Flute (flute/piano)

SKU: HL.48180025

For Flute and Piano. Composed by Philippe Gaubert. Leduc. Classical. CD. 12 pages. Alphonse Leduc #AL11197. Published by Alphonse Leduc (HL.48180025).

UPC: 888680796297. 9.0x12.0x0.056 inches.

Philippe Gaubert (1879-1941) was a distinguished performer on the flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the flute's repertoire, Romance being no exception. After a prominent career as a flautist with the Paris Opera, he was appointed as professor of flute at the Paris Conservatoire, as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Romance which premiered in 1905. Addressing many technical features, including flourishing semiquaver passages, a wide range, emotion, intervals, chromaticism and complex rhythms, Romance for Flute and Piano is a challenging yet riveting and stirring piece for aspiring flautists.

Flute and Piano (Flute/Piano)

SKU: HL.48187329

Composed by Philippe Gaubert. Leduc. Classical. CD. 28 pages. Heugel & Cie #HE28954. Published by Heugel & Cie (HL.48187329).

UPC: 888680829827. 9.0x12.0x0.121 inches. French.

“Phil ippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, Sonata No. 2 being no exception. After a prominent career as a flautist with the Paris Opéra, he was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Sonata No. 2 which premiered in 1925. Addressing many technical features, including flourishing semiquaver passages, a wide range, emotion, intervals, chromaticism and complex rhythms, Sonata No. 2 is a challenging yet riveting and stirring piece for aspiring flautists.”.

Flute and Piano (FLUTE/PIANO)

SKU: HL.48187386

Composed by Philippe Gaubert. Leduc. Classical. CD. 12 pages. Heugel & Cie #HE29840. Published by Heugel & Cie (HL.48187386).

UPC: 888680905859. 9.0x12.0x0.084 inches. French.

“Phil ippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the instrument's repertoire, Ballade being no exception. After a prominent career as a flautist with the Paris Opéra, he was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his famous Ballade which premiered in 1927. Addressing many technical features including flourishing semiquaver passages and a wide range, Ballade is a challenging yet riveting and stirring piece for aspiring flautists.”.

French conductor and composer, Albert Beaucamp (1921-1967) first studied organ with his father, and then with Marcel Dupre. His compositional catalogue is relatively small, however, Fantasy for Flute and Piano remains prominent in the advanced flautist's repertoire. Beaucamp is best remembered for founding the Rouen Conservatory and organising and conducting many concerts. Published in 1954, Fantasy reflects typical French romantic-modern characteristics, including flourishing semiquaver passages, chromaticism and much dynamic contrast. For all advanced flautists seeking alternative repertoire, Beaucamp's Fantasy is a delightful addition to the repertoire

Flute

SKU: HL.48181591

Composed by Eugene Bozza. Leduc. Classical. Softcover. 7 pages. Alphonse Leduc #AL21304. Published by Alphonse Leduc (HL.48181591).

UPC: 888680845421. 9.0x12.0x0.068 inches.

“Havi ng won many prizes at the Paris Conservatoire during the 1920s-1930s, Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline, Bozza's compositions were well-received by audiences, Evening in the Mountains for Flute and Piano being no exception. This Bozza piece for Flute is characteristically French, with lyrical and graceful melodies, displays of the beautiful, lower register of the Flute and fast, flourishing semiquaver passages, accompanied by spread chords and staccato in the Piano. As music educationalist, Paul Griffiths has written of Bozza's compositions, ”“his works reveal melodic fluency, elegance of structure and a consistenly sensitive concern of instrumental capabilities.Ӡœâ€.

Flute and Piano

SKU: BT.ALHE26418

Composed by Philippe Gaubert. Book Only. Composed 2003. 10 pages. Heugel & Cie #ALHE26418. Published by Heugel & Cie (BT.ALHE26418).

English.

