Orchestra SKU: BA.BA10986 Composed by Franz Joseph Haydn. Edited by Sonja...(+)
Orchestra
SKU:
BA.BA10986
Composed
by Franz Joseph Haydn.
Edited by Sonja Gerlach
and Sterling E. Murray.
This edition: urtext
edition. Stapled. Score.
Hob. I:77. Baerenreiter
Verlag #BA10986_00.
Published by Baerenreiter
Verlag (BA.BA10986).
ISBN 9790006569106. 31
x 24.3 cm inches. Key:
B-flat major. Preface:
Andreas
Friesenhagen.
Haydn
composed his Symphony No.
77 along with his
Symphonies Nos. 76 and 78
for a planned journey to
England that never took
place. Nonetheless, H.C.
Robbins Landon calls
these works the
“English
symphonies†as they
are stylistically closely
linked to the
“London
Bachâ€, Johann
Christian Bach. Haydn
himself, in a letter of
1783 to his Parisian
publisher Charles-Georges
Boyer, described the
symphonies as
‘Leicht und nicht
vil Concertirendâ€,
meaning that they were
light in spirit and did
not contain extensive
solo passages but rather
a clear sense of
classical
form.
Continuing
the cooperation between
Bärenreiter and the G.
Henle publisher regarding
Haydn’s
large-scale choral works,
operas and symphonies,
this edition is based on
the G. Henle Complete
Edition of the
“Works of Joseph
Haydnâ€. The
Bärenreiter catalogue
now includes the complete
performance material for
several “Sturm und
Drang†symphonies
as well as all the London
and Paris
symphonies.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
La Mer Orchestre [Conducteur d'étude / Miniature] Barenreiter
(Trois esquisses symphoniques). Composed by Claude Debussy (1862-1918). Edited b...(+)
(Trois esquisses
symphoniques). Composed
by Claude Debussy
(1862-1918). Edited by
Douglas Woodfull-Harris.
For orchestra (2
flutes/soprano flute/2
oboes/english
horn/clarinet/2
bassoons/5
contrabassoons/2
trumpets/horn/2
trombones/tuba/percussion
/celeste/2
harps/strings). This
edition: Urtext edition.
Paperback. Study score.
Text Language:
English/French/German.
Duration 10 minutes.
Published by Baerenreiter
Verlag
Fete with a Prologue and 3 Acts. Composed by Jean- Philippe Rameau (1683-1764)....(+)
Fete with a Prologue and
3
Acts. Composed by Jean-
Philippe Rameau
(1683-1764).
Edited by Julien
Dubruque.
This edition: urtext
edition.
Paperback. Symphonies /
Versions of 1746 and
1745.
Score, anthology. RCT 59.
Baerenreiter Verlag
#BA07563.
Published by Baerenreiter
Verlag
Orchestra (Study Score) SKU: HL.49009620 For Orchestra. Composed b...(+)
Orchestra (Study Score)
SKU: HL.49009620
For Orchestra.
Composed by Joaquí
and n Rodrigo. Edited by
Raymond Calcraft. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. Study Score.
Composed 1977. 82 pages.
Duration 15'. Eulenburg
Edition #ETP1455.
Published by Eulenburg
Edition (HL.49009620).
ISBN 9790200211306.
UPC: 073999351675.
5.25x7.5x0.205
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Composed by Larry Shackley. For orchestra. Choral. Sacred Anthem, Eastertide, Ge...(+)
Composed by Larry
Shackley. For orchestra.
Choral. Sacred Anthem,
Eastertide, General, Holy
Week. Orchestral score
and CD-ROM (with
printable parts). Lorenz
Publishing Company
#30/2789L. Published by
Lorenz Publishing Company
By Glen Ballard And Alan Silvestri. Arranged by Jerry Brubaker. By Alan Silvestr...(+)
By Glen Ballard And Alan
Silvestri. Arranged by
Jerry Brubaker. By Alan
Silvestri and Glen
Ballard / arr. Jerry
Brubaker. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Movie.
Conductor Score and
Parts. 316 pages.
Duration 5:58. Published
by Alfred Publishing.
Level: 3 (grade 3).
By Glen Ballard And Alan Silvestri. Arranged by Jerry Brubaker. By Alan Silvestr...(+)
By Glen Ballard And Alan
Silvestri. Arranged by
Jerry Brubaker. By Alan
Silvestri and Glen
Ballard / arr. Jerry
Brubaker. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Movie.
Conductor Score.
Published by Alfred
Publishing. Level: 3
(grade 3).
