| I Am Determined Chorale TTBB TTBB, Piano [Vocal Score] Lillenas Publishing Co.
(Dynamic Praise For Men) Arranged by Bruce Greer, Camp Kirkland, Dennis Allen, M...(+)
(Dynamic Praise For Men)
Arranged by Bruce Greer,
Camp Kirkland, Dennis
Allen, Marty Parks,
Michael Lawrence, Mosie
Lister, Richard
Kingsmore, Russell
Mauldin. Vocal score for
TTBB choir and piano
accompaniment. With vocal
score notation, harmony
part, lyrics, chord names
and piano accompaniment.
119 pages. Published by
Lillenas Publishing Co..
(1)$8.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Still Orchestre d'harmonie [Conducteur] - Intermédiaire FJH
Concert Band Symphonic Band - Grade 4 SKU: FJ.B1530S Score Only. C...(+)
Concert Band Symphonic
Band - Grade 4 SKU:
FJ.B1530S Score
Only. Composed by
Brian Balmages. Concert
Band. FJH Symphonic Band.
Form: Chorale. Score.
Duration 6:15. The FJH
Music Company Inc
#98-B1530S. Published by
The FJH Music Company Inc
(FJ.B1530S).
English. This
emotional escape ushers
the listener into a world
of slow motion and
tranquility, where one
can take a moment to stop
and catch his breath.
Complex harmonies
seamlessly overlap with
rising and falling
expressions of longing. A
breathtaking climax stuns
the listener before an
aura of calm takes over,
reminding everyone to
stop and take a moment.
This piece is certain to
find a special place in
your heart.
About FJH
Symphonic
Band Appro
priate for accomplished
high school, college, and
professional groups.
Includes expanded
instrumentation and
ranges. Grades 4 - 5 $5.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Still Orchestre d'harmonie - Intermédiaire FJH
Concert Band Symphonic Band - Grade 4 SKU: FJ.B1530 Composed by Brian Bal...(+)
Concert Band Symphonic
Band - Grade 4 SKU:
FJ.B1530 Composed by
Brian Balmages. Concert
Band. FJH Symphonic Band.
Form: Chorale. Score and
Part(s). Duration 6:15.
The FJH Music Company Inc
#98-B1530. Published by
The FJH Music Company Inc
(FJ.B1530). UPC:
674398230747.
English. This
emotional escape ushers
the listener into a world
of slow motion and
tranquility, where one
can take a moment to stop
and catch his breath.
Complex harmonies
seamlessly overlap with
rising and falling
expressions of longing. A
breathtaking climax stuns
the listener before an
aura of calm takes over,
reminding everyone to
stop and take a moment.
This piece is certain to
find a special place in
your heart.
About FJH
Symphonic
Band Appro
priate for accomplished
high school, college, and
professional groups.
Includes expanded
instrumentation and
ranges. Grades 4 - 5 $80.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Requiem Orchestre [Conducteur d'étude / Miniature] Schott
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (St...(+)
Soprano, tenor,
Knabensoprano,
flugelhorn, mixed choir
and chamber orchestra
(Study Score) SKU:
HL.49018099 Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099). ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German. On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009. $93.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Clarinet Method op. 63 Band 2: No. 34-52 Clarinette [Partition + CD] - Facile Schott
Volume 2, Nos. 34-52 - Book with 2 CDs - Revised Edition. Composed by Car...(+)
Volume 2, Nos. 34-52 -
Book with 2 CDs - Revised
Edition. Composed by
Carl Baermann
(1810-1885). Edited by
Robert Erdt. This
edition: Saddle
stitching. Sheet music
with CD. Woodwind Method.
Die Klarinettenschule op.
63 von Carl Baermann aus
dem Jahr 1867 gilt noch
heute als das
Standardwerk in der
klassischen
Klarinettenausbildung.
Die grundlegend
uberarbeitete Neuausgabe
hat sich zum Ziel
gesetzt, das padagogische
Konzept, das heute immer
n. Educational,
Classical. Edition with 2
CDs, Softcover with CD.
Op. 63. 84 pages. Schott
Music #ED21762-50.
Published by Schott Music
(HL.49044754).
$33.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Twenty Studies (bassoon) Basson Leduc, Alphonse
Composed by Marcel Bitsch (1921-). Leduc. Classical. Softcover. 24 pages. Alph...(+)
Composed by Marcel Bitsch
(1921-). Leduc.
