(From the Music of Aristophanes the Birds). By George Perle (1915-). For SATB Choir. Classical. Choral part(s). Standard notation. 8 pages. Duration 2 minutes, 15 seconds. Published by Theodore Presser Company choral part(s) classical

Piano Trio

SKU: HL.48025297

Piano Trio. Composed by Elena Kats-Chernin. BH Piano. Classical. Softcover. Duration 600 seconds. Bote & Bock #M202536193. Published by Bote & Bock (HL.48025297).

UPC: 196288174332.

†œBeing Russian born I have a strong connection to the ballet scores of Tchaikovsky, Prokofiev and Stravinsky, and as a result in theWild Swans, more than in any other work of mine, I allowed myself the freedom to roam through 200 years of musical genres, ranging from Hungarian Operetta through folk music and even including the influences of jazz and popular music,” says Elena Kats-Chernin. The full-length work, which premiered in Sydney in 2003, was written for choreographer Meryl Tankard after the two artists had already worked together for the opening ceremony of the 2000 Olympic Games, and became one of the composer's greatest successes. Many excerpts in various arrangements have a concert life of their own today - including the world-renowned Eliza Aria. Arranged by the composer for piano trio after the original orchestral version, the ten-minute suite comprises further characteristic pieces of the ballet music: Green Leaf Prelude, Brothers, and Mute Princess.

Fanfare Band - Grade 4

SKU: BT.DHP-1043766-020

Composed by Jan Van der Roost. Inspiration Series. Concert Piece. Set (Score & Parts). Composed 2004. De Haske Publications #DHP 1043766-020. Published by De Haske Publications (BT.DHP-1043766-020).

9x12 inches. English-German-French-Dut ch.

This stately opening work begins in the low register with a broad main theme from the low brass immediately setting the tone. Gradually other sections and registers enter and despite retaining a majestic character the rhythmic element becomes more active. This work makes truly creative use of sound, without great virtuosity or complexity, but maintains a good balance between static and dynamic elements.

Dit statige openingswerk begint in het lage register en etaleert een breed hoofdthema waarin het lage koper meteen de toon zet, gesteund door een continue slagwerkcadans. Geleidelijk komen ook andere secties en registers aan bod enwordt het ritmische element actiever, al bewaart het geheel een gedragen karakter. Het gaat om een echt klankstuk, zonder een grote virtuositeit of complexiteit, maar met een prima evenwicht tussen statische en dynamische elemeten.

Dieses majestätische Eröffnungswerk beginnt im tiefen Register und präsentiert ein breit angelegtes Hauptthema, in welchem das tiefe Blech sofort den Ton angibt, unterstützt von einer durchgehenden Kadenz in den Schlaginstrumenten. Nach und nach erscheinen andere Orchesterteile und Register und das rhythmische Element wird aktiver, wobei der majestätische Charakter jedoch erhalten bleibt. Ein Werk, das voll und ganz auf Klang aufbaut, ohne große Virtuosität oder Komplexität, jedoch mit einer perfekten Balance zwischen statischen und dynamischen Elementen.

Cette majestueuse pièce d’ouverture débute dans un paysage sonore grave et profond où retentit un thème ample et généreux, joué par les cuivres graves, sur un mouvement continu de la percussion. Le ton est donné. Petit petit, de nouveaux pupitres intègrent harmonieusement le développement et complètent les zones de timbre. La cellule rythmique s’intensifie sans toutefois influencer le caractère majestueux de l’oeuvre. The Swan on the Hill est sans grande difficulté technique, mais nécessite un travail approfondi de l’environnement sonore afin d’obtenir un bon équilibre entre les éléments musicaux statiques et dynamiques.

Questo maestoso brano di apertura inizia su un passaggio sonoro grave e profondo dove echeggia un tema ampio e generoso, eseguito dagli ottoni gravi, su un movimento continuo delle percussioni. Poco a poco, altre sezioni della banda integrano armoniosamente lo sviluppo e completano le zone di timbro. La cellula ritmica si intensifica senza tuttavia influenzare il carattere maestoso del brano. The Swan on the Hill non pone grandi difficolt tecniche, ma richiede un lavoro profondo sulle dinamiche, al fine di ottenere un buon equilibrio tra gli elementi musicali statici e dinamici.