Divertimento teatrale
in one act. Operetta for
four voices. Composed
by Antonio Salieri.
Edited by Adrian La
Salvia and Thomas
Betzwieser. This edition:
Edition of selected
works, Urtext edition.
Linen. Spectrum of
European Music Theatre in
Separate Editions 1.
Edition of selected
works, Score, Critical
commentary, USB flash
drive. Duration 1 hour,
15 minutes. Baerenreiter
Verlag #BA08811_00.
Published by Baerenreiter
Verlag (BA.BA08811).
ISBN 9790006539840.
33.1 x 26.5 cm inches.
Text Language: Italian.
Preface: Betzwieser,
Thomas. Text:
Giambattista
Casti.
A memorable
musical competition
commissioned by the
emperor Joseph II took
place on 7 February 1786
as part of a festival in
the orangery of the
Schönbrunn palace. A
German Singspiel ensemble
performed Mozart’s
“Schauspieldirektor
†whilst Antonio
Salieri’s
“Prima la musica e
poi le parole†was
performed by the Italian
court singers and
musicians. This charming
opera satire belongs to
the genre of
“metamelodrammaâ
in which the opera
itself becomes the
subject of the action.
The people who are part
of an opera production,
for example the
librettist, composer and
prima donna, appear as
characters on the stage
and are presented in a
humorous self-reflection.
In this ‘theatre
about theatre’
Salieri parodies the
music from Giuseppe
Sarti’s
“Giulio
Sabino†in his
insert arias, thus
playing on the music
which was totally
familiar with the
audience of the time. By
reflecting on the
musical-dramatic style of
that period and
discussing whether
‘the word’
or ‘the
music’ should take
priority, this
masterpiece is considered
to be an early forerunner
to Richard
Strauss’s
“Capriccioâ€.<
br> The new edition of
the score is published as
part of “opera
– Spectrum of
European Music Theatre in
Separate Editionsâ€.
There are several
alterations regarding the
libretto text, stage
directions, articulation,
ornamentation, etc. which
have been incorporated
into this newly engraved
vocal score. Furthermore,
all appendix numbers from
the score which concern
the quotations from
Giuseppe Sarti’s
“Giulio
Sabino†have also
been
incorporated.
â
¢ Urtext vocal score
based on the
historical-critical
hybrid score published as
part of “opera
– Spectrum of
European Music Theatre in
Separate Editionsâ€
edited by Thomas
Betzwieser (music
edition) and Adrian La
Salvia (text
edition). •
Original Italian libretto
with singable German
translation •
Comprehensive bilingual
foreword (Ger/Eng) on the
genesis and reception of
the work, on
metamelodramma and
intertextuality
etc. • Includes
an extensive appendix to
the quotations taken from
Giuseppe Sarti’s
“Giulio
Sabino†•
Idiomatic piano
reduction
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Orchestra) SKU: HL.49013026 Dance drama by Luchino Visconti. One set<...(+)
(Orchestra)
SKU:
HL.49013026
Dance
drama by Luchino
Visconti. One set.
Composed by Hans Werner
Henze. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Composed 1956. 168
pages. Duration 50'.
Schott Music #ED 9416.
Published by Schott Music
(HL.49013026).
ISBN
9790001131476.
1
(auch Picc.) * 1 * Engl.
Hr. * 1 * Bassklar. * 1 -
2 * 2 * 1 * 0 - P. - Hfe.
- Str.Jazzband (kann nach
Belieben verandert
werden): Fl. * Altsax. *
Tenorsax. * Jazztrp. *
Jazzpos. - S. (hg. Beck.
* Tamt. * kl. Tr. [mit
Schnarrs.] * Tomt. *
Jazztr. * Bong. * gr. Tr.
[mit Ped.] * Mar. * Tubo)
(3 Spieler) - Klav. -
Kb.
1 (auch Picc.)
* 1 * Engl. Hr. * 1 *
Bassklar. * 1 - 2 * 2 * 1
* 0 - P. - Hfe. -
Str. Jazzband (kann
nach Belieben verandert
werden): Fl. * Altsax. *
Tenorsax. * Jazztrp. *
Jazzpos. - S. (hg.
Beck. * Tamt. * kl. Tr.
[mit Schnarrs.] * Tomt. *
Jazztr. * Bong. * gr. Tr.
[mit Ped.] * Mar. *
Tubo) (3 Spieler) - Klav.
- Kb.
Orchestra (Viola) SKU: BA.BA08841-79 Composed by Claude Debussy. Edited b...(+)
Orchestra (Viola)
SKU:
BA.BA08841-79
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_79. Published by
Baerenreiter Verlag
(BA.BA08841-79).
