By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Adam A...(+)
By Keane. By Richard
Hughes, Tim Rice-Oxley,
and Tom Chaplin. Arranged
by Adam Anders, Ed
Lojeski, and Peer Astrom.
SATB. Pop Choral Series.
12 pages. Published by
Hal Leonard
By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Adam A...(+)
By Keane. By Richard
Hughes, Tim Rice-Oxley,
and Tom Chaplin. Arranged
by Adam Anders, Ed
Lojeski, and Peer Astrom.
TTBB. Pop Choral Series.
12 pages. Published by
Hal Leonard
By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Adam A...(+)
By Keane. By Richard
Hughes, Tim Rice-Oxley,
and Tom Chaplin. Arranged
by Adam Anders, Ed
Lojeski, and Peer Astrom.
For Choral (ShowTrax CD).
Pop Choral Series. CD
only. Published by Hal
Leonard
St. Julien Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire RBC Publications
Concert Band Concert Band - late intermediate SKU: RU.10355 Composed by A...(+)
Concert Band Concert Band
- late intermediate
SKU: RU.10355
Composed by Arthur W.
Hughes. Edited by Timothy
Rhea. Arranged by Edited
by Timothy Rhea.
Contest/Festival. Legacy
of the March. Score and
Parts. RBC Publications
#10355. Published by RBC
Publications (RU.10355).
9 x 12
inches.
RBC
Publication’s Legacy of
the March Series brings
you timeless marches
meticulously edited by
Dr. Timothy Rhea. These
works - beautifully
engraved, are the perfect
addition to your march
library. Within this
catalog you will find
works by legendary march
writers including Sousa,
Fillmore, King, Peters
and many more. Score
Videos, professional
recordings, and preview
scores are all available
to peruse from
rbcmusic.com.
St. Julien Orchestre d'harmonie [Conducteur] - Intermédiaire RBC Publications
Concert Band Concert Band - late intermediate SKU: RU.10355S Composed by ...(+)
Concert Band Concert Band
- late intermediate
SKU: RU.10355S
Composed by Arthur W.
Hughes. Edited by Timothy
Rhea. Arranged by Edited
by Timothy Rhea.
Contest/Festival. Legacy
of the March. Score. RBC
Publications #10355S.
Published by RBC
Publications (RU.10355S).
9 x 12
inches.
RBC
Publication’s Legacy of
the March Series brings
you timeless marches
meticulously edited by
Dr. Timothy Rhea. These
works - beautifully
engraved, are the perfect
addition to your march
library. Within this
catalog you will find
works by legendary march
writers including Sousa,
Fillmore, King, Peters
and many more. Score
Videos, professional
recordings, and preview
scores are all available
to peruse from
rbcmusic.com.
Orchestra SKU: BT.MUSM570366699 Composed by Ed Hughes. Score Only. 62 pag...(+)
Orchestra
SKU:
BT.MUSM570366699
Composed by Ed Hughes.
Score Only. 62 pages.
University of York Music
Press #MUSM570366699.
Published by University
of York Music Press
(BT.MUSM570366699).
English.
Le
Voyage Dans La Lune is a
continuous orchestral
score of approximately 14
minutes comprising two
outer fast sections and a
slower inner section of a
dream-like character. The
work is directly inspired
by the film Le Voyage
Dans La Lune (1902),
written and directed by
the pioneering French
film-maker, Georges
Méliès. Méliès was
influenced by 19th
century interests in
science and discoveries,
as well as the science
fiction of Jules Verne.
At the same time his work
seems fantastic, surreal
and satirical. Some
critics point out an
underlying critique of
colonial adventuring. The
plot centres on a group
of astronomers who decide
to launch a rocket to the
moon containing a handful
of their number. They
reach the moon (famously
landing on the moon’s
face) and then encounter
a strange race of aliens,
whom they battle and
destroy. The return to
earth involves a dramatic
descent, a plunge into
the ocean and then
celebratory dancing. The
film inhabits a surreal
and dream-like space, and
uses an idiosyncratic
visual language which
transforms reality. This
inspired an active
musical response in my
own score, which is by
turns abrupt, smooth,
lyrical and violent, and
expresses something of
the strange shifting
surfaces and multiple and
layered tempos evident in
the film. The canons in
the horns in the first
scene reflect the intense
arguments of the
astronomers as they
consider the project. The
slower inner section is
inspired by the scenes of
the industrial City
viewed from its rooftops
by the astronomers. It
also expresses the wonder
of the astronomers as
they see the earth rise
from the perspective of
the moon after their
arrival there. The music
of the final section is
in places conflicted,
reflecting the violent
encounters with the
moon’s inhabitants. It
moves into a more
harmonious phase at the
close to match the
celebrations upon the
astronomers’ return
from their adventuring.