Brass Band - Grade 4

SKU: BT.DHP-1043766-030

Composed by Jan Van der Roost. Inspiration Series. Concert Piece. Set (Score & Parts). Composed 2004. De Haske Publications #DHP 1043766-030. Published by De Haske Publications (BT.DHP-1043766-030).

9x12 inches. English-German-French-Dut ch.

This stately opening work begins in the low register with a broad main theme from the low brass immediately setting the tone. Gradually other sections and registers enter and despite retaining a majestic character the rhythmic element becomes more active. This work makes truly creative use of sound, without great virtuosity or complexity, but maintains a good balance between static and dynamic elements.

Dit statige openingswerk begint in het lage register en etaleert een breed hoofdthema waarin het lage koper meteen de toon zet, gesteund door een continue slagwerkcadans. Geleidelijk komen ook andere secties en registers aan bod enwordt het ritmische element actiever, al bewaart het geheel een gedragen karakter. Het gaat om een echt klankstuk, zonder een grote virtuositeit of complexiteit, maar met een prima evenwicht tussen statische en dynamische elemeten.

Dieses majestätische Eröffnungswerk beginnt im tiefen Register und präsentiert ein breit angelegtes Hauptthema, in welchem das tiefe Blech sofort den Ton angibt, unterstützt von einer durchgehenden Kadenz in den Schlaginstrumenten. Nach und nach erscheinen andere Register und das rhythmische Element wird aktiver, wobei der majestätische Charakter jedoch erhalten bleibt. Ein Werk, das voll und ganz auf Klang aufbaut, ohne große Virtuosität oder Komplexität, jedoch mit einer perfekten Balance zwischen statischen und dynamischen Elementen.

Cette majestueuse pièce d’ouverture débute dans un paysage sonore grave et profond où retentit un thème ample et généreux, joué par les cuivres graves, sur un mouvement continu de la percussion. Le ton est donné. Petit petit, de nouveaux pupitres intègrent harmonieusement le développement et complètent les zones de timbre. La cellule rythmique s’intensifie sans toutefois influencer le caractère majestueux de l’oeuvre. The Swan on the Hill est sans grande difficulté technique, mais nécessite un travail approfondi de l’environnement sonore afin d’obtenir un bon équilibre entre les éléments musicaux statiques et dynamiques.

Questo maestoso brano di apertura inizia su un passaggio sonoro grave e profondo dove echeggia un tema ampio e generoso, eseguito dagli ottoni gravi, su un movimento continuo delle percussioni. Poco a poco, altre sezioni della banda integrano armoniosamente lo sviluppo e completano le zone di timbro. La cellula ritmica si intensifica senza tuttavia influenzare il carattere maestoso del brano. The Swan on the Hill non pone grandi difficolt tecniche, ma richiede un lavoro profondo sulle dinamiche, al fine di ottenere un buon equilibrio tra gli elementi musicali statici e dinamici.

Fanfare Band - Grade 4

SKU: BT.DHP-1043766-120

Composed by Jan Van der Roost. Inspiration Series. Concert Piece. Score Only. Composed 2004. De Haske Publications #DHP 1043766-120. Published by De Haske Publications (BT.DHP-1043766-120).

9x12 inches. English-German-French-Dut ch.

This stately opening work begins in the low register with a broad main theme from the low brass immediately setting the tone. Gradually other sections and registers enter and despite retaining a majestic character the rhythmic element becomes more active. This work makes truly creative use of sound, without great virtuosity or complexity, but maintains a good balance between static and dynamic elements.

Dit statige openingswerk begint in het lage register en etaleert een breed hoofdthema waarin het lage koper meteen de toon zet, gesteund door een continue slagwerkcadans. Geleidelijk komen ook andere secties en registers aan bod enwordt het ritmische element actiever, al bewaart het geheel een gedragen karakter. Het gaat om een echt klankstuk, zonder een grote virtuositeit of complexiteit, maar met een prima evenwicht tussen statische en dynamische elemeten.

Dieses majestätische Eröffnungswerk beginnt im tiefen Register und präsentiert ein breit angelegtes Hauptthema, in welchem das tiefe Blech sofort den Ton angibt, unterstützt von einer durchgehenden Kadenz in den Schlaginstrumenten. Nach und nach erscheinen andere Orchesterteile und Register und das rhythmische Element wird aktiver, wobei der majestätische Charakter jedoch erhalten bleibt. Ein Werk, das voll und ganz auf Klang aufbaut, ohne große Virtuosität oder Komplexität, jedoch mit einer perfekten Balance zwischen statischen und dynamischen Elementen.

