Piano (Piano) SKU: HL.50511849 New Definitive Edition. Composed by...(+)
Piano (Piano)
SKU:
HL.50511849
New
Definitive Edition.
Composed by Bela Bartok.
EMB. Volume 5. Studies &
Exercises. Book
[Softcover]. Composed
1951. Editio Musica
Budapest #Z129. Published
by Editio Musica Budapest
(HL.50511849).
ISBN
9790080001295. Bach (23 x
30,2 cm) inches.
Hungarian-English-German-
French. Peter
Bartok.
'The
Mikrokosmos is a cycle of
153 pieces for piano,
written with a didactic
purpose (Vol. 1: Z. 125,
Vol. 2: Z. 126, Vol. 3:
Z. 127, Vol. 4: Z. 128,
Vol. 5: Z. 129, Vol. 6:
Z. 130). That is, to give
piano pieces which can be
used from the very
beginning, and then going
on, it is graded
according to
difficulties. And the
word Mikrokosmos may be
interpreted as a series
of pieces in many
different styles,
representing a small
world. Or it may be
interpreted as world of
the little ones, the
children.' (Interview
broadcast by WNYC, in
early 1945, on a
programme entitled Ask
the Composer.)
Der
Mikrokosmos ist ein
Zyklus von 153 Stucken
fur Klavier, zu
didaktischen Zwecken
geschrieben (Band 1: Z.
125, Band 2: Z. 126, Band
3: Z. 127, Band 4: Z.
128, Band 5: Z. 129, Band
6: Z. 130). Das bedeutet,
dass von Anfang an kleine
Klavierstucke g eubt
werden konnen, um dann
darauf weiter aufzubauen,
da die Stucke
entsprechend ihrem
Schwierigkeitsgrad
angeordnet sind. Das Wort
Mikrokosmos kann als eine
Serie von Stucken in
verschiedenen Stilen
verstanden werden, die
zusammen eine kleine Welt
b ilden. Oder man kann es
als ,die Welt der
Kleinen, der Kinder'
verstehen. (Aus einem
Interview des WNYC, New
York, Anfang 1945, im
Rahmen einer Sendung mit
dem Titel Fragen Sieden
Komponisten.).
Piano (Piano) SKU: HL.50511848 New Definitive Edition. Composed by...(+)
Piano (Piano)
SKU:
HL.50511848
New
Definitive Edition.
Composed by Bela Bartok.
EMB. Volume 4. Studies &
Exercises. Book
[Softcover]. Composed
1951. Editio Musica
Budapest #Z128. Published
by Editio Musica Budapest
(HL.50511848).
ISBN
9790080001288. Bach (23 x
30,2 cm) inches.
Hungarian-English-German-
French. Peter
Bartok.
'The
Mikrokosmos is a cycle of
153 pieces for piano,
written with a didactic
purpose (Vol. 1: Z. 125,
Vol. 2: Z. 126, Vol. 3:
Z. 127, Vol. 4: Z. 128,
Vol. 5: Z. 129, Vol. 6:
Z. 130). That is, to give
piano pieces which can be
used from the very
beginning, and then going
on, it is graded
according to
difficulties. And the
word Mikrokosmos may be
interpreted as a series
of pieces in many
different styles,
representing a small
world. Or it may be
interpreted as world of
the little ones, the
children.' (Interview
broadcast by WNYC, in
early 1945, on a
programme entitled Ask
the Composer.)
Der
Mikrokosmos ist ein
Zyklus von 153 Stucken
fur Klavier, zu
didaktischen Zwecken
geschrieben (Band 1: Z.
125, Band 2: Z. 126, Band
3: Z. 127, Band 4: Z.
128, Band 5: Z. 129, Band
6: Z. 130). Das bedeutet,
dass von Anfang an kleine
Klavierstucke g eubt
werden konnen, um dann
darauf weiter aufzubauen,
da die Stucke
entsprechend ihrem
Schwierigkeitsgrad
angeordnet sind. Das Wort
Mikrokosmos kann als eine
Serie von Stucken in
verschiedenen Stilen
verstanden werden, die
zusammen eine kleine Welt
b ilden. Oder man kann es
als ,die Welt der
Kleinen, der Kinder'
verstehen. (Aus einem
Interview des WNYC, New
York, Anfang 1945, im
Rahmen einer Sendung mit
dem Titel Fragen Sieden
Komponisten.).