The music could be
considered to be a
surreal mini-opera
without voices, voicing
instead the characters of
the silent screen. - Ed
Hughes.
Chamber Music High voice, Piano SKU: PR.111402890 Composed by Ricky Ian G...(+)
Chamber Music High voice,
Piano
SKU:
PR.111402890
Composed
by Ricky Ian Gordon. Full
score. 44 pages. Duration
20 minutes. Theodore
Presser Company
#111-40289. Published by
Theodore Presser Company
(PR.111402890).
ISBN
9781491134672. UPC:
680160685264.
What
??s in a name? While the
title is French for
â??Eight Flower
Songs,â? the texts are
all in English. The
poemsâ?? flowers
metaphorically evoke
fragrance, love and loss,
life and death, rebirth
and regrowth. Perhaps the
texture and beauty of
Gordonâ??s music are
themselves French. The
20-minute song cycle
draws on poems from
Wordsworth to Dorothy
Parker, as well as from
contemporary poets
including the composer
himself. When So-Chung
Shinn came to me with the
idea of commissioning a
song cycle with her
spectacular husband Tony
Lee, she had in mind
something having to do
with flowers. Tony had
asked her what she wanted
for her birthday, and she
said she wanted to be
behind the creating of a
new work. Lucky me, I was
the recipient of the
commission. So-Chung sent
me a little description
of all the flowers she
loves, but I had to take
the idea and create a
narrative in my head.It
is always a matter of
pleasing the
commissioner, yet coming
up with something you can
get behind and hear music
for as well. I already
knew I wanted to use my
â??Tulipsâ? poem
which is really about the
arc of a relationship as
represented through the
life span of the Tulips,
and, in many ways,
disappointment; and
Dorothy Parkerâ??s
â??One Perfect
Rose,â? which is wry,
bitter, cynical, and
funny, in a way only
Dorothy Parker can so
pithily express.I thought
of Jane Kenyonâ??s
exquisite â??Peonies at
Dusk,â? because
knowing she died so young
(46) of leukemia, the
poem has such a
particular resonance,
almost humanizing the
Peonies, casting the moon
as a sentient being,
illustrating so
beautifully how connected
everything is, alive
here, and revolving
around these exquisite
blossoms. Then, I
remembered her husband
Donald Hallâ??s poem
â??Her Garden,â?
which he wrote after Jane
died, his grief
intermingled with his
inability to care for
what she had created, to
keep alive what so
represented her
aliveness, broken as he
was, and I felt I already
had a story.I found the
Wordsworth, because it
felt like pure joy to me,
but also, if each of the
songs has a color in my
head, â??The
Daffodilsâ? is pure
yellow and a good place
to start. My partner
Kevin and I live on a
lake, and every year, the
first Daffodils, the
shock of yellows, the
oranges, the blinding
whites, after the long
snowy winters, sing of
the newness that is about
to enfold us in its green
miraculousness.At first,
the cycle ended with the
Langston Hughes poem
â??Cycle,â? or
â??New Flowers,â?
because it was lovely,
and about rebirth, which
is obviously optimistic,
and apt, but then, my
friend Telmo Dos Santos,
a wonderful Canadian poet
whom I met at Banff, sent
me his poem â??Afterlife
With Lilacs,â? having
no idea what I was
working on. I felt I had
to add it because it is
so dazzling, and it
immediately felt like the
missing link. Finally,
there were unfortunately
rights issues, namely, we
could not, no how, get in
touch with the Langston
Hughes Estate, after so
many happy
collaborations.After
almost a yearâ??s
frustration, I wrote my
own text, â??Play,
Orpheus,â? which ended
up being fortuitous,
because the first time I
met So-Chung, she entered
the room and the most
exquisite scent of
Lillies of the Valley,
Muguet de Bois, filled
the room. I went right
over to her and rudely
put my nose to her neck,
for the intoxication of
the scent. So â??Play,
Orpheusâ? is for
So-Chung, to remind us of
the precious treasures of
this world flowers remind
us of. Everything and
everyone lives and dies,
lives and dies. Death and
resurrection.And of
course, this is music,
this is song, so the
inclusion of the God of
music, Orpheus, seems
apt. Huit Chansons de
Fleurs is really about
what flowers represent,
their radiance, their
flickering impermanence,
the way they are used to
celebrate, as well as to
mourn...... and of
course, their fragrance.
