Composed by Antonio Vivaldi (1678-1741). Arranged by J. Cameron Law. For 4 s...(+)
Composed by Antonio
Vivaldi
(1678-1741). Arranged by
J.
Cameron Law. For 4 solo
cellos
and string orchestra.
Grade 4
(section), Grade 5
(solo).
Score and set of parts.
Duration 3 minutes, 30
seconds. Published by
Grand
Mesa Music
Sextet & Orchestra SKU: SU.29000080 For Sextet & Orchestra. Compos...(+)
Sextet & Orchestra
SKU: SU.29000080
For Sextet &
Orchestra. Composed
by Chick Corea.
Orchestra. Jazz. Study
Score. Subito Music
Corporation #29000080.
Published by Subito Music
Corporation
(SU.29000080).
Spain
composed in 1971 is
another jazz/classical
hybrid and is perhaps the
composer's most
recognized piece. The
work has been recorded in
several versions. A
passage from JoaquÃn
Rodrigo’s
Concierto de Aranjuez is
quoted in the
introduction. Corea was
awarded the Best
Instrumental Arrangement
Grammy for the piece in
2001. Total performance
time is about 23 minutes.
Jazz Sextet & Orchestra
Published by: Universal
Music Corp.Performance
materials available on
rental only:.
Orchestra and Cobla SKU: BO.B.3260 Composed by Josep Ma Ruera. Instrument...(+)
Orchestra and Cobla
SKU: BO.B.3260
Composed by Josep Ma
Ruera. Instrumental Sets.
Duration 40:52. Published
by Editorial de Musica
Boileau (BO.B.3260).
ISBN
9788480207584.
Engl
ish comments:
Empuries is the result of
the interest Ruera showed
throughout his life for
the culture and music of
ancient Greece. As he
himself writes in the
introduction to the
composition: The motives
behind this work were
inspired by contemplating
and analysing the melos
of ancient Greece. The
few melodies that have
been discovered from
those far-off times
inspired the composer of
Empuries to create this
work, conceived with the
Greek modal system in
mind, and adapted to
modern instruments and
tastes. The tetrachord
and pentachords of these
forms are the very bases
of this work. The
descending drift of the
cadence, the harmonic
priority of the upper and
lower notes of the
tetrachords and the
displacement of these
chords to different
acoustic levels, make it
impossible to specify the
classic concept of a set
tonality which, within
the improvised musical
working of the piece,
leads to a naturally
intertonal or atonal
piece of music. Empuries
came to light in 1971,
when it won group A of
the Ciutat de Barcelona
prize. But one must, in
fact, go back to the
1930s to find its true
origins. Ruera made his
first foray into the
theme of ancient Greece
with the sardana,
Empuries, la grega, with
which he won first prize
in the Jocs Florals in
Girona, in 1931. Shortly
afterwards, he wrote a
piece of organ music
entitled Bucolics, in the
Greek modal style, which
was destroyed during the
Spanish civil war. Ruera
continued to work on the
theme and in 1936 he
presented his work Tres
moviments simfonics, for
a big band, inspired by
the ancient Greek modes,
at the XIV International
Festival of the ISCM held
in Barcelona. The work
was chosen to debut in
the festival's opening
concert on 19 April 1936
at Palacio de Bellas
Artes in Barcelona. In
1959, Ruera won the Pau
Casals Prize at the Jocs
Florals de la Llengua
Catalana, held at the
Sorbonne in Paris, for
his work, Empuries: poema
per a cobla i orquestra,
which would later become
the fourth movement of
Empuries. Nine years
later, in 1968, Barcelona
City Orchestra, conducted
by Antoni Ros Marba, gave
the first ever
performance of the
symphonic poem Pastoral,
written to be the first
movement of Empuries, in
Granollers. The final
step was when he finally
completed the work, won
the Ciutat de Barcelona
prize, opened in
Granollers on 2 May 1976
and recorded it for the
Columbia de Barcelona
label in 1977. Anna Maria
Piera
Comentario
s del Espanol: La
obra Empuries es fruto
del interes que el
maestro Ruera demostro a
lo largo de su vida por
la cultura y la musica de
la antigua Grecia. Como
el mismo escribe en la
cabecera de la
composicion: Los motivos
generadores de esta obra
estan inspirados en la
contemplacion y en el
analisis del melos de la
antigua Grecia. Las pocas
melodias que hasta el
momento se han podido
descubrir de aquellos
tiempos remotos sugieren
al autor de Empuries la
realizacion de esta obra,
concebida pensando en el
sistema modal griego,
adaptado a los
instrumentos y gustos
modernos. Los tetracordes
y pentacordes de dichas
modalidades son las
celulas en las que se
basa la obra. El sentido
descendiente de la
cadencia, la prioridad
armonica de la notas
extremas de los
tetracordes y el
desplazamiento de estos
acordes a varias alturas
acusticas, hacen que no
sea posible precisar el
clasico concepto de una
tonalidad determinada y
que lleven, dentro del
funcionamiento
contrapuntistico, a una
musica naturalmente
intertonal o atonal.