Classical.
Softcover. 24 pages.
Alphonse
Leduc #AL20602. Published
by
Alphonse Leduc
$30.15 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ein Hauch von Unzeit [Conducteur] Breitkopf & Härtel
Voice(s) solo SKU: BR.EB-8424 (Plainte sur la perte de la reflexion mu...(+)
Voice(s) solo SKU:
BR.EB-8424
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Arranged
by Klaus Huber. Voice;
stapled. Edition
Breitkopf. You will
need a copy of BG 1002
for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 8 pages.
Duration 20'. Breitkopf
and Haertel #EB 8424.
Published by Breitkopf
and Haertel (BR.EB-8424).
ISBN 9790004185254. 9
x 12 inches. World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109. $24.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Ein Hauch von Unzeit Violoncelle [Conducteur] Breitkopf & Härtel
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches. World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989. $30.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Ein Hauch von Unzeit Orgue [Conducteur] Breitkopf & Härtel
Organ SKU: BR.EB-9300 (Plainte sur la perte de la reflexion musicale)<...(+)
Organ SKU:
BR.EB-9300
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Arranged
by A. Digby and M.
Sattelberger. Solo
instruments; stapled.
Edition Breitkopf. World
premieres: I version for
flute: Wiesbaden, 1972.
Music post-1945; New
music (post-2000). Score.
Composed 1972. 20 pages.
Duration 20'. Breitkopf
and Haertel #EB 9300.
Published by Breitkopf
and Haertel (BR.EB-9300).
ISBN 9790004187647. 9
x 12 inches. World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: Stuttgart,
Hospitalkirche, March 28,
2018. $39.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| 3, 2, 1 . . . Orchestre d'harmonie [Conducteur] - Facile FJH
Concert Band Concert Band - Grade 2.5 SKU: FJ.B1769S Score Only. C...(+)
Concert Band Concert Band
- Grade 2.5 SKU:
FJ.B1769S Score
Only. Composed by
Brian Balmages. Concert
Band. FJH Young Band.
Score. Duration 3:15. The
FJH Music Company Inc
#98-B1769S. Published by
The FJH Music Company Inc
(FJ.B1769S).
English. Everyon
e is still. The countdown
begins. And in a single
moment, adrenaline surges
in an eruption of energy
and power. This intense
closer does not let go,
keeping the audience and
performer on the edge of
their seats throughout.
Very playable - just make
sure you find time to
catch your breath (or
does that refer to the
audience?...). Ready,
set...
About FJH
Young
Band Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5 $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 3, 2, 1 . . . Orchestre d'harmonie - Facile FJH
Concert Band Concert Band - Grade 2.5 SKU: FJ.B1769 Composed by Brian Bal...(+)
Concert Band Concert Band
- Grade 2.5 SKU:
FJ.B1769 Composed by
Brian Balmages. Concert
Band. FJH Young Band.
Score and Part(s).
Duration 3:15. The FJH
Music Company Inc
#98-B1769. Published by
The FJH Music Company Inc
(FJ.B1769). UPC:
241444399392.
English. Everyone
is still. The countdown
begins. And in a single
moment, adrenaline surges
in an eruption of energy
and power. This intense
closer does not let go,
keeping the audience and
performer on the edge of
their seats throughout.
Very playable - just make
sure you find time to
catch your breath (or
does that refer to the
audience?. . .). Ready,
set. . .
About FJH
Young
Band Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5 $60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cimarron Sunset Orchestre d'harmonie [Conducteur] - Facile FJH
Concert Band Concert Band - Grade 2 SKU: FJ.B1203S Score Only. Com...(+)
Concert Band Concert Band
- Grade 2 SKU:
FJ.B1203S Score
Only. Composed by
Roland Barrett. Arranged
by Roland Barrett.
Concert Band. FJH Young
Band. Form: Chorale.
Score. Duration 3:42. The
FJH Music Company Inc
#98-B1203S. Published by
The FJH Music Company Inc
(FJ.B1203S).
English. This
gorgeous new work
captures the quiet,
natural elegance of the
Cimarron Territory - the
present-day panhandle of
the state of Oklahoma.
After the melody is
presented in a light
orchestration, the rest
of the group joins as the
texture builds toward a
magnificent key change.
An ideal study in
phrasing, musicality, and
breath support, this easy
lyrical piece is a
peaceful change of pace
for your next
concert.
