| 50 Grooves En Slap En El Bajo Basse electrique Play Music Publishing
Bass Guitar SKU: BT.MUSMS0345 Composed by Manuel Zamora. Tuition. Book, C...(+)
Bass Guitar SKU:
BT.MUSMS0345 Composed
by Manuel Zamora.
Tuition. Book, CD and
DVD. Composed 2018. 40
pages. Play Music Spain
#MUSMS0345. Published by
Play Music Spain
(BT.MUSMS0345).
Spanish. Con no
menos de 50 grooves en
slap, a la manera de los
mejores bajistas slap
(Alain Caron, Marcus
Miller, Flea, Larry
Graham, Jonas Hellborg,
Victor Wooten, Stanley
Clarke, Louis
Johnson...), nuestro
libro colmará a todos
los bajistas deseosos de
tocar groove sin parar...
y eso gracias a esta
técnica muy excitante.
Todos los ademanes del
slap están
representados: thumbing y
popping, por supuesto,
pero también slap de
mano izquierda, double
stops, notas muertas,
hammers, pull-offs,
slides, pulgar ida y
vuelta.. todo lo que le
permite perfeccionarse y
ser más creativo. Un
cap tulo preliminar
explicará esas
diferentes técnicas.
El DVD V deo permite
escuchar y sobre todo
visualizarlos 50 grooves
tales como se deben
tocar... a velocidad real
y luego más lenta. El
CD MP3 abarca todos los
playbacks que se
corresponden con los
grooves. O sea 50
playbacks tocados en dos
aires diferentes : el
aire deseado (velocidad
real) y el aire de
trabajo (más lento).
Duran mucho y lo hemos
hecho adrede (4 o 5
minutos cada uno, o sea
¡más de 7 horas de
música en total!).
Dichos playbacks le
brindarán la
oportunidad de divertirse
tocando en las mejores
condiciones posibles. $24.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Upriver Orchestre d'harmonie [Conducteur] Theodore Presser Co.
Band Concert Band SKU: PR.465000130 For Large Wind Ensemble. Compo...(+)
Band Concert Band SKU:
PR.465000130 For
Large Wind Ensemble.
Composed by Dan Welcher.
Sws. Contemporary. Full
score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013. Published by
Theodore Presser Company
(PR.465000130). ISBN
9781598064070. UPC:
680160600144. 9x12
inches. Following a
celebrated series of wind
ensemble tone poems about
national parks in the
American West, Dan
Welcher’s Upriver
celebrates the Lewis &
Clark Expedition from the
Missouri River to
Oregon’s Columbia
Gorge, following the
Louisiana Purchase of
1803. Welcher’s
imaginative textures and
inventiveness are freshly
modern, evoking our
American heritage,
including references to
Shenandoah and other folk
songs known to have been
sung on the expedition.
For advanced players.
Duration:
14’. In 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William
Clark’s Corps of
Discovery to find a water
route to the Pacific and
explore the uncharted
West. He believed woolly
mammoths, erupting
volcanoes, and mountains
of pure salt awaited
them. What they found was
no less mind-boggling:
some 300 species unknown
to science, nearly 50
Indian tribes, and the
Rockies.Ihave been a
student of the Lewis and
Clark expedition, which
Thomas Jefferson called
the “Voyage of
Discovery,†for as
long as I can remember.
This astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri —
and took the travelers up
more than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
— hired trappers
and explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing — and
along with other
trinkets, a box of 200
jaw harps to be used in
trading with the Indians.
Their trip was long,
perilous to the point of
near catastrophe, and
arduous. The dream of a
Northwest Passage proved
ephemeral, but the
northwestern quarter of
the continent had finally
been explored, mapped,
and described to an
anxious world. When the
party returned to St.
Louis in 1806, and with
the Louisiana Purchase
now part of the United
States, they were greeted
as national heroes.Ihave
written a sizeable number
of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks,
doesn’t try to
tell a story. Instead, it
captures the flavor of a
certain time, and of a
grand adventure. Cast in
one continuous movement
and lasting close to
fourteen minutes, the
piece falls into several
subsections, each with
its own heading: The
Dream (in which
Jefferson’s vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III .The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate “river
song,†and which
becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by
Cruzatte’s fiddle.
