Alfred's Essentials of Music Theory. (Complete Book Alto Clef (Viola) Edition). By Andrew Surmani and Morton Manus. For Alto Clef (Viola). Reference Textbooks; Textbook - General; Theory. Essentials of Music Theory. Book. 124 pages. Published by Alfred Music Publishing

By Andrew Surmani, Karen Farnum Surmani, And Morton Manus. For Alto Clef (Viola). Textbook - General. Essentials of Music Theory. Book and 2 CDs. 124 pages. Published by Alfred Publishing.

(Viola). Arranged by Various. For Viola. Book; CD; Play-Along; String Series. Top Hits Instrumental Solos. Pop; Rock. Grade 2; Grade 3. 28 pages. Published by Alfred Music

By Karen Farnum Surmani, Morton Manus, and Andrew Surmani. For Alto Clef (Viola). Textbook - General. Essentials of Music Theory. Book. 44 pages. Published by Alfred Publishing.

By Karen Farnum Surmani, Morton Manus, and Andrew Surmani. For Alto Clef (Viola). Textbook - General. Essentials of Music Theory. Book. 40 pages. Published by Alfred Publishing.

By Karen Farnum Surmani, Morton Manus, and Andrew Surmani. For Alto Clef (Viola). Textbook - General. Essentials of Music Theory. Book. 40 pages. Published by Alfred Publishing.

Viola

SKU: HG.GH-11367

Leitfaden fur Umsteiger. Composed by Hans-Heinz Butikofer. Hug Musikverlage #GH 11367. Published by Hug Musikverlage (HG.GH-11367).

ISBN 9790202810118.

Dies er bewahrte Leitfaden fur Umsteiger richtet sich an Musizierende jeden Alters, die das Bratschenspiel erlernen wollen und bereits einige Jahre Geige spielen. Themen: - die Bratsche, der Bratschenbogen - erste Gehversuche auf der Bratsche, mit Ubungsbeispielen - Griff-Training, mit Ubungsbeispielen - Alt- oder Bratschenschlussel: Lesetraining, mit Ubungsbeispielen - das Lagenspiel - die halbe Lage, mit Ubungsbeispielen - zur Wahl der richtigen Bratsche.

Viola. Composed by Various. Instrumental Play-Along. Softcover Audio Online. 16 pages. Published by Hal Leonard

By Various. Instrumental Play-Along. Rock. Softcover Audio Online. Published by Hal Leonard

A Must-Have Collection of Well-Known Songs!. Composed by Various. Instrumental Folio. Pop, Standards. Softcover. Published by Hal Leonard

(Viola). Arranged by Victor LÌ_pez. For Viola. A and C Partbook; Mixed Instruments - Flexible Instrumentation. U.Play.Plus. Solo--A, Duet--B/C/D, Trio--C, Quartet--D. Pop/Rock. Grade 2.5; Grade 3. 24 pages. Published by Alfred Music Publishing

by William Bay. For viola. solos. Fun With. Folk. Level: Beginning. Book. Size 8.75x11.75. 32 pages. Published by Mel Bay Publications, Inc.

(Serie II - France 1800-1860). Edited by Jean Philippe Vasseur, Ulrich Druner. For Viola. Facsimiles. Methodes and Traites. Grade 0. 472 pages. Published by Anne Fuzeau Productions - France

(Serie II - France 1800-1860). Edited by Jean Philippe Vasseur, Ulrich Druner. For Viola. Facsimiles. Methodes and Traites. Grade 0. 176 pages. Published by Anne Fuzeau Productions - France

(Viola). Arranged by Various. For Viola. Book; CD; Play-Along; String Series. Top Hits Instrumental Solos. Broadway; Movie; TV. Grade 2; Grade 3. 76 pages. Published by Alfred Music

Viola

SKU: FZ.5794

Serie I - France 1600-1800. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5794).

