SKU: HL.1139324 For SATB Choir, Narration and Instrumental Ensemb...(+)
SKU:
HL.1139324
For
SATB Choir, Narration and
Instrumental
Ensemble. Composed by
Isabelle Aboulker. Vocal.
Softcover. Alphonse Leduc
#AL30921. Published by
Alphonse Leduc
(HL.1139324).
ISBN
9781705183939. UPC:
196288114888.
Defen
ders of the oppressed and
fighters against
injustice, Victor Hugo
and Emile Zola often put
their genius to the
service of great causes:
the abolition of the
death penalty and child
labor, the advancement of
women in society, the
awareness of the Dreyfus
affair... Conceived in
the same years and under
the same sky, the much
less profound words of
Baroness Staffe in her
manual of good manners,
vehemently denounce both
the wearing of white
socks and the dangers of
orientalism. This musical
chronicle will educate
and intrigue middle and
high school students and
amuse adults as well.
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from our US warehouse. It
may take up to 2-3 weeks
to get to
you.
SATB Choir SKU: HL.14032130 Composed by Hugo Alfven and Percy Faith. Arra...(+)
SATB Choir
SKU:
HL.14032130
Composed
by Hugo Alfven and Percy
Faith. Arranged by Otto
Leisner and Svend Saaby.
Music Sales America.
Classical. Vocal Score.
Composed 2002. 8 pages.
Edition Wilhelm Hansen
#WH27371. Published by
Edition Wilhelm Hansen
(HL.14032130).
ISBN
9788759858127.
7.25x10.25x0.055 inches.
International (more than
one language).
Composed by Hugo Distler (1908-1942). For Soli SSSTBB, SATB choir. Sacred, canta...(+)
Composed by Hugo Distler
(1908-1942). For Soli
SSSTBB, SATB choir.
Sacred, cantatas,
Christmas, Urtext. Full
score. Text language:
German. 48 pages.
Published by Carus Verlag
Soiree en mer Chorale SSATB SSATB, Piano Carus Verlag
SSATB Choir, Piano SKU: CA.926400 Composed by Camille Saint-Saens. Arrang...(+)
SSATB Choir, Piano
SKU: CA.926400
Composed by Camille
Saint-Saens. Arranged by
Denis Rouger, Denis
Rouger. Carus digital:
Extra digital products.
Full Score. Composed
1862. Op. 13, No. 1.
Duration 5 minutes.
Published by Carus Verlag
(CA.926400).
ISBN
9790007261870. French.
Text: Victor
Hugo.
In his poem
Soiree en mer, Victor
Hugo describes how the
sea can be perceived very
differently by two lovers
at the same time in the
same place. While the man
perceives the deepening
shadows on the dancing
waves, the woman marvels
at the stars shining ever
brighter in the
firmament. In nature, as
in the words of the poem,
the painful ambiguity
that represents life at
its core can be
experienced. Like no
other poet, Hugo captures
this almost unbearable
simultaneity of living
and dying, of love and
suffering. Saint-Saens
translates this into
music - probably the most
ephemeral and
contemporary of all art
forms. His balanced
musical form leaves
plenty of room for the
poetry and his subtle
variations in timbre,
which also inspired Denis
Rouger to his choral
arrangement, create a
seething motion under the
surface of the
sea.
This art song
was originally composed
not for chamber choir,
but for solo voice and
piano. Denis Rouger has
carefully adapted it to
suit the requirements and
expressive possibilities
offered by a larger
ensemble, without losing
any of the qualities of
the original in the
process. Each part in the
choir has a melodic line
drawn from the harmonic
and rhythmic framework.
In the process, the
variety and refinement of
the choral language
combines with an enormous
flexibility in form and
expression, as French
melodies or German art
song demand from a
soloist and pianist. The
songs have been recorded
by the figure humaine
chamber choir on the CD
...wo die Ztronen bluhn
(Carus 83.514).
Fussreise Chorale SATB SATB, Piano - Intermédiaire Carus Verlag
SATB Choir, Piano - Level 3 SKU: CA.925600 Composed by Hugo Wolf. Arrange...(+)
SATB Choir, Piano - Level
3
SKU: CA.925600
Composed by Hugo Wolf.