From various journals and
diaries, we know the men
found enjoyment and
solace in music, and
almost every night
encampment had at least a
bit of music in it. In
addition to Cruzatte,
there were two other
members of the party who
played the fiddle, and
others made do with
singing, or playing upon
sticks, bones, the
ever-present jaw harps,
and boat horns. From
Lewis’ journals, I
found all the tunes used
in Upriver: Shenandoah
(still popular after more
than 200 years),
V’la bon vent,
Soldier’s Joy,
Johnny Has Gone for a
Soldier, Come Ye Sinners
Poor and Needy (a hymn
sung to the tune
“Beech
Springâ€) and
Fisher’s Hornpipe.
The work follows an
emotional journey: not
necessarily step-by-step
with the Voyage of
Discovery heroes, but a
kind of grand arch.
Beginning in the mists of
history and myth,
traversing peaks and
valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of
Jefferson’s
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny. $45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sinfonia IX: A Concert in the Park Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
Concert band - Grade 4 SKU: MH.1-59913-070-X Composed by Timothy Broege. ...(+)
Concert band - Grade 4
SKU:
MH.1-59913-070-X
Composed by Timothy
Broege. Suitable for high
school, community, and
college bands. Conductor
score and set of parts.
Duration 10:00. Published
by Manhattan Beach Music
(MH.1-59913-070-X).
ISBN
9781599130705. Prog
ram Notes: Stylistically
diverse -- tranquil,
spirited pastoral,
sensitive, energetic --
exhibiting a remarkable
palette, the five
movements of SINFONIA IX
form a unique symphonic
statement. Movement I,
Prelude, is about
contrasts: A lazy,
smooth, motive in brasses
alternates with, and then
joins, an active and
detached motive in
woodwinds. The spirited
Movement II, Morley's
Ghost, is an intricate
canonic collage and
homage to that venerable
theoretician & composer,
Thomas Morley. By
contrast, movement III,
Dialog, speaks in a
relaxed, lyrical, and
pastoral language as it
develops its gently
rising and falling
motives. Movement IV,
Waltz, innocently
celebrates the joys of
childhood with a lilting
melody and rondo form.
For the rousing Finale,
Movement V begins with a
martial call of
repeated-notes, heralding
a headstrong journey of
power and excitement.
Like a number of the
composer's other works,
SINFONIA IX is based on
earlier material: A brass
sextet, written in 1966
when the composer was
nineteen years old, forms
the raw material for the
first, third and fifth
movements, while a later
work, Martin's Waltz (a
children's piece for
flutes and clarinets
composed in 1975) is the
basis of the fourth
movement. The second
movement, however, is a
fanciful contrapuntal
commentary on Thomas
Morley's 16th-century
canzonet, Fire and
Lightning. SINFONIA IX is
dedicated to John
Raforth, a distinguished
band director and music
educator at West High
School in Madison,
Wisconsin. The work was
commissioned by his
friends and former
students, and was
completed in 1977. Its
first publication some
twenty years later is a
result of the increasing
attention paid by
university band directors
to the earlier Sinfonias,
particularly Sinfonia III
(Hymns and Dances);
Sinfonia V (Sinfonia
Sacra et Profana); and
now, Sinfonia IX. Whereas
the first two works are
wind ensemble
compositions that have
been championed equally
by the concert band,
Sinfonia IX is the
composer's first
college-level Sinfonia
written especially for
concert band. Ensemble
instrumentation: 1
Piccolo, 8 Flute 1-2, 2
Oboe, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 3 Bb
Bass Clarinet, 2 Bassoon,
4 Eb Alto Saxophone, 2 Bb
Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1-2, 2 F Horn 3-4, 3
Trombone 1, 3 Trombone 2,
3 Baritone B.C., 2
Baritone T.C., 4 Tuba, 3
String Bass, 2 Timpani, 5
Percussion. $175.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Sinfonia IX: A Concert in the Park Orchestre d'harmonie - Intermédiaire Manhattan Beach Music
Concert band - Grade 4 SKU: MH.1-59913-071-8 Composed by Timothy Broege. ...(+)
Concert band - Grade 4
SKU:
MH.1-59913-071-8
Composed by Timothy
Broege. Suitable for high
school, community, and
college bands. Conductor
Full Score. Duration
10:00. Published by
Manhattan Beach Music
(MH.1-59913-071-8).
