste. Still, young
Mozart wrote the
replacement Adagio as
requested, and its serene
beauty in sonata form
remains a fine example of
his lyrical ability.
Instrumentation: 2.0.0.0:
2.0.0.0: Str (4-4-3-3-3
in set): Solo Violin in
set.
These
products are currently
being prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2.0.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Violin in...(+)
Concert Band; Orchestra
2.0.0.0: 2.0.0.0: Str
(4-4-3-3-3 in set): Solo
Violin in set
SKU:
AP.36-A744648
Composed by Wolfgang
Amadeus Mozart. Full
Orchestra, Solo Violin
Part. Kalmus Orchestra
Library. Part(s).
LudwigMasters
Publications #36-A744648.
Published by
LudwigMasters
Publications
(AP.36-A744648).
ISBN
9798888529812. UPC:
659359901379.
English.
It is
widely believed that
Wolfgang Amadeus Mozart
(1756-1791) wrote the
Adagio in E major, K. 261
in or around 1776 as a
replacement for the
second movement of his
Violin Concerto No. 5 in
A, K. 219. The likely
reason for the
replacement is a
complaint by Italian
violinist Antonio
Brunetti, recently
brought to the Salzburg
court orchestra by the
Prince-Archbishop of
Salzburg, Heironymus
Colloredo, that the
original movements was
too artificial, according
to a letter from Leopold
Mozart. The Mozarts,
finding Brunetti boorish
and morally
objectionable, also would
have thought his
complaint regarding the
artificial second
movement to confirm their
worst opinions of Italian
taste. Still, young
Mozart wrote the
replacement Adagio as
requested, and its serene
beauty in sonata form
remains a fine example of
his lyrical ability.
Instrumentation: 2.0.0.0:
2.0.0.0: Str (4-4-3-3-3
in set): Solo Violin in
set.
These
products are currently
being prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Twelve Marches Soli, choeur mixte et accompagnement Lucks Music Library
(2.(2).0.0/2.4.3.0,timp,s tr,cem) SKU: TM.08327SET Composed by George Fri...(+)
(2.(2).0.0/2.4.3.0,timp,s
tr,cem)
SKU:
TM.08327SET
Composed
by George Frideric
Handel. Arranged by
Steglich. Set Type: D.
Set of parts. Lucks Music
Library #A5622. Published
by Lucks Music Library
(TM.08327SET).
Marches from:
RINALDO, PARTHENOPE, TRIO
SONATA op. 5 No. 2,
OCCASIONAL ORATORIO,
FLORIDANTE, JUDAS
MACCABAEUS, ROYAL
FIREWORKS, PASTOR FIDO,
DEIDAMIA, EZIO, SAUL.
Viola in Treble clef,
except No. 11 which is in
alto clef. 1 Violin III
in set.
Twelve Marches Soli, choeur mixte et accompagnement Lucks Music Library
(2.(2).0.0/2.4.3.0,timp,s tr,cem) SKU: TM.08327SC Composed by George Frid...(+)
(2.(2).0.0/2.4.3.0,timp,s
tr,cem)
SKU:
TM.08327SC
Composed
by George Frideric
Handel. Arranged by
Steglich. Score. Lucks
Music Library #A5622.
Published by Lucks Music
Library (TM.08327SC).
Marches from:
RINALDO, PARTHENOPE, TRIO
SONATA op. 5 No. 2,
OCCASIONAL ORATORIO,
FLORIDANTE, JUDAS
MACCABAEUS, ROYAL
FIREWORKS, PASTOR FIDO,
DEIDAMIA, EZIO, SAUL.
Viola in Treble clef,
except No. 11 which is in
alto clef. 1 Violin III
in set.
Composed
by Ludwig van Beethoven.
Edited by Sabine Bock.
Arranged by Gottlob
Benedict Bierey. Sacred
vocal music, Mass
sections. Study score.
Op. 27,2 (1. Satz).
Duration 5 minutes. Carus
Verlag #CV 28.009/07.
Published by Carus Verlag
(CA.2800907).
ISBN
M-007-24883-3.
Latin.
A sacrilege
or a stroke of genius?
The composer and music
director Gottlob Benedict
Bierey (1772-1840)
orchestrated the first
movement of the famous
Moonlight Sonata' by
Beethoven (transposed to
C minor) and added a
four-part choral movement
to it, which he underlaid
with the text of the
Kyrie from the Latin
mass. The result is as
astounding as it is
harmonious! Versions for
choir and organ, and
choir and piano (both
like the original version
in C sharp minor) are
also available (Carus
28.009/45 and in
28.009/03). Score
available separately -
see item CA.2800900.
Sonata in C minor, Op. 3-2 Flûte à bec Alto, Basse continue [Partition + CD] - Intermédiaire Recorder JP
By Gottfried Finger (1660-1730). For Alto Recorder and Basso Continuo. Baroque; ...(+)
By Gottfried Finger
(1660-1730). For Alto
Recorder and Basso
Continuo. Baroque;
Chamber. Intermediate.
Booklet, including full
score, part and
Play-Along CD. Published
by Recorder JP