Their fragrance.Ricky Ian
GordonJuly 28, 2021.
Chamber Music Piano SKU: PR.140401320 Composed by Eubie Blake. Edited by ...(+)
Chamber Music Piano
SKU: PR.140401320
Composed by Eubie Blake.
Edited by Lara Downes.
Arranged by Jeremy
Siskind. Sws. Score. 8
pages. Duration 3:45.
Theodore Presser Company
#140-40132. Published by
Theodore Presser Company
(PR.140401320).
ISBN
9781491134177. UPC:
680160684274. 9 x 12
inches. Key: F
major.
LOVE WILL
FIND A WAY is one of the
great hits of the 1920s
– an era of
remarkable cultural
growth giving rise to
“The Roaring
'20s,†“The
Harlem
Renaissance,†and a
fun-loving society known
for the Charleston dance
craze and the surge of
jazz into the mainstream
of American music. A song
from Shuffle Along, the
first all-Black Broadway
musical, LOVE WILL FIND A
WAY has been arranged by
pianist Jeremy Siskind
especially for Lara
Downes’ recording
that launches the Rising
Sun series. According
to Langston Hughes, Eubie
Blake’s 1921
Shuffle Along was the
real start of the Harlem
Renaissance. In
Hughes’ words:
“Everybody was in
the audience, including
me. It gave just the
proper push, a
pre-Charleston kick, to
that Negro vogue of the
'20s that spread to
books, African sculpture,
music, and
dancing.â€As
Broadway’s first
all-Black hit musical,
with an all-star cast
including Paul Robeson
and a young Josephine
Baker, Shuffle Along ran
for an unprecedented 504
performances in New York,
then toured nationally
for three years as the
first Black musical to
play in white theaters
across the United States.
The show’s appeal
to a multi-racial
audience, and its
integration of the jazz
and Broadway communities,
not only changed the
history of the American
musical theater, but made
important strides forward
in American race
relations.Love Will Find
a Way is one of the
show’s most
popular tunes. This
intimate, pensive
arrangement by Jeremy
Siskind celebrates the
song’s centenary
by making it a love song
for our own time as much
as its own – a
reminder that no matter
how dark the path or how
gray the skies, love will
always find a way.
Orchestra SKU: BT.MUSM570366712 Composed by Ed Hughes. Classical. Study S...(+)
Orchestra
SKU:
BT.MUSM570366712
Composed by Ed Hughes.
Classical. Study Score.
62 pages. University of
York Music Press
#MUSM570366712. Published
by University of York
Music Press
(BT.MUSM570366712).
English.
Le
Voyage Dans La Lune is a
continuous orchestral
score of approximately 14
minutes comprising two
outer fast sections and a
slower inner section of a
dream-like character. The
work is directly inspired
by the film Le Voyage
Dans La Lune (1902),
written and directed by
the pioneering French
film-maker, Georges
Méliès. Méliès was
influenced by 19th
century interests in
science and discoveries,
as well as the science
fiction of Jules Verne.
At the same time his work
seems fantastic, surreal
and satirical. Some
critics point out an
underlying critique of
colonial adventuring. The
plot centres on a group
of astronomers who decide
to launch a rocket to the
moon containing a handful
of their number. They
reach the moon (famously
landing on the moon’s
face) and then encounter
a strange race of aliens,
whom they battle and
destroy. The return to
earth involves a dramatic
descent, a plunge into
the ocean and then
celebratory dancing. The
film inhabits a surreal
and dream-like space, and
uses an idiosyncratic
visual language which
transforms reality. This
inspired an active
musical response in my
own score, which is by
turns abrupt, smooth,
lyrical and violent, and
expresses something of
the strange shifting
surfaces and multiple and
layered tempos evident in
the film. The canons in
the horns in the first
scene reflect the intense
arguments of the
astronomers as they
consider the project. The
slower inner section is
inspired by the scenes of
the industrial City
viewed from its rooftops
by the astronomers. It
also expresses the wonder
of the astronomers as
they see the earth rise
from the perspective of
the moon after their
arrival there. The music
of the final section is
in places conflicted,
reflecting the violent
encounters with the
moon’s inhabitants. It
moves into a more
harmonious phase at the
close to match the
celebrations upon the
astronomers’ return
from their adventuring.
