With online audio of piano accompaniments. Composed by Andrew Lloyd Webber. Broadway. Softcover Audio Online. 56 pages. Published by Hal Leonard

Flute and Piano - very easy, easy

SKU: BT.DHP-1196124-404

Flauto. Arranged by Markus Schenk. Ascolta, Leggi e Suona. Opera or Operetta. Book with Part and Audio-Online. Composed 2019. 80 pages. De Haske Publications #DHP 1196124-404. Published by De Haske Publications (BT.DHP-1196124-404).

ISBN 9789043157346. Italian.

Ascolta , leggi & suona rappresenta oggi il testo di riferimento dedicato all’insegnamento della musica per ottoni e legni. Questo fantastico metodo, costituito da libro e CD, include canzoni, indovinelli musicali e giochiche permetteranno all'allievo principiante di progredire nella conoscenza della musica, fornendogli al contempo utilissime informazioni sul suo strumento e numerosi brani da suonare divertendosi. I tre volumi che compongonol’opera sono i primi della collana e sono affiancati da testi contenenti materiale supplementare per i differenti livelli del corso.

Incontra l’opera offre utile materiale complementare a tutti e tre i volumi della serieAscolta, leggi & suona e include arie famose, cori e ouvertures, proposti secondo un ordine di difficolt crescente. Una selezione delle più belle melodie mai scritte per l’opera, corredate da un quadro storico esplicativo.L’alli evo potr esercitarsi da solo, utilizzando le tracce registrate disponibili online, scaricabili o ascoltabili in streaming. Questa edizione contiene l’accompagnamento pianistico, arrangiato sapientemente a un moderatolivello di difficolt .

Composed by Mizzy McCaskill and Dona Gilliam. Book, insert, and online audio. 64 pages. Published by Mel Bay Publications, Inc

Composed by Various. Arranged by John Alley Elisabeth Parry. Set of Score and Parts. Aurea Capra Editions #494-03217. Published by Aurea Capra Editions (

Chamber Music flute, piano

SKU: PR.114422710

Composed by Charles Gibb. Set of Score and Parts. 44+8 pages. Duration 24 minutes. Theodore Presser Company #114-42271. Published by Theodore Presser Company (PR.114422710).

ISBN 9781491136072. UPC: 680160688227.

DUOâ €™s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.” Gibb’s DUO is sure to become a favorite major work for flute recitalists.
This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here” begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,” the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,” is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardentâ� � is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.

(Based on the Etudes of Franz Whilhelm Ferling). By John Walker, Franz Wilhelm Ferling. Edited by Amy Porter. Arranged by Cyrille Rose. For flute and piano. Carl Fischer Classic Studies. Book and CD. 44 pages. Published by Carl Fischer

For flute and piano. Format: set of performance parts (includes separate pull-out flute part). With solo part and piano accompaniment. Baroque, classical period and romantic period. Series: Everybody's Favorite Series #38. 190 pages. 9x12 inches. Published by Music Sales.

For Flute and Piano. Composed by Nancy Andrew. Arranged by James Galway. Southern Music. Classical. Softcover. Southern Music Company #B579. Published by Southern Music Company

Flute and Piano Book/Online Audio. Composed by George Gershwin (1898-1937). For Classical Players. Softcover Audio Online. 56 pages. Published by Hal Leonard

Composed by Larry Shackley. Woodwind solo. For flute, piano. Christmas. Performance/accompaniment CD. Lorenz Publishing Company #30/3263L. Published by Lorenz Publishing Company

Flute & Piano

SKU: SU.27020100

For Flute & Piano. Composed by Graham Gordon Ramsay. Woodwinds, Flute/Piccolo. Accompanied by piano. Score & Parts. Subito Music Corporation #27020100. Published by Subito Music Corporation (SU.27020100).

Four movements: I. Courtyard, Boston Public Library; II. The Ghosts of Blanchard, Maine; III. Walden Pond; IV. Rock River, Newfane, VermontDuration: ca. 18' Flute, Piano Composed: 2005 Published by: Distributed Composer.

Flute and Piano. By Various. Arranged by Georges Barrere. (Flute). Woodwind Solo. Size 9x12 inches. 64 pages. Published by G. Schirmer, Inc.

By Trevor Wye (Editor). For Flute, Piano. Baroque, Classical. Sheet Music. 36 pages. Published by Chester Music.

Flute and Piano. By Carol Barratt. Arranged by Margaret Ogonovsky. (Flute). Boosey and Hawkes Chamber Music. Size 9x12 inches. 52 pages. Published by Boosey & Hawkes.