| Promised Land Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Brake Drum, Chimes, Clarinet 1, Clarinet...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Brake
Drum, Chimes, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tam-tam, Timpani
and more. - Grade 1.5
SKU: CF.FPS81F
Composed by Sean
O'Loughlin. SWS. Carl
Fischer First Plus
Performance Series. Full
score. With Standard
notation. 16 pages.
Duration 2 minutes, 23
seconds. Carl Fischer
Music #FPS81F. Published
by Carl Fischer Music
(CF.FPS81F). ISBN
9780825873829. UPC:
798408073824. 9x12
inches. Key: C
minor. Promised
Land is a
serious-sounding, new
piece for the developing
band that sounds much
more difficult than it
plays, allowing your
students to show off
while remaining at their
ability level. The title
has its roots in the
ideals of John Humphrey
Noyes, who founded the
Oneida community in the
late 1840s. He built a
thriving agricultural and
spiritual community that
became his
“promised
land.†The music
depicts the struggles and
triumph of those first
settlers in the area, who
worked the land and
fought for their ideals
through much persecution.
Promised Land contains
all of the rhythmic
interest and memorable
motives that Sean's music
is so known for. It is
also an excellent choice
for contest/festival. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Blast Off! Theodore Presser Co.
Orchestra Bass Trombone, Bassoon, Cello, Clarinet, Clarinet 1, Clarinet 2, Contr...(+)
Orchestra Bass Trombone,
Bassoon, Cello, Clarinet,
Clarinet 1, Clarinet 2,
Contrabass,
Contrabassoon, English
Horn, Flute, Harp, Horn
1, Horn 2, Horn 3, Horn
4, Narrator, Oboe,
Percussion, Piccolo,
Timpani, Trombone 1,
Trombone 2, Trumpet,
Tuba, Viola and more.
SKU: PR.416412370
For Narrator and
Orchestra - Small Study
Score. Composed by
Daniel Dorff. Premiered
March 31, 2000. Daniel
Hege conducting the
Haddonfield Symphony,
narrated by Astronaut
Kenneth Reightler, Jr.
Study Score. With
Standard notation.
Composed 1999. 40 pages.
Duration 9:30. Theodore
Presser Company
#416-41237. Published by
Theodore Presser Company
(PR.416412370). UPC:
680160092178. 9 x 12
inches. Ideal for
family concerts about
space travel and
adventure, Dorff’s
BLAST OFF! was
commissioned by Lockheed
Martin for narration by
astronaut Kenneth
Reightler; the score
itself was a traveler on
NASA’s mission STS
1000. The travelogue
about a trip to space is
also designed to teach
about the sounds of each
family of instruments; CD
available on Bridge
Records. $35.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ripcord Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Gong, Horn,
Mallet Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Timpani, Triangle
and more. - Grade 2
SKU: CF.YPS128F
Composed by George Sweet.
Young Performance Series.
Full score. With Standard
notation. 20 pages. Carl
Fischer Music #YPS128F.
Published by Carl Fischer
Music (CF.YPS128F).
ISBN 9780825892691.
UPC: 798408092696. 9 x 12
inches. This piece
takes off right from the
start. It contains some
very pleasant
contemporary sounds not
usually found in pieces
of this difficulty level,
and students will be
eager to play it again
and again! $10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rituals Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon, Clarinet, Contrabass, Contrabas...(+)
Orchestra Bass Clarinet,
Bass Trombone, Bassoon,
Clarinet, Contrabass,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Horn 1, Horn 2, Horn 3,
Horn 4, Oboe, Percussion,
Trombone 1, Trombone 2,
Trumpet 1, Trumpet 2,
Tuba, Viola, Violin 1,
Violin 2, Violoncello
SKU: PR.44641192L
For 5 Percussionists
and Orchestra.
Composed by Ellen Taaffe
Zwilich. Contemporary.
Large Score. With
Standard notation.
Composed 2003. 72 pages.
Duration 30 minutes.
Theodore Presser Company
#446-41192L. Published by
Theodore Presser Company
(PR.44641192L). UPC:
680160610860. 11 x 14
inches. One of my
greatest pleasures in
writing a concerto is
exploring the new world
that opens for me each
time I enter the
sometimes alien, but
always fascinating, world
of a solo instrument or
instruments. For me, the
challenge is to discover
the deepest nature of the
solo instrument (its
karma, if you will) and
to allow that essential
character to guide the
shape and form of the
work and the nature of
the interaction between
soloists and orchestra.