About FJH
Young
Band Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5 $5.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Beyond the Silver Mountains Chorale 3 parties SAB, Piano Heritage Music Press
SAB choir and piano SKU: LO.15-3666H Composed by Douglas E. Wagner. Chora...(+)
SAB choir and piano
SKU: LO.15-3666H
Composed by Douglas E.
Wagner. Choral. Octavo.
Heritage Music Press
#15/3666H. Published by
Heritage Music Press
(LO.15-3666H). ISBN
9780787765620. Beyo
nd the silver mountains,
beyond the beautiful
hills, my spirit and joy,
my lovely one, has gone,
and winds have been
stilled. Douglas Wagner
wrote this tender song of
parting shortly after his
mother's passing. Scored
especially for smaller
mixed ensembles, careful
attention has been made
to the voice leading in
all parts. Teachable
moments of phrasing,
breath support, and tall
vowels make this a strong
selection for developing
choirs. $2.75 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Like a Child Ensemble de cuivres [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Brass Band - Grade 3 SKU: BT.GOB-000912-030 Composed by Andreas Ludwig Sc...(+)
Brass Band - Grade 3
SKU:
BT.GOB-000912-030
Composed by Andreas
Ludwig Schulte. Set
(Score & Parts). Gobelin
Music Publications #GOB
000912-030. Published by
Gobelin Music
Publications
(BT.GOB-000912-030).
The young have
the future. This is the
statement made at the
beginning of ‘Like a
Child’ by Andreas
Ludwig Schulte. The
opening radiates strength
and ambition, but one is
also made to wonder which
direction will be chosen,
which choices will have
to be made. After the
introduction the first
steps on the path of life
are taken, still somewhat
unsteadily (the 3/4th
time used illustrates
this uncertainty).
However, the child has
now set off and will meet
the future with an open
mind, unafraid, even
though experience will
teach it how easily it
can be
hurt. Fortunately, it
is sometimes allowed to
be vulnerable and it
discovers there will
always be someone to
offer shelter,support and
love. (Adagio) The
last part breathes a far
greater independence.
Youth is able to face the
future, it can even take
on the whole world!
Wie de jeugd
heeft, heeft de toekomst.
Met dit statement begint
deze compositie van
Andreas Ludwig Schulte.
Het begin straalt
kracht en ambitie uit.
Maar welke kant gaat het
op, welke keuzes moeten
gemaakt worden? Na de
inleidingworden de eerste
schreden op het levenspad
gezet, het is nog wat
onzeker (de driekwarts
maat voelt een beetje
wankel). Toch gaan we
daarna op pad,
onbevangen, met open
vizier de toekomst
tegemoet al blijken er
toch noch
kwetsbaremomenten te
bestaan. Gelukkig
mogen we dat soms ook
zijn en dan is er altijd
wel iemand bij wie we
geborgenheid, steun en
liefde ontvangen.
(Adagio) Het laatste
deel straalt al veel meer
zelfstandigheid uit. Laat
maarkomen die toekomst,
we kunnen de wereld
aan! $138.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Like a Child Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 3 SKU: BT.GOB-000912-130 Composed by Andreas Ludwig Sc...(+)
Brass Band - Grade 3
SKU:
BT.GOB-000912-130
Composed by Andreas
Ludwig Schulte. Score
Only. 20 pages. Gobelin
Music Publications #GOB
000912-130. Published by
Gobelin Music
Publications
(BT.GOB-000912-130).
The young have
the future. This is the
statement made at the
beginning of ‘Like a
Child’ by Andreas
Ludwig Schulte. The
opening radiates strength
and ambition, but one is
also made to wonder which
direction will be chosen,
which choices will have
to be made. After the
introduction the first
steps on the path of life
are taken, still somewhat
unsteadily (the 3/4th
time used illustrates
this uncertainty).
However, the child has
now set off and will meet
the future with an open
mind, unafraid, even
though experience will
teach it how easily it
can be
hurt. Fortunately, it
is sometimes allowed to
be vulnerable and it
discovers there will
always be someone to
offer shelter,support and
love. (Adagio) The
last part breathes a far
greater independence.
Youth is able to face the
future, it can even take
on the whole world!
Wie de jeugd
heeft, heeft de toekomst.
Met dit statement begint
deze compositie van
Andreas Ludwig Schulte.
Het begin straalt
kracht en ambitie uit.
