Full Orchestra SKU: ST.B628 Hardcover score. Composed by Ralph Vau...(+)
Full Orchestra
SKU:
ST.B628
Hardcover
score. Composed by
Ralph Vaughan Williams.
Books & Study Scores.
Full Score: Centenary
Edition 1972. Hardback.
Full Score, hardcover.
Stainer & Bell Ltd.
#B628. Published by
Stainer & Bell Ltd.
(ST.B628).
ISBN
9790220217265.
Full
Score: Centenary Edition
1972. Hardback. .
Orchestral material
available for rental
(Ref.
Composed by Ralph Vaughan
Williams. Score. Lucks
Music Library #A8115.
Published by Lucks Music
Library (TM.07789SC).
Rev 1920; Can
reduce instrumentation if
necessary and have the
absent instrument cues
played by the orchestra:
Omit FL III part and FL
II will play from
alternate FL II & Picc
part instead. OB II and
ENG HN can be performed
by 1 player and follow
notes when to omit one of
the parts. BASS CL and
CONTRA BN can be omitted.
If using 2 COR(/TPT): use
the 2 parts titled FOR
REDUCED ORCHESTRA. If
using 3 COR(/TPT): use
regular parts and omit
TPT II part.
Composed by Ralph Vaughan
Williams. Set Type: D.
Set of parts. Lucks Music
Library #A8115. Published
by Lucks Music Library
(TM.07789SET).
Rev 1920; Can
reduce instrumentation if
necessary and have the
absent instrument cues
played by the orchestra:
Omit FL III part and FL
II will play from
alternate FL II & Picc
part instead. OB II and
ENG HN can be performed
by 1 player and follow
notes when to omit one of
the parts. BASS CL and
CONTRA BN can be omitted.
If using 2 COR(/TPT): use
the 2 parts titled FOR
REDUCED ORCHESTRA. If
using 3 COR(/TPT): use
regular parts and omit
TPT II part.
Full Orchestra Composed by Ralph Vaughan Williams. Full Orchestra (Full S...(+)
Full Orchestra
Composed by Ralph Vaughan
Williams. Full Orchestra
(Full
Score). Dover Edition.
20th
Century; Masterwork.
Score.
Dover Publications
#06-292630.
Published by Dover
Publications
Full Orchestra SKU: ST.MB92 Composed by George Butterworth. Edited by Pet...(+)
Full Orchestra
SKU:
ST.MB92
Composed by
George Butterworth.
Edited by Peter Ward
Jones. Library Volumes.
Edited by Peter Ward
Jones. First published in
2012.. Pages: 200.
Format: Hardback.
Dimensions (mm): 330 x
254 x 24. Full score.
Stainer & Bell Ltd.
#MB92. Published by
Stainer & Bell Ltd.
(ST.MB92).
ISBN
9790220223259.
In
his brief career George
Butterworth (1885-1916)
composed only a small
quantity of orchestral
works, but what he wrote
has never subsequently
been absent from the
repertoire. The two
English Idylls, the
Rhapsody 'A
Shropshire Lad' and
the idyll The Banks
of Green Willow are,
with the music of his
friend Ralph Vaughan
Williams and of Gustav
Holst, among the most
exquisite statements of
the English folk-song
idiom. This complete and
authoritative collection
includes an earlier
version of The Banks
of Green Willow, and
a fragment of an
Orchestral
Fantasia. Work in
progress in 1914 when
Butterworth enlisted to
serve in the Great War,
it suggests the composer
setting out in a bolder
direction, perhaps
inspired by the example
of Vaughan Williams's
A London
Symphony.
Orchestra - Grade 1 SKU: AP.18287 Arranged by Mark Williams. Performance ...(+)
Orchestra - Grade 1
SKU: AP.18287
Arranged by Mark
Williams. Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling Strictly
Strings. Christmas;
Winter. Score and
Part(s). 72 pages.
Highland/Etling
#00-18287. Published by
Highland/Etling
(AP.18287).
UPC:
038081167879.
English.