Cette majestueuse pièce d’ouverture débute dans un paysage sonore grave et profond où retentit un thème ample et généreux, joué par les cuivres graves, sur un mouvement continu de la percussion. Le ton est donné. Petit petit, de nouveaux pupitres intègrent harmonieusement le développement et complètent les zones de timbre. La cellule rythmique s’intensifie sans toutefois influencer le caractère majestueux de l’oeuvre. The Swan on the Hill est sans grande difficulté technique, mais nécessite un travail approfondi de l’environnement sonore afin d’obtenir un bon équilibre entre les éléments musicaux statiques et dynamiques.

Questo maestoso brano di apertura inizia su un passaggio sonoro grave e profondo dove echeggia un tema ampio e generoso, eseguito dagli ottoni gravi, su un movimento continuo delle percussioni. Poco a poco, altre sezioni della banda integrano armoniosamente lo sviluppo e completano le zone di timbro. La cellula ritmica si intensifica senza tuttavia influenzare il carattere maestoso del brano. The Swan on the Hill non pone grandi difficolt tecniche, ma richiede un lavoro profondo sulle dinamiche, al fine di ottenere un buon equilibrio tra gli elementi musicali statici e dinamici.

Brass Band - Grade 4

SKU: BT.DHP-1043766-130

Composed by Jan Van der Roost. Inspiration Series. Concert Piece. Score Only. Composed 2004. De Haske Publications #DHP 1043766-130. Published by De Haske Publications (BT.DHP-1043766-130).

9x12 inches. English-German-French-Dut ch.

This stately opening work begins in the low register with a broad main theme from the low brass immediately setting the tone. Gradually other sections and registers enter and despite retaining a majestic character the rhythmic element becomes more active. This work makes truly creative use of sound, without great virtuosity or complexity, but maintains a good balance between static and dynamic elements.

Dit statige openingswerk begint in het lage register en etaleert een breed hoofdthema waarin het lage koper meteen de toon zet, gesteund door een continue slagwerkcadans. Geleidelijk komen ook andere secties en registers aan bod enwordt het ritmische element actiever, al bewaart het geheel een gedragen karakter. Het gaat om een echt klankstuk, zonder een grote virtuositeit of complexiteit, maar met een prima evenwicht tussen statische en dynamische elemeten.

Dieses majestätische Eröffnungswerk beginnt im tiefen Register und präsentiert ein breit angelegtes Hauptthema, in welchem das tiefe Blech sofort den Ton angibt, unterstützt von einer durchgehenden Kadenz in den Schlaginstrumenten. Nach und nach erscheinen andere Register und das rhythmische Element wird aktiver, wobei der majestätische Charakter jedoch erhalten bleibt. Ein Werk, das voll und ganz auf Klang aufbaut, ohne große Virtuosität oder Komplexität, jedoch mit einer perfekten Balance zwischen statischen und dynamischen Elementen.

Cette majestueuse pièce d’ouverture débute dans un paysage sonore grave et profond où retentit un thème ample et généreux, joué par les cuivres graves, sur un mouvement continu de la percussion. Le ton est donné. Petit petit, de nouveaux pupitres intègrent harmonieusement le développement et complètent les zones de timbre. La cellule rythmique s’intensifie sans toutefois influencer le caractère majestueux de l’oeuvre. The Swan on the Hill est sans grande difficulté technique, mais nécessite un travail approfondi de l’environnement sonore afin d’obtenir un bon équilibre entre les éléments musicaux statiques et dynamiques

Questo maestoso brano di apertura inizia su un passaggio sonoro grave e profondo dove echeggia un tema ampio e generoso, eseguito dagli ottoni gravi, su un movimento continuo delle percussioni. Poco a poco, altre sezioni della banda integrano armoniosamente lo sviluppo e completano le zone di timbro. La cellula ritmica si intensifica senza tuttavia influenzare il carattere maestoso del brano. The Swan on the Hill non pone grandi difficolt tecniche, ma richiede un lavoro profondo sulle dinamiche, al fine di ottenere un buon equilibrio tra gli elementi musicali statici e dinamici.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1043766-010

Composed by Jan Van der Roost. Inspiration Series. Concert Piece. Set (Score & Parts). Composed 2004. De Haske Publications #DHP 1043766-010. Published by De Haske Publications (BT.DHP-1043766-010).

9x12 inches. English-German-French-Dut ch.