In recent years, many of
us have become more aware
of the musical world
outside the Western
tradition of musics that
follow different
procedures and spring
from other aesthetics.
And contemporary
percussionists have
opened many of these
worlds to us, as they
have ventured around the
globe, participating in
Brazilian Samba schools,
studying Gamelan and
African drumming with
local experts, collecting
instruments from Asia and
Africa and South America
and the South Pacific,
widening our horizons in
the process. I will never
forget our first meeting
in Toronto when Nexus
invited me into their
world of hundreds of
exciting percussion
instruments. The vast
array of instruments in
the collection of the
Nexus ensemble is truly
global in scope as well
as offering a thrilling
sound-universe. I was
inspired by the
incredible range of sound
and moved by the fact
that so many of these
instruments were musical
reflections of a
spiritual dimension.
After long consideration,
I decided that it would
not only be impossible,
but even undesirable for
this
Western-tradition-steeped
composer to attempt to
use these instruments in
a culturally authentic
way. My goal was an
existential kind of
authenticity: searching
instead for universal
ideas that would be true
to both myself and the
performers while
acknowledging the
traditional uses of the
instruments. Since many
percussion instruments
are associated with
various kinds of ritual,
I decided that I would
allow that concept to
shape my piece. Rituals
is in four movements,
each issuing from a
ritual associated with
percussion, but with the
orchestral interaction
providing an essential
element in the musical
form. I. Invocation
alludes to the traditions
of invoking the spirit of
the instruments, or the
gods, or the ancestors
before performing. II.
Ambulation moves from a
processional, through
march and dance to
fantasy based on all
three. III. Remembrances
alludes to traditions of
memorializing. IV.
Contests progresses from
friendly competition
games, contests to a
suggestion of a battle of
big band drummers, to
warlike exchanges. In the
2nd and 4th movements,
another percussion
tradition, improvisation,
is employed. Written into
these movements are a
number of seeds for
improvisation.
Indications in the score
call for the soloists to
improvise in three
different ways, marked A
for percussion alone;
marked B for percussion
with and in response to
the orchestra; and C
where the percussionists
are free to add and
embellish the written
parts. These
improvisations should
grow out of and embellish
previous motives and
gestures in the
movement. $95.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sadie's Birthday Adventures Piano seul [Conducteur] Theodore Presser Co.
Chamber Music Bass Clarinet, Bass Trombone, Double Bass, Narrator, Percussion, P...(+)
Chamber Music Bass
Clarinet, Bass Trombone,
Double Bass, Narrator,
Percussion, Piano SKU:
PR.11441803S For
Narrator, Bass Clarinet,
Bass Trombone, Double
Bass, Percussion, And
Piano. Composed by
Amanda Harberg. Premiered
at the Academy of Music
Ballroom, Sound All
Around Ensemble.
Contemporary. Score. With
Standard notation.
Composed 2016. 15 pages.
Duration 7 minutes.
Theodore Presser Company
#114-41803S. Published by
Theodore Presser Company
(PR.11441803S). UPC:
680160639403. A
delightful musical story
about a dog and her
day-long celebration of
life as told by various
instruments, Sadie's
Birthday Adventures
offers a moment of
audience participation
and invites discussion
about the individual
voices (instruments)
chosen to tell this tale.
Children will enjoy the
frog (bass trombone),
butterfly (glockenspiel),
and a romp in the forest
with a chipmunk (full
ensemble). Sadie's
Birthday Adventures was
commissioned by the
Philadelphia Orchestra
for its Sound All Around
series of children's
interactive concerts. For
advanced performers. $25.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sadie's Birthday Adventures Piano seul Theodore Presser Co.
Chamber Music Bass Clarinet, Bass Trombone, Double Bass, Narrator, Percussion, P...(+)
Chamber Music Bass
Clarinet, Bass Trombone,
Double Bass, Narrator,
Percussion, Piano SKU:
PR.114418030 For
Narrator, Bass Clarinet,
Bass Trombone, Double
Bass, Percussion, And
Piano. Composed by
Amanda Harberg. Premiered
at the Academy of Music
Ballroom, Sound All
Around Ensemble.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2016. 15+4+4+4+4
pages. Duration 7
minutes. Theodore Presser
Company #114-41803.
Published by Theodore
Presser Company
(PR.114418030). UPC:
680160639380. A
delightful musical story
about a dog and her
day-long celebration of
life as told by various
instruments, Sadie's
Birthday Adventures
offers a moment of
audience participation
and invites discussion
about the individual
voices (instruments)
chosen to tell this tale.