ISBN
9781599130712. Prog
ram Notes: Stylistically
diverse -- tranquil,
spirited pastoral,
sensitive, energetic --
exhibiting a remarkable
palette, the five
movements of SINFONIA IX
form a unique symphonic
statement. Movement I,
Prelude, is about
contrasts: A lazy,
smooth, motive in brasses
alternates with, and then
joins, an active and
detached motive in
woodwinds. The spirited
Movement II, Morley's
Ghost, is an intricate
canonic collage and
homage to that venerable
theoretician & composer,
Thomas Morley. By
contrast, movement III,
Dialog, speaks in a
relaxed, lyrical, and
pastoral language as it
develops its gently
rising and falling
motives. Movement IV,
Waltz, innocently
celebrates the joys of
childhood with a lilting
melody and rondo form.
For the rousing Finale,
Movement V begins with a
martial call of
repeated-notes, heralding
a headstrong journey of
power and excitement.
Like a number of the
composer's other works,
SINFONIA IX is based on
earlier material: A brass
sextet, written in 1966
when the composer was
nineteen years old, forms
the raw material for the
first, third and fifth
movements, while a later
work, Martin's Waltz (a
children's piece for
flutes and clarinets
composed in 1975) is the
basis of the fourth
movement. The second
movement, however, is a
fanciful contrapuntal
commentary on Thomas
Morley's 16th-century
canzonet, Fire and
Lightning. SINFONIA IX is
dedicated to John
Raforth, a distinguished
band director and music
educator at West High
School in Madison,
Wisconsin. The work was
commissioned by his
friends and former
students, and was
completed in 1977. Its
first publication some
twenty years later is a
result of the increasing
attention paid by
university band directors
to the earlier Sinfonias,
particularly Sinfonia III
(Hymns and Dances);
Sinfonia V (Sinfonia
Sacra et Profana); and
now, Sinfonia IX. Whereas
the first two works are
wind ensemble
compositions that have
been championed equally
by the concert band,
Sinfonia IX is the
composer's first
college-level Sinfonia
written especially for
concert band. Ensemble
instrumentation: 1
Piccolo, 8 Flute 1-2, 2
Oboe, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 3 Bb
Bass Clarinet, 2 Bassoon,
4 Eb Alto Saxophone, 2 Bb
Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1-2, 2 F Horn 3-4, 3
Trombone 1, 3 Trombone 2,
3 Baritone B.C., 2
Baritone T.C., 4 Tuba, 3
String Bass, 2 Timpani, 5
Percussion. $25.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Lord, Be Glorified - Keepsake Edition
Piano seul [Partition] - Avancé Hal Leonard
Piano Solo (Intermediate to advanced piano arrangements with no lyrics). Size 9....(+)
Piano Solo (Intermediate
to advanced piano
arrangements with no
lyrics). Size 9.5x12
inches. 248 pages.
Published by Hal Leonard.
(28)$69.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Scots Guards Standard Settings Of Pipe Music Volume 1 Cornemuse - Intermédiaire Paterson Ltd
| | |
| Primeros Acompañamientos De Piano Piano seul Play Music Publishing
Piano SKU: BT.MUSMS0343 Play Music España. Tuition. Book and DVD. Play...(+)
Piano SKU:
BT.MUSMS0343 Play
Music España. Tuition.
Book and DVD. Play Music
Spain #MUSMS0343.
Published by Play Music
Spain (BT.MUSMS0343).
Spanish. La meta
de este libro es hacerle
tocar sus primeros
acompañamientos en
el Piano. Y Ud lo
hará de manera
progresiva.
Empezará tocando
sencillos encadenamientos
de acordes - que son una
forma básica de
acompañamiento en
el Piano - con la mano
derecha y luego con la
izquierda, antes de tocar
con ambas manos a la vez
en el teclado. Entonces
se sentirá
bastante fuerte para
abordar tranquilamente
una primera serie de
acompañamientos en
acordes, antes de
encadenar con una segunda
serie ahora en arpegios,
para terminar con una
tercera serie de
acompañamientos
con melodía. Para
cada uno de esos 60
acompañamientos,
lasdigitaciones y unas
explicaciones
útiles le
ayudarán a aclarar
posibles dificultades
técnicas. Y por
último, en el
disco de datos (audios
mp3 y vídeos mp4)
incluido en el
método,
encontrará para
cada
acompañamiento,
una demostración
con sonido e imagen
así como un
playback
específico, en dos
aires diferentes, que le
permitirá aprender
a tocar «a
compás»
divirtiéndose...
como si estuviera tocando
en una banda, con otros
músicos. $18.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Método Sencillo Guitarra Guitare Alfred Publishing
Guitar SKU: AP.99-MB640 Composed by Pierluigi Bontempi. Guitar Method or ...(+)
Guitar SKU:
AP.99-MB640 Composed
by Pierluigi Bontempi.