Piano (Piano) SKU: HL.50511850 New Definitive Edition. Composed by...(+)
Piano (Piano)
SKU:
HL.50511850
New
Definitive Edition.
Composed by Bela Bartok.
EMB. Volume 6. Studies &
Exercises. Book
[Softcover]. Composed
1951. Editio Musica
Budapest #Z130. Published
by Editio Musica Budapest
(HL.50511850).
ISBN
9790080001301. Bach (23 x
30,2 cm) inches.
Hungarian-English-German-
French. Peter
Bartok.
'The
Mikrokosmos is a cycle of
153 pieces for piano,
written with a didactic
purpose (Vol. 1: Z. 125,
Vol. 2: Z. 126, Vol. 3:
Z. 127, Vol. 4: Z. 128,
Vol. 5: Z. 129, Vol. 6:
Z. 130). That is, to give
piano pieces which can be
used from the very
beginning, and then going
on, it is graded
according to
difficulties. And the
word Mikrokosmos may be
interpreted as a series
of pieces in many
different styles,
representing a small
world. Or it may be
interpreted as world of
the little ones, the
children.' (Interview
broadcast by WNYC, in
early 1945, on a
programme entitled Ask
the Composer.)
Der
Mikrokosmos ist ein
Zyklus von 153 Stucken
fur Klavier, zu
didaktischen Zwecken
geschrieben (Band 1: Z.
125, Band 2: Z. 126, Band
3: Z. 127, Band 4: Z.
128, Band 5: Z. 129, Band
6: Z. 130). Das bedeutet,
dass von Anfang an kleine
Klavierstucke g eubt
werden konnen, um dann
darauf weiter aufzubauen,
da die Stucke
entsprechend ihrem
Schwierigkeitsgrad
angeordnet sind. Das Wort
Mikrokosmos kann als eine
Serie von Stucken in
verschiedenen Stilen
verstanden werden, die
zusammen eine kleine Welt
b ilden. Oder man kann es
als ,die Welt der
Kleinen, der Kinder'
verstehen. (Aus einem
Interview des WNYC, New
York, Anfang 1945, im
Rahmen einer Sendung mit
dem Titel Fragen Sieden
Komponisten.).
Piano (Piano) SKU: HL.50511846 New Definitive Edition. Composed by...(+)
Piano (Piano)
SKU:
HL.50511846
New
Definitive Edition.
Composed by Bela Bartok.
EMB. Volume 2. Studies &
Exercises. Book
[Softcover]. Composed
1951. Editio Musica
Budapest #Z126. Published
by Editio Musica Budapest
(HL.50511846).
ISBN
9790080001264. Bach (23 x
30,2 cm) inches.
Hungarian-English-German-
French. Peter
Bartok.
Bela
Bartok's Mikrokosmos
series contains 153
progressive piano pieces
published across six
volumes by Editio Musica
Budapest. The series,
which was written between
1926 and 1939, starts
with very easy beginner
etudes and progresses to
difficult advanced
technical displays, and
remains an essential part
of modern piano lessons
and education.
The
word Mikrokosmos may be
interpreted as a series
of pieces in many
different styles,
representing a small
world. Or it may be
interpreted as world of
the little ones, the
children.
Der
Mikrokosmos ist ein
Zyklus von 153 Stucken
fur Klavier, zu
didaktischen Zwecken
geschrieben (Band 1: Z.
125, Band 2: Z. 126, Band
3: Z. 127, Band 4: Z.
128, Band 5: Z. 129, Band
6: Z. 130). Das bedeutet,
dass von Anfang an kleine
Klavierstucke g eubt
werden konnen, um dann
darauf weiter aufzubauen,
da die Stucke
entsprechend ihrem
Schwierigkeitsgrad
angeordnet sind. Das Wort
Mikrokosmos kann als eine
Serie von Stucken in
verschiedenen Stilen
verstanden werden, die
zusammen eine kleine Welt
b ilden. Oder man kann es
als ,die Welt der
Kleinen, der Kinder'
verstehen. (Aus einem
Interview des WNYC, New
York, Anfang 1945, im
Rahmen einer Sendung mit
dem Titel Fragen Sieden
Komponisten.).