Empuries vio la luz en el
ano 1971, ganando el
Premio Ciutat de
Barcelona, grupo A, pero
en realidad tenemos que
retroceder hasta los anos
30 para encontrar sus
verdaderos origenes. La
primera incursion en el
tema de la antigua Gracia
la hizo con la sardana
Empuries, la grega, con
la que gano el primer
premio en los Jocs
Florals de Gerona del ano
1931. Poco despues
escribio una pieza para
organo titulada Bucolics,
en el estilo modal
griego, que fue destruida
durante la Guerra Civil
espanola. Ruera continuo
trabajando en el tema y
en el ano 1936 presento
su obra Tres moviments
simfonics, en version
para gran banda,
inspirada en las antiguas
modalidades griegas, en
el XIV Festival
Internacional de la SIMC
que se celebro en
Barcelona. La obra fue
escogida para ser
estrenada en el concierto
inaugural de dicho
festival, el 19 de abril
de 1936, en el Palacio de
Bellas Artes de
Barcelona. En el 1959,
Ruera gano el Premio Pau
Casals en los Jocs
Florals de la Llengua
Catalana celebrados en la
Sorbona de Paris con la
obra Empuries: poema per
a cobla i orquestra, que
sera con el paso del
tiempo el cuarto
movimiento de Empuries.
Nueve anos mas tarde, en
1968, la Orquestra Ciutat
de Barcelona, bajo la
direccion de Antoni Ros
Marba, interpreto en
Granollers la primera
audicion del poema
sinfonico Pastoral,
pensado como primer
movimiento de Empuries.
El ultimo eslabon fue
terminar definitivamente
la obra, ganar el Premio
Ciutat de Barcelona,
estrenarla en Granollers
el 2 de mayo de 1976 y
grabarla para la casa
discografica Columbia de
Barcelona, en 1977.
Orchestra Str (4 Vn parts [2.2.2.2].3.2.2): Harpsichord Continuo in score SKU...(+)
Orchestra Str (4 Vn parts
[2.2.2.2].3.2.2):
Harpsichord Continuo in
score
SKU:
AP.36-A793402
Arranged by Unico Wilhelm
Van wassenaer and
ed./arr. by Fritz Rikko.
String Orchestra. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A793402.
Published by
LudwigMasters
Publications
(AP.36-A793402).
UPC:
659359748073.
English.
The six
CONCERTI ARMONICI was
long thought to be the
work of the
violinist-impresario
Carlo Ricciotti or
composer Giovanni
Battista Pergolesi, but
more recent research has
revealed the composer to
be Unico Wilhelm van
Wassenauer (1692-1766).
Born into a wealthy Dutch
family, the diplomat and
composer founded a
Collegium musicum in The
Hague under the oversight
of Ricciotti. Composed
between 1725 and 1740,
the six concertos have
been falsely attributed
to a variety of
contemporaries, Ricciotti
and Pergolesi amongst
them, since its anonymous
publication. Wassenauer's
aristocratic background
was the reason for his
secretiveness. The
sentiment of the time
ordained that musicians
belong to the lower
classes. This edition of
CONCERTINO No. 2 (also
CONCERTO ARMONICO in G
Major, CONCERTO IV, or
just CONCERTINO in G),
drawing from the CONCERTO
ARMONICO in G Major, IUW
3, was edited by 20th
century Baroque expert
Fritz Rikko. Rikko
spuriously attributes the
work to Pergolesi.
Despite Wassenauer's
authorship having since
been confirmed, Rikko's
original editorial notes
have been retained.
Instrumentation: Str (4
Vn parts
[2.2.2.2].3.2.2):
Harpsichord Continuo in
score.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Orchestra Str (4 Vn parts [2.2.2.2].3.2.2): Harpsichord Continuo in score SKU...(+)
Orchestra Str (4 Vn parts
[2.2.2.2].3.2.2):
Harpsichord Continuo in
score
SKU:
AP.36-A793401
Arranged by Unico Wilhelm
Van wassenaer and
ed./arr. by Fritz Rikko.