ISBN
9790006541232. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
(Tanzstunden I)
Tanzschauspiel. Libretto
frei nach Moliere.
Composed by Hans Werner
Henze. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Composed
1949/1995. 172 pages.
Duration 35'. Schott
Music #ED 9456. Published
by Schott Music
(HL.49013033).
ISBN
9790001131919.
8.25x11.75x0.462
inches.
Bei der
Neuschrift des Stucks im
Winter 1995-96, funfzig
Jahre nach seiner
Entstehung (als
Buhnenmusik zu Molieres
Comedie ballet Georges
Dandin, aus der
anschliessend ein Ballett
wurde mit dem englischen
Clown Jack Pudding in der
Titelrolle), ist es mir
darum gegangen, den alten
Notentext auszulosen und
sein thematisches und
harmonisches Material
nach Kriterien zu ordnen
und zu entwickeln, die
mir seinerzeit noch nicht
zur Verfugung standen,
und die recht
skizzenhafte Anlage des
Urtexts in eine Klangwelt
heruberzutragen, die
meinen heutigen
Vorstellungen und
Wertbegriffen von Theater
und Musik entspricht und
die gleichzeitig das
heutige kulturelle Klima
Neapels widerspiegelt und
damit eine besondere Art
von Wirklichkeit, die
mich einmal so sehr
gefangengenommen,
bezaubert und beeinflusst
hat.- Hans Werner
Henze
: 1 (auch
Picc.) * 1 * 1 * 1 - 1 *
1 * 1 * 0 - P. S. (3
Trgl. * Crot. * Rohrengl.
* Trinidad steel drum * 3
hg. Beck. * 3 Tamt. * 3
Tomt. * Schellentr. * kl.
Tr. * gr. Tr. [m. u. o.
Beck.] * Bongo * Guiro *
Kast. * Ratsche *
Peitsche * Lotosfl. *
Cuica * Mar. * Putipu
[neap. Brummtopf]*
Scetavajasse [neap.
Schrapstock mit Schellen]
* Flex. * Vibr. *
Marimba) (3 Spieler) -
Klav. (auch Cel. und Akk.
ad lib.) - Str.
Orchestra (Orchestra) SKU: HL.48185342 Composed by Olivier Messiaen. Ledu...(+)
Orchestra (Orchestra)
SKU: HL.48185342
Composed by Olivier
Messiaen. Leduc.
Classical. Softcover. 184
pages. Alphonse Leduc
#AL28842. Published by
Alphonse Leduc
(HL.48185342).
UPC:
888680837099.
10.5x13.5x0.51
inches.
Illuminatio
ns on the Afterlife -
Part 2, VII to XI is the
second part of this
religious orchestral
piece by Olivier Messiaen
composed between 1987 and
1991. This conductor
edition features the
movements VII to XI of
the orchestra. VII. Et
Dieu essuiera toute larme
de leurs yeux? (And God
will dry the tears from
their eyes) VIII. Les
etoiles et la Gloire
(Stars and Glory) IX.
Plusieurs oiseaux des
arbres de vie (Birds from
trees of life) X. Le
chemin de l?Invisible
(Path to the Invisible)
XI. Le Christ, lumiere du
Paradis (Christ, light of
the Paradise) The full
orchestra lasts
approximately one hour
and was commissioned by
the New York Symphonic
Orchestra. It
incorporates some
birdsong from Oceania and
some modes of limited
transposition. Olivier
Messiaen (1908-1992) was
a French organist and
composer passionate about
Ornithology and one of
the most important
composers of his century.
Inspired by Japanese
music, he had a very
special way of composing
and his work can be
identified by its
complexity, its diatonic
aspect, its harmony with
limited transposition,
its colour and its
additive rhythms. He
composed many works
related to ornithology
and birdsong, including
the 'Bird Catalogue' in 7
volumes and the 'Treatise
on rhythm, colour and
ornithology' in 7
volumes..
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos J...(+)
Orchestra
SKU:
BA.BA06861
Sinfonie
(1923-1928). Composed
by Leos Janacek. Arranged
by Leoš Faltus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek H/3.
Complete edition, Score,
Set of parts. Duration 40
minutes. Baerenreiter
Verlag #BA06861_00.
Published by Baerenreiter
Verlag (BA.BA06861).
ISBN 9790260104211.
34.3 x 27 cm
inches.
Leoš
Janácek’s
symphonic fragment Dunaj
(The Danube) dates from
the period of the
composition of
“Katya
Kabanovaâ€. The
composer was not
concerned with a
musical-picturesque
description of a river
landscape, but with the
mythical link between
women’s destinies
and
water.