This stately opening work begins in the low register with a broad main theme from the low brass immediately setting the tone. Gradually other sections and registers enter and despite retaining a majestic character the rhythmic element becomes more active. This work makes truly creative use of sound, without great virtuosity or complexity, but maintains a good balance between static and dynamic elements.

Dit statige openingswerk begint in het lage register en etaleert een breed hoofdthema waarin het lage koper meteen de toon zet, gesteund door een continue slagwerkcadans. Geleidelijk komen ook andere secties en registers aan bod enwordt het ritmische element actiever, al bewaart het geheel een gedragen karakter. Het gaat om een echt klankstuk, zonder een grote virtuositeit of complexiteit, maar met een prima evenwicht tussen statische en dynamische elemeten.

Dieses majestätische Eröffnungswerk beginnt im tiefen Register und präsentiert ein breit angelegtes Hauptthema, in welchem das tiefe Blech sofort den Ton angibt, unterstützt von einer durchgehenden Kadenz in den Schlaginstrumenten. Nach und nach erscheinen andere Orchesterteile und Register und das rhythmische Element wird aktiver, wobei der majestätische Charakter jedoch erhalten bleibt. Ein Werk, das voll und ganz auf Klang aufbaut, ohne große Virtuosität oder Komplexität, jedoch mit einer perfekten Balance zwischen statischen und dynamischen Elementen.

Cette majestueuse pièce d’ouverture débute dans un paysage sonore grave et profond où retentit un thème ample et généreux, joué par les cuivres graves, sur un mouvement continu de la percussion. Le ton est donné. Petit petit, de nouveaux pupitres intègrent harmonieusement le développement et complètent les zones de timbre. La cellule rythmique s’intensifie sans toutefois influencer le caractère majestueux de l’oeuvre. The Swan on the Hill est sans grande difficulté technique, mais nécessite un travail approfondi de l’environnement sonore afin d’obtenir un bon équilibre entre les éléments musicaux statiques et dynamiques.

Questo maestoso brano di apertura inizia su un passaggio sonoro grave e profondo dove echeggia un tema ampio e generoso, eseguito dagli ottoni gravi, su un movimento continuo delle percussioni. Poco a poco, altre sezioni della banda integrano armoniosamente lo sviluppo e completano le zone di timbro. La cellula ritmica si intensifica senza tuttavia influenzare il carattere maestoso del brano. The Swan on the Hill non pone grandi difficolt tecniche, ma richiede un lavoro profondo sulle dinamiche, al fine di ottenere un buon equilibrio tra gli elementi musicali statici e dinamici.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1043766-140

Composed by Jan Van der Roost. Inspiration Series. Concert Piece. Score Only. Composed 2004. 32 pages. De Haske Publications #DHP 1043766-140. Published by De Haske Publications (BT.DHP-1043766-140).

9x12 inches. English-German-French-Dut ch.

This stately opening work begins in the low register with a broad main theme from the low brass immediately setting the tone. Gradually other sections and registers enter and despite retaining a majestic character the rhythmic element becomes more active. This work makes truly creative use of sound, without great virtuosity or complexity, but maintains a good balance between static and dynamic elements.

Dit statige openingswerk begint in het lage register en etaleert een breed hoofdthema waarin het lage koper meteen de toon zet, gesteund door een continue slagwerkcadans. Geleidelijk komen ook andere secties en registers aan bod enwordt het ritmische element actiever, al bewaart het geheel een gedragen karakter. Het gaat om een echt klankstuk, zonder een grote virtuositeit of complexiteit, maar met een prima evenwicht tussen statische en dynamische elemeten.

Dieses majestätische Eröffnungswerk beginnt im tiefen Register und präsentiert ein breit angelegtes Hauptthema, in welchem das tiefe Blech sofort den Ton angibt, unterstützt von einer durchgehenden Kadenz in den Schlaginstrumenten. Nach und nach erscheinen andere Orchesterteile und Register und das rhythmische Element wird aktiver, wobei der majestätische Charakter jedoch erhalten bleibt. Ein Werk, das voll und ganz auf Klang aufbaut, ohne große Virtuosität oder Komplexität, jedoch mit einer perfekten Balance zwischen statischen und dynamischen Elementen.