String Orchestra. Kalmus
Orchestra Library. Score.
LudwigMasters
Publications #36-A793401.
Published by
LudwigMasters
Publications
(AP.36-A793401).
ISBN
9798892704922. UPC:
659359746130.
English.
The six
CONCERTI ARMONICI was
long thought to be the
work of the
violinist-impresario
Carlo Ricciotti or
composer Giovanni
Battista Pergolesi, but
more recent research has
revealed the composer to
be Unico Wilhelm van
Wassenauer (1692-1766).
Born into a wealthy Dutch
family, the diplomat and
composer founded a
Collegium musicum in The
Hague under the oversight
of Ricciotti. Composed
between 1725 and 1740,
the six concertos have
been falsely attributed
to a variety of
contemporaries, Ricciotti
and Pergolesi amongst
them, since its anonymous
publication. Wassenauer's
aristocratic background
was the reason for his
secretiveness. The
sentiment of the time
ordained that musicians
belong to the lower
classes. This edition of
CONCERTINO No. 2 (also
CONCERTO ARMONICO in G
Major, CONCERTO IV, or
just CONCERTINO in G),
drawing from the CONCERTO
ARMONICO in G Major, IUW
3, was edited by 20th
century Baroque expert
Fritz Rikko. Rikko
spuriously attributes the
work to Pergolesi.
Despite Wassenauer's
authorship having since
been confirmed, Rikko's
original editorial notes
have been retained.
Instrumentation: Str (4
Vn parts
[2.2.2.2].3.2.2):
Harpsichord Continuo in
score.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Joaquin Rodrigo (1901-1999), edited by Angel Romero. For guitar and ...(+)
Composed by Joaquin
Rodrigo (1901-1999),
edited by Angel Romero.
For guitar and piano.
Includes piano/guitar
book (includes separate
pull out guitar part),
performance part and
piano reduction. With
full score notation,
standard guitar notation,
solo part and piano
reduction. 20th century.
78 pages. 9x12 inches.
Published by Schott
Editions.
(1939) for Guitar and Orchestra. By Joaquin Rodrigo. (Study Score). Schott. Boo...(+)
(1939) for Guitar and
Orchestra. By Joaquin
Rodrigo. (Study Score).
Schott. Book only. Size
5.25x7.5 inches. 98
pages. Published by
Eulenburg Germany
(Schott).
Guitar; Piano SKU: HL.49046522 For Guitar and Piano. Composed by J...(+)
Guitar; Piano
SKU:
HL.49046522
For
Guitar and Piano.
Composed by Joaquin
Rodrigo. Ediciones
Joaquin Rodrigo.
Classical. Softcover. 52
pages. Ediciones Joaquin
Rodrigo #EJR190114.
Published by Ediciones
Joaquin Rodrigo
(HL.49046522).
ISBN
9781705111888. UPC:
840126940275.
9.0x12.25x0.172
inches.
By Joaquin Rodrigo. Edited by Bill Holab/Sales. Arranged by Graciano Tarrago. Gu...(+)
By Joaquin Rodrigo.
Edited by Bill
Holab/Sales. Arranged by
Graciano Tarrago. Guitar
solo. Published by Schott
- American Prints (U.S.
editions and reprints).
(The Classical Guitarist's Technique Handbook) Edited by Nathaniel Gunod, writte...(+)
(The Classical
Guitarist's Technique
Handbook) Edited by
Nathaniel Gunod, written
by Scott Tennant.
Instructional book for
classical guitar. With
standard guitar notation,
introductory text,
instructional text,
illustrations, musical
examples and performance
notes. Series: National
Guitar Workshop. 95
pages. Published by
Alfred Publishing.
Composed by Sjaak van der
Reijden. Score Only. 8
pages. Gobelin Music
Publications #GOB
000448-140. Published by
Gobelin Music
Publications
(BT.GOB-000448-140).
Bessarabia is
an area of south-eastern
Europe (modern-day
Romania, Moldovia and the
Ukraine) in which
numerous “Shtetl,” or
small Jewish towns, have
been established over
time.
Bessarabyanke is a
remarkable Yiddish themed
work for concertband,
composed by Sjaak van der
Reijden. An ideal piece
to close a concert with,
or perhaps play as an
encore.