“Pale
green waves of the
Danube! There are so many
of you, and one followed
by another. You remain
interlocked in a
continuous flow. You
surprise yourselves where
you ended up – on
the Czech shores! Look
back downstream and you
will have an impression
of what you have left
behind in your haste. It
pleases you here. Here I
will rest with my
symphony.†Thus
Leoš Janácek
described the idea behind
the composition project
which occupied him in
1923/24. However, after
further work, it remained
incomplete in 1926. His
“symphonyâ€
entitled Dunaj has
survived as a
continuously-notated,
four-movement bundle of
sketches in score form.
It is one of the works
which occupied him until
his death. The scholarly
reconstruction by the two
Brno composers Miloš
Štedron and Leoš
Faltus closely follows
the original
manuscript.
A
whole conglomeration of
motifs stands behind the
incomplete work. What at
first seems like a
counterpart to
Smetana’s Vltava,
in fact doesn’t
turn out to be a musical
depiction of the Danube.
On the contrary, the
fateful link between the
destiny of women, water
and death permeates the
range of motifs found in
the work. It seems to be
no coincidence that
Janácek, whilst
working on the opera
Katya Kabanova, in which
the Volga, as the river
bringing death plays an
almost mythical role,
planned a Danube
symphony, and that its
content was linked with
the destiny of women: in
the sketches, two poems
were found which may have
provided the stimulus for
several movements of the
symphony. He copied a
poem by Pavla
Kriciková into the
second movement, in which
a girl remarks that
whilst bathing in a pond,
she was observed by a
man. Filled with shame,
the young naked woman
jumps into the water and
drowns. The outer
movements likewise draw
on the poem
“Lola†by the
Czech writer Sonja
Špálová,
published under the
pseudonym Alexander
Insarov. This is about a
prostitute who asks for
her heart’s
desire: she is given a
palace, but then goes on
a long search for it and
is finally no longer
wanted by anyone. She
suffers, feels cold and
just wants a warm fire.
Janácek adds his
remark “she jumps
into the Danube†to
the inconclusive
ending.
To these
tangible literary models
is added Adolf
Veselý’s verbal
account which reports
that the composer wanted
to portray “in the
Danube, the female sex
with all its passions and
driving forcesâ€.
The third movement is
said to characterise the
city of Vienna in the
form of a
woman.
It is
evident that in his
composition, Janácek
was not striving for a
simple, natural lyricism.
The River Danube is
masculine in the Slavic
language –
“ten Dunajâ€
– and assumes an
almost mythical
significance in the
national character,
indeed often also a role
bringing death. The four
movements are motivically
conceived. Elements of
sound painting, small
wave-like figures in the
first movement, motoric,
driving movements in the
third are obvious
evocations of water. And
the content and the
literary level are easy
to discover. The
“tremolo of the
four timpaniâ€,
which was amongst
Janácek’s first
inspirations, appears in
the second movement. It
is not difficult to
retrace in it the fate of
the drowning bather. The
oboe enters lamentoso
towards the end of the
movement over timpani
playing tremolo, its
descending figure is
taken over by the flute,
then upper strings and
intensified considerably.
The motif of drowning
– Lola’s
despair – returns
again in the fourth
movement in the clarinet,
before the work ends
abruptly and
dramatically.
One
special effect is the use
of a soprano voice in the
motor-driven third
movement. The singer
vocalises mainly in
parallel with the solo
oboe, but also in
dialogue with other parts
such as the viola
d’amore, which
Janácek used in
several late works as a
sort of “voice of
loveâ€.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
By Charlie Parker. Edited by Jeffrey Sultanof. Arranged by Joe Lippman. For stud...(+)
By Charlie Parker. Edited
by Jeffrey Sultanof.
Arranged by Joe Lippman.
For studio ensemble with
alto saxophone soloist
(Solo Alto Saxophone,
Oboe, French Horn, 4
Violins, 2 Violas, Cello,
Harp, Guitar (Optional),
Piano, Bass, Drums).
Ballad. Difficult.
Published by Jazz Lines
Publications
A Shropshire Lad Orchestre [Conducteur d'étude / Miniature] Eulenburg
Orchestra (Study Score) SKU: HL.49009587 Rhapsody for Orchestra. C...(+)
Orchestra (Study Score)
SKU: HL.49009587
Rhapsody for
Orchestra. Composed
by George Butterworth.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
29 pages. Eulenburg
Edition #ETP 1382.
Published by Eulenburg
Edition (HL.49009587).