Piano (Piano) SKU: HL.50511845 New definitive edition. Composed by...(+)
Piano (Piano)
SKU:
HL.50511845
New
definitive edition.
Composed by Bela Bartok.
EMB. Volume 1. Studies &
Exercises. Book
[Softcover]. Editio
Musica Budapest #Z125.
Published by Editio
Musica Budapest
(HL.50511845).
ISBN
9790080001257. Bach (23 x
30,2 cm) inches.
Hungarian-English-German-
French. Peter
Bartok.
Bela
Bartok's Mikrokosmos
series contains 153
progressive piano pieces
published across six
volumes by Editio Musica
Budapest. The series,
which was written between
1926 and 1939, starts
with very easy beginner
etudes and progresses to
difficult advanced
technical displays, and
remains an essential part
of modern piano lessons
and education.
The
word Mikrokosmos may be
interpreted as a series
of pieces in many
different styles,
representing a small
world. Or it may be
interpreted as world of
the little ones, the
children.
Der
Mikrokosmos ist ein
Zyklus von 153 Stucken
fur Klavier, zu
didaktischen Zwecken
geschrieben (Band 1: Z.
125, Band 2: Z. 126, Band
3: Z. 127, Band 4: Z.
128, Band 5: Z. 129, Band
6: Z. 130). Das bedeutet,
dass von Anfang an kleine
Klavierstucke g eubt
werden konnen, um dann
darauf weiter aufzubauen,
da die Stucke
entsprechend ihrem
Schwierigkeitsgrad
angeordnet sind. Das Wort
Mikrokosmos kann als eine
Serie von Stucken in
verschiedenen Stilen
verstanden werden, die
zusammen eine kleine Welt
b ilden. Oder man kann es
als ,die Welt der
Kleinen, der Kinder'
verstehen. (Aus einem
Interview des WNYC, New
York, Anfang 1945, im
Rahmen einer Sendung mit
dem Titel Fragen Sieden
Komponisten.).
International Edition. By Kuang-Hao Huang. This edition: Performance/Accompa...(+)
International Edition. By
Kuang-Hao Huang. This
edition:
Performance/Accompaniment
CD;
International.
Method/Instruction;
String -
Violin (Suzuki); Suzuki.
Suzuki Violin School. CD.
Alfred Music #00-50110.
Published by Alfred Music
Violin Part. Composed by Dr. Shinichi Suzuki. This edition: International. ...(+)
Violin Part. Composed by
Dr.
Shinichi Suzuki. This
edition:
International.
Method/Instruction;
String -
Violin (Suzuki); Suzuki.
Suzuki Violin School. CD;
Book. 36 pages. Alfred
Music
#00-50109. Published by
Alfred
Music
Asian Edition. By piano accompaniment performed by Kuang-Hao Huang, violin ...(+)
Asian Edition. By piano
accompaniment performed
by
Kuang-Hao Huang, violin
performed by Augustin
Hadelich, and Dr.
Shinichi
Suzuki. This edition:
International. MakeMusic
Cloud;
Method/Instruction;
String - Violin (Suzuki);
Suzuki. Suzuki Violin
School.
Book and CD. 36 pages.
Alfred
Music #00-50635.
Published by
Alfred Music
Composed by Zoltán Kodály. Arranged by Norbert Duka. For Double Bass, Pi...(+)
Composed by Zoltán
Kodály.
Arranged by Norbert Duka.
For
Double Bass, Piano
Accompaniment. EMB.
Softcover.
12 pages. Editio Musica
Budapest #Z14896.
Published by
Editio Musica Budapest
International Edition. By Kuang-Hao Huang. This edition: Performance/Accompa...(+)
International Edition. By
Kuang-Hao Huang. This
edition:
Performance/Accompaniment
CD;
International.
Method/Instruction;
String -
Violin (Suzuki); Suzuki.
Suzuki Violin School. CD.
Alfred Music #00-50107.