Guitar Method or
Supplement. Book. Alfred
Music #99-MB640.
Published by Alfred Music
(AP.99-MB640). ISBN
9788863886405.
Spanish. Método
sencillo Guitarra es un
libro ideal para quien
empieza de cero o está
poco familiarizado con el
instrumento. Página a
página, el estudiante
se enfrenta a una carrera
facilmente accesible que
le lleva, en poco tiempo,
a estar capacitado para
acompañar canciones y
melodÃas fáciles.
Apoyado en un lenguaje
claro y cotidiano,
ilustrado con
fotografÃas y
diagramas, fotos y
esquemas filmados y
visionables vÃa
Internet...Partiendo del
equipamiento con el
material necesario
(instrumento, púas,
cuerdas, etc) arranca con
la afinación y la
descripción
pormenorizada de la
postura correcta para
tocar, afronta los
principales y primeros
acordes y numerosos
esquemas de
acompañamiento,
concluyendo con la
lectura de melodÃas en
Tablatura cifrada. Una
sección del libro
está dedicada al
análisis del
acompañamiento de los
éxitos Solamente
tú, El alma al aire,
Princesa, mientras otra
sección recoge las
melodÃas, en
Tablatura, de los
famosÃsimos temas La
cucaracha, When the
Saints go marchin in y
Jingle Bells. Tanto si
vuestro objetivo es el de
acompañar canciones
cantando---ya sea solos o
con amigos como si es el
de estudiar
profesionalmente la
guitarra, Método
sencillo Guitarra es el
mejor compañero, el
colega perfecto para
empezar con buen pie. $7.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Camelot Chronicles Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-200-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.AMP-200-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2007.
Anglo Music Press #AMP
200-010. Published by
Anglo Music Press
(BT.AMP-200-010). 9x12
inches.
English-German-French-Dut
ch. The Camelot
Chronicles is a series of
contrasting musical
tableaux,each describing
the famous characters
from the Arthurian
legend. Noone knows
exactly where Camelot was
situated (favourite
choices areTintagel and
Glastonbury) but the
story has passed into
legend and isthe subject
of many poems and novels,
each of which have
cloudedthe truth and
added to the mystery. Let
Philip Sparke?s music
inspireyour band with
this magical tale.
Rondom het thema
Camelot creëerde
Philip Sparke een serie
contrasterende tableaus
die de figuren uit de
Arthur-legenden
beschrijven. At the
Castle Gates is een
muzikale weergave van
Camelot. King
Arthur beschrijft
demajestueuze aankomst
van de koning bij het
kasteel. Merlin the
Wizard is spookachtig
van sfeer en weerspiegelt
een van Merlijns
toverkunsten. Lancelot
and Guinevere is een
romantisch duet dat de
edele liefde van deridder
voor de koningin
verklankt. Knights of
the Round Table geeft
een indruk van hoe de
ridders vol vuur de
strijd aangaan, het werk
eindigt
glorierijk.
The
Camelot Chronicles
besteht aus einer Reihe
von musikalischen
Bildern, von denen jedes
eine Figur aus der
Artussage beschreibt.
Niemand weiß genau, wo
die Burg Camelot einst
stand, in der König
Artus seine Ritter um die
Tafelrunde versammelte,
aber die Legende
fasziniert die Menschen
bis heute. Lassen Sie mit
Philip Sparkes Musik Ihr
Publikum die
Atmosphäre der
sagenumwobenen Burg und
der Geschichte derer, die
darin ein und aus gingen,
nacherleben!
Th
e Camelot Chronicles
(“Chroniques de
Camelotâ€) est une
œuvre de commande
pour l’Orchestre
d’Harmonie du
Collège Canarelli
[Canarelli Middle School]
de Clark County (Nevada,
États-Unis).
L’œuvre fut
donnée en première
par la formation
dédicataire (Rick
McEnaney, dir.), le 13
mars 2007. Le choix de la
composition s’est
porté sur la ville
légendaire de Camelot.