Maar welke kant gaat het
op, welke keuzes moeten
gemaakt worden? Na de
inleidingworden de eerste
schreden op het levenspad
gezet, het is nog wat
onzeker (de driekwarts
maat voelt een beetje
wankel). Toch gaan we
daarna op pad,
onbevangen, met open
vizier de toekomst
tegemoet al blijken er
toch noch
kwetsbaremomenten te
bestaan. Gelukkig
mogen we dat soms ook
zijn en dan is er altijd
wel iemand bij wie we
geborgenheid, steun en
liefde ontvangen.
(Adagio) Het laatste
deel straalt al veel meer
zelfstandigheid uit. Laat
maarkomen die toekomst,
we kunnen de wereld
aan! $34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Like a Child Fanfare [Conducteur] - Facile Gobelin Music Publications
Fanfare Band - Grade 3 SKU: BT.GOB-000809-120 Composed by Andreas Ludwig ...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000809-120
Composed by Andreas
Ludwig Schulte. Score
Only. 20 pages. Gobelin
Music Publications #GOB
000809-120. Published by
Gobelin Music
Publications
(BT.GOB-000809-120).
The young have
the future. This is the
statement made at the
beginning of ‘Like a
Child’ by Andreas
Ludwig Schulte. The
opening radiates strength
and ambition, but one is
also made to wonder which
direction will be chosen,
which choices will have
to be made. After the
introduction the first
steps on the path of life
are taken, still somewhat
unsteadily (the 3/4th
time used illustrates
this uncertainty).
However, the child has
now set off and will meet
the future with an open
mind, unafraid, even
though experience will
teach it how easily it
can be
hurt. Fortunately, it
is sometimes allowed to
be vulnerable and it
discovers there will
always be someone to
offer shelter,support and
love. (Adagio) The
last part breathes a far
greater independence.
Youth is able to face the
future, it can even take
on the whole world!
Wie de jeugd
heeft, heeft de toekomst.
Met dit statement begint
deze compositie van
Andreas Ludwig Schulte.
Het begin straalt
kracht en ambitie uit.
Maar welke kant gaat het
op, welke keuzes moeten
gemaakt worden? Na de
inleidingworden de eerste
schreden op het levenspad
gezet, het is nog wat
onzeker (de driekwarts
maat voelt een beetje
wankel). Toch gaan we
daarna op pad,
onbevangen, met open
vizier de toekomst
tegemoet al blijken er
toch noch
kwetsbaremomenten te
bestaan. Gelukkig
mogen we dat soms ook
zijn en dan is er altijd
wel iemand bij wie we
geborgenheid, steun en
liefde ontvangen.
(Adagio) Het laatste
deel straalt al veel meer
zelfstandigheid uit. Laat
maarkomen die toekomst,
we kunnen de wereld
aan! $34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Like a Child Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000752-140 Composed by Andrea...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.GOB-000752-140
Composed by Andreas
Ludwig Schulte. Score
Only. Gobelin Music
Publications #GOB
000752-140. Published by
Gobelin Music
Publications
(BT.GOB-000752-140).
The young have
the future. This is the
statement made at the
beginning of ‘Like
a Child’ by
Andreas Ludwig
Schulte. The opening
radiates strength and
ambition, but one is also
made to wonder which
direction will be chosen,
which choices will have
to be made. After the
introduction the first
steps on the path of life
are taken, still somewhat
unsteadily (the 3/4th
time used illustrates
this uncertainty).
However, the child has
now set off and will meet
the future with an open
mind, unafraid, even
though experience will
teach it how easily it
can be
hurt. Fortunately, it
is sometimes allowed to
be vulnerable and it
discovers there will
always be someone to
offer shelter,support and
love. (Adagio) The
last part breathes a far
greater independence.
Youth is able to face the
future, it can even take
on the whole world!
Wie de jeugd
heeft, heeft de toekomst.
Met dit statement begint
deze compositie van
Andreas Ludwig Schulte.
Het begin straalt
kracht en ambitie uit.
Maar welke kant gaat het
op, welke keuzes moeten
gemaakt worden? Na de
inleidingworden de eerste
schreden op het levenspad
gezet, het is nog wat
onzeker (de driekwarts
maat voelt een beetje
wankel). Toch gaan we
daarna op pad,
onbevangen, met open
vizier de toekomst
tegemoet al blijken er
toch noch
kwetsbaremomenten te
bestaan. Gelukkig
mogen we dat soms ook
zijn en dan is er altijd
wel iemand bij wie we
geborgenheid, steun en
liefde ontvangen.