Published by Alfred Music
Violin Part. Composed by Dr. Shinichi Suzuki. This edition: International. ...(+)
Violin Part. Composed by
Dr.
Shinichi Suzuki. This
edition:
International.
Method/Instruction;
String -
Violin (Suzuki); Suzuki.
Suzuki Violin School.
Book and
CD. 32 pages. Alfred
Music
#00-50106. Published by
Alfred
Music
Piano SKU: BT.EMBZ7212 BWV 806-811. Composed by Johann Sebastian B...(+)
Piano
SKU:
BT.EMBZ7212
BWV
806-811. Composed by
Johann Sebastian Bach,
Perti, and Tamas
Zaszkaliczky. EMB Urtext.
Book Only. Composed 1977.
100 pages. Editio Musica
Budapest #EMBZ7212.
Published by Editio
Musica Budapest
(BT.EMBZ7212).
English-German-Hungari
an.
The name
'English Suites' did not
originate with Bach, and
up to now its origin
could not be clarified.
In his Bach biography
Forkel mentions that the
composer wrote the suites
to fulfil an English
commission. It is a much
more likely assumption,
however, that Bach
derived inspiration for
his suites from studying
certain English models. A
stylistic relationship,
and indeed, certain
thematic identities can
be pointed out between
the English Suites and
the suites of the French
composer, Dieupart, who
lived in London. The
piano suites of Handel,
published in 1720,
shortly before the origin
of the English Suites,
could also have served as
antecedents.The English
Suites have notremained
extant in Bach's own
hand, but they are
included in a number of
contemporaneous
manuscript collections.
Relying on the most
significant sources, our
publication gives all the
essential differences
among the copies in
footnotes, thus enabling
the performer to choose
for himself among the
variants. (Tamás
Zászkaliczky).
Piano SKU: BT.EMBZ7190 BWV 812-817. Composed by Johann Sebastian B...(+)
Piano
SKU:
BT.EMBZ7190
BWV
812-817. Composed by
Johann Sebastian Bach,
Perti, and Tamas
Zaszkaliczky. EMB Urtext.
Book Only. Composed 1975.
60 pages. Editio Musica
Budapest #EMBZ7190.
Published by Editio
Musica Budapest
(BT.EMBZ7190).
English-German-Hungari
an.
The most
important and only
autograph source of the
French Suites, the
Klavierbüchlein für
Anna Magdalena Bach
(1722) contains the first
three suites in fragments
only, and the sixth not
at all. This is why the
numerous copies which
have come down to us, are
of special significance.
Among the copies of major
importance is the
manuscript which for a
long time had been
attributed to Bach, and
which comprises the first
for suites in full
(Deutsche
Staastsbibliothek,
Berlin) as well as the
copy by Gerber (1725-26)
and the second volume of
the Klavierbüchlein
(1925). A few manuscripts
originating from the
circle of Bach's pupils
should also be added to
them.The texts of
thevarious copies show a
lot of deviations. The
present edition relies on
the first formulation -
at least where this can
be decided at all - but
it gives all the major
devations of the copies
as variants, either in
footnotes or after the
movement concerned.
(Tamás
Zászkaliczky).
Arioso Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1002058-010 Composed by Johan...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1002058-010
Composed by Johann
Sebastian Bach. Arranged
by Jacob De Haan. Your
Favorite Classics.
Festive and Solemn Music.
Set (Score & Parts).
Composed 2000. De Haske
Publications #DHP
1002058-010. Published by
De Haske Publications
(BT.DHP-1002058-010).
Even the most
basic understanding of
Western music must
include an intimate
familiarity with the
magnificent body of works
by J.S.Bach. The charming
beauty of the ARIOSO from
BWV 156 must almost
certainly appear on
anyone?s personal list of
the world's most
beautiful melodies. What
a wonderful vehicle for
the study of artful
phrasing and expression!
Don't let the Grade 2
designation make you
overlook this exquisite
rendition for bands that
normally play at grades
4, 5, and 6. Musicians at
any level of ability will
find great rewards
here.As the perfect
festival centerpiece or
as a lovely introspective
moment on any concert,
Jacob de Haan's touching
arrangement of
Bach'sincomparable
ARIOSO, speaking its own
inherent and spiritual
truth, is sure to find a
permanent home in your
concert band library.