Philipp e Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, Sicilienne being no exception. After a prominent career as a flautist with the Paris Opéra, he was appointed as professor of Flute at the Paris Conservatoire, as well as principal conductor of leading orchestras. It was during this time that Gaubert composed,including his Sicilienne which was published in 1914. Addressing many technical features, including flourishing semiquaver passages, a wide range, changing time signatures, chromaticism, a variety in dynamics and dotted rhythms,Sicilienne is a pleasantly inspiring piece for aspiring flautists.

Flute and Piano

SKU: BT.ALHE26582

Composed by Philippe Gaubert. Classical. Score Only. 7 pages. Heugel & Cie #ALHE26582. Published by Heugel & Cie (BT.ALHE26582).

French.

Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, his Two Sketches being noexception. After a prominent career as a flautist with the Paris Opéra, Gaubert was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time thatGaubert composed, including his Two Sketches for Flute and Piano, which is made up of two movements. The first of these, Night on the Plain, conveys many technical features, including flourishing semiquaver passages, a wide range,lyricism, intervals, chromaticism and complex rhythms. Night on the Plain from Two Sketches is a challenging yet exciting piece for aspiring flautists.

Flute

SKU: HL.48187475

Composed by Philippe Gaubert. Leduc. Classical. Softcover. 20 pages. Heugel & Cie #HE31013. Published by Heugel & Cie (HL.48187475).

UPC: 888680844684. 9x12 inches.

“Phil ippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, his Sonatina being no exception. After a prominent career as a flautist with the Paris Opéra, Gaubert was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Sonatina for Flute and Piano, which is made up of two movements, the second being a homage to Schumann. Addressing many technical features including flourishing semiquaver passages, a wide range, lyricism, intervals, chromaticism and complex rhythms, Sonatina is a challenging yet riveting and stirring piece for aspiring flautists.&rdquo.

Chamber Music flute, piano

SKU: PR.114422710

Composed by Charles Gibb. Set of Score and Parts. 44+8 pages. Duration 24 minutes. Theodore Presser Company #114-42271. Published by Theodore Presser Company (PR.114422710).

ISBN 9781491136072. UPC: 680160688227.

DUOâ €™s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.” Gibb’s DUO is sure to become a favorite major work for flute recitalists.
This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here” begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,” the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,” is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardentâ� � is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.

Flute (Flute)

SKU: HL.48186558

Composed by Emile Pessard. Leduc. CD. 4 pages. Alphonse Leduc #AL9124. Published by Alphonse Leduc (HL.48186558).

UPC: 888680828318. 9.0x12.0x0.073 inches.

French composer, Emile Pessard (1843-1917) studied at the Paris Conservatoire where he won first prize for harmony and the 1866 Prix de Rome. Andalouse contributes to his significant catalogue of compositions. As well as composing, Pessard taught a wealth of prolific students, including Maurice Ravel and Jacques Ibert. Extracted from his Opus 20, Andalouse for Flute and Piano accompaniment displays typical French romantic features, including semiquaver flourishes, use of a wide tessitura and syncopated rhythms. For all aspiring flautists seeking alternative repertoire, Pessard's Andalouse ensures an exciting performance..

(flute/piano)

SKU: HL.48181507

Composed by Henri Busser. Leduc. Classical. Softcover. 11 pages. Alphonse Leduc #AL21140. Published by Alphonse Leduc (HL.48181507).

UPC: 888680841584. 9x12 inches.

“Fren ch composer, Henri Büsser entered the Paris Conservatoire in 1889. He won the 1893 Prix de Rome and led a highly successful career as a composer, conductor, teacher and organist. His compositions for a variety of instruments are exceptional, Andalucia for Flute and Piano being no exception. As reflected in Andalucia, which is named after the popular Spanish area of the same name, Büsser's compositional style was sophisticated, yet true to the 19th century French tradition. Elements of Andalucia include, chromaticism, exploitation of tonality, complex rhythms and semiquaver flourishes, amongst other aspects. For all advanced Flute players, Büsser's Andalucia is essential to a varied repertoire.&rdquo.

(Reduction for Flute and Piano). By Jos�© Serebrier. Peermusic Classical. 42 pages. Peermusic #70062-313. Published by Peermusic