Cette majestueuse pièce d’ouverture débute dans un paysage sonore grave et profond où retentit un thème ample et généreux, joué par les cuivres graves, sur un mouvement continu de la percussion. Le ton est donné. Petit petit, de nouveaux pupitres intègrent harmonieusement le développement et complètent les zones de timbre. La cellule rythmique s’intensifie sans toutefois influencer le caractère majestueux de l’oeuvre. The Swan on the Hill est sans grande difficulté technique, mais nécessite un travail approfondi de l’environnement sonore afin d’obtenir un bon équilibre entre les éléments musicaux statiques et dynamiques.

Questo maestoso brano di apertura inizia su un passaggio sonoro grave e profondo dove echeggia un tema ampio e generoso, eseguito dagli ottoni gravi, su un movimento continuo delle percussioni. Poco a poco, altre sezioni della banda integrano armoniosamente lo sviluppo e completano le zone di timbro. La cellula ritmica si intensifica senza tuttavia influenzare il carattere maestoso del brano. The Swan on the Hill non pone grandi difficolt tecniche, ma richiede un lavoro profondo sulle dinamiche, al fine di ottenere un buon equilibrio tra gli elementi musicali statici e dinamici.

Concert Band - Grade 4

SKU: BT.DHP-1043766-040

Composed by Jan Van der Roost. Inspiration Series. Concert Piece. Set (Score & Parts). Composed 2004. De Haske Publications #DHP 1043766-040. Published by De Haske Publications (BT.DHP-1043766-040).

9x12 inches. English-German-French-Dut ch.

This stately opening work begins in the low register with a broad main theme from the low brass immediately setting the tone. Gradually other sections and registers enter and despite retaining a majestic character the rhythmic element becomes more active. This work makes truly creative use of sound, without great virtuosity or complexity, but maintains a good balance between static and dynamic elements.

Dit statige openingswerk begint in het lage register en etaleert een breed hoofdthema waarin het lage koper meteen de toon zet, gesteund door een continue slagwerkcadans. Geleidelijk komen ook andere secties en registers aan bod enwordt het ritmische element actiever, al bewaart het geheel een gedragen karakter. Het gaat om een echt klankstuk, zonder een grote virtuositeit of complexiteit, maar met een prima evenwicht tussen statische en dynamische elemeten.

Dieses majestätische Eröffnungswerk beginnt im tiefen Register und präsentiert ein breit angelegtes Hauptthema, in welchem das tiefe Blech sofort den Ton angibt, unterstützt von einer durchgehenden Kadenz in den Schlaginstrumenten. Nach und nach erscheinen andere Orchesterteile und Register und das rhythmische Element wird aktiver, wobei der majestätische Charakter jedoch erhalten bleibt. Ein Werk, das voll und ganz auf Klang aufbaut, ohne große Virtuosität oder Komplexität, jedoch mit einer perfekten Balance zwischen statischen und dynamischen Elementen.

Cette majestueuse pièce d’ouverture débute dans un paysage sonore grave et profond où retentit un thème ample et généreux, joué par les cuivres graves, sur un mouvement continu de la percussion. Le ton est donné. Petit petit, de nouveaux pupitres intègrent harmonieusement le développement et complètent les zones de timbre. La cellule rythmique s’intensifie sans toutefois influencer le caractère majestueux de l’oeuvre. The Swan on the Hill est sans grande difficulté technique, mais nécessite un travail approfondi de l’environnement sonore afin d’obtenir un bon équilibre entre les éléments musicaux statiques et dynamiques.

Questo maestoso brano di apertura inizia su un passaggio sonoro grave e profondo dove echeggia un tema ampio e generoso, eseguito dagli ottoni gravi, su un movimento continuo delle percussioni. Poco a poco, altre sezioni della banda integrano armoniosamente lo sviluppo e completano le zone di timbro. La cellula ritmica si intensifica senza tuttavia influenzare il carattere maestoso del brano. The Swan on the Hill non pone grandi difficolt tecniche, ma richiede un lavoro profondo sulle dinamiche, al fine di ottenere un buon equilibrio tra gli elementi musicali statici e dinamici.

Orchestra (0.1.cor ang.0.B-clar.2 - 4.0.3.0 - timp.perc - hp - str)

SKU: BR.PB-5583

Tuonelan joutsen - Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Jean Sibelius. Edited by Tuija Wicklund. Orchestra; stapled. Partitur-Bibliothek (Score Library). Symphonic poem; Suite; Early modern; Late-romantic. Full score. 24 pages. Duration 10'. Breitkopf and Haertel #PB 5583. Published by Breitkopf and Haertel (BR.PB-5583).