Up tempo,
levendig, vol vuur! Je
ziet de klezmorim bijna
voor je… Vol
gedrevenheid luisteren ze
met hun fascinerende
klanken een joodse
bruiloft op. Sjaak van de
Reijden bouwt dit
Jiddische thema op een
buitengewoon
spectaculairewijze uit
tot eenverrassende
concertuitsmijter. Het is
geen toeval dat Van der
Reijden ook trompettist
en arrangeur van de
klezmerband ‘Di
Gojim’ is.
Bessarabyanke: een
heerlijk werk vol
uitdaging voor alle
secties van het
orkes!
Bessarabien
ist eine Region in
Südosteuropa (heute
Teile von Rumänien,
Moldawien und der
Ukraine), in der seit dem
18. Jahrhundert
zahlreiche jüdische
Shtetl“ entstanden
sind. Ein jiddisches
Thema ist es denn auch,
das der Komponist
inBessarabyanke
auf spektakuläre Weise
zu einem überraschenden
Blasorchesterwerk
ausarbeitete, das sich
ideal als
Konzertabschluss oder
Zugabestück eignet.
La Bessarabie est
une région du sud-est de
l’Europe, partagée
depuis 1991 entre la
République de Moldavie
et l’Ukraine. Elle
comptait de nombreuses
communautés juives au
cours du 18e siècle.
L’expérience acquise
par le compositeur
lorsqu’il était
trompettiste et arrangeur
du Klezmer Band Di Gojim
aura indéniablement
contribué l’écriture
de ce thème yiddish. Une
pièce idéale pour toute
programmation de concert
ou comme pièce de
rappel.
La
Bessarabia è una regione
del sud-est europeo (oggi
parte della Romania,
Moldavia e Ucraina),
patria di molti ebrei
“shetl” nel corso del
XVIII secolo. Ed è anche
un tema di musica yiddish
che il compositore
arrangia superbamente per
banda, creando così
Bessarabyanke, un brano
perfetto per chiudere un
concerto o per un
bis.
Composed by Sjaak van der
Reijden. Set (Score &
Parts). 82 pages. Gobelin
Music Publications #GOB
000448-010. Published by
Gobelin Music
Publications
(BT.GOB-000448-010).
Bessarabia is
an area of south-eastern
Europe (modern-day
Romania, Moldovia and the
Ukraine) in which
numerous “Shtetl,” or
small Jewish towns, have
been established over
time.
Bessarabyanke is a
remarkable Yiddish themed
work for concertband,
composed by Sjaak van der
Reijden. An ideal piece
to close a concert with,
or perhaps play as an
encore.
Up tempo,
levendig, vol vuur! Je
ziet de klezmorim bijna
voor je… Vol
gedrevenheid luisteren ze
met hun fascinerende
klanken een joodse
bruiloft op. Sjaak van de
Reijden bouwt dit
Jiddische thema op een
buitengewoon
spectaculairewijze uit
tot eenverrassende
concertuitsmijter. Het is
geen toeval dat Van der
Reijden ook trompettist
en arrangeur van de
klezmerband ‘Di
Gojim’ is.
Bessarabyanke: een
heerlijk werk vol
uitdaging voor alle
secties van het
orkes!
Bessarabien
ist eine Region in
Südosteuropa (heute
Teile von Rumänien,
Moldawien und der
Ukraine), in der seit dem
18. Jahrhundert
zahlreiche jüdische
Shtetl“ entstanden
sind. Ein jiddisches
Thema ist es denn auch,
das der Komponist
inBessarabyanke
auf spektakuläre Weise
zu einem überraschenden
Blasorchesterwerk
ausarbeitete, das sich
ideal als
Konzertabschluss oder
Zugabestück eignet.
La Bessarabie est
une région du sud-est de
l’Europe, partagée
depuis 1991 entre la
République de Moldavie
et l’Ukraine. Elle
comptait de nombreuses
communautés juives au
cours du 18e siècle.
L’expérience acquise
par le compositeur
lorsqu’il était
trompettiste et arrangeur
du Klezmer Band Di Gojim
aura indéniablement
contribué l’écriture
de ce thème yiddish. Une
pièce idéale pour toute
programmation de concert
ou comme pièce de
rappel.
La
Bessarabia è una regione
del sud-est europeo (oggi
parte della Romania,
Moldavia e Ucraina),
patria di molti ebrei
“shetl” nel corso del
XVIII secolo. Ed è anche
un tema di musica yiddish
che il compositore
arrangia superbamente per
banda, creando così
Bessarabyanke, un brano
perfetto per chiudere un
concerto o per un
bis.