Arranged by Denis Rouger.
Separate edition to the
CD. Lieder, Secular
choral music. Full Score.
Duration 3 minutes. Carus
Verlag #CV 09.256/00.
Published by Carus Verlag
(CA.925600).
ISBN
M-007-24918-2. Key: D
major. German. Text:
Morike,
Eduard.
Hugo Wolf
set a total of 53 songs
by Eduard Morike, all in
the year 1888. The
composer wrote in a
letter: Once you have
heard this song, it can
only inspire one wish -
to die. In the
artistic-metaphysical
milieu of the late 19th
century this was regarded
as the highest ideal,
especially for Hugo Wolf,
who believed in the body
as a wretched piano case
from which the soul can
only break free like
harmonies dying away. And
yet Fussreise (Journey on
Foot) begins as a simple,
happy, elated song of
travel, revolving around
the key of D major over
an ostinato piano rhythm.
Old Adam believes he
senses the bliss of
paradise in this, but he
continues to be caught in
the tension between
earthly suffering and
eternal longing, as the
rest of Hugo Wolf's
setting clearly shows: it
remains a pious hope that
a whole life would be
such a morning journey
bathed in gentle
perspiration. These art
songs were originally
composed not for chamber
choir, but for solo voice
and piano. Denis Rouger
has carefully adapted
them to suit the
requirements and
expressive possibilities
offered by a larger
ensemble, without losing
the any of the qualities
of the original in the
process. Each part in the
choir has a melodic line
drawn from the harmonic
and rhythmic framework.
In the process, the
variety and refinement of
the choral language
combines with an enormous
flexibility in form and
expression, as French
melodies or German art
song demand from a
soloist and pianist. The
songs have been recorded
by the figure humaine
chamber choir on the CD
Kennst du das Land ...
(Carus 83.495).
Choral SATB Choir and Piano SKU: PR.312405110 Omar Rabbi Akiba, S.A.T....(+)
Choral SATB Choir and
Piano
SKU:
PR.312405110
Omar
Rabbi Akiba, S.A.T.B., a
Cappella. Composed by
Anonymous. Arranged by
Hugo Weisgall. Part. With
Standard notation.
Theodore Presser Company
#312-40511. Published by
Theodore Presser Company
(PR.312405110).
UPC:
680160042920. Text: Hugo
Weisgall; Jules Harlow.
Hugo Weisgall, Jules
Harlow.
Verborgenheit Chorale SSATB SSATB, Piano Carus Verlag
SSATB Choir, Piano SKU: CA.924500 Composed by Hugo Wolf. Arranged by Deni...(+)
SSATB Choir, Piano
SKU: CA.924500
Composed by Hugo Wolf.
Arranged by Denis Rouger.
Secular choral music.
Separate edition with CD.
Lieder, Secular choral
music. Full score.
Duration 3 minutes. Carus
Verlag #CV 09.245/00.
Published by Carus Verlag
(CA.924500).
ISBN
9790007244408. Key: E
flat major. Language:
German. Text: Morike,
Eduard.
Hugo Wolf
composed over 250 songs
to texts by the greatest
poets of his day. One of
the best-known of these
is Verborgenheit. In
Denis Rouger's
arrangement it reveals
its own momentum which
does not conflict with
the original masterpiece,
but presents new facets
alongside it, inviting us
to discover something new
in the old. These art
songs were originally
composed not for chamber
choir, but for solo voice
and piano. Denis Rouger
has carefully adapted
them to suit the
requirements and
expressive possibilities
offered by a larger
ensemble, without losing
the any of the qualities
of the original in the
process. Each part in the
choir has a melodic line
drawn from the harmonic
and rhythmic framework.
In the process, the
variety and refinement of
the choral language
combines with an enormous
flexibility in form and
expression, as French
melodies or German art
song demand from a
soloist and pianist. The
songs have been recorded
by the figure humaine
chamber choir on the CD
Kennst du das Land ...
(Carus 83.495).