Viele der
zahlreichen Werke von
Johann Sebastian Bach
sind bis heute bei einem
großen Publikum
bekannt und beliebt.
Hierzu zählen die
Matthäus-Passion, das
Weihnachtsoratorium und das Air aus
der dritten
Orchestersuite. Das
Arioso aus BWV 156
gehört ebenfalls zu
seinen bekanntesten
Kompositionen. Jacob de
Haan arrangierte dieses
Werk, ohne den Charakter
des Originals zu
verfälschen. In einer
abwechslungsreichen
Instrumentierung kommt
die Schönheit dieser
Musik voll und ganz zur
Geltung.
Arioso Ensemble de cuivres - Facile De Haske Publications
Brass Band - Grade 2 SKU: BT.DHP-1002058-030 Composed by Johann Sebastian...(+)
Brass Band - Grade 2
SKU:
BT.DHP-1002058-030
Composed by Johann
Sebastian Bach. Arranged
by Jacob De Haan. Your
Favorite Classics.
Festive and Solemn Music.
Set (Score and Parts).
Composed 2000. De Haske
Publications #DHP
1002058-030. Published by
De Haske Publications
(BT.DHP-1002058-030).
Even the most
basic understanding of
Western music must
include an intimate
familiarity with the
magnificent body of works
by J.S.Bach. The charming
beauty of the ARIOSO from
BWV 156 must almost
certainly appear on
anyone?s personal list of
the world's most
beautiful melodies. What
a wonderful vehicle for
the study of artful
phrasing and expression!
Don't let the Grade 2
designation make you
overlook this exquisite
rendition for bands that
normally play at grades
4, 5, and 6. Musicians at
any level of ability will
find great rewards
here.As the perfect
festival centerpiece or
as a lovely introspective
moment on any concert,
Jacob de Haan's touching
arrangement of
Bach'sincomparable
ARIOSO, speaking its own
inherent and spiritual
truth, is sure to find a
permanent home in your
brass band library.
Viele der
zahlreichen Werke von
Johann Sebastian Bach
sind bis heute bei einem
groÃ?en Publikum bekannt
und beliebt. Hierzu
zählen die
Matthäus-Passion, das
Weihnachtsoratorium und das Air aus
der dritten
Orchestersuite. Das
Arioso aus BWV 156
gehört ebenfalls zu
seinen bekanntesten
Kompositionen. Jacob de
Haan arrangierte dieses
Werk, ohne den Charakter
des Originals zu
verfälschen. In einer
abwechslungsreichen
Instrumentierung kommt
die Schönheit dieser
Musik voll und ganz zur
Geltung.
a due Trompette [Conducteur] Deutscher Verlag für Musik
Trumpet(s) solo SKU: BR.DV-32027 Trumpet Music of the 17th and 18th Ce...(+)
Trumpet(s) solo
SKU:
BR.DV-32027
Trumpet Music of the
17th and 18th
Centuries. Composed
by Kurt (Hrsg.) Janetzky.
Edited by Kurt Janetzky.
Solo instruments;
Softcover. Deutscher
Verlag. Z.T. mit Pauken
und B.c. Baroque period.
Score. 24 pages.
Deutscher Verlag fur
Musik #DV 32027.
Published by Deutscher
Verlag fur Musik
(BR.DV-32027).
ISBN
9790200425192. 9 x 12
inches.
Bicinia -
unaccompanied duos - have
been known to us from the
fifteenth century
onwards. So quite early
on it was customary tu
practise this type of
musical exercise, which
later, especially during
the Romantic period,
achieved great popularity
as the duo or duett.