The title
of this piece refers both
to the often hectic
activity of the holiday
season and the perpetual
motion rhythms (played in
eighth notes) that appear
throughout the
arrangement. Familiar
carols are presented,
accompanied by the
perpetual motion which is
passed between different
sections of the
orchestra. You'd better
slow down-you don't want
to miss this one!
Orchestra (Score) SKU: HL.50605373 Oversized Full Score. Composed ...(+)
Orchestra (Score)
SKU:
HL.50605373
Oversized Full
Score. Composed by
William Bolcom. E.B.
Marks. Classical.
Softcover. 52 pages.
Edward B. Marks Music
#MP077072. Published by
Edward B. Marks Music
(HL.50605373).
ISBN
9781705181171. UPC:
196288107309.
11.0x17.0x0.433
inches.
Premiere:
Boston Pops Orchestra,
John Williams conducting,
Boston, MA, May 4, 1982.
Recording: Lancaster
Festival Orchestra, Gary
Sheldon, conductor.
Dedicated to Eubie Blake
and to the memory of
George Gershwin.
By Ralph Vaughan Williams. Arranged by Gordon Jacob. (Full Score). Boosey and H...(+)
By Ralph Vaughan
Williams. Arranged by
Gordon Jacob. (Full
Score). Boosey and Hawkes
Orchestra. Size 8.5x11
inches. 56 pages.
Published by Boosey &
Hawkes.
Orchestra SKU: PO.PEL26S Composed by Douglas Lilburn. Sws. Score. Prometh...(+)
Orchestra
SKU:
PO.PEL26S
Composed by
Douglas Lilburn. Sws.
Score. Promethean
Editions #PEL26S.
Published by Promethean
Editions (PO.PEL26S).
ISBN
9781877564437.
Lilb
urn's Diversions for
String Orchestra (1947)
was composed within a few
years of the composer's
return to New Zealand
after studying with Ralph
Vaughan Williams at the
Royal College of Music in
London. At the heart of
the work is a love for
rural New Zealand, a
tribute to the dignity
and grace of ordinary
people, and a lyrical
vision of duty to
home. .
Orchestra SKU: PR.11641867L Composed by William Kraft. Spiral. Large Scor...(+)
Orchestra
SKU:
PR.11641867L
Composed
by William Kraft. Spiral.
Large Score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867L. Published by
Theodore Presser Company
(PR.11641867L).
UPC:
680160683215.
Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death.
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Durati...(+)
Orchestra
SKU:
PR.11641867S
Composed
by William Kraft. Full
score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867S. Published by
Theodore Presser Company
(PR.11641867S).
UPC:
680160683208.
Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death.
Orchestra SKU: PR.PH000471 Composed by William Boyce. Arranged by H. C. L...(+)
Orchestra
SKU:
PR.PH000471
Composed
by William Boyce.
Arranged by H. C. Landon.
With Standard notation.
Universal Edition
#PH000471. Published by
Universal Edition
(PR.PH000471).
For Viola, Women's Chorus and Orchestra. By William Schuman. Orchestra. First pe...(+)
For Viola, Women's Chorus
and Orchestra. By William
Schuman. Orchestra. First
performance: Boston
Symphony Orchestra under
the direction of Michael
Tilson Thomas, with Donal
McInnes, Viola Soloist,
and the Radcliffe Choral
Society, November 29,
1973, Boston,
Massachusetts. Full Score
- Study. 151 pages.
Duration 40:00:00.
Published by Theodore
Presser Company.
High Hopes Orchestre [Conducteur] - Facile Alfred Publishing
Orchestra - Grade 2-3 SKU: AP.49882S As Performed by Panic! At the Dis...(+)
Orchestra - Grade 2-3
SKU: AP.49882S
As Performed by Panic!
At the Disco.
Composed by Brendon Urie,
Ilsey Juber, Jacob
Sinclair, Jenny Owen
Young, Jonas Jeberg,
Lauren Pritchard, Sam
Hollander, Tayla Parx,
and William Lobban Bean.
Arranged by Mark Wood.