(Adagio) Het laatste
deel straalt al veel meer
zelfstandigheid uit. Laat
maarkomen die toekomst,
we kunnen de wereld
aan! $34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Like a Child Fanfare [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Fanfare Band - Grade 3 SKU: BT.GOB-000809-020 Composed by Andreas Ludwig ...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000809-020
Composed by Andreas
Ludwig Schulte. Set
(Score & Parts). 8 pages.
Gobelin Music
Publications #GOB
000809-020. Published by
Gobelin Music
Publications
(BT.GOB-000809-020).
The young have
the future. This is the
statement made at the
beginning of ‘Like a
Child’ by Andreas
Ludwig Schulte. The
opening radiates strength
and ambition, but one is
also made to wonder which
direction will be chosen,
which choices will have
to be made. After the
introduction the first
steps on the path of life
are taken, still somewhat
unsteadily (the 3/4th
time used illustrates
this uncertainty).
However, the child has
now set off and will meet
the future with an open
mind, unafraid, even
though experience will
teach it how easily it
can be
hurt. Fortunately, it
is sometimes allowed to
be vulnerable and it
discovers there will
always be someone to
offer shelter,support and
love. (Adagio) The
last part breathes a far
greater independence.
Youth is able to face the
future, it can even take
on the whole world!
Wie de jeugd
heeft, heeft de toekomst.
Met dit statement begint
deze compositie van
Andreas Ludwig Schulte.
Het begin straalt
kracht en ambitie uit.
Maar welke kant gaat het
op, welke keuzes moeten
gemaakt worden? Na de
inleidingworden de eerste
schreden op het levenspad
gezet, het is nog wat
onzeker (de driekwarts
maat voelt een beetje
wankel). Toch gaan we
daarna op pad,
onbevangen, met open
vizier de toekomst
tegemoet al blijken er
toch noch
kwetsbaremomenten te
bestaan. Gelukkig
mogen we dat soms ook
zijn en dan is er altijd
wel iemand bij wie we
geborgenheid, steun en
liefde ontvangen.
(Adagio) Het laatste
deel straalt al veel meer
zelfstandigheid uit. Laat
maarkomen die toekomst,
we kunnen de wereld
aan! $191.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Like a Child Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000752-010 Composed by Andrea...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.GOB-000752-010
Composed by Andreas
Ludwig Schulte. Set
(Score & Parts). 160
pages. Gobelin Music
Publications #GOB
000752-010. Published by
Gobelin Music
Publications
(BT.GOB-000752-010).
The young have
the future. This is the
statement made at the
beginning of ‘Like a
Child’ by Andreas
Ludwig Schulte. The
opening radiates strength
and ambition, but one is
also made to wonder which
direction will be chosen,
which choices will have
to be made. After the
introduction the first
steps on the path of life
are taken, still somewhat
unsteadily (the 3/4th
time used illustrates
this uncertainty).
However, the child has
now set off and will meet
the future with an open
mind, unafraid, even
though experience will
teach it how easily it
can be
hurt. Fortunately, it
is sometimes allowed to
be vulnerable and it
discovers there will
always be someone to
offer shelter,support and
love. (Adagio) The
last part breathes a far
greater independence.
Youth is able to face the
future, it can even take
on the whole world!
Wie de jeugd
heeft, heeft de toekomst.
Met dit statement begint
deze compositie van
Andreas Ludwig Schulte.
Het begin straalt
kracht en ambitie uit.
Maar welke kant gaat het
op, welke keuzes moeten
gemaakt worden? Na de
inleidingworden de eerste
schreden op het levenspad
gezet, het is nog wat
onzeker (de driekwarts
maat voelt een beetje
wankel). Toch gaan we
daarna op pad,
onbevangen, met open
vizier de toekomst
tegemoet al blijken er
toch noch
kwetsbaremomenten te
bestaan. Gelukkig
mogen we dat soms ook
zijn en dan is er altijd
wel iemand bij wie we
geborgenheid, steun en
liefde ontvangen.
(Adagio) Het laatste
deel straalt al veel meer
zelfstandigheid uit. Laat
maarkomen die toekomst,
we kunnen de wereld
aan! $191.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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