SATB choir SKU: GH.CG-3421 Composed by Hugo Alfven. Arranged by Hugo Alfv...(+)
SATB choir
SKU:
GH.CG-3421
Composed
by Hugo Alfven. Arranged
by Hugo Alfven. Octavo.
With Language: Swedish.
Gehrmans Musikforlag #CG
3421. Published by
Gehrmans Musikforlag
(GH.CG-3421).
ISBN
9790070009416. 185 x 262
mm inches. Text:
Traditional.
Svensk
folkvisa i bearbetning
for blandad kor av Hugo
Alfven.
(Limu, limu, lima). By Hugo Alfven (1872-1960). Arranged by Hugo Alfven. For SAT...(+)
(Limu, limu, lima). By
Hugo Alfven (1872-1960).
Arranged by Hugo Alfven.
For SATB choir (a
cappella). Octavo.
Language: Swedish. 4
pages. Published by
Gehrmans Musikforlag
Zwei
Liedsatze. Composed
by Hugo Distler. Arranged
by Hugo Distler. Folded.
Barenreiter-Chorblatter
192. Choral score,
anthology. 4 pages.
Baerenreiter Verlag
#BCH00192_00. Published
by Baerenreiter Verlag
(BA.BCH00192).
SSATB Choir, Piano - Level 3 SKU: CA.925200 Composed by Gabriel Faure. Ar...(+)
SSATB Choir, Piano -
Level 3
SKU:
CA.925200
Composed by
Gabriel Faure. Arranged
by Denis Rouger. Separate
edition to the CD.
Secular choral music.
Full Score. Op. 2, No. 1.
Duration 2 minutes. Carus
Verlag #CV 09.252/00.
Published by Carus Verlag
(CA.925200).
ISBN
M-007-24914-4. Key: A
major. Language: French.
Text: Hugo,
Victor.
The
exuberant amorousness of
a newly-wed couple
pulsates in every note of
Gabriel Faure's Dans les
ruines d'une abbaye (In
the ruins of an abbey).
In this piece, the
reverent silence of
prayer no longer
prevails, but within the
venerable walls various
shouts of joy and
sparkling laughter are
now heard. The old graves
have long been overgrown
by stinging nettles, and
a new dawn of spring and
of love fills the air.
Napoleonic
post-revolutionary
France, which drove the
author of the poem,
Victor Hugo, into exile,
is also building a new
world on the ruins of
olden days. Although the
setting by the composer,
40 years younger than the
poet, uses the
romanticized backdrop of
the old abbey, with its
6/8-meter it reflects the
uninhibited happiness of
the two lovers, who do
not look back. These art
songs were originally
composed not for chamber
choir, but for solo voice
and piano. Denis Rouger
has carefully adapted
them to suit the
requirements and
expressive possibilities
offered by a larger
ensemble, without losing
the any of the qualities
of the original in the
process. Each part in the
choir has a melodic line
drawn from the harmonic
and rhythmic framework.
In the process, the
variety and refinement of
the choral language
combines with an enormous
flexibility in form and
expression, as French
melodies or German art
song demand from a
soloist and pianist. The
songs have been recorded
by the figure humaine
chamber choir on the CD
Kennst du das Land ...
(Carus 83.495).
2 Satze aus "Liturgische Satze uber altevangelische Kyrie- und Gloriaweisen" (19...(+)
2 Satze aus "Liturgische
Satze uber
altevangelische Kyrie-
und Gloriaweisen"
(1933/35). By Hugo
Distler. For Mixed
Choir-SSATBB. Singing
Score. Op. 13. Published
by Baerenreiter-Ausgaben
(German import).
Composed by Johann Hugo
von Wilderer. Edited by
Frieder Rempp. Arranged
by Paul Horn. Violin 1.
Sacred vocal music,
Masses, Latin. Part.
Duration 12 minutes.
Carus Verlag #CV
35.009/11. Published by
Carus Verlag
(CA.3500911).
ISBN
M-007-25279-3.
Latin.