Children will enjoy the
frog (bass trombone),
butterfly (glockenspiel),
and a romp in the forest
with a chipmunk (full
ensemble). Sadie's
Birthday Adventures was
commissioned by the
Philadelphia Orchestra
for its Sound All Around
series of children's
interactive concerts. For
advanced performers. $31.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Courage of the Cossacks Orchestre d'harmonie [Conducteur] - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cras...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Glockenspiel, Horn 1,
Horn 2, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Piccolo, Snare Drum,
Tambourine and more. -
Grade 4 SKU:
CF.SPS74F Composed by
Ed Kiefer. SWS. Carl
Fischer Symphonic
Performance Series. Full
score. With Standard
notation. 24 pages.
Duration 3 minutes, 56
seconds. Carl Fischer
Music #SPS74F. Published
by Carl Fischer Music
(CF.SPS74F). ISBN
9781491148396. UPC:
680160905898. 9 x 12
inches. Courage of
the Cossacks is a
refreshing march in the
style of Russian folk
music, offering a break
from the standard
American march style for
festival performance.
Composer Ed Kiefer has
scored this piece to
sound sonorous throughout
while highlighting all
sections of the band.
Directors looking for a
unique march need look no
further. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Barcarolles for a Sinking City [Conducteur] Theodore Presser Co.
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabas...(+)
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Harp, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe 1,
Oboe 2, Percussion 1,
Percussion 2, Percussion
3, Percussion 4, Piccolo
and more. SKU:
PR.11641139S Composed
by Lowell Liebermann.
Full score. Duration 15
minutes. Theodore Presser
Company #116-41139S.
Published by Theodore
Presser Company
(PR.11641139S). UPC:
680160682119. Barca
rolles for a Sinking City
was inspired by the city
of Venice, a place that
has long held the
fascination of artists,
writers and composers,
and which I have been
lucky enough to visit on
several occasions. Sadly
it seems that future
generations may not be so
lucky: in addition to the
city's slow sinking and
recently discovered
tilting, studies predict
that if global warming
and the resultant rise of
ocean levels is unabated,
the entire city (as well
as many other coastal
cities around the globe)
will be under water by
2100. I. Funeral
Gondola The late, cryptic
piano works of Franz
Liszt made a profound
impression on me as a
young composer, among
them two works he
entitled La Lugubre
Gondola (usually
translated as The Funeral
Gondola ) which were said
to be a premonition of
Wagner's death in Venice,
his coffin transported
through the canals in a
black gondola. These late
pieces of Liszt acquired
even greater significance
to me after I spent two
summers in Bayreuth under
the patronage of
Friedelind Wagner, the
granddaughter of Wagner
and great-granddaughter
of Liszt. This movement
is a meditation on
Wagner, Liszt, Venice and
its own evanescence. II.
Barcarolle/Quodlibet The
Quodlibet (Latin for what
pleases) is a musical
form dating back to the
15th century where many
disparate melodies are
juxtaposed. Popular in
the Renaissance, sacred
and secular melodies were
combined, often to
comical effect due to the
resultant incongruity of
the words. The form was
considered the ultimate
test of a composer's
mastery of counterpoint.
The most famous Quodlibet
is without doubt the
final Variation of Bach's
Goldberg Variations. As a
form the Quodlibet is
less common in more
recent music, although
examples can be found in
the works of Kurt Weill
and David Del Tredici.
My own
Barcarolle/Quodlibet was
inspired by the (perhaps
apocryphal) story of the
funeral where musicians
were asked to play a Bach
Choral, but due to
miscommunication played
instead the Bacarolle
from The Tales of
Hoffmann. Here, the Bach
Choral Allen Menschen
mussen sterben (All Men
Must Die) is heard in the
strings pizzicato, with a
tempo indication In slow
motion. The alto line of
the Bach suggests a
phrase from Beethoven's
Ninth Symphony (Alle
Menchen werden Bruder)
heard in the muted
trombone. Before long,
the famous tune from
Offenbach's opera is
heard, followed by
quotations from iconic
Barcarolles by Chopin,
Mendelssohn and Faure, as
well as two Venetian
popular songs and more
Beethoven. III.
Barcarola/Ostinato/Carill
on An ostinato is a
repeated musical figure,
and carillon is Italian
for music box. This
movement references the
obsolete genre of salon
pieces that imitated
music boxes: such works
by composers like Liadov
and Gretchaninov used to
be a mainstay of
pianists' encore
repertoire. This movement
is however much darker in
conception than those
pleasant trifles.