The music could be
considered to be a
surreal mini-opera
without voices, voicing
instead the characters of
the silent screen. - Ed
Hughes.
Serenade in three
parts. Composed by
George Frideric Handel.
Edited by Artie Heinrich.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) I, 9.2. 2nd
version. Complete
edition, Score. HWV 49.
Duration 1 hour, 20
minutes. Baerenreiter
Verlag #BA10700_00.
Published by Baerenreiter
Verlag (BA.BA10700).
ISBN 9790006550135. 33
x 26 cm inches. Text
Language: English,
Italian. Preface:
Heinrich, Artie. Text:
Gay, John / Hughes, John
/ Pope, Alexander /
Giuvo,
Nicola.
Handel set
the myth about the love
of the shepherd Acis for
the sea nymph Galatea
from Ovid’s
“Metamorphosesâ€
a total of three
times: in the cantata
“Aci, Galatea e
Polifemo†HWV 72
(1708), the masque
“Acis and
Galatea†HWV 49a
(1718) and finally the
pasticcio-like serenata
“Acis and
Galatea†HWV 49b
(1732) of which the
original version is now
made available in its
complete form for the
first time.
A
particular charm is
provided by the use of
two languages in the
serenata. The work was
originally conceived in
English, as was required
for the first
performance. However,
Handel’s Italian
singers were criticised
for their poor command of
English, – so in
the end, many numbers
were sung in Italian.
The extensive
appendix to the vocal
score includes the
additional arias and
newly composed movements
for the versions used in
the 1734 and 1736
performances.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown /
Neal Peres Da Costa /
Kate Bennett Wadsworth.
For cello and piano. This
edition: Urtext edition.
Stapled. With an Urtext
solo part by Clive Brown
and a solo part with
bowing and fingering by
Kate Bennett Wadsworth;
Fingering in the piano
part by Neal Peres Da
Costa; Performance
Practice Commentary by C.
Brown, N. P. Da Costa and
K. B. Wadsworth. Level 3.
Score and part. Text
Language: German/English.
Opus 38. Published by
Baerenreiter Verlag
SATB with Strings, Tuba, Timpani, Percussion, Organ Mixed Choir; Organ Accompani...(+)
SATB with Strings, Tuba,
Timpani, Percussion,
Organ Mixed Choir; Organ
Accompaniment;
Percussion; Timpani; Tuba
(SATB)
SKU:
HL.1496057
For
SATB with Strings Tuba
Timpani Percussion
Organ. Composed by
Paul Mealor. Choral.
Chamber, Choral. Octavo.
Duration 630 seconds.
Novello and Co Ltd.
#NOV297523. Published by
Novello and Co Ltd.
(HL.1496057).
UPC:
196288218371.
With
words by Grahame Davies,
this ten minute work for
chorus and orchestra was
written by kind
permission of the Master
of Marlborough College,
Mrs Louise
Moelwyn-Hughes;
commissioned by the
Choirmaster of
Marlborough College, Mr
Adam Meehan-Staines, and
made possible through the
generosity of donors to
the Arts Fund,
Marlborough College
Foundation. First
performed on 20 March
2022 at the Chapel of St
Michael and All Angels,
Marlborough College, by
Marlborough College
Choral Society and
Orchestra, conducted by
AdamMeehan-Staines.
SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, ...(+)
SATB choir, assembly,
organ accompaniment,
trumpet 1 in B-flat,
trumpet 1 in C, trumpet 2
in B-flat, trumpet 2 in
C, horn in f, trombone 1,
trombone 2, timpani -
Intermediate
SKU:
GI.G-9336
Composed by
John Hughes. Arranged by
Raymond H Haan. Calvin
Institute. Tune Name: Cwm
Rhondda. Sacred. Octavo.