ISBN 9790200211030.
UPC: 073999351927.
5.25x7.5x0.081
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Composed by Peter Ilyich Tchaikovsky (1840-1893). Full Orchestra (Miniature Scor...(+)
Composed by Peter Ilyich
Tchaikovsky (1840-1893).
Full Orchestra (Miniature
Score); Larger Works;
Masterworks; Performance
Music Ensemble. Kalmus
Edition. Two volume set
(includes K00553A and
K0053B). Masterwork;
Romantic. Score. 808
pages. Kalmus Classic
Edition #00-K00553.
Published by Kalmus
Classic Edition
Symphonies. Composed by Jean- Philippe Rameau (1683-1764). Edited by Thomas Sou...(+)
Symphonies. Composed by
Jean-
Philippe Rameau
(1683-1764).
Edited by Thomas Soury.
This
edition: urtext edition.
Paperback. Score,
anthology.
Baerenreiter Verlag
#BA08895_00. Published by
Baerenreiter Verlag
Composed by Elliot Del
Borgo. Solo or Ensemble.
Apex String Orchestra.
Score and set of parts.
Kendor Music Inc #10143.
Published by Kendor Music
Inc (KN.10143).
UPC:
822795101430.
For
student string orchestras
this expressive tone poem
beautifully portrays the
changing moods of the sea
with soaring melodies and
lush, late-Romantic
harmonies. The lyrical
opening theme should be
played with great
sensitivity and warmth,
while the dramatic
closing theme should be
played with energy and
passion. Playing with
clarity, precision and
balance is particularly
important in fugal
passages. In the final
analysis, Del Borgo says
players shouldn't be
afraid to wear their
hearts on their
sleeves.
Orchestra SKU: HL.49009442 Overture. Composed by Franz Joseph Hayd...(+)
Orchestra
SKU:
HL.49009442
Overture. Composed
by Franz Joseph Haydn.
Edited by H. C. Robbins
Landon. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Study Score.
Composed 1779. 50 pages.
Duration 7'. Eulenburg
Edition #ETP1124.
Published by Eulenburg
Edition (HL.49009442).
ISBN 9790200209556.
5.5x7.5x0.118
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Orchestra (Full Score) SKU: HL.40821 Composed by Claude Baker. LKM Music....(+)
Orchestra (Full Score)
SKU: HL.40821
Composed by Claude Baker.
LKM Music. Classical. 76
pages. Lauren Keiser
Music Publishing
#X077014. Published by
Lauren Keiser Music
Publishing (HL.40821).
Orchestra (Study Score) SKU: HL.51489052 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489052
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Klaus Lippe and
Sonja Gerlach. Study
Score. Clothbound. Henle
Study Scores. Classical.
Softcover. 60 pages. G.
Henle #HN9052. Published
by G. Henle
(HL.51489052).
ISBN
9790201890524. UPC:
888680950682.
7.0x9.0x0.238 inches.
Preface: Ullrich
Schneidler.
Orchestra (Orchestra) SKU: HL.48184896 Composed by Olivier Messiaen. Ledu...(+)
Orchestra (Orchestra)
SKU: HL.48184896
Composed by Olivier
Messiaen. Leduc.
Classical. Softcover. 162
pages. Alphonse Leduc
#AL28226. Published by
Alphonse Leduc
(HL.48184896).
UPC:
888680859565.
9.5x12.5x0.471
inches.
Olivier
Messiaen (1908-1992) is
known for his unique
composition style.
Incorporating complex
rhythms, harmony,
melodies and his passion
for ornithology, his
Illuminations of the
Beyond for Orchestra is
no exception to the
composer's popular,
distinctive style.
Composed between
1987-1991, Illuminations
of the Beyond was one of
the composer's last
works, with the premiere
occuring six months after
his death. The work
includes Messiaen's
popular compositional
techniques, such as his
modes of limited
transposition, and the
use of birdsong.
Messiaen's piece for
orchestra is divided in
to eleven movements and a
typical performance lasts
about one hour.
Illuminations of the
Beyond is essential to
all advanced orchestras
seeking to expand and
vary their
repertoire..
Eulenburg Audio Score Series, Vol. 82 Study Score/CD Pack. Composed by Cl...(+)
Eulenburg Audio Score
Series, Vol. 82 Study
Score/CD Pack.
Composed by Claude
Debussy (1862-1918).
Edited by Richard Clarke.
Eulenberg Audio plus
Score. Softcover with CD.
172 pages. Eulenburg
Edition #EAS182.
Published by Eulenburg
Edition (HL.49019781).