ISBN 9790004213933. 10 x 12.5 inches.

Little is known about the actual composition process of Lemminkainen and the performance and publication history is rather complex, resulting in a first complete printing of all the four movements en suite through the complete edition of Jean Sibelius Works only in 2013.In summer 1894 Sibelius went to Central Europe, carrying among others a plan for an opera freely based on the Kalevala in his mind. But during this trip he reassessed his composing: I think I have found my old self again, musically speaking. I think I really am a tone painter and a poet. As a result he abandoned his opera plans, but musical parts may have found their way into the Lemminkainen pieces which he started composing during that time. Definitely the overture had, it is now known and loved as The Swan of Tuonela. Lemminkainen became popular from the beginning and has attained a fixed position in the concert repertoire.

Arranged by Denes Agay. 80 pages. Published by Yorktown Press. Thirty-seven best loved themes from famous ballets and ballet scenes from operas. Includes The Sleeping Beauty Waltz, Saber Dance, and Dance Of The Little Swans.

A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chichester Composed by L. J. White Alleluia Composed by William Boyce Author Of Life Divine Composed by Cecilia Mcdowall Be Still For The Presence Of The Lord Composed by David Evans; Arranged by Richard Shephard Bread Of The World Composed by Scottish Traditional; Arranged by Alan Bullard Brightest And Best Composed by Malcolm Archer Christ Is The World's True Light Composed by W. K. Stanton Christ The Lord Is Risen Again Composed by Richard Shephard Christians Shout For Joy And Gladness Composed by Johann Sebastian Bach Come Down, O Love Divine Composed by Hilary Tadman-robins Plainsong: Creator Of The Stars Arranged by John Scott Drop, Drop Slow Tears Composed by Kerry Andrew Evening Service In C Composed by Frank Henry Shera Fairest Lord Jesus Composed by Martin How Gabriel To Mary Came Composed by 14th Century Irish; Arranged by Alan Bullard Give Thanks To God Composed by Botswanan Traditional; Arranged by Alan Bullard God Be In My Head Composed by Armstrong Gibbs God In Mine Eternity Composed by Alan Bullard God So Loved The World Composed by Alan Bullard God That Madest Earth And Heaven Composed by Welsh Traditional; Arranged by David Thorne Hail, Virgin Mary (Ave Maria) Composed by Franz Liszt Hark, The Glad Sound Composed by David Thorne Harvest Carol Composed by Ian Ray He Is Risen Composed by Cecil Cope Hide Not Thy Face Composed by Richard Farrant see all... Holy, Holy, Holy, Holy Is The Lord Composed by Franz Schubert; Arranged by Alan Bullard Holy, Holy, Holy! Lord God Almighty Composed by Alan Smith Hosanna To The Son Of David Composed by Georg Philipp Telemann Irish Blessing Composed by Bob Chilcott Jesu, Lamb Of God, Redeemer (Ave Verum Corpus) Composed by Edward Elgar Jesus Christ The Apple Tree Composed by English Traditional; Arranged by Alan Bullard Jubilate (Let Us Praise You) Composed by Wolfgang Amadeus Mozart Lamb Of God (Agnus Dei) Composed by Samuel Webbe Let All Mortal Flesh Keep Silence Composed by Stephen Cleobury Like The Murmur Of The Dove's Song Composed by Alan Smith Lord, In Thy Mercy Composed by Felix Bartholdy Mendelssohn Magnificat And Nunc Dimittis In C Composed by F. H. Shera Never Weather-beaten Sail Composed by Thomas Campion; Arranged by Alan Bullard Now The Green Blade Riseth Composed by French Traditional; Arranged by Alan Bullard O Breath Of Life Composed by English Traditional; Arranged by Alan Bullard O For A Closer Walk With God Composed by Charles Villiers Stanford O God Of Mercy Composed by Simon Lole O God, Your Goodness Composed by Ludwig Van Beethoven O Praise God In His Holiness Composed by John Weldon Panis Angelicus Composed by Cesar Auguste Franck Peace Between Nations Composed by Christopher Wiggins Pie Jesu Composed by Gabriel Faure Praise To The Trinity Composed by Hildegard Of Bingen Psalm 150 Composed by Bob Chilcott Rejoice In The Lord Always Composed by Christopher Wiggins Shout For Joy Composed by African Traditional; Arranged by Alan Bullard Star Of Wonder Composed by Alan Bullard The Eternal Gifts Of Christ The King Composed by Guidetti/henry G. Ley The Heavens Sing Praises To God Composed by Ludwig Van Beethoven The Lord Ascendeth Composed by Michael Praetorius The Lord Bless You And Keep You Composed by John Rutter The Lord's My Shepherd Composed by Bob Chilcott The Peace Of God Composed by Alan Bullard The True And Living Bread Composed by David Blackwell There Is No Rose Composed by Andrew Smith Thou Visitest The Earth Composed by Maurice Greene To Be A Pilgrim Composed by Nick Burt Were You There? Composed by American Spiritual; Arranged by Peter Hunt Where All Charity And Love Are (Ubi Caritas) Arranged by Alan Bullard Wondrous Cross Composed by Philip Wilby The Oxford Book of Flexible Anthems by Alan Bullard (1947-). For flexible instrumentation. Mixed Voices. Sacred. Paperback. 296 pages. Published by Oxford University Press