This Missa
in G minor is the only
surviving work in this
genre by Johann Hugo von
Wilderer; his output as
Kapellmeister at the
Electoral Palatinate
court, which resided in
Mannheim from 1720
onwards, was mainly
devoted to opera. The
three-part Kyrie, the
through-composed Gloria,
and the partly obbligato
instrumental writing show
the influence of the
early Neapolitan mass
style. The music-historic
significance of the Missa
is firstly that it is an
important example of the
church music performed
around 1700 at the
Electoral Palatinate
court, but above all that
Bach evidently used it as
a source of inspiration
for the Kyrie of the Mass
in B minor, as shown, for
example in the form of
the Adagio introduction
of the Kyrie I in both
works.
Composed by Johann Hugo
von Wilderer. Edited by
Frieder Rempp. Arranged
by Paul Horn. Viola 1.
Sacred vocal music,
Masses, Latin. Single
Part, Viola 1. Duration
12 minutes. Carus Verlag
#CV 35.009/13. Published
by Carus Verlag
(CA.3500913).
ISBN
M-007-25281-6.
Latin.
This Missa
in G minor is the only
surviving work in this
genre by Johann Hugo von
Wilderer; his output as
Kapellmeister at the
Electoral Palatinate
court, which resided in
Mannheim from 1720
onwards, was mainly
devoted to opera. The
three-part Kyrie, the
through-composed Gloria,
and the partly obbligato
instrumental writing show
the influence of the
early Neapolitan mass
style. The music-historic
significance of the Missa
is firstly that it is an
important example of the
church music performed
around 1700 at the
Electoral Palatinate
court, but above all that
Bach evidently used it as
a source of inspiration
for the Kyrie of the Mass
in B minor, as shown, for
example in the form of
the Adagio introduction
of the Kyrie I in both
works.
Composed by Johann Hugo
von Wilderer. Edited by
Frieder Rempp. Arranged
by Paul Horn. Complete
orchestral parts. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Duration 12
minutes. Carus Verlag #CV
35.009/19. Published by
Carus Verlag
(CA.3500919).
ISBN
M-007-25284-7.
Latin.
This Missa
in G minor is the only
surviving work in this
genre by Johann Hugo von
Wilderer; his output as
Kapellmeister at the
Electoral Palatinate
court, which resided in
Mannheim from 1720
onwards, was mainly
devoted to opera. The
three-part Kyrie, the
through-composed Gloria,
and the partly obbligato
instrumental writing show
the influence of the
early Neapolitan mass
style. The music-historic
significance of the Missa
is firstly that it is an
important example of the
church music performed
around 1700 at the
Electoral Palatinate
court, but above all that
Bach evidently used it as
a source of inspiration
for the Kyrie of the Mass
in B minor, as shown, for
example in the form of
the Adagio introduction
of the Kyrie I in both
works.
Composed by Johann Hugo
von Wilderer. Edited by
Frieder Rempp. Arranged
by Paul Horn. Violin 2.
Sacred vocal music,
Masses, Latin. Part.
Duration 12 minutes.
Carus Verlag #CV
35.009/12. Published by
Carus Verlag
(CA.3500912).
ISBN
M-007-25280-9.
Latin.
This Missa
in G minor is the only
surviving work in this
genre by Johann Hugo von
Wilderer; his output as
Kapellmeister at the
Electoral Palatinate
court, which resided in
Mannheim from 1720
onwards, was mainly
devoted to opera. The
three-part Kyrie, the
through-composed Gloria,
and the partly obbligato
instrumental writing show
the influence of the
early Neapolitan mass
style. The music-historic
significance of the Missa
is firstly that it is an
important example of the
church music performed
around 1700 at the
Electoral Palatinate
court, but above all that
Bach evidently used it as
a source of inspiration
for the Kyrie of the Mass
in B minor, as shown, for
example in the form of
the Adagio introduction
of the Kyrie I in both
works.
Composed by August
Soderman / Halfdan
Kjerulf. Arranged by Hugo
Alfven. Octavo. With
Language: Danish,
Swedish. 4 pages.
Gehrmans Musikforlag #SK
12. Published by Gehrmans
Musikforlag (GH.SK-12).
185 x 262 mm inches.
Text: Zacharias Topelius
/ Christian
Winther.
Tva
stycken av August
Soderman arrangerade for
blandad kor (Sjung,
sjung) och sopran- och
tenorsoli med blandad kor
(Kan det troste) av Hugo
Alfven.