Performance Music
Ensemble; Single Titles;
String Orchestra. Mark
Wood Series. Pop/Rock;
Radio; Rock. Score.
Duration 3:45. Alfred
Music #00-49882S.
Published by Alfred Music
(AP.49882S).
ISBN
9781470663766. UPC:
038081580784.
English.
This
arrangement of the Panic!
At the Disco hit High
Hopes is perfect for
strings! Very smooth,
rhythmic transitions and
easy playability. It is
arranged for 2 different
grade levels, so you can
include more performers
with different playing
levels. This can be
performed at 2 different
tempos with the play
along tracks: 164 and
140. The middle section,
measure 81, opens up the
phrasing for a more
legato flavor. Great fun
to play! (3:45).
High Hopes Orchestre [Conducteur] - Facile Alfred Publishing
Orchestra - Grade 2 SKU: AP.48057S As Recorded by Panic! At the Disco<...(+)
Orchestra - Grade 2
SKU: AP.48057S
As Recorded by Panic!
At the Disco.
Composed by Brendon Urie,
Isley Juber, Jacob
Sinclair, Jenny Owen
Young, Jonas Jeberg,
Lauren Pritchard, Sam
Hollander, Tayla Parx,
and William Lobban Bean.
Arranged by Doug Adams.
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Intermediate String
Orchestra. Light Concert;
Pop/Rock. Score. 8 pages.
Duration 2:00. Alfred
Music #00-48057S.
Published by Alfred Music
(AP.48057S).
ISBN
9781470652340. UPC:
038081557830.
English.
Doug
Adams' arrangement of
Panic! At the Disco's
chart-topping pop-rock
anthem, High Hopes, is
going to excite your
string orchestra and
audience. It will be hard
to stop them from singing
along. Scored perfectly
for younger string
orchestras, students will
fill the hall with a rich
sound and strong rhythmic
presence. (2:00).
Orchestra - Grade 2 SKU: AP.48057 As Recorded by Panic! At the Disco(+)
Orchestra - Grade 2
SKU: AP.48057
As Recorded by Panic!
At the Disco.
Composed by Brendon Urie,
Isley Juber, Jacob
Sinclair, Jenny Owen
Young, Jonas Jeberg,
Lauren Pritchard, Sam
Hollander, Tayla Parx,
and William Lobban Bean.
Arranged by Doug Adams.
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Intermediate String
Orchestra. Light Concert;
Pop/Rock. Score and
Part(s). 80 pages.
Duration 2:00. Belwin
Music #00-48057.
Published by Belwin Music
(AP.48057).
ISBN
9781470652258. UPC:
038081557823.
English.
Doug
Adams' arrangement of
Panic! At the Disco's
chart-topping pop-rock
anthem, High Hopes, is
going to excite your
string orchestra and
audience. It will be hard
to stop them from singing
along. Scored perfectly
for younger string
orchestras, students will
fill the hall with a rich
sound and strong rhythmic
presence. (2:00).
Orchestra - Grade 2-3 SKU: AP.49882 As Performed by Panic! At the Disc...(+)
Orchestra - Grade 2-3
SKU: AP.49882
As Performed by Panic!
At the Disco.
Composed by Brendon Urie,
Ilsey Juber, Jacob
Sinclair, Jenny Owen
Young, Jonas Jeberg,
Lauren Pritchard, Sam
Hollander, Tayla Parx,
and William Lobban Bean.
Arranged by Mark Wood.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Mark
Wood Series. Pop/Rock;
Radio; Rock. Score and
Part(s). Duration 3:45.
Alfred Music #00-49882.
Published by Alfred Music
(AP.49882).
ISBN
9781470663759. UPC:
038081580777.
English.
This
arrangement of the Panic!
At the Disco hit High
Hopes is perfect for
strings! Very smooth,
rhythmic transitions and
easy playability. It is
arranged for two
different grade levels,
so you can include more
performers with different
playing levels. This can
be performed at two
different tempos with the
play-along tracks: 164
and 140. The middle
section, measure 81,
opens up the phrasing for
a more legato flavor.
Great fun to play!
(3:45).