ISBN 9790230657945. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in one book. ANCELET - Jean Laurent de BETHISY - C. R. BRIJON - Michel CORRETTE - Francois, le jeune CUPIS - Encyclopedie - FRAMERY N. E. et GINGUENE P. L. : Encyclopedie methodique - Francois-Alexandre-Pierre de GARSAULT - Jean-Benjamin de LABORDE - Marin MERSENNE - Michel WOLDEMAR. Table of contents: VIOLA. Mersenne Marin: Harmonie universelle - 1636. Bethisy Jean Laurent de: Exposition de la theorie - 1754. Garsault Francois-Alexandre-Pierre de: Notionnaire ou Memorial raisonne - 1761. Corrette Michel: Methode pour apprendre [. . . ] de la quinte ou alto - 1773. Laborde Jean-Benjamin de: Essai sur la musique - 1780. Framery N. E. et Ginguene P. L. : Encyclopedie methodique (reprend le texte de l'Encyclopedie de Diderot) - 1785. Cupis Francois, Le jeune: Methode d'alto - 1800 (ca). Woldemar Michel: Methode d'alto - 1800/1805 (ca). PAR-DESSUS DE VIOLE. Corrette Michel: Methode pour apprendre facilement a jouer du par-dessus de viole - 1748. Ancelet: Observations sur la musique - 1757. Garsault Francois-Alexandre-Pierre de: Notionnaire ou Memorial raisonne - 1761. Brijon C. R. : Methode nouvelle et facile pour apprendre a jouer du par-dessus de viole - 1766. Laborde Jean-Benjamin de: Essai sur la musique - 1780. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - Bayerische Staatsbibliothek of Munich (Germany). - National Library of Paris (France). - British Library of London (England). - Det Kongelike Bibliothek of Copenhagen (Denmark). - Gemeente Museum of The Hague (Netherlands). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the viola and pardessus de viole.

Viola

SKU: FZ.5859

Serie II - France 1800-1860. Edited by Jean Philippe Vasseur & Ulrich Druner. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5859).

ISBN 9790230658591. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in three books. Hector BERLIOZ (1-2) - Jacques MARTINN (1-2) - August Mathieu PANSERON - Joseph VIMEUX. Table of contents: Martinn Jacques: Nouvelle methode d'alto - 1826. Martinn Jacques: Nouvelle methode d'alto pour apprendre sans maitre - 1835. Berlioz Hector: Grand Traite d'instrumentation - 1844. Panseron August Mathieu: Solfege du violoniste - 1845. Vimeux Joseph: Methode d'alto - 1851. Berlioz Hector: Lettre a M. Humbert Ferrand - 1865. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - British Library of London (England). - National Library of Paris (France). - In Private collection. Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the viola.

(Serie II - France 1800-1860). Edited by Jean Philippe Vasseur and Ulrich Druner. For Viola. This edition: Facsimile. Methodes and Traites. Score. 160 pages. Published by Anne Fuzeau Productions - France

Composed by Martin Norgaard and Laurie Scott. Viola,Method. Modern Method. Book and Online Audio. 88 pages. Published by Mel Bay Publications, Inc

By Various Composers. Instrumental Folio. Size 9x12 inches. 146 pages. Published by Hal Leonard.

Suzuki Viola School MIDI Disk Acc./CD-ROM, Volume 1. For Viola. CD-ROM; MIDI Disk; Method/Instruction; String - Viola (Suzuki). Suzuki Viola School. Beginner. Published by Alfred Music Publishing

Solo viola

SKU: PR.41641619L

For Viola (or Clarinet) and Orchestra. Composed by Johannes Brahms. Arranged by Samuel Adler. N.B.  Soloists should be aware that the Viola version of the Concerto has a few octave changes from the original Brahms.  However, for rehearsal purposes, the Piano part from the original Sonata may be used. With Standard notation. Duration 21 minutes. Theodore Presser Company #416-41619L. Published by Theodore Presser Company (PR.41641619L).

UPC: 680160642830. 11 x 14 inches.

Pittsburgh Symphony Orchestra violist Randolph Kelly had premiered Adler's Viola Concerto in 2000, but the orchestra's artistic management preferred that he not perform a contemporary work for his next solo appearance. With that guideline, Kelly contacted Adler, the master of orchestration, to arrange the Brahms Sonata in F minor, Opus 120 for viola and orchestra. In this new setting, The piece promises to bring the lush romantic strains of the famous sonata to a larger audience without upsetting the purists. (Andrew Druckenbrod, Pittsburgh Post-Gazette Classical Music Critic).