Guitar SKU: SU.33000600 For Guitar. Composed by Leonardo Balada. G...(+)
Guitar
SKU:
SU.33000600
For
Guitar. Composed by
Leonardo Balada. Guitar.
Score. Subito Music
Corporation #33000600.
Published by Subito Music
Corporation
(SU.33000600).
This piece for
guitar is freely based on
some of the ideas from
Joaquin Rodrigo's
Concierto de
AranjuezThere ferences to
Rodrigo are not all the
time obvious and the work
presents a simbiosis of
modernistic or atonal
materials in combination
with the ideas of the
composition on which the
work is based. Guitar
Duration: 8' Composed:
2017 Published by: Beteca
Music.
L'Estro Armonico.
Composed by Antonio
Vivaldi. Edited by
Christopher Hogwood. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. Study Score.
Op. 3/1-12. 368 pages.
Schott Music #ETP1871-82.
Published by Schott Music
(HL.49009713).
ISBN
9783795769642. UPC:
073999370614.
5.5x7.5x0.827
inches.
Vivaldi's
12 concertos were first
published in 1711 by
Roger in Amsterdam. These
8 elegant part-books
helped to establish
Vivaldi's reputation
throughout Europe and
provided the rules from
which such writers as
Quantz, Marcello and
Mattheson judged and
advised other composers.
Much imitated, the
concertos continued to
influence the works of
later composers and
indeed J. S. Bach.
(from L'Estro armonico Violin and Piano Reduction). By Antonio Vivaldi (1678-174...(+)
(from L'Estro armonico
Violin and Piano
Reduction). By Antonio
Vivaldi (1678-1741).
Edited by Christopher
Hogwood. Arranged by
Annette Seyfried. For
Violin, Piano
Accompaniment. String.
Softcover. 16 pages.
Schott Music #VLB172.
Published by Schott Music
Score Only.
Composed by Antonio
Vivaldi and Johann
Sebastian Bach. Arranged
by Bob Lipton. Series;
String Orchestra. FJH
String Orchestra.
Masterwork Arrangement.
Score. Duration 3:20. The
FJH Music Company Inc
#98-ST6373S. Published by
The FJH Music Company Inc
(FJ.ST6373S).
English.
The
combination of Vivaldi
and Bach is true magic.
The same can be said of
this spectacular
arrangement of the fugue
from the first movement
of L'estro Armonico 11,
which Bach arranged for
his Organ Concerto in D
Minor. Combining the best
of both versions, this
arrangement explores some
brilliant contrapuntal
writing.
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Nach der Bearbeitung von Johann Sebastian Bach (BWV 972) fur Violoncello -Tri...(+)
Nach der Bearbeitung
von Johann Sebastian Bach
(BWV 972) fur Violoncello
-Trio bearbeitet von
Eberhard Heymann.
Composed by Antonio
Vivaldi (1678-1741).
Arranged by von Eberhard
Heymann. Classical. Score
and Parts. 13 pages
(part); 19 pages (score)
pages. Published by
Verlag Dohr
(VD.E.D.11376).
Solo violin, strings and b.c. (set of parts = 3.3.2.3) SKU: M7.BP-1106-10 ...(+)
Solo violin, strings and
b.c. (set of parts =
3.3.2.3)
SKU:
M7.BP-1106-10
Ì
L'estro Armonico
Ì. Composed by
Antonio Vivaldi. Sheet
music. Set of parts. Op.
3/9. Amadeus Verlag #BP
1106-10. Published by
Amadeus Verlag
(M7.BP-1106-10).
By Johann Sebastian Bach (1685-1750). Arranged by David Marlatt. For Double Bras...(+)
By Johann Sebastian Bach
(1685-1750). Arranged by
David Marlatt. For Double
Brass Quintet. Brass
Ensemble - Quintet;
Masterworks. Eighth Note
Publications. Baroque.
Duration 00:09:32.
Published by Eighth Note
Publications
By Johann Sebastian Bach (1685-1750). Arranged by David Marlatt. For Brass Choir...(+)
By Johann Sebastian Bach
(1685-1750). Arranged by
David Marlatt. For Brass
Choir (4.2.2.1.1). Brass
- Brass Choir;
Masterworks. Eighth Note
Publications. Baroque.
Duration 00:09:35.
Published by Eighth Note
Publications