16 pages. GIA
Publications #9336.
Published by GIA
Publications (GI.G-9336).
UPC: 785147933601.
English. Text Source:
Henry Emerson Fosdick,
1878–1969, alt.
Text by Harry Emerson
Fosdick.
One of the
grandest tunes in
Christian hymnody is CWM
RHONDDA, and Raymond Haan
has crafted a setting
that magnifies the
tune’s gravitas.
The tune appears with its
traditional partner,
“God of Grace and
God of Glory,†and
would be ideal for
festival or ecumenical
celebrations. The brass
and timpani are optional,
horn in F may be
substituted for the
trombone I. The brass and
timpani parts are
optional and horn in F is
a substitute for trombone
I.
3-5 Stimmen - Level 2 SKU: CA.333150 Composed by Ludwig van Beethoven. Ar...(+)
3-5 Stimmen - Level 2
SKU: CA.333150
Composed by Ludwig van
Beethoven. Arranged by
Gunnar Eriksson.
Chorissimo. Separate
edition with choral
collection. Folk songs
and settings of folk
songs. Full score. 3
pages. Duration 2
minutes. Carus Verlag #CV
03.331/50. Published by
Carus Verlag (CA.333150).
ISBN 9790007184407.
Language:
French/German/Latin.
Text: Ludeke, Hedwig /
Schiller, Friedrich /
Hughes, Herbert / Konigs,
J. / Lehmann, H.
P.
SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, ...(+)
SATB choir, assembly,
organ accompaniment,
trumpet 1 in B-flat,
trumpet 1 in C, trumpet 2
in B-flat, trumpet 2 in
C, horn in F, trombone 1,
trombone 2, timpani
SKU: GI.G-9336INST
Composed by John Hughes.
Arranged by Raymond H
Haan. Tune Name: Cwm
Rhondda. Sacred. Full
score and parts. 4 pages.
GIA Publications
#9336INST. Published by
GIA Publications
(GI.G-9336INST).
UPC:
785147933694. English.
Text Source: Henry
Emerson Fosdick,
1878–1969, alt.
Text by Harry Emerson
Fosdick.
The organ
accompaniment is printed
in full score. The brass
and timpani parts are
optional and horn in F is
a substitute for trombone
I.
I Dream a World Chorale SATB SATB, Piano - Intermédiaire Walton Music
SATB choir, piano accompaniment, cello, viola - Intermediate SKU: GI.WJMS1163...(+)
SATB choir, piano
accompaniment, cello,
viola - Intermediate
SKU: GI.WJMS1163
Composed by Connor J.
Koppin. Jo-Michael
Scheibe Choral Series.
Classical. Octavo. 16
pages. Walton Music
#WJMS1163. Published by
Walton Music
(GI.WJMS1163).
UPC:
785147006169. English.
Text by Langston
Hughes.
Written in
memory of Benjamin,
Charlie, and Bailey
Bartlett, the composer
has created a gorgeous
and tender work that
truly brings light to a
darkened world. The
piano, cello, viola, and
voices fit together
seamlessly. The
part-writing will offer a
challenge for your choir,
while the memorable
melody will stick with
your singers, being a
lifelong lesson that will
come back to them in
difficult times.
Jo-Michael Scheibe Choral
Series.
For Chorus and
Orchestra. Composed
by David Amram. Full
Orchestra; Single Titles.
Edition Peters. Living
Composer. Score. 104
pages. Edition Peters
#98-EP66053. Published by
Edition Peters
(PE.EP66053).
ISBN
9790300716497. Langston
Hughes.
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer.
SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, ...(+)
SATB choir, assembly,
organ accompaniment,
trumpet 1 in B-flat,
trumpet 1 in C, trumpet 2
in B-flat, trumpet 2 in
C, horn in f, trombone,
bass trombone, timpani -
Intermediate
SKU:
GI.G-9714
Concertato on CWM
RHONNDA. Composed by
John Hughes. Arranged by
J. Michael Joncas.
Baptism of the Lord,
Trinity Sunday,
Transfiguration. Choral.
Tune Name: Cwm Rhonnda.
Sacred. Octavo. 16 pages.
GIA Publications #9714.
Published by GIA
Publications (GI.G-9714).