SATB choir SKU: GH.CG-4160 Composed by August Soderman. Arranged by Hugo ...(+)
SATB choir
SKU:
GH.CG-4160
Composed
by August Soderman.
Arranged by Hugo Alfven.
Octavo. With Language:
Swedish. Gehrmans
Musikforlag #CG 4160.
Published by Gehrmans
Musikforlag (GH.CG-4160).
ISBN 9790070010214.
185 x 262 mm
inches.
Arrangemang
for blandad kor av Hugo
Alfven. Ursprungligen
skriven for manskor.
Composed by Johann Hugo
von Wilderer. Edited by
Frieder Rempp. Arranged
by Paul Horn. Sacred
vocal music, Masses,
Latin. Vocal score.
Duration 12 minutes.
Carus Verlag #CV
35.009/03. Published by
Carus Verlag
(CA.3500903).
ISBN
M-007-24549-8.
Latin.
This Missa
in G minor is the only
surviving work in this
genre by Johann Hugo von
Wilderer; his output as
Kapellmeister at the
Electoral Palatinate
court, which resided in
Mannheim from 1720
onwards, was mainly
devoted to opera. The
three-part Kyrie, the
through-composed Gloria,
and the partly obbligato
instrumental writing show
the influence of the
early Neapolitan mass
style. The music-historic
significance of the Missa
is firstly that it is an
important example of the
church music performed
around 1700 at the
Electoral Palatinate
court, but above all that
Bach evidently used it as
a source of inspiration
for the Kyrie of the Mass
in B minor, as shown, for
example in the form of
the Adagio introduction
of the Kyrie I in both
works.
Composed by Johann Hugo
von Wilderer. Edited by
Frieder Rempp. Arranged
by Paul Horn. Sacred
vocal music, Masses,
Latin. Full Score.
Duration 12 minutes.
Carus Verlag #CV
35.009/00. Published by
Carus Verlag
(CA.3500900).
ISBN
M-007-24548-1.
Latin.
This Missa
in G minor is the only
surviving work in this
genre by Johann Hugo von
Wilderer; his output as
Kapellmeister at the
Electoral Palatinate
court, which resided in
Mannheim from 1720
onwards, was mainly
devoted to opera. The
three-part Kyrie, the
through-composed Gloria,
and the partly obbligato
instrumental writing show
the influence of the
early Neapolitan mass
style. The music-historic
significance of the Missa
is firstly that it is an
important example of the
church music performed
around 1700 at the
Electoral Palatinate
court, but above all that
Bach evidently used it as
a source of inspiration
for the Kyrie of the Mass
in B minor, as shown, for
example in the form of
the Adagio introduction
of the Kyrie I in both
works.
Composed by Johann Hugo
von Wilderer. Edited by
Frieder Rempp. Arranged
by Paul Horn. Organ.
Sacred vocal music,
Masses, Latin. Part.
Duration 12 minutes.
Carus Verlag #CV
35.009/49. Published by
Carus Verlag
(CA.3500949).
ISBN
M-007-24550-4.
Latin.
This Missa
in G minor is the only
surviving work in this
genre by Johann Hugo von
Wilderer; his output as
Kapellmeister at the
Electoral Palatinate
court, which resided in
Mannheim from 1720
onwards, was mainly
devoted to opera. The
three-part Kyrie, the
through-composed Gloria,
and the partly obbligato
instrumental writing show
the influence of the
early Neapolitan mass
style. The music-historic
significance of the Missa
is firstly that it is an
important example of the
church music performed
around 1700 at the
Electoral Palatinate
court, but above all that
Bach evidently used it as
a source of inspiration
for the Kyrie of the Mass
in B minor, as shown, for
example in the form of
the Adagio introduction
of the Kyrie I in both
works.
Composed by Johann Hugo
von Wilderer. Edited by
Frieder Rempp. Arranged
by Paul Horn. Viola 2.
Sacred vocal music,
Masses, Latin. Single
Part, Viola 2. Duration
12 minutes. Carus Verlag
#CV 35.009/14. Published
by Carus Verlag
(CA.3500914).