Philip Sparke a
composé une série
de tableaux contrastants
et contrastés qui
illustrent quelques
célèbres
personnages de la
légende arthurienne.
Personne ne sait avec
certitude où se
situait Camelot. On
l'identifie souvent
Tintagel et Glastonbury,
deux villes situées
dans l’ouest de
l’Angleterre.Quoiq
u’il en soit, son
histoire est entrée
dans la légende et de
nombreux poèmes et
romans lui ont été
consacrés, chacun
contribuant obscurcir la
vérité et nourrir
le mystère.1. At
the Castle Gates
(“Aux portes du Ch
teauâ€) est un
portrait de Camelot.2.
King Arthur (Le roi
Arthur) illustre
l’arrivée
majestueuse du roi au ch
teau de Camelot.3.
Merlin the Wizard
(Merlin
l’Enchanteur)
met en scène un des
mauvais tours du
magicien.
L’atmosphère
est sinistre.4.
Lancelot and Guinevere
(Lancelot et
Guenièvre) : la
musique chante
l’amour courtois
qui s’est tissé
entre le chevalier et la
reine travers un duo
romantique.5. Knights
of the Round Table (Les
Chevaliers de la Table
Ronde) : les
Chevaliers partent au
galop pour livrer
bataille. Le finale est
triomphal. $186.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Camelot Chronicles Orchestre d'harmonie [Conducteur] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-200-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.AMP-200-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2007. 40 pages.
Anglo Music Press #AMP
200-140. Published by
Anglo Music Press
(BT.AMP-200-140). 9x12
inches.
English-German-French-Dut
ch. The Camelot
Chronicles is a series of
contrasting musical
tableaux,each describing
the famous characters
from the Arthurian
legend. Noone knows
exactly where Camelot was
situated (favourite
choices areTintagel and
Glastonbury) but the
story has passed into
legend and isthe subject
of many poems and novels,
each of which have
cloudedthe truth and
added to the mystery. Let
Philip Sparke?s music
inspireyour band with
this magical tale.
The Camelot
Chronicles besteht
aus einer Reihe von
musikalischen Bildern,
von denen jedes eine
Figur aus der Artussage
beschreibt. Niemand
weiß genau, wo die
Burg Camelot einst stand,
in der König Artus
seine Ritter um die
Tafelrunde versammelte,
aber die Legende
fasziniert die Menschen
bis heute. Lassen Sie mit
Philip Sparkes Musik Ihr
Publikum die
Atmosphäre der
sagenumwobenen Burg und
der Geschichte derer, die
darin ein und aus gingen,
nacherleben!
Th
e Camelot Chronicles
(“Chroniques de
Camelotâ€) est une
œuvre de commande
pour l’Orchestre
d’Harmonie du
Collège Canarelli
[Canarelli Middle School]
de Clark County (Nevada,
États-Unis).
L’œuvre fut
donnée en première
par la formation
dédicataire (Rick
McEnaney, dir.), le 13
mars 2007. Le choix de la
composition s’est
porté sur la ville
légendaire de Camelot.
Philip Sparke a
composé une série
de tableaux contrastants
et contrastés qui
illustrent quelques
célèbres
personnages de la
légende arthurienne.
Personne ne sait avec
certitude où se
situait Camelot. On
l'identifie souvent
Tintagel et Glastonbury,
deux villes situées
dans l’ouest de
l’Angleterre.Quoiq
u’il en soit, son
histoire est entrée
dans la légende et de
nombreux poèmes et
romans lui ont été
consacrés, chacun
contribuant obscurcir la
vérité et nourrir
le mystère.1. At
the Castle Gates
(“Aux portes du Ch
teauâ€) est un
portrait de Camelot.2.
King Arthur (Le roi
Arthur) illustre
l’arrivée
majestueuse du roi au ch
teau de Camelot.3.
Merlin the Wizard
(Merlin
l’Enchanteur)
met en scène un des
mauvais tours du
magicien.
L’atmosphère
est sinistre.4.
Lancelot and Guinevere
(Lancelot et
Guenièvre) : la
musique chante
l’amour courtois
qui s’est tissé
entre le chevalier et la
reine travers un duo
romantique.5. Knights
of the Round Table (Les
Chevaliers de la Table
Ronde) : les
Chevaliers partent au
galop pour livrer
bataille. Le finale est
triomphal. $32.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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