Equal numbers of this
sort of instrumental duo
were composed for nearly
all wind and string
instruments. On the other
hand, only a small amount
of compositions for two
trumpets have come down
to us. In order to play
any music which
progresses beyond pure
fanfare on a natural
(valueless) trumpet, it
is necessary to make use
of the clarion register
(the top third of the
natural harmonic). And if
such a melody is to be
accompanied by a second
part, only the few
natural notes lying below
it are left, or else this
high register itself,
which calls for great
virtuosity on the part of
the trumpeter. As well as
this, we must remember
the fact that
trumpet-playing was only
allowed for the
trumpeters of a royal
court, army, staff, or
for the field-trumpeter
of a prince, plus a few
council, city, and church
musicians, who were bound
by strict guild and
corporation rules. Thus
in spite of the
preference for its
festive sound, the spread
and handing down of
trumpet music was almost
reduced to nothing under
these circumstances. As
well as this, pride of
place and profession
rivalry and envy amongst
musicians contributed in
large part. In England
the situation was
somewhat freer. Here
pretty little trumpet
duos originated,
including, amongst
others, those written by
Handel for his
master-trumpeter Valentin
Snow and the Royal
Sergeant-trumpeters of
the Shore family. An
especially happy
exception was the diocese
of Olmiitz. Here there
was a capable group of
musicians of the chapel
royal with the
brilliantly talented
group of trumpeters and
the field-trumpeter Pavel
Vajvanovsky, who also
composed himself. These
trumpeters in the service
of his prince-bishop
played many sacred and
secular pieces, all for
several instruments. It
was for them also that
Heinrich Ignaz Franz
Biber wrote the 12 double
trumpet sonatas we
present here. On the
other hand, the
representatives of the
authorities in Germany
ensured strict
observation of all edicts
and regulations. Even the
celebrated Bach-trumpeter
and towm-piper Gottfried
Reiche was never allowed
to be portrayed with a
proper trumpet due to the
priveleges of court and
field trumpeters. In
order to represent him as
one of the greatest
masters of his time and
art, however, the painter
placed an instrument
similar to a
corno-di-caccia in his
hand, together with a
sheet with a small piece
for virtuoso clarion.
When we try in spite of
these difficulties and
adverse circumstances to
gather a collection of
musically valuable and
characteristic examples
of popular pieces for two
trumpets from the
seventeenth and
eighteenth centuries, it
is in the first, place in
order to acquaint modern
trumpeters with something
of the wealth of music,
which can also be well
played on a modern
trumpet with valves. The
originally used trumpets
correspond to modern ones
in the keys of C and D,
but this does not mean
that many of the pieces
cannot be transposed to a
more comfortable
register. On top of this,
we have tried to give a
picture of the baroque
court and field
trumpeter, as well as of
the mysterious clarion
trumpeter, with the help
of musically popular
material. The origin of
most of the pieces used
is no longer clearly
discernable. In most
cases we possess second-
or third-hand copies
which have been handed
down, and show signs of
frequent use. A few cases
where modernization of
the second part obviously
did not take place until
the invention of stops,
have been re-shaped into
their supposed original
form. A series of further
dynamic details were
left, and marked as
optional suggestions in
brackets. Kurt
Janetzky
ISBN
9790080132913. Bach (23 x
30,2 cm) inches.
Hungarian, English,
German. Bela
Kovacs.
''The two
volumes of I Learn to
Play the Clarinet
(Z.12282 and Z.13291)
have been written for
beginners and contain the
material for the first
3-4 years. It has been
avoided to arrange the
material according to
yearly divisions for
several reasons. On one
hand the rate of progress
depends on the pupil's
aptness, diligence, age
and musical
pre-education, so a
strictly handled
curriculum could be
either too small or too
great a task for the
pupil. On the other hand
by using this method it
may be easier achieved
that quality replace
quantity|'' (Bela
Kovacs).
For 4 violoncellos. Arranged by Arpad Pejtsik. Chamber Music for Violoncellos. V...(+)
For 4 violoncellos.
Arranged by Arpad
Pejtsik. Chamber Music
for Violoncellos. Volume
2. Pedagogical
performance pieces. Score
and parts. 40 pages.
Editio Musica Budapest
#EMBZ14324. Published by
Editio Musica Budapest
Flute, piano SKU: KU.GM-128 Composed by Paul Müller-Zürich. Edited ...(+)
Flute, piano
SKU:
KU.GM-128
Composed by
Paul Müller-Zürich.
Edited by Paul
Müller-Zürich. Bach
format (230 x 302).
Staple Bound. Piano
score, part. Op. 75. 17
pages. Edition Kunzelmann
#GM-128. Published by
Edition Kunzelmann
(KU.GM-128).