Utilizing the full
battery of percussion,
the carefully notated
temporal slowing of the
ostinato becomes
overwhelmed by a poignant
chorale melody before
this box is snapped shut.
IV. Barcarolle
Oubliee (Forgotten
Barcarolle) Marked
limpido (still) the final
movement begins with the
sound of rain produced by
a percussion instrument
called (appropriately) a
rain stick. Halting
phrases in the harp
coalesce into the
accompaniment for a
plangent melody heard in
the clarinet. The central
Adagio of this movement
leads to a shattering
climax, before the
opening phrases return
and dissipate into
nothingness. $48.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Barcarolles for a Sinking City Theodore Presser Co.
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabas...(+)
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Harp, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe 1,
Oboe 2, Percussion 1,
Percussion 2, Percussion
3, Percussion 4, Piccolo
and more. SKU:
PR.11641139L Composed
by Lowell Liebermann.
Large Score. Duration 15
minutes. Theodore Presser
Company #116-41139L.
Published by Theodore
Presser Company
(PR.11641139L). UPC:
680160682126. Barca
rolles for a Sinking City
was inspired by the city
of Venice, a place that
has long held the
fascination of artists,
writers and composers,
and which I have been
lucky enough to visit on
several occasions. Sadly
it seems that future
generations may not be so
lucky: in addition to the
city's slow sinking and
recently discovered
tilting, studies predict
that if global warming
and the resultant rise of
ocean levels is unabated,
the entire city (as well
as many other coastal
cities around the globe)
will be under water by
2100. I. Funeral
Gondola The late, cryptic
piano works of Franz
Liszt made a profound
impression on me as a
young composer, among
them two works he
entitled La Lugubre
Gondola (usually
translated as The Funeral
Gondola ) which were said
to be a premonition of
Wagner's death in Venice,
his coffin transported
through the canals in a
black gondola. These late
pieces of Liszt acquired
even greater significance
to me after I spent two
summers in Bayreuth under
the patronage of
Friedelind Wagner, the
granddaughter of Wagner
and great-granddaughter
of Liszt. This movement
is a meditation on
Wagner, Liszt, Venice and
its own evanescence. II.
Barcarolle/Quodlibet The
Quodlibet (Latin for what
pleases) is a musical
form dating back to the
15th century where many
disparate melodies are
juxtaposed. Popular in
the Renaissance, sacred
and secular melodies were
combined, often to
comical effect due to the
resultant incongruity of
the words. The form was
considered the ultimate
test of a composer's
mastery of counterpoint.
The most famous Quodlibet
is without doubt the
final Variation of Bach's
Goldberg Variations. As a
form the Quodlibet is
less common in more
recent music, although
examples can be found in
the works of Kurt Weill
and David Del Tredici.
My own
Barcarolle/Quodlibet was
inspired by the (perhaps
apocryphal) story of the
funeral where musicians
were asked to play a Bach
Choral, but due to
miscommunication played
instead the Bacarolle
from The Tales of
Hoffmann. Here, the Bach
Choral Allen Menschen
mussen sterben (All Men
Must Die) is heard in the
strings pizzicato, with a
tempo indication In slow
motion. The alto line of
the Bach suggests a
phrase from Beethoven's
Ninth Symphony (Alle
Menchen werden Bruder)
heard in the muted
trombone. Before long,
the famous tune from
Offenbach's opera is
heard, followed by
quotations from iconic
Barcarolles by Chopin,
Mendelssohn and Faure, as
well as two Venetian
popular songs and more
Beethoven. III.
Barcarola/Ostinato/Carill
on An ostinato is a
repeated musical figure,
and carillon is Italian
for music box. This
movement references the
obsolete genre of salon
pieces that imitated
music boxes: such works
by composers like Liadov
and Gretchaninov used to
be a mainstay of
pianists' encore
repertoire. This movement
is however much darker in
conception than those
pleasant trifles.
Utilizing the full
battery of percussion,
the carefully notated
temporal slowing of the
ostinato becomes
overwhelmed by a poignant
chorale melody before
this box is snapped shut.
IV. Barcarolle
Oubliee (Forgotten
Barcarolle) Marked
limpido (still) the final
movement begins with the
sound of rain produced by
a percussion instrument
called (appropriately) a
rain stick. Halting
phrases in the harp
coalesce into the
accompaniment for a
plangent melody heard in
the clarinet. The central
Adagio of this movement
leads to a shattering
climax, before the
opening phrases return
and dissipate into
nothingness. $90.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Die Jazzmethode fur Klarinette - Intermédiaire Schott
Book/Online Audio Clarinet (NOTEN+CD) - intermediate SKU: HL.49032791 Com...(+)
Book/Online Audio
Clarinet (NOTEN+CD) -
intermediate SKU:
HL.49032791 Composed
by O'neill. This edition:
Paperback/Soft Cover.