ISBN
M-007-25282-3.
Latin.
This Missa
in G minor is the only
surviving work in this
genre by Johann Hugo von
Wilderer; his output as
Kapellmeister at the
Electoral Palatinate
court, which resided in
Mannheim from 1720
onwards, was mainly
devoted to opera. The
three-part Kyrie, the
through-composed Gloria,
and the partly obbligato
instrumental writing show
the influence of the
early Neapolitan mass
style. The music-historic
significance of the Missa
is firstly that it is an
important example of the
church music performed
around 1700 at the
Electoral Palatinate
court, but above all that
Bach evidently used it as
a source of inspiration
for the Kyrie of the Mass
in B minor, as shown, for
example in the form of
the Adagio introduction
of the Kyrie I in both
works.
Composed by Johann Hugo
von Wilderer. Edited by
Frieder Rempp. Arranged
by Paul Horn. Basso
continuo. Sacred vocal
music, Masses, Latin.
Single Part, basso
continuo. Duration 12
minutes. Carus Verlag #CV
35.009/15. Published by
Carus Verlag
(CA.3500915).
ISBN
M-007-25283-0.
Latin.
This Missa
in G minor is the only
surviving work in this
genre by Johann Hugo von
Wilderer; his output as
Kapellmeister at the
Electoral Palatinate
court, which resided in
Mannheim from 1720
onwards, was mainly
devoted to opera. The
three-part Kyrie, the
through-composed Gloria,
and the partly obbligato
instrumental writing show
the influence of the
early Neapolitan mass
style. The music-historic
significance of the Missa
is firstly that it is an
important example of the
church music performed
around 1700 at the
Electoral Palatinate
court, but above all that
Bach evidently used it as
a source of inspiration
for the Kyrie of the Mass
in B minor, as shown, for
example in the form of
the Adagio introduction
of the Kyrie I in both
works.
Soli SSSTBB, SATB choir - Level 5 SKU: CA.1001105 Composed by Hugo Distle...(+)
Soli SSSTBB, SATB choir -
Level 5
SKU:
CA.1001105
Composed
by Hugo Distler. Edited
by Klaus-Martin Bresgott.
This edition: urtext.
Stuttgart Urtext Edition.
Innovative practice aids,
Sacred vocal music,
Cantatas, Christmas.
Choral Score. Composed
1933. 40 pages. Duration
40 minutes. Carus Verlag
#CV 10.011/05. Published
by Carus Verlag
(CA.1001105).
ISBN
9790007165918. Text
language:
German.
In its
touching tenderness, the
Christmas Story op. 10 by
Hugo Distler is one of
the most beautiful
temptations for any a
cappella ensemble at
Advent or Christmas time.
With its scoring for
four-part choir, from
which all the soloists
(Evangelist, Maria,
Elisabeth, Herodes,
Simeon) can easily be
drawn, it is proof that
the Christmas message can
be conveyed with the same
simple, sublime
brilliance as with the
old masters. The seven
variations on Es ist ein
Ros entsprungen which run
through the work are much
more than merely a
framework for the story -
they are also great music
within themselves, making
the work an extremely
suitable and useful
addition to the
repertoire. Score
available separately -
see item CA.1001100.
SSATB Choir, Piano SKU: CA.924800 Composed by Gabriel Faure. Arranged by ...(+)
SSATB Choir, Piano
SKU: CA.924800
Composed by Gabriel
Faure. Arranged by Denis
Rouger. Separate edition
with CD. Organ music
based on hymns, Lieder.
Full score. Op. 1, No. 1.
8 pages. Duration 3
minutes. Carus Verlag #CV
09.248/00. Published by
Carus Verlag (CA.924800).
ISBN 9790007246594.
Key: D major. Language:
French. Text: Hugo,
Victor.
Furchtet euch nicht,
ich verkundige euch.
Composed by Johann Topff.
Edited by Hugo Holle.
This edition: Saddle
stitching. Sheet music.
Schott Chorverlag (Choral
Music). Classical. Choral
Score. 12 pages. Schott
Music #C 32230. Published
by Schott Music
(HL.49000990).