73 Selections from the All-Time Greatest Music. Piano Solo Songbook (Intermediate to advanced piano arrangements with no lyrics). Size 9x12 inches. 272 pages. Published by Hal Leonard.

Famous and Fun: Classic Themes, Book 1 offers a wonderful introduction to the timeless masterpieces of the great composers. Featuring arrangements of themes from symphonic, operatic and keyboard literature, these works have been carefully selected to appeal to beginners at the early elementary level. Optional duet parts for teacher or parent.

More Easy Classical Themes composed by Various. Arranged by Alexander Cole. For easy piano. This edition: Paperback. Collection. Classical. Book. Text Language: English. 48 pages. Published by Santorella Publications

Performed by Ray Charles. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, guitar chord diagrams, introductory text and black and white photos. Randb, rock and standards. Series: Legendary Performers, Volume 5. 84 pages. 9x12 inches. Published by Warner Brothers.

By Kenneth Baker (Arranger). For Piano Solo & Guitar, with chord symbols. Classical. Sheet Music. 48 pages. Published by Music Sales.

For Violin. Classical (duets). Contains printed music score and a compact disc featuring all the works in split-channel stereo, with the first violin on the right channel, the second violin on the left. By adjusting the balance, the soloist can remove either violin and play the other. Published by Music Minus One

By Carol Barratt. For Piano. Folk, Blues, Classical. 64 pages. Published by Music Sales

(2+1.2.2.2/4.2+2.3.1,timp ,perc,hp,str)

SKU: TM.06921SET

Composed by Peter Illich Tschaikowsky. Set Type: D. Set of parts. Published by Lucks Music Library (TM.06921SET).

8 Movement version Suite (1954). For original 6 Movement version (1900), use Movements 1-5 + #14565 Movement 6 Scene and Finale. 8 Movements: Scene, Valse, Dance of the Swans (including the famous Pas de Quatre Dance of Little Swans No. 4), Scene (Pas d'Action), Czardas, Spanish Dance, Neapolitan Dance, Mazurka. Transposed: Cl 1&2, Tpt 1&2, Cor 1&2, Tbn 1&2; Hns orig in F. #298892 Dover score does not match these parts. Clothbound score. No. 4 Scene (Pas d'Action) contains Drigo ending. See #14036 Dance of the Swans for Pas d'Action with Tschaikowsky's ending.

(2+1.2.2.2/4.2+2.3.1,timp ,perc,hp,str)

SKU: TM.06921SC

Composed by Peter Illich Tschaikowsky. Score. Published by Lucks Music Library (TM.06921SC).

8 Movement version Suite (1954). For original 6 Movement version (1900), use Movements 1-5 + #14565 Movement 6 Scene and Finale. 8 Movements: Scene, Valse, Dance of the Swans (including the famous Pas de Quatre Dance of Little Swans No. 4), Scene (Pas d'Action), Czardas, Spanish Dance, Neapolitan Dance, Mazurka. Transposed: Cl 1&2, Tpt 1&2, Cor 1&2, Tbn 1&2; Hns orig in F. #298892 Dover score does not match these parts. Clothbound score. No. 4 Scene (Pas d'Action) contains Drigo ending. See #14036 Dance of the Swans for Pas d'Action with Tschaikowsky's ending.

(Music from the Motion Picture Soundtrack). By Clint Mansell and Darren Aronofsky. Piano Solo Songbook. Softcover. 56 pages. Published by Hal Leonard