Sheet music with CD.
Edition Schott. Die
Jazzmethode fur
Klarinette zeigt
Anfangern aller
Altersstufen den Weg vom
ersten Ton bis zu
klassischen Themen. Mit
einer schrittweisen
Einfuhrung und speziell
fur diese Schule
geschriebenen Stucken
werden die grundlegenden
Elemente einer soliden
Klar. German Edition,
Method. Edition with CD.
96 pages. Schott Music
#ED 8808. Published by
Schott Music
(HL.49032791). ISBN
9783795753726. German.
John Minnion. Die
Jazzmethode fur
Klarinette eroffnet
Neueinsteigern das
reichhaltige und
aufregende Repertoire des
Jazz, in welchem die
Klarinette eine
bedeutende Rolle spielt.
Sie zeigt Anfangern aller
Altersstufen den Weg vom
ersten Ton bis hin zu
Stucken von Legenden des
Jazz und fuhrenden
Jazzmusikern unserer
Zeit. Mit einer
schrittweisen Einfuhrung
und speziell fur diese
Schule geschriebenen
Stucken werden die
grundlegenden Elemente
einer soliden
Klarinettentechnik --
Atemkontrolle,
Tonbildung, Ansatz und
Griffe -- zusammen mit
den rhythmischen Finessen
der Jazzmusik (z. B.
synkopierte Rhythmen und
Swing-Phrasierung)
erklart. Die Audio-Tracks
(Download mittels Code)
liefern den musikalischen
Hintergrund fur alle
Stucke, so dass der
Klarinettenschuler von
Anfang an durch das
Spielen mit einer
erstklassigen
Rhythmusgruppe aus Bass,
Gitarre und Schlagzeug in
den Genuss eines
authentischen Jazz-Sounds
kommt. Spater helfen die
Playback-Tracks bei den
ersten
Improvisationsversuchen.<
/p>
$38.00 - Voir plus => Acheter | | |
| Clarinet Concerto Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie and Clarinet Solo - Grade 4 SKU: BT.AMP-058-140 Com...(+)
Concert Band/Harmonie and
Clarinet Solo - Grade 4
SKU:
BT.AMP-058-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2003. 76 pages.
Anglo Music Press #AMP
058-140. Published by
Anglo Music Press
(BT.AMP-058-140).
This is a great
opportunity to
incorporate a modern
concerto into your band's
repertoire, which will
provide a fresh and
appealing concert item
for your upcoming season.
The work follows the
standard 3-movement
concerto form witha
syncopated, rag-like
opening movement
contrasting with a
slower, beautifully
English-sounding second
movement. The third
movement is based on a
bebop style to show off
the jazzier qualities of
the clarinet. This
substantial workis
suitable for a Grade 4
standard
band.
Mozart
schreef zijn bekende
klarinetconcert voor de
virtuoos Anton Stadler,
met wie hij bevriend was.
Stadler was
verantwoordelijk voor
veel technische
verbeteringen aan zowel
de klarinet als de
bassethoorn, hij voegde
extra kleppentoe aan
beide instrumenten,
waardoor het bereik van
de klarinet in de laagte
werd uitgebreid. Mozart
schreef dit concerto voor
een klarinet met een
lager bereik in
vergelijking tot het
moderne instrument.
Ondanks de beperkingenvan
de klarinet van nu komt
het origineel in deze
bewerking prima tot zijn
recht. opname op cd:
The Magic of
Mozart (DHR
11-011-3)
Ein
Konzert in drei
Sätzen, das den
vielfältigen Facetten
des Instrumentes Rechnung
trägt. Der
Eröffnungssatz
ähnelt im Stil fast
einem Rag. Der langsamere
zweite Satz erforscht
zunächst das
Chalumeau-Register der
Klarinette in einem
Thema, das später vom
Orchester aufgenommen
wird, während der
Solist einen filigranen
Diskant entwickelt.
Dieser leitet direkt zum
dritten Satz über,
dessen Stil an Be-Bop
erinnert und die
jazzigere Seite der
Klarinette in den
Vordergrund treten
lässt. Modern und
